Maja (The Nocturnal Library)'s Reviews > The Unbecoming of Mara Dyer

Sometimes, a book you least expect to like takes you completely by surprise. Sometimes, even though you respect their opinion, you disagree with some of your most trusted friends. For me, this is one of those times.

The Unbecoming of Mara Dyer wasn’t at all what I expected. I was warned about the love interest, about the heroine, about the plot and about the romance itself. I was told that the story makes little sense, that the romance is forced and unbelievable, that the love interest is just another version of Edward Cullen and that the heroine is simply too unmemorable, and occasionally even too stupid to live.

I must say that I respectfully disagree.

The fact of the matter is that I found the plot to be compelling and absolutely addictive; well planned, well written and incredibly suspenseful. Mara is a completely unreliable narrator, a detached, slightly unhinged, completely broken girl who hallucinates more often than not. We can’t be sure what we’re seeing, not when we’re seeing it through her eyes, and like her, we must question everything, from her friends and family to her sanity.

In addition, it must be said that I actually like Edward Cullen, and strangely enough, I rather like Noah Shaw as well. His previous romantic entanglements made me uncomfortable at first (as they were meant to, I’m sure), but as I learned more about him and witnessed his devotion to Mara, I started genuinely liking the boy.

It was actually Mara, not Noah, who gave me pause more than once. She came perilously close to the very definition of anti-heroine on several occasions, in a way that truly put me on edge. However, despite my discomfort (or possibly because of it), I appreciated Hodkin’s excellent characterization, her insightfulness and her willingness to take her characters to pretty uncomfortable places, well beyond the limit of morally and socially acceptable behavior. Mara wasn’t the only one who questioned her sanity. I questioned it constantly and there were moments when I thought she really should be put away, for her own safety and the safety of others. This is Michelle Hodkin’s true strength – she makes us love and fear a single character, be understanding and understandably wary at the same time. Mara is not a heroine in the traditional sense, but it’s quite easy to care for her nevertheless.

This story’s only true flaw, in my opinion, is that it doesn’t offer any sort of explanation for Mara’s apparent hallucinations. I’ve developed a very thick skin when it comes to cliffhangers, but at least some answers would have been most welcome. As is, I was left with hundreds of questions, very few answers, and a deep sense of dread that will likely stay with me for days to come.

Christy Romano narrated the book beautifully and added so much to the experience. Her pacing is a bit faster than normal, but it suits this story perfectly, and her voice only amplifies the overwhelming tension of the story. Mara’s emotions, as well as her strange detachment throughout the story, were clearly reflected in Romano’s voice. In addition, she did a fairly good job with Noah’s accent – she didn’t sound native, not quite, but even in that she was more than good enough.

After the crushing cliffhanger we were left with, I have no choice but to continue the story right away. Please excuse me while I go hide in the darkest, quietest corner of my house with Freya (my phone) and headphones for company.