Un ragazzo e una ragazza di origini diverse si innamorano indipendentemente dalla loro educazione e poi la tragedia colpisce.Un ragazzo e una ragazza di origini diverse si innamorano indipendentemente dalla loro educazione e poi la tragedia colpisce.Un ragazzo e una ragazza di origini diverse si innamorano indipendentemente dalla loro educazione e poi la tragedia colpisce.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 10 vittorie e 17 candidature totali
Katharine Balfour
- Mrs. Barrett
- (as Katherine Balfour)
Tommy Lee Jones
- Hank - Oliver's Roommate
- (as Tom Lee Jones)
Stephen Dowling
- Cornell Hockey Player
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe scenes with Oliver Barrett walking alone through a snowy New York were added after principal photography was completed. The production was almost out of money and did not have the necessary funds for permits to shoot in New York City again - so all the shots were grabbed illegally using a skeleton film crew and Ryan O'Neal.
- BlooperDuring the Harvard-Dartmouth hockey match, Oliver is wearing #7 jersey for Harvard. In the penalty box, he tells Jenny that he is concentrating on how he is going to total the Dartmouth player who had him sent to the box. He points to the Dartmouth player, who at this point has just taken down another Harvard player who is clearly wearing #7.
- Citazioni
[first lines]
Oliver Barrett IV: What can you say about a twenty-five-year-old girl who died? That she was beautiful and brilliant? That she loved Mozart and Bach, the Beatles, and me?
- Curiosità sui creditiUnusually, for a movie released in the early 1970s, there are no opening credits after the title has been shown.
- ConnessioniEdited into The Kid Stays in the Picture (2002)
- Colonne sonoreConcerto No. 3 in D Major
Written by Johann Sebastian Bach (as J.S. Bach)
Recensione in evidenza
Oliver is a Havard law student Jock type who's father is a millionaire and Jennifer is a poor Radcliffe student working her way through college. When they meet they develop a relationship that eventually turns to love. When they decide to marry, Oliver is cut off by his father and the two are forced to become poor as they try to study and work at the same time. The two find that their love is strong enough to stand even the biggest tests of life.
A massive hit and Oscar winner in the 70's it is easy to forget this film now, simply because it is so dated, flawed and unrelatable that I found it amusing but never emotional or moving. The plot is a straightforward and goes just where you expect it to. However that is not a major problem if the film had managed to be emotionally involving and powerful neither of which I found it to do.
The biggest reason for this is the characters and the actors. Oliver is a spoilt rich kid who has `issues' with his multimillion father only wanting the best for him. It doesn't help that O'Neal can't act and delivers even the most touching scene like he was made of wood. Meanwhile Jenny is rude and pretentious and quite an unpleasant person. McGraw is pretty but I couldn't have cared less if a bus had hit her character in the first 10 minutes, such was the empathy that she made me feel with her.
The music is awful it is shamelessly tearing jerking and written to create emotion where none is forthcoming from the action onscreen. It runs constantly and got to the point where it grated on me. The film is not without merit though, bits of it are funny and the basic love story had potential to be a professional weepy.
Instead it is flat and uninvolving and is simply a Hollywood bit of fluff that left me cold despite a few chuckles or smiles. It may have done good box office but if recent summers have taught us anything, it's that that is not an indication of a good film.
A massive hit and Oscar winner in the 70's it is easy to forget this film now, simply because it is so dated, flawed and unrelatable that I found it amusing but never emotional or moving. The plot is a straightforward and goes just where you expect it to. However that is not a major problem if the film had managed to be emotionally involving and powerful neither of which I found it to do.
The biggest reason for this is the characters and the actors. Oliver is a spoilt rich kid who has `issues' with his multimillion father only wanting the best for him. It doesn't help that O'Neal can't act and delivers even the most touching scene like he was made of wood. Meanwhile Jenny is rude and pretentious and quite an unpleasant person. McGraw is pretty but I couldn't have cared less if a bus had hit her character in the first 10 minutes, such was the empathy that she made me feel with her.
The music is awful it is shamelessly tearing jerking and written to create emotion where none is forthcoming from the action onscreen. It runs constantly and got to the point where it grated on me. The film is not without merit though, bits of it are funny and the basic love story had potential to be a professional weepy.
Instead it is flat and uninvolving and is simply a Hollywood bit of fluff that left me cold despite a few chuckles or smiles. It may have done good box office but if recent summers have taught us anything, it's that that is not an indication of a good film.
- bob the moo
- 27 feb 2003
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Câu Chuyện Tình Yêu
- Luoghi delle riprese
- 119 Oxford Street, Cambridge, Massachusetts, Stati Uniti(Oliver and Jenny's rented apartment)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.200.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 106.550.690 USD
- Fine settimana di apertura Stati Uniti e Canada
- 87.198 USD
- 9 feb 2020
- Lordo in tutto il mondo
- 106.550.690 USD
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