Superman III

After making two fairly decent Superman movies, things took a slightly different turn with Superman III. Gene Hackman was nowhere to be found, Lois Lane has such a small part that she's essentially not even in the continuity anymore (Clark apparently forgets all about his love of Lois when he re-meets Lana Lang). And things became really funny, or were at least supposed to be. If you consider "campy" to be funny.

Superman faces off against himself, after being exposed to a new form of kryptonite that has tobacco tar mixed in. Can the world trust a Superman who destroys oil tankers and sleeps with random women on top of the Statue of Liberty? The best part of the "Evil Superman" sequence is when we see Superman drunk, if for no other reason than the thought of Superman getting drunk (or even having the ability to become intoxicated) is a most unusual thought. Good thing Superman doesn't drive a car.

I really enjoyed the entrance of Lana Lang into the film. Lana, in my opinion, was always the more appropriate match for Superman and there is no exception in this movie. She shares a history with him, is more caring than Lois and less dominant. I'm curious where the Lois/Lana thing will go in Part 4, if it goes anywhere. (I am not suggesting dominant women are bad, by the way. But the fact of the matter is anyone dating Superman is going to have to be comfortable with being second fiddle.) What sold me on this movie (and almost scored it a 7 instead of a 6) is the tie-in with "Office Space". In Office Space, Superman III is referenced for a computer program that takes fractions of a cent and puts them in a bank account. The scene in this film was great, and really made me appreciate the way Mike Judge used it many years later.

With nicotine and tar being the secret ingredients in the new kryptonite, was there some message being sent? Richard Pryor was great. He was funny and made the entire film more of a comedy with kitsch than the serious films we had seen before. Many people really didn't like the campiness, I guess, but I thought it was enjoyable for the most part (though they did go over the top just a bit). In my mind, Superman was the light story and Batman the dark story, so I'd rather see a silly Superman than a silly Batman.

The new villain to replace Lex Luthor was okay, but why bother making a new villain if he's going to be the exact same character? I would hope after fifty years of comic books, there would have been at least one other super villain they could have chosen (although the new "Superman Returns" focuses on Luthor again, so I guess creativity is minimal in the Superman world).

If you've seen parts one and two, you may as well see this. But do keep in mind that the world of Superman turns a little "bizarro" for the next two hours of film time...

It'll keep you watching, you can say that. Either on the bad levels or the good ones (if you should find some), since most fans are so divided on this third entry. It falls somewhere under fair for me, as the effects continue to be awesome, but the story this time is tremendously lacking. Part two had three villians equally as strong as Superman, plus the romance going with Lois Lane. This one has a Lex Luthor clone (Hackman's Lex is left off-screen in jail) who also would like to rule the world, a dweeby computer genius (Pryor, as the much debated addition to the cast) and a romance you know will go nowhere with one of Reeve's lost loves. We already saw that he couldn't give things up for Lois, so why bother brining on a new girl? Though O' Toole is gorgeous, a lot more than Kidder, who is featured at the beginning of the film looking aged, then at the end with a bad tan. Rumor has it she outpriced herself which resulted in the character being shipped off to Bermuda. With her out of the picture, Reeve attends a high school reunion where he bumps into O'Toole. Meantime, Vaughn and Pryor are poised for world dominance, though Pryor is realizing the ramifications and is reluctant. But he still goes through it, concocting a kryptonite like impairment for Superman, which results in some of the film's best scenes. Reeve develops a naughty alter ego, and we get to see Superbad-man get drunk, straighten the Tower of Pisa, even get horny, among other things. There's a terrific showdown between Reeve and...well, Reeve in a junkyard where bad Supes confronts his inner goodness, Clark Kent. After this, though, the film sags to it's conclusion, as Reeve goes up against more rockets and missiles, a la part one. Despite missing the tension of part two, the film is interesting in a disjointed kind of way. The flying effects are once again top-notch, and strangely enough, are better than in the next film which came out four years later! And most have mentioned the dopey opening sequence that belonged more in a silent comedy than here, but it wasn't a horrendous mistake. I must note as a kid that when Vaughn's sister is turned into that psycho-robot it FREAKED me out! Biggest annoyance is the kid who plays Ricky, his voice is badly dubbed and incredibly nerve-racking. Also could've done without O'Herlihy's drunken antagonist. Most of the music is lifted from part two, but since I liked Ken Thorne's work, I didn't mind. I could even say (Supe fans will kill me) I would rather watch this one than the first movie. So even though the story isn't really there like in the previous films, the movie overall still FLIES (hehe).

...because this is a terrible sequel that nearly undoes all of the goodwill created by the first two films. Christopher Reeve returns as Superman, who, in his alter ego of Clark Kent, travels back to his hometown of Smallville to attend his high school reunion. While there, he crosses path with an evil business magnate (Robert Vaughn), his equally evil sister (Annie Ross), and Vaughn's ditzy assistant (Pamela Stephenson). They've hired a computer genius (Richard Pryor) to help develop a super computer to help in their plan for global domination. They also develop artificial kryptonite that turns Superman evil. You know he's evil because he quits shaving, has dingy clothes, and straightens the Leaning Tower of Pisa.

