O estudante Greg, que passa a maior parte do tempo fazendo paródias de filmes com seu colega Earl, descobre que sua perspectiva muda para sempre depois de fazer amizade com uma colega de cla... Ler tudoO estudante Greg, que passa a maior parte do tempo fazendo paródias de filmes com seu colega Earl, descobre que sua perspectiva muda para sempre depois de fazer amizade com uma colega de classe que acaba de ser diagnosticada com câncer.O estudante Greg, que passa a maior parte do tempo fazendo paródias de filmes com seu colega Earl, descobre que sua perspectiva muda para sempre depois de fazer amizade com uma colega de classe que acaba de ser diagnosticada com câncer.
- Prêmios
- 18 vitórias e 30 indicações no total
Katherine Hughes
- Madison
- (as Katherine C. Hughes)
Gavin Dietz
- Young Greg
- (as George Gavin Dietz)
Enredo
Você sabia?
- CuriosidadesThe parody movies made by Greg and Earl, include:
-1. Anatomy of a Burger (Anatomia de um Crime (1959)) -2. Ate 1/2 (Of My Lunch) (8½ (1963)) -3. A Box O'Lips, Wow (Apocalypse Now (1979)) -4. The Battle of All Deer (A Batalha de Argel (1966)) -5. Breathe Less (Acossado (1960)) -6. Brew Vervet (Veludo Azul (1986)) -7. Burden of Screams (Burden of Dreams (1982)) -8. Can't Tempt (Contempt (1963)) -9. Crouching Housecat, Hidden Housecat (O Tigre e o Dragão (2000)) -10. Death in Tennis (Morte em Veneza (1971)) -11. My Dinner with André the Giant (Meu Jantar com André (1981)) -12. Don't Look Now, Because a Creepy-Ass Dwarf is About to Kill You!!! Damn. (Inverno de Sangue em Veneza (1973)) -13. Eyes Wide Butt (De Olhos Bem Fechados (1999)) -14. Hairy, Old, and Mod (Ensina-me a Viver (1971)) -15. La Gelee (A Pista (1962)) -16. Gone with My Wind (...E o Vento Levou (1939)) -17. Gross Encounters of the Turd Kind (Contatos Imediatos do Terceiro Grau (1977)) -18. Grumpy Cul-de-sacs (Caminhos Perigosos (1973)) -19. It's a Punderful Life (A Felicidade Não se Compra (1946)) -20. The Janitor of Oz (O Mágico de Oz (1939)) -21. The Lady Manishness (A Mulher Oculta (1938)) -22. Monorash (Rashomon (1950)) -23. My Best Actor is Also a Dangerous Lunatic (Meu Melhor Inimigo (1999)) -24. Nose Ferret 2 (Nosferatu (1922)) -25. Pittsburghasqatsi (Koyaanisqatsi: Uma Vida Fora de Equilíbrio (1982)) -26. Pooping Tom (A Tortura do Medo (1960)) -27. The Prunes of Wrath (As Vinhas da Ira (1940)) -28. Raging Bullsh*t (Touro Indomável (1980)) -29. Rear Wind (Janela Indiscreta (1954)) -30. Rosemary Baby Carrots (O Bebê de Rosemary (1968)) -31. Scabface (Scarface (1983)) -32. Second (Helpings of Dinner) (O Segundo Rosto (1966)) -33. Senior Citizen Cane (Cidadão Kane (1941)) -34. The Seven Seals (O Sétimo Selo (1957)) -35. A Sockwork Orange (Laranja Mecânica (1971)) -36. The Complete Lack of Conversation (A Conversação (1974)) -37. The Last Crustacean of Christ (A Última Tentação de Cristo (1988)) -38. The Rad Shoes (Os Sapatinhos Vermelhos (1948)) -39. The Turd Man (O 3º Homem (1949)) -40. The 400 Bros (Os Incompreendidos (1959)) -41. Um (M, o Vampiro de Dusseldorf (1931)) -42. Vere'd He Go? (Um Corpo que Cai (1958)) -43. Wages for Beer (O Salário do Medo (1953)) -44. Yellow Submarine Sandwich (Submarino Amarelo (1968)) -45. ZZZ (Z (1969)) -46. 2:48 P.M. Cowboy (Perdidos na Noite (1969)) -47. 49th Parallelogram (Invasão de Bárbaros (1941))
- Erros de gravaçãoBecause of infection risks, flowers would not be allowed into a cancer patient's room.
- Versões alternativasThere was a scene in which Greg films himself for Rachel's movie, and ends up saying, "Hi, Rachel. Um, Earl's right. All the ways that we tried to make a film for you, just kind of turned out completely horrible. So, yeah. It got me thinking about the reason that we wanted to make this film for you in the first place, and, you know, when it comes right down to it, and you just say it, without screwing around, um, I believe in you. You can do it." Those last lines are the same as what all the other students said, and Greg and Earl disliked when they said that. In this scene, Greg looks at a bunch of cameras on his shelf, realizes how phony he is, and turns off the camera. It was cut from the movie because the director thought the movie would be better without it, even though it was hard to say goodbye to.
