Police chase an armed criminal in a version of Los Angeles comprised entirely of corporate logos.Police chase an armed criminal in a version of Los Angeles comprised entirely of corporate logos.Police chase an armed criminal in a version of Los Angeles comprised entirely of corporate logos.
- Won 1 Oscar
- 9 wins & 5 nominations total
- Ronald
- (voice)
- …
- Big Boy
- (voice)
- …
- Haribo
- (voice)
- Chopper Pilot
- (voice)
- (as Gregory J. Pruss)
- …
- M&Ms
- (voice)
Storyline
Did you know
- GoofsWhen the Michelin Man cops are parked outside the KFC, the Ghostbusters "No Ghost" logo Stop sign is facing them with the ghost's head on the left (as it is customarily displayed in North America). When the cops pull away, the sign is shown from the other side, and the ghost is still facing the same way. When seen from the other side, the ghost's head should be on the right - as seen later on when the the Esso Girl and Big Boy are getting into the abandoned cop car.
- Quotes
Michelinman Mike: Oh, God. It was... you know what? You should come with us next time.
Michelinman Mitch: No, man. I don't like zoos.
Michelinman Mike: Aw, man. But the kids go apeshit for it.
Michelinman Mitch: Yeah, well, I don't see my kids that much. Besides, it's depressing.
Michelinman Mike: What? Getting up close to animals? I mean, where the hell else you going to get that close to a cheetah?
Michelinman Mitch: Yeah, that cheetah can run like a motherfucker, but in a zoo, they ain't got enough room to hit second gear. I mean, it ain't like they're in their natural habitat.
Michelinman Mike: Yeah, no shit, man. That's cause they'd be dead if they were in their natural habitat. These animals have been rescued. Usually injured or something in like the, you know the wild, or blind.
Michelinman Mitch: No shit?
Michelinman Mike: No shit.
Michelinman Mitch: See? I didn't know that.
Michelinman Mike: Yeah, that's what I'm saying.
Michelinman Mitch: That's even more depressing. That's what I'm talking about. A blind ass cheetah bumping into trees and shit. That shit's fucked up.
Michelinman Mike: I didn't say the cheetah was blind.
Michelinman Mitch: Well then what's blind?
Michelinman Mike: N-nothing's blind. It's just an example.
Michelinman Mitch: Well then that's a fucked up example of some shit right there, man. That's what I'm talking about. Blind cheetahs and shit.
- Crazy creditsAfter the scrolling end credits have come to an end, a bald, toothless Ronald reappears to give a quick laugh.
- ConnectionsEdited into The Oscar Nominated Short Films 2010: Animation (2010)
- SoundtracksGood Mornin' Life
Performed by Dean Martin
Written by Robert Allen (as Robert I. Allen) and Joseph Meyer
Publishing administered by Larry Spier Music, L.L.C. o/b/o Memory Lane Music Group
from the Capitol Records recording
Whether or not it is intended as a commentary on the nature of American "culture" (and I think it is), this is a remarkably well made short film that mixes clever ideas with a real understanding of the genre that they are using as a vehicle to their satire. To deal with the surface first – this film is very clever in the way it utilises brands and logos in every aspect of the world it creates. Not all of them will be recognisable but the design of them will make them unmistakable as brands even if the names escape you. It is startling how many you will recognise and, while some have complained that the film is little more than a game of "spot the brand", I did think that the high hit-rate was perhaps part of the point and it was a point well made.
If the film was only a cleverly use series of logos then perhaps this may have been a valid point, but the short goes onto to spoof American movies and culture by delivering all this in the middle of a high-octane crime thriller where everything goes up to 11 and, if it can be destroyed in glorious Technicolor, then it is. It gets this spot on and shows a real understanding of the genre. OK the Tarantino-esque chat is a little obvious but past this the direction and framing of the shots and "camera" movements could all be taken straight out of many blockbuster action movies – movies perhaps that are accused of product-placement with their cars, watches, drinks etc etc. In this way the film actually engages beyond "spot the logo" and "isn't America morally bankrupt?" because it delivers an exciting action short with plenty of movement and style.
I really was surprised by how enjoyable it was. I would have liked it to have had a bit more teeth in regards the satirical aspect to it but this part still did just about work for me. Beyond it though I can understand why some did see it as all style and logos because the logos are used really well and the style is genre-perfect. A very clever short film that deserves credit for not wallowing in the smartness of its idea or for being snide or acerbic in its commentary.
- bob the moo
- Feb 20, 2011
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