24s : copi es* DooNessuaY is really a fun score to play!” tts styla ie certainly "pop," but it covers én Interesting range of atyles, pop and otherwl: shich both ontertain and challenge the musi~ plans au well as the Llatener. ‘otha Orchestra is @ Rock Rhythm section (Bass, Drums, Guitar, Synths and Plano) with a Jorn section’ (Sax, Trumpet and Trombone) and lo, but the doubles and the synthe affor: ry broad range of orchestral colors and real~ ly give the wcore the illusion of many more alayera. that are Rock, Latin, or sop Balada, the parts should be perceived as sontributing to the "feel" or pockat.. In many 8, we've gone back and transcribed parts ter our rhythn section developed an arrangt tent. The point is to use the ears ae much as she eyes and find grooves that work even if the darta are different from the written notes, In the nunbors that are theatcical or "or- thestral," emphasize the colory,that aze not thythn-aictlon-orfented to bring out the range MPorchusteation, The Synth and Reed parta, of sourse, are the most diverse, so listen for chem £0 maka wure that they add what you need. Soma syucitic notesr _ CELL = The Cellist fs a utility Percui Hioniist, lo cover specific sound effects while fot otherwiue occupied! These sounds are very mportant, au silly as they may seon, so make iuve that th Celliat gate confortable with che instrunnts, (Tf you have Ao Cellist, as- Hgn thes around the band, depending on who's ree! A uanjiling Syeth, ff available, might velp.) Honng - These are meant to be punchy on he one hand (ugually written in 3 parts w/sax) id orcheutral on the other. In the latter ‘tha Trumpot is meant to be sweet and rich French llern-Iike) along with the Flugelhorn. he Trombone whould also fill the Prench Horn, ole and 1 think it's pretty clear where that. ccurs; unually the Reed is a Flute or an Oboe’ f thoge contexts tive Pop. dund without blasting (1) ~ vocals can easily et lout ~ Init the Drummer has to be a Pop layer in ordur for the score to sound right. is parte arw mainly a trangcription, after the acts of the playing of the original prunmer, Ad should bo played freely and comfortably — Ob necuunarily accurately! ‘The foal ia the hing, and Fills and colors can be ad 1ib Le" = uxcept of course where figured with % GUITAR = The same is basically true. KEYHOAUD TT The Synth Drum Machine parte re skutched in the Keyboard II book, but I've Iso indicated where Druma should cover Lf yo aven't a Drum Machine, (See additional notes.) PIANO = The Piano parts in some cases are ultaole for rehearsing, but are too busy for laying with the full orchestra ~ don't be af- aid to lay hack and leave room if it seen ight. Conversely there are some rhythm sec- ion pawsugou where the Pianist muat add in