Katia N's Reviews > The Dead
The Dead
by
by
It is just a short story… I’ve started to write my thoughts about it so many times. But it is so perfect, that by the time i reach the second paragraph, i hit the wall. My thoughts stick into each other and become an undistguishable whirlpool of awe.
So, you do not need to continue reading what follows; just read the story, and read it now when something is ending but something else is barely beginning just yet… Christmas and New Year, this time..
It starts with something very relatable, very traditional - two old ladies, the aunts of Gabriel, the main character, are hosting a Christmas party. They has been doing it for the last 30 years or so. The scenario is familiar, all usual faces of family and friends are there; everyone has got a predictable role naturally evolved during those years. Joyce describes the scene with absolutely delicious prose. A few words by him suffice when someone else would need five pages of the text. His language possess this musicality, totally unique to him. (From the writers I know, Nabokov comes close, but he sounds sometimes a little laboured):
“As the buttons of his overcoat slipped with a squeaking noise through the snow-stiffened frieze, a cold fragrant air from out-of-doors escaped from crevices and folds.”
But there are people who are not there, though we feel there presence.. I think, in Poland they’ve got this tradition of keeping an empty chair for the family members who passed away. And Joyce keeps this chair as well very subtly for now. Gabriel looks at the portrait of his mum who died sometimes ago. He also makes a joke about his grandad.
But the story really goes into the highest gear in the last few pages. By sheer coincidence, Gabriel finds out something tragic and beautiful which existed in the life of his wife a way before him. This revelation totally shocks him; he is in awe with the magnitude of her experience and feels diminished by it.
It also derailes his train of thoughts towards the finiteness of life, towards the transience of our existence, especially of the older people we love. When we are young, we think they will be there forever. They are not supposed to age and change, and eventually “become shades”…
“His soul had approached that region where dwell the vast hosts of the dead. He was conscious of, but could not apprehend their wayward and flickering existence. His own identity was fading out into a grey impalpable world: the solid world itself which these dead had one time reared and lived in was dissolving and dwindling.”
When i think about it, I see the huge limitless stage full of people and decorations with the single source of light. The light moves slowly beaming on a group for a time being and then moving towards another one, leaving everyone else there in shadow, never to come back…
And there is another layer there for me. He looks at his wife and realises that she now is not the same person who has had that experience. This young girl is a shade as well. Our old selfs are shades of us, the ones which do not exist any longer here, but the ones we still remember and miss and try to reach sometimes… And a familiar song, or drops of rain, or silent sound of snow could call upon and bring the one of these shades back for a fraction of a moment, and make it real again…
Happy New Year!
So, you do not need to continue reading what follows; just read the story, and read it now when something is ending but something else is barely beginning just yet… Christmas and New Year, this time..
It starts with something very relatable, very traditional - two old ladies, the aunts of Gabriel, the main character, are hosting a Christmas party. They has been doing it for the last 30 years or so. The scenario is familiar, all usual faces of family and friends are there; everyone has got a predictable role naturally evolved during those years. Joyce describes the scene with absolutely delicious prose. A few words by him suffice when someone else would need five pages of the text. His language possess this musicality, totally unique to him. (From the writers I know, Nabokov comes close, but he sounds sometimes a little laboured):
“As the buttons of his overcoat slipped with a squeaking noise through the snow-stiffened frieze, a cold fragrant air from out-of-doors escaped from crevices and folds.”
But there are people who are not there, though we feel there presence.. I think, in Poland they’ve got this tradition of keeping an empty chair for the family members who passed away. And Joyce keeps this chair as well very subtly for now. Gabriel looks at the portrait of his mum who died sometimes ago. He also makes a joke about his grandad.
But the story really goes into the highest gear in the last few pages. By sheer coincidence, Gabriel finds out something tragic and beautiful which existed in the life of his wife a way before him. This revelation totally shocks him; he is in awe with the magnitude of her experience and feels diminished by it.
