Oxford Professor Richard Myles and his new bride Frances are off on a European honeymoon. It isn't the typical honeymoon: they are on a spying mission for British Intelligence on the eve of ... Read allOxford Professor Richard Myles and his new bride Frances are off on a European honeymoon. It isn't the typical honeymoon: they are on a spying mission for British Intelligence on the eve of World War II.Oxford Professor Richard Myles and his new bride Frances are off on a European honeymoon. It isn't the typical honeymoon: they are on a spying mission for British Intelligence on the eve of World War II.
- Ottilie
- (as Lotta Palfi)
- Student
- (uncredited)
- German Woman
- (uncredited)
- Poet at Frisky Rabbit
- (uncredited)
- Guide
- (uncredited)
- German Boy
- (uncredited)
Storyline
Did you know
- TriviaThis was the final film Joan Crawford made under her long-term contract with MGM, where she had been for the past eighteen years. Frustrated at being continuously offered what she considered second rate scripts, shortly after completing this, Crawford chose to buy out her studio contract (at great personal expense) and continue her career elsewhere. It was nearly two years later that she appeared in her next leading role, Mildred Pierce (1945) at Warner Brothers, for which she won the 1945 Academy Award as Best Actress.
- GoofsThe song that represents Oxford in the film is the Eton Boating Song.
- Quotes
[on their wedding night, a policeman appears at the Myles's hotel room door demanding Richard's depart with him immediately]
Frances Myles: This is no time for a practical joke.
Const. Jones: It's no joke, ma'am.
Frances Myles: It's not practical, either.
- ConnectionsReferenced in Unfinished Business (1985)
- SoundtracksThe Wedding March
(1843) (uncredited)
from "A Midsummer Night's Dream, Op.61"
Music by Felix Mendelssohn
In the score after Frances and Richard's wedding
** 1/2 (out of 4)
By-the-numbers WWII drama from MGM has Joan Crawford and Fred MacMurray playing newlyweds who are asked by the government to do some spying as they make their way into Nazi controlled territory. ABOVE SUSPICION was one of the hundreds of films turned out by Hollywood to motivate or at least pursued the country to support the war and to show how evil the Nazi party was. With so many films in this sub-genre it's always hard to find a "great" film and this here certainly isn't one of them. While the film remains slightly entertaining from start to finish, there's really no way to deny the fact that there's just nothing overly special here and it's also incredibly uneven. I say uneven because the tone of the film seems to change from one scene to the next. Sometimes you feel as if you're watching some sort of light comedy and then the next minute everything is being handled so heavily. At times there seems to be a wink-wink going on between the two leads and then the next second everything is back to being dead serious. I thought the entire tone of the film was just wrong and it was incredibly hard for me to believe the story or take it too serious. Both Crawford and MacMurray are good in their roles, although I'm not so sure they play were together. I really didn't buy them as a married couple and I also didn't buy them working together on these missions. Conrad Veidt is good in his role as a good German and Basil Rathbone steals the film as the evil German. Reginald Owen has a good supporting part as well. Again, at just 90-minutes the film moves well enough but there's just not enough going on here to make it worth watching except for fans of the cast.
- Michael_Elliott
- Jan 24, 2014
- Permalink
Details
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 1.37 : 1