gre when playing in rehearsal, cH “Ae (udthin the Tatts of Overall; the show should be very energet- sound problems) and colorful, and the ballads tender and sweeping! Vocats = A word about vocala: The show sya not originally cast with specific seein mind,” but as it now stands there are eee -Amportant Limits! srtirrests be.seoy 2s ar sS PESCER ane nee natn song Taras aggperaenez ome Ms atm ens ded ast aee oem S028 Bey eae semble harmony, so he needs an earl fonateeiE obs megteedes sm aert @ theatre voice. She also has need of a beset mele Sbinre tn another alto a rich m- neaed sesicasetecelciioe siesetsl that the cast get comfortable with the vocal. He BEB isstage Peete aSkis!” eheaciglty the nents weap ase da ness Hate eerans roe ot ‘TENPOS - I've included tempo indications but they are only that. ive to what is comfortabie and ap- propriate. Enjoy the music! NOTE - The Original Broadway cast albun ‘of DOONESBURY is available on MCA Records (HCA 129), and was recorded in Decenber, 1983. Tim eure it would be very helpful in gaining insight into the score. WP Lacmon Miafge Jeff Waxmanfn ‘The Keyboard IT‘ player’ eu -keyboards and.at finding and inventing sound st programming a Drum Machine, and sequencer: Becai DooNESaURY 1a Largely (though not entirely) pop, he must be at homo in.e rhythm section,and will sometimes need’ to develop parta, given chorda and a "feel." . he must al: 30, be adept ou brosdvey, mYDOLIE 37° included’ «Yanda pnodels en'etarbata naan SearneigtGtonne AE. included » Lesser Buadee, guiovernetm + the post-Droadway tour we used.a Yamaha Ox7 and found it far superior to the Rhodes, because its Rhodes~sound is exceilent and it has dozens ve of other excellont sounds and is "midi!" I recommend a Dx? in combi- : Tepito tbemacuedestovgaumenentger fun os = QoLang oF tn Ouernete with : Tatbroueley 72's: (A Sampler tite e pizzas of on Suulaeon orane TRUSS SEnasMey gfezute lftartace wien ouner:brands of eaulmment ‘tha Druti Machina should ba a sophisticated one, capable of inter- face with a Soquoncor. A Drunulator, a Sequential Circuits or an GBerhoim ox or DMx aro good, “A-tinndeun-i¢ great, and a Einndcum 9000 iw stupondoun if hau a sophistTeated sequencer built in= Your cholca of foquuncer will depend on whether you are "midi" or oberhalm. “Tt nondu to have an ample memory, looping capacity and other vtandard foaturen. ficma changes of sounda in the show require the wequencur to chaigo wounds for you becausa of epeed - this would be very helpful, 1£ your suquencer will do it. | have indicated where we used a Drum Machine, and sketched the HMgure that we used, ‘Try to approximate the feel with the sounds your machine hap avallabia. I've also indicated where the Drummer should cover if there is no