- Trilhas sonorasJubilate, O Amoeni Chori, RV 639
Written by Antonio Vivaldi
Performed by Aradia Ensemble and Chorus, Conducted by Kevin Mallon
Courtesy of Naxos
By arrangement with Source/Q
Avaliação em destaque
There are about four films that can overcome the "seen it" cynicism I have, unlock my heart and make me feel genuine feelings. In other films I can appreciate that the film is beautiful and emotional, but there are only four that can really get to me. The first was Crash, the second was The Green Mile and the third was Boyhood. Me and Earl and the Dying Girl just scored the fourth slot on that extremely small list. Alfonso Gomez-Rejon's film is a beautiful cocktail of wonderful things. Its quirky and charming and witty and touching and somber and delicate and completely beautiful. Its got elements of about six of my favourite films of all time, and the fact that it slam dunked Sundance doesn't even surprise me a bit.
Thomas Mann's Greg is a weirdo. Imagine that Napoleon Dynamite went to Cady Heron's school from Mean Girls, hated all the clicks and became a cynic. Mann shades what could've been a completely unlikeable protagonist with wonderful colours and depth, so much so that when his friend Earl explains to Rachel why Greg is so averse to being friends, we realise we've actually known the whole time. That's probably the most beautiful part of Gomez- Rejon's direction - he never comes out and beats you with information, he leads you gently to it and makes you realise it yourself. RJ Cyler takes Earl, a generic Pedro-type sidekick and makes him just the slacker you'd expect, but with incredible qualities underneath. Olivia Cooke makes the audience love her with her quietly devastating portrayal of a girl with leukaemia. All I can say is that she is a worth recipient of my annual Patricia Arquette Award For Character I Most Want to Hug.
Considering this film has maybe one actor I'd ever heard of, there's a huge pool of talent even in the supporting cast. John Bernthal is good in everything. Nick Offerman is amazing as Greg's stay at home intellectual dad, and Molly Shannon steals every scene as Rachel's emotionally destroyed mother. Keep an eye out for Matt Bennett's utterly bizarre but hilarious Scott Mayhew as well.
Jesse Andrews' screenplay strikes an incredible balance between comedy and drama. Its very easy for a film about cancerous teens to become completely depressing and tedious, but the witty dialogue, incredible spikes of humour and quirky characters make the film beautiful. Andrews isn't trying to make a statement, he's just telling a story about a normal boy who strikes up a friendship with a normal girl. The dialogue is as real as any movie I've ever seen, and the use of minimal effects and hand-held camera really created an authenticity that made me walk away feeling like I've just watched a highly personal reflection, and not a work of fiction.
Thomas Mann's Greg is a weirdo. Imagine that Napoleon Dynamite went to Cady Heron's school from Mean Girls, hated all the clicks and became a cynic. Mann shades what could've been a completely unlikeable protagonist with wonderful colours and depth, so much so that when his friend Earl explains to Rachel why Greg is so averse to being friends, we realise we've actually known the whole time. That's probably the most beautiful part of Gomez- Rejon's direction - he never comes out and beats you with information, he leads you gently to it and makes you realise it yourself. RJ Cyler takes Earl, a generic Pedro-type sidekick and makes him just the slacker you'd expect, but with incredible qualities underneath. Olivia Cooke makes the audience love her with her quietly devastating portrayal of a girl with leukaemia. All I can say is that she is a worth recipient of my annual Patricia Arquette Award For Character I Most Want to Hug.
Considering this film has maybe one actor I'd ever heard of, there's a huge pool of talent even in the supporting cast. John Bernthal is good in everything. Nick Offerman is amazing as Greg's stay at home intellectual dad, and Molly Shannon steals every scene as Rachel's emotionally destroyed mother. Keep an eye out for Matt Bennett's utterly bizarre but hilarious Scott Mayhew as well.
Jesse Andrews' screenplay strikes an incredible balance between comedy and drama. Its very easy for a film about cancerous teens to become completely depressing and tedious, but the witty dialogue, incredible spikes of humour and quirky characters make the film beautiful. Andrews isn't trying to make a statement, he's just telling a story about a normal boy who strikes up a friendship with a normal girl. The dialogue is as real as any movie I've ever seen, and the use of minimal effects and hand-held camera really created an authenticity that made me walk away feeling like I've just watched a highly personal reflection, and not a work of fiction.
- luke-a-mcgowan
- 11 de out. de 2015
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Yo, él y Raquel
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 8.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 6.758.416
- Fim de semana de estreia nos EUA e Canadá
- US$ 196.496
- 14 de jun. de 2015
- Faturamento bruto mundial
- US$ 9.074.749
- Tempo de duração1 hora 45 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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