Margot Kidder was fighting with the producers at this point, so her role as Lois Lane is reduced to short cameos at the beginning and end of the film. Jackie Cooper returns as Daily Planet editor Perry White, and Marc McClure as junior reporter Jimmy Olsen. Annette O'Toole appears as Kent's high school crush Lana Lang, and Gavan (Son of Dan) O'Herlihy as a drunken high school bully.

Director Richard Lester tries to accentuate the comedy in this, but the script is so awful that nothing can save it. The effects are bargain basement as well, with some really shoddy miniature and matte work.

THis film has one of the zaniest rather stand-alone moments in any film ever- near the end when the Super Computer the villains build starts malfunctioning and they try to flee. The villain's sister- who up to now really has served zero purpose in the story- is sucked into a claustrophobic compartment of the computer and- in one of the most disturbing moments that I can recall in what is supposed to be a relatively family friendly film - she screams in agony as the computer strangles her with wires and staples metal all over her face. She then emerges as the most ridiculous looking robot ever, by which I mean even Robbie the Robot would laugh at this thing.

The director of this film had to have had some serious issues with his mother (or maybe his sister?).i just cannot fathom how it was felt by the writers that this was necessary or appropriate in a movie that children were going to want to see. Annie Ross is actually an accomplished jazz and standard vocalist who, i can only assume, was being blackmailed into appearing in this or really needed to pay off a loan or something.

So this was the end of WB's relationship with the Christopher Reeve franchise of Superman. Given the goofiness of it all the fourth one was taken on by The Cannon Group, which was such a goofy production company that it was worthy of a documentary all of its own, and actually HAS a documentary all of its own.

I agree with everyone who says that Super IV is an awful, wretched movie. But III... well, it's mindless fun, actually. Nothing special, just a guilty pleasure.

I know, I know, Super 1 and 2 (specially Donner version of 2) are great, wonderful films! But when I was little, I used to go to school, my mom was doing laundry, father working, back from school, it was the 80's, starts raining, couldn't get out of the house, finished homework from school, standing on our living room, playing with my action figures, reading my comics, listening to the vinyl records on our sound, and then I got bored and decided to turn on the TV and there it was, Superman III.

And I used to watch this movie on TV a lot, so I just got nostalgic feelings by it. I didn't know any better, Richard Pryor always looked nice on the film for me and I used to laugh at him a lot. Of course I was little and unfamiliarized with his other films, specially the ones with Gene Wilder, so I just kept watching Super III.

I mean, when you grow up, you tend to judge things a lot better, but for the time being, I used to have some mindless fun with this movie, and once it kept me from being bored on rainy days, I guess it did a good job on me.

So I think it's not a terrible movie after all. Undeniably flawed, yes, weaker than its predecessors, no doubt! There is nothing epic or breathtaking about this one. But it still offers some nice fun for me from time to time.

If you don't like it, OK, I can perfectly see where you're coming from. But I gotta say this... if you're on a rainy day... just give it a try.

Superman III. Still an Enjoyable sequel, but didn't measure up to I or II. I'd say III is considered more of a Comedy than an Adventure film. But, Richard Pryor helped to breathe life into the comedy element with his role of computer prodigy August "Gus" Gorman. Robert Vaughn does well as Baddy Corporate Tycoon Ross Webster. While he's no Lex Luthor, he still delivered. Pamela Stephenson's portrayal of 69% Ditz-31% Serious employee Lorelie Ambrosia was both funny and annoying. That high pitched voice got to me, but was tolorable compared to the Scary, Stern and Stubborn attitude of Vera Webster, the baby sister played by Annie Ross. And while it lacks the writing power of Mario Puzo, It's still enjoyable.

You could wonder if Gus Gorman's (Pryor) creation of the all knowing superior defensive ultimate computer could have been the breaking ground for the Y2K problem and the mindless schemes it has caused, had that computer, which I dubbed the Macintosh Of Death, had been a real life creation.

You could also feal sorry for Gus being used by Webster for evil. You could also wonder if Lana Lang, Clark Kent's High School Sweetheart, would be a problem with Lois Lane, who we didn't see much of in this film. Also, I wondered how people felt when Superman almost decayed into, in a way, Bizarro after exposure to the missing ingredient Kryptonite.

There is a disturbing moment in the film when Vera is pulled into the super computer's mainframe and turned into an android slave. That made me wonder if computer technology could become disturbingly powerful enough to be able to manipulate humanity and eliminate it completely. Similar situations have been seen in The "Terminator" pictures, The 1999 film "Virus", and the book "Reaper" which became the TV Movie "Fatal Error" on TBS. Possible?

An interesting thing in Superman III, When Superman faced the onslaught of The super system's missile attack, Atari provided the simulated Video Game that Webster plays, as well as the sound effects from the Atari 2600 port of Pac-Man. Another interesting thing is how the super computer ignorantly underestimated the hot and lethal potential of the Acid which led to it's destruction.

While not measuring up to the power of I or II, All in all Superman III is in my opinion a good picture.