Drum Machine available to you. Note whore the Prum Machine is used as a loop (pattern) (t1)Gred- vation, (6A), (1 71Pinale, and (17AIBows) and where it is used as a full uoquence’ (aong) (f71Baby Hoom Uoogie Boy), At times the Drum Machine must be synchronized with the sequencer and other times not. Be sure to build the music appropriately. (7) As tho most complex figure and is in sync to trigger the slap or noise fon the aynth, (11 has the simpler Drum Machine pattern, but is locked to the sequencer for a very complex sequence (much of the number). 1 have also shown where Keyboard parts should be sequenced and suggested places whore they can be but con't have to be. Use your judgement fintting up, twening on and off the various pieces of equipment, and keoping them under control are probably the hardest part of playing the aluy for the Koyhourd IT player. A mistake can be really costly, , not to mention humiliating! A volume pedal for cach synth will really. be nevossary! pea ae Aa for playing the reat of the show, the synths are both Rhythm section drivers and Orchestral colors and can (should) really help to define the style and acope of the score. ‘The einglo wolrdest synth part is (91Bulldozer (which appears again in (11a) and £15A}). Wo Just happened upon a sound which when played at the bottom of the keyboard and modulated with Pitch Bend sounded exactly like a big diesel engine! It really works to set the mood of the scenos ~ look for one that works! . My experience teaches me that the best tool for building or picking woundn and pattorna Is your oar! Don't be misled by the names sounds 5 have heen qiven. look for sounds that work ~ then plhy the parts with 2) °%* that instrument's style in mind! nave fant © Wp baron Mayas” Jefe Waxman 7JONESRURY MUSICAL CUES = RUNNING ORDER act t 1 Graduation aot 2 dust One Night 2n “Just one Night - Playofe 3° came To Tan 3A Came To Tan = Playoff 4 Guilty 4a * Guilty ~ Playoff 5X can Mave Tr All 5A Scan Changa to 2nd ‘Courtroom Scene 5N Scene Changa to 2nd White House Volce-over be Scene Change after 2nd White House Voice-over G Get _toyether tA "Scene Change & Radio Jingle OW Radio Jingle Ropris 7 Baby Boom Boogie Boy 7A Baby Boon = Playoft 4 Another Memorable Meal WA "Act Finale 1 ’ Act II Opening - Bulldozer 10 gust A House 10x Scone change to 3rd 1te House Volce-over 11 3rd White House Voice-over = Reagan Rap A Reagan Rap ~ Playoff ' u 12> complicated Man 1) Real Estal lin “Real Estate ~ Playofe la" Mother 15 Tes The Right Time To Be Rich 15a Bulldozer Crash 1b gust One Night = Repri 16\ Final Scene Change 17 pinale ~ Graduation Reprise 170 ows 176 Playout Music“Graduat ton" (Prologue) “Juae One Nighe’ “1 Cage Yo Tan" “outtey” i I Can Have Te ALL "Gee Together” “Baby