It also derailes his train of thoughts towards the finiteness of life, towards the transience of our existence, especially of the older people we love. When we are young, we think they will be there forever. They are not supposed to age and change, and eventually “become shades”…
“His soul had approached that region where dwell the vast hosts of the dead. He was conscious of, but could not apprehend their wayward and flickering existence. His own identity was fading out into a grey impalpable world: the solid world itself which these dead had one time reared and lived in was dissolving and dwindling.”
When i think about it, I see the huge limitless stage full of people and decorations with the single source of light. The light moves slowly beaming on a group for a time being and then moving towards another one, leaving everyone else there in shadow, never to come back…
And there is another layer there for me. He looks at his wife and realises that she now is not the same person who has had that experience. This young girl is a shade as well. Our old selfs are shades of us, the ones which do not exist any longer here, but the ones we still remember and miss and try to reach sometimes… And a familiar song, or drops of rain, or silent sound of snow could call upon and bring the one of these shades back for a fraction of a moment, and make it real again…
Happy New Year!
Sign into Goodreads to see if any of your friends have read
The Dead.
Sign In »
Reading Progress
December 29, 2017
–
Started Reading
December 29, 2017
– Shelved
December 29, 2017
–
99.0%
"His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead."
December 31, 2017
–
Finished Reading
Comments Showing 1-9 of 9 (9 new)
date
newest »
message 1:
by
Cecily
(new)
-
rated it 3 stars
Oct 09, 2022 01:37PM
reply
|
flag
Thank you very much for reading it, Cecily. If someone would ask me to produce the list of my favourite 5 short stories (fortunately, none does), this story would definitely be the one of them together with "Black Monk" by Chekhov, "The Pursuer" by Cortazar, 'The Vane Sisters" by Nabokov and something from Borges' ones:-)
Oh, it is a of course a very subjective 5:-) What would be your favourite 5 short stories if I dare asking.?
I've read and loved your reviews of Borges. They are brilliant, very erudite and succinct as well. I think you sympathise with me not able to pick up a single one:-)
That's a tough question. Having read a short story a week, for six months, with the Short Story Club, ought to make it easier, but it really doesn't: just more to choose from, plus we're going chronologically and have only just reached DH Lawrence.
If I had to pick five... there would be something by Borges (not sure which) and something by Kafka (probably one of Report to the Academy, The Penal Colony, or Before the Law), something by Billy O'Callaghan (perhaps Ruins, from The Boatman), something by Wodehouse, something by Saki (The Reticence of Lady Anne)... That's five already! I'd also want some of To Build a Fire by Jack London, Araby by James Joyce, Misery by Chekhov, The Storm by Kate Chopin, one of Bradbury's Martian Chronicles, a John Wyndham (possibly Pawley's Peepholes for sentimental reasons), A Witch’s Guide to Escape by Alix Harrow, The Machine Stops by EM Forster, and The Ones Who Walk Away from Omelas by EM Forster.
Yep. Impossible question!
Thank you very much, Carol. I am really moved. This story has become important for me and I re-read it periodically. So it is very touching for me that I've managed to convey it for you.
That's a tough question. Having read a short story a week, for six months, with the Short Story Club, ought to ma..."
Oh wonderful! Thank you for taking your time to answer this question. Impossible indeed! But I've added to my list Forster, Chopin and Wyndham. I am not familiar at all with the last two. Though I've got a book by Wyndham. But Foster - I loved "Passage to India" and a bit less "Room with the view". But I am not familiar with his short stories. The same for DH Lawrence. But I like some by Henry James...
It is very pleasurable discussion without a possible end:-) There is a website "A Personal Anthology: weekly letter and website" maintained by Jonathan Gibbs. He sends a newsletter every Friday with a guest who picks up his favourites. It is so fascinating - the whole endless universe what people choose...
Chopin is Kate Chopin, a US author in the 1800s who was way ahead of her time. I've enjoyed The Storm and The Story of an Hour and a couple of others.
John Wyndham is better known for his novels, especially Day of the Triffids and Midwich Cuckoos (filmed as Village of the Damned), but I have a penchant for time travel stories, and quite a few of his short stories feature it.