IMDb-BEWERTUNG
6,7/10
2199
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA film director tries to create the best film in history, but finds out that human abilities have their limits.A film director tries to create the best film in history, but finds out that human abilities have their limits.A film director tries to create the best film in history, but finds out that human abilities have their limits.
Birgit Lindkvist
- Anna
- (as Bibi Lindkvist)
Britta Holmberg
- Birgitta's Mother in Dream
- (Synchronisation)
John W. Björling
- Man in Birgitta's Dream
- (Nicht genannt)
Sven Björling
- Filmworker at Film Studio
- (Nicht genannt)
Anita Blom
- Anna
- (Nicht genannt)
Britta Brunius
- Lasse's Mother
- (Nicht genannt)
Åke Engfeldt
- Police Officer
- (Nicht genannt)
Gösta Ericsson
- Police Officer
- (Nicht genannt)
Kenne Fant
- Arne
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesIngmar Bergman's first film based on his own original screenplay.
- Crazy CreditsThere are no opening titles in this film. An unseen narrator (Hasse Ekman) reads the credits, as well as the title, out loud approximately ten minutes in to the movie. The sole title card is the standard "Slut" (Swedish for "End") that closes the picture.
- VerbindungenEdited into Geschichte(n) des Kinos: Une histoire seule (1989)
- SoundtracksDrömmen
Composed by Erland von Koch (1949)
Ausgewählte Rezension
Bergman Collection 20 All Reached
Bergman's first scripted film at the helm, and I didn't expect it to be that good in comparison to his entire career. It's a shame that the CC compilation didn't choose to include this Bergman film, with a hint of that New Wave flavor from Monica the Delinquent. Opened the movie on b-site with the anticipation of the Mask references.
The camera reveal in Godard's Contempt has long been a novelty, and it seems Bergman is still a master of his craft.
Outstanding light shaping, which has become rare in the late Bergman, it is difficult to change the lighting team?
And actually started so early in the discussion of ghosts and gods worthy of Bergman, this step should be counted into the faith trilogy.
BIBI's awful big eyes almost ruined the movie, but I still appreciate her excellent interpretation of the surreal moments that Bergman gave her life. Those big eyes seem to sparkle as if they simply don't know where to use themselves.
The ending wraps up the theme of ghosts and gods, while the core is a human framework, perfect drama. Seal the deal.
Bergman's first scripted film at the helm, and I didn't expect it to be that good in comparison to his entire career. It's a shame that the CC compilation didn't choose to include this Bergman film, with a hint of that New Wave flavor from Monica the Delinquent. Opened the movie on b-site with the anticipation of the Mask references.
The camera reveal in Godard's Contempt has long been a novelty, and it seems Bergman is still a master of his craft.
Outstanding light shaping, which has become rare in the late Bergman, it is difficult to change the lighting team?
And actually started so early in the discussion of ghosts and gods worthy of Bergman, this step should be counted into the faith trilogy.
BIBI's awful big eyes almost ruined the movie, but I still appreciate her excellent interpretation of the surreal moments that Bergman gave her life. Those big eyes seem to sparkle as if they simply don't know where to use themselves.
The ending wraps up the theme of ghosts and gods, while the core is a human framework, perfect drama. Seal the deal.
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Details
Box Office
- Budget
- 240.000 SEK (geschätzt)
- Laufzeit1 Stunde 19 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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