Boom Boogie Boy” cia The Right Time To Be Rich" "autty And The Topsiders" Just One Night (Reprisa)” "Graduation (Reprise)" Copyrtuhe © 1984, 1986, by Muste Cocporation of America, Baers Seados Enterprises, Tne., and Garry Trudeau. “Just One Might (Playott)" 1 Cane To Tan (Playott)" i] ' Meuttey (Playote) fi 7 "Seene Change £0 2nd Courtroon Scena”? ' : ‘Scene Change to 2nd Waite House Voice-Over” igcene Change after 2nd White House Yoice-Over’ Scene Change & Radio Jtagle’ Radia Jingle (Repetae)™ i ‘goby Mose (PLayoeE)™ ‘Act T Finale’ ‘Ace 11 Opening (Bulldozer) te Jed Wnize louse Votce-over" Reagan Rap meagan Rap (PLayoft)" peal Estate (Playote)" Copyetane © . 1986, by fi Music Corporation of Anectea, Inc, Swados Encerpeises, tne., and Garey Trudeau, ALL Rights Reserved. International Copyright Secured.PIANO - CONDUCTOR ~ fe . . “ DOONESBURY GRADUATION” 1441 $3) fewe To BEGIN : CONDUCTOR GETS GO FROM S.M. | @ (ROCK FEEL fase emit) TVAME wari 84a @ (enya ae) Daw wea snaxem) (tune) tae aso Aum MACHINE wi ea © Ga55 Frrok lO reotweh sear wo —_= (cre bigs vAmP? HORN, fut: RONDO ".., Meta rMs fiTba? + VAAN s . 6 AMP! nit vecat Wiee 7 ? ) (FR Gran Fast ee) PLAY (nr pace) Des acu z dawns? ftom MACNNE Cducimues mg ) (ua) scoauus 6 ruta ANCPC BAR GT cau 6 comBint CAADUATION ul2al 83 o0rsi<) 10 eu ORCHISTRA TWAT \ocaL WAS @EGUN | Gavet) LEMS bots Saag | BACK To YOU,DA (“aRe) THATS THE VIEW HERE FORTHE TUE BEING (oars ave LM) Tact, Dus ¢/p las sywe = Bra FBS, " a iD mm ©9)(% Mat THROW IT TO SAM, Man (are) (ware ALL THATS CLEAR, TED. RE-MAUIS TO BE SEEN ra (Gooent) le 9 1 ~* WHETHER OR NO TOM THIS OUTLOOK Sud VIVES (Fasurn) [PeaGRADUATION at ald faa coe Rye WILL TEAL WHAT we Do Wir ova Wives — (Feral) Dent (ose syurH) CHORUS 25, (Boorse) lear) 1p iw a [avee, mame) GRADU AL — Tion WILL PROB-AB-LY STAND __ me our Dh, 7 at = orm) Da ree hs THE TLS OF Tiles 1 AND it's ALaOST AT HANDLo aAduarion : : ul 14105 (Gaese) 5 3 2 Boe ws Os HARMWH ETHER WE SOR> OR THE P05 Faw tHE con (Fem ar) Fe Dew + Lets ovr) ” (ea fe ~ - - - - - - - - = EF 3% 7 8 Tmt with rele LL af tee witl vo Of Se = = 5 - - - S . S UNDERSCORE 40. ic tte (Chim mans seer gts FOR RENEARSAL: Pray NOD. @ PART FoR sicrion 1) ote ElorPo CAA DUAT ION . 5: alral ey He a 46 “eae a Cra | terns ee ca Pa > Ame eB we fe 7 - - S - e = 2 Giguxta's steriow 7 Tome ER oh aanrieatey 8 4 Fa OH. oT Gives A STU DENT PAUSE WHEN HIS TEACHERS FASS HIM WITHOUT CAUSE 3) Gaara) nt gt 5 a fe THEY WAVE TEN «DRE wily CANT WE? THE REAL WORLD CHEWS UP KUDSLKEME GA zs > Cove - S e - S -Po. ¢ Gani) fo SCE gp a > CaADUATION uli os orate Comes soos, COULD T SLIP IN-To THE OF FUL OF THE DEAN BREAK INFO HIS FILES Wer E Ga) mt Gre WIPE MY RECORD CLEAN MAKEMYASELE A FRESHMAN FOR Lif a> ty Ss OS al crear Posval ooaEe - — AW! How CounD This WAVE HAP-PEND TD mE? NO ONE FAILED moa! om tay =" } .—— Me Aww Bea eq ta oa) te,ORADUATION ural or me 08, (ent) Gag “ ” SeRU PUrLOUS-LY | Tk BEEN DOUBLE CROSSED — CAN'T THEY SEE WHad's Lost 2, Nee aan aan (Ferra) (enrr) Dim tm tah (eae) (rao CBE J (kzco) a nq C0075) ” wD iit oF THE TRAGIC Hus MAN GostPe ep 2 daabiarven . : . 5 al sal os a Gore) on > (3st gaunee)ORAD-U- AL rion ay stAKD ADL AND? 34 seats? GARB RATION Wik PROBABLY SAND TAL TUT OF (4 3 (e oTA] sear Cen ova) -t a aatrirt of Te] 1Ae AND IT) ADAoYr aT WARD — AND it's AL-mosT AT HAND WHltn CATAL SORT 7 WHET CR WE SOR > ORT ‘tat eirTeowent of —— Tat PROS FROMTHE Con rim wilhGAADUATION 7 q 7 wl 14193 (arnt) tad, 70a? 7 8 44 w- ai) we 30 eee wither EE WILL Go of — TON LEE Wilt 09 ON (teas magn lo) wget (esisney ay? = md ss coms) 4 ce = - : eS ER SCORE —_—_—_—_—[—_==>>— (couuray SHUFFLE) eeuuTRY SHUFFLE a a =() Waa act ‘sesast Creuuny cove'ryet wat) Ge, des 1 e ou ve > resmeoonional! 4 ‘NOT Too LouD a “” “ jeara,dolz aD Lib “coo couwFar”) 7 F ft Aarec® e100 Ee our( CRASUATION Wh Gut ro cur: (65) a ue Sacew' off ww 8" Senzol ” MIKE LOOKS AT MA 4 MAME) rut cor puke BLATS CUE To GOON: LAUGH - imati: FADE + sure ro xaoED) (surenrey” Fast eR) —_- (hana Tackt (cg tBeoust , Auolbs ae fimskaa eaunit)Pe tf. - eanonazion ~ ul ael MiKE'S SECTION Gee: Bus’ MESS SCHOOL IS A -VER+ YY SEN+S1~ BLE CHOICE Gane) i Garay na My ) (owe seid Penne) a + 86, a. uh us, No "y TAKE MORE TIME TO FIND MY INDIVIDUAL vOICe. | as. ng mt 10 ‘ar MEEPMY tLe LU> SIONS SAFE *— LY AB- STRACT CRUISE THRUTHE NEWS WITH MY VIEWS IN- TACT O8- j-2 Dal rare)Be GTS oe Ea e Gey caAduario, «ul sal 63 m a3 ag aT SERVE LIFE AS PAGS 6S” ee : 2IN TERS PRET THINGS WIS) TOR t= LY = 16, a9 erese.. ng QUES-Tiow THEM Que ~ TOR+ AND SOIN THE WORLD WHIL F tn Cr ws = & (Wart FoR 6D. to at — = a4 ggMelte THE Beoese) a5, ay s THEN Go. a MALS ING GRACE (Waa temKth) GaTT ad a em CRT . 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ALL Poles FFE DIRECT SEGUE TO FACswsurt Gof 10, GOF fo, Gof 40,60 f° — FAN. FattPrado Conver T Cane to Thnl- Paavore QE: Song ("TAN") ENDS, PAUSE FoR APPLAUSE, Go wma wns yf Oriawal eur OF BARA) be Dikber LY To Fill + «80.2 (Bva) > ¢ fe oth 18s/0&)VAMP Tic GE TD WT i LIGHTS UP ON COURTROOM SCENE = (Gart/ve.d B’ e —_ — — ee aD LV BY 7 14000) af eu!) “smart” "snort ™ (ataction) (Fike: Gaitsrout)Danio Conpucror ed : Gury ues “I MEEDED THE MONEY, IN FACT, I NEEDED IT DESPERATELY, ” Stowny- ADLiB (Diaose contmwves) (VERY SorTLY WITH MELODRAMATIC. SWELLS ) og i Ke Cm — Gm/ab | Abin’ G7 (ove) hs GF em Oy am “THE JURY WILL DIFREGARD THE DEFENDANTS ofo1caTion !" : a E ‘Tm Ome C7 Sater? cureTempo)” Tao Oar oes.) [Monty |" THis BerreR “ma. ouke 1" 7 7: PIANO TACET uNTiL BAR 241 — U Ce — wal BASS. js PDOKE THANKS, YOUR HON - OR TUL TRY TO KEEP IT SHORT Ee Cerone (some) T kNOW I HAVE-N'T TOD IT STRAIGHT Tit NOW — EASE THE COURT. “CO % Vm usT A MAN WHO'S BEEN MIS~ UW -DER-STOOD_. YEAH, VM Son “ eute+Pe : 3, a Guury > 2 22 23 Guit-TY OF CAR-IN’ GUU-TY OF SHAR-IN’ Too MUCH FoR mY OWN Ge WAS I CH = NA o> TANG ENTERS aa : 27 UKE A LONE-LY MA-RINE TALKED 10 LOTS OF PRETTY LITTLE Lo-CAL GiRLS AND = © (myreo-come) Sel 29 AND = THOUGH | UP AND LEFTSoow AS 1 coup TEWOR SKTTPT.(Me MUTED / TON. 5 et 32 Feuit OF MY CAR-IN' TaD MUCH “FOR MY OWW /MARTIKE Gaeores! ag SHOUTED OH 1 SEWT THEM TRAV-EL-ERS CHECKS BUT THEY WERE EVER E-NOUGH nf 1 Stace,Pe s. Gunry 37. 1 Fivi OF EM SICK AND TWELVE IN’ ScHoOL THOSE YOUNG-STERSHAD IT ROUGH by *? (8s) COuD-NT REST THEY HAD THE EST (sm susr.) G AL 2 STEAM E+ 0S AND JEANS, YA KNow), Goad A- MER- 1- CAN STURE 7 & i Bs.) aod (alo Cet.) stace: . aS “6. : Guury MY FRIENDS IF YOU COLD SEE THEIE FAC-ES IN THAT FAR-OEF HELL tb Ton 1 GOT A PIC*TORE HERE OF mY YWE-EST OH DAMN | MUSTHA LEFT IT IW) MY CEL} ‘KwOnw {THK OF OTH ~ ERS MORE THAN | SHOULD YEAH, I'M —_ ———= [+ coe 540. / CEL. (5ST.PC 1h Guiry OF SHAR Ww 700 (cde » Guiety ‘shout RA B moc (7 EW) oul GoaD YEAH I'M Gult-r¥ OF CAB)? Fon mY An gary oueery HY Gun-TY OF SHARIN’ 700 MUCH FOR my cu) 600 > > > een) <= LF Gure-TY (celAn cerec® 12408 3PLANO - CONDUCTOR GUILTY ~ PLAY-OFF CUE! [Honey] * -.. were vou REALLY DATING AROUND IM PEKING?” « DUKE LOOKS AT HONEY - BLACKOUT (e380, aaa, (£80) oA A 24 VAMP TL SET. (70. w/KED.) Ansa Fuont Coass, fare 12 pve : —“2eowss buay” “LCAN HAVE IT ALL ° CONDUCTOR CUE: SOANIE: “you vio?” NTRO JANO PUNCTUATION GF LEAD IN SCENE AD 1G J, a 4 (6oaPin 3 BPo0bN "A womad abn Wark war A Tak bil can “othuanoin d rk, taeeee. BOER (accel. -. fn AtsPowse ‘ro ev vat aay) a "heh arable irw 40th oF Hitnos ” woe ano “on ALL AP TE tink Seto pa HtPee ; : , Leavnave 17 alt (Gas) SWEET ROCK POP : . Golala) SAR FHA TT? Laren eu an youl Caen aE) ove Ble (ems VERSE LT Boopsie+ 444d voick - swsiriy Wir 9 YOU gE a Gaara nA hi eB you SAID, rar e- 2 a2 “Yom uP Yur PLATE DARE To $E GREAT OH Go FOR THE WOLD It'S WORTH THE WAIT.” WELL (Gi oa). 1 GAN HAVE IY ALL Colalos) Boowsik wher wack swhbtLy) 3 Ee eur wo 26 i eel _ You mage ME SkE ———— t swouLd gia (Gaara) Dn, 37 238 @ % DALSS FoR Sue-CESS GET noth oF REST * BUO-FETAY TIME AND Loom MY BEET, THEN —— 3. 33 a can waver ALL a ave ALL (Wi Aa . . : 1 Gad WAVE OF ALL a Geliates} ag (Woaesie) ra a _ awe) ¢/> ty Tm, */p (rion, F % F =? rT T ; ia BEE Hon —1 7 ht) CRIP 300 ii EO Me tome) vg (Weare) 7 = = 7 7 = = + Lo TOOK YOUR AD Vick — TOLD my Guy” THIS PART 1S NICE He SHOLD SWALLOW His PRIDE SAVOY AY SIDE SicKwird MIS CHIC, FoR THE RIDE THEN FaPo : 1 GAM HAVE IP ALL a 5 Colle) 00°s.) 7 — ~ WE ras PART 1S SAD We Saw © Bien =~ ¢ AED THAT boy WAS MaD__ burt (aya poype Fo AW #2. (a our 5, MAD £0 GREAK tuRovew MaNg AY OE bu ULAR UP ro CHEER FOR YOU KNOW WHO THE oR some prorm) F ca 7 ES (Ol ¢ punk rage of Daye — 8 ante Goorsit| =T 1G SUCUL DRAW A CROWD aber ae CAN nave HF ALL ra lietoa) fome Bfae 1 GAN NaN tT. 7 Celialesd # “ aa ante Tone = a bootie Yea mur bE PROUD. (ieee CAN WAVE TALL dina. eres vege Beer bee beer bir eb by mp PO8 oF oe iow SALAM DLE BOTH ENDS OFTHE CANDLE © SAINT OBUMAFAKE IT NO Garw soe 4 Pattirrs & — ¢ Suagined =, ee ee TOM GONeHA Wave IT ALL Takeo [8 : j =~ a Senet na ve (esies” tS.ree 7 ? = caw wave ir alh 2"? BRIDGE - VERY srRoWG 2 Colley 4} oon, ra Han | a ata towns eet] [ae ¥ ups Wd GAs REER. TM GONNA HAVE It BY THI TIME, NEXT YEAR mya) A 4 ee oa van | 6 dase wgw'r aie! "S Grattaghan DON'T VA Wiow THA My = WALAMS SUAT | Won aur AND ¥oU Kulow THAT TM, COVE ee ee ” abt nq AK 16 Taal re tonua a UEP, wonNA GB OKT IT HOW Go wer ia GON-WA GO ET HT, GONNA wy S waant ol) ~, ECAN HAVE IT ALL ROCK OUT I Ona 1 4 — Seg (APE HE Gee ] gr! orl wir! ott wer! ar! = 7 dons soy Miow rar fh Gouna Go , GONNA GS Lew, IHR DIT HOUR UO OLE IF co CEE 5 tt Tile F 1) mes 6a ODE, 4aor 10° EM AYE IT AL CHORUS OF a Ghates> sume Ba SHELL Haye Wf GepD + a CAN HAVE ATO L Cita fon) rae Cees Oe | ve oe MU SAD SHE CAN WAVE ALL (eae Tales Tria Gr Cn a rf PTT ny 35; a uaee 4. eh aly eb a Tne | wee le eee 124k5 © baw Wave sr atl Po ff. : if Colles) ~ sae LL SHOUL Have ry — . ya wate = ote ae Cn PETES) hla) (chen pe avb J deco AMCLL HAYE we yy | Jo Om ajPiaivo-Compuctor Scene CHANGE 2 Coverecom Scene “10/31/83 D cue: “20 5 190K LiKE TIM ALADY 10 Bhcouk A PRAWN OUD: (Rimi WARK)“ SURE , wo PROBLEM.” Hk?” 2 Cboe\ (+ens.) s VAmO TL LIGHTS come ve = THEN Go ow| (PE cme™ \ Bm ALD Bm Fg] G Ara | Dd A7 /ANO. CONDUCTOR: ee , SCENE'C. DOoWesauRY cian sou 5 8 | (“GUILTY THEME) CUE* “SADDLE UP HONEY Wl RIDE AGHN.” = (BEGIN asrER “M0e") 1, , MAJESTCALLY A TPT-TON- SAX) ‘KBD~ ORSAY SoUND, (CELLO A q VAM UNTIL LIGMTS WIT WHITE HOUSE DRAWING - TutN CUT ABRUPTLY 4PIANO: ConpuetoR ovens s BURY" : Scene CHance ~ BC : APTER 22 wire House Wo. (Qube base tive of ware ous voiced ove /AIL: “Went numBIh onl, WhML nunbiR one (orien: bee abe Gel ee {GE vam. 6 7 ara CNET) (wt) ) { w/e ( Clon rata easine wy Bas slate 9 be Sal Ae AM. Br b Bow | _ (ons) es 7 Ree TT med ahSebwd chang - ANA IB varth EVD, { Wa. q 0 was) # Wms Gann) ONE TATAT - _y ) cio ==, ee BH ery) _ fe eee er UE SCENE” CHANGE 18 FAST «© SKiP Heth ALTOGETHER . nl YAM? | eens 16 AELESSARY ~ UNTIL SELENE 18 SET - THEN GO ON. (eae 1 B i (rate) wh WHEN Alove - PLAY $yvtH PART, ait a/c. (he Epa tf % #8 " he 70 TH , %6 movro RITAAD — ~ MOLTO RiITARD — - Fle,“ooonessuRY” GET TOGETHER. PIANO + CONDUCTOR CUE MIKE! “sd way AMEADd of vou. ® WOES LORING DIALOOUE COUNTRY POP STYLE 3x's 2 our (racer 18x) Gove srved Hak Ha v | i ———— tut To GO os 5 VAMP] nu cue: c miKe & SS. SING Crete 40118)GET TOGETHER Sve SEEN THINKING HD) PLEASE PLEASE GO A+ HEAD You WERE! SAY. IG. (mnie 76 BEE tunitere 4 WASTALKANG OFFTUC-TOP OF MAY HEAD UST yurae exeriav td VO wert “ 1s co is Corocen: RtAL-Ly|? wo susr Thovone KE = - 5 i THOUGHT THAT To Miu Move ON FIND Some SORT OF PLACE OF MY OWN WHERE UP-ON Z was cara] het let % (awe) Ie "7 YOU WERE THINKIN Growtn): HoP mG | waar t (sone x Taine Gsfewéae wil £ GULIDTIAT'T WAS HoPoin@ ——(s#outm)Wo! T'S DumB Tht, (Gs bert)aon 3. . GET TOGETHER. a Mee BOTH GE BUS+Y oP IMG THERE'S ALL SORTS OF FROB-LEMS FOR us TO irk WEATHER SUT Gy E Fh sig : CHORUS $ 8} (axe) wie SOME + TIME Gant) SOON wE ShouLD TRY To tT To-vtTH (marae: o o ai il te DELIBERATELY aes ¥ = a € Bat he | + 65.4 aund seuniss) S @) (wet) PA Gan — ero. KL wiry You 1 SPEND A FeWDdvs—witw you (Sdn (rma carrey)" Uattaeet roe] tent? Teas sue : (Geet anefom Ger ToGkrH ER, 2 oo SOME. TIME SHOULD TRY (esd a DELIBERATELY tr? ia r ¥ te VERSE Gy Ga) $ 38 Ww 40 Gowet) a i- ity! war's f FouND A sro eDieo A-/ PRRT= MENT 0+ VER BY THE} ARY ScuooL HAVEN'T srostD ruel sense ver MEY? THATa PC. 5 Ger rovtTNeR. ay. 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Tiny SCENE 18 SET + THEN STOP on nExT 2 @ Downsear (ser die} AND PROCEED To "SINGLE Y fe 2 3 z CLLLEP Ts bog MEPL ATS (ease) ivesor ab bid ow Aértars) ro) x (DavecoP Ad wi6 on ALPERT) fbeb | Ela uy + + = 6 - 2 6 q Ts * ? cas IMMEDIATE SEGUE ure 0Peo Die $2 ent Kao Swclé : ps oheler 7 RADIO “SINGLE” Waay CE wie PR Evins —CueAD 16 RINGING AS Lieut és tome ve) SLOWER THAN PREVIOUS TEMPO SA i ghee Slay GeoPsik wink, tonne) (Serr, Jazzy HEN) MAR-HEL-OUS MARK PRO-FILES ON PA RADE! (Wa) (anaots CRT Trae) GO) Devt Cou? | Baad nas 8.4ooves suay RADIO “SINGLE” 6B REPRISE ETRE PIANO: CONDUCTOR cue Gaagy) WELL BL BALK ALTER THESE BRILE CommenciAl ubseave (Gears miKk. TONKER tes) 2 MAR-VEL- OVS MARK PROFILES ON PA-PIANO + CONDUCTOR DOONESBURY Bagy Boom Boosie Boy (AKA + THE Rae Son) ees care ub A cath AP oe” — (RRR) 7-8-7 + try runet tree,” DANCE STyLG FUNKY RAP] 4 (Rovane) (wae) GUPUM Hier veh, WET PATIL E=LEVLd, ALL Hows rant Patek PIANO TACET Titk BAR 30 foam enn 2206455 OA UA ROLAND) MARE) (Geran) Wh vad GUL IT A OROSE, You MLA, FRE IM ve? SURE, VANE THE Buick » CiS-MFPY gy (ware) o 0K, CAMPERS, Gore TA Say YES. TELL Mk IW Fukunry Hit WoADs oR LESS, WHY Grarn “wordh” Back BAT cours FHROUCOUT Geman PATTERN Z = Gr) Guna aaete) Gaza AND ORUMS «FUNK Time THAdUErew } a aaty acon WARK MARVELOUS MARK 15 THE MAN OF THE HOUR 9 Gor THE GLD-RVq wor THE PoweLK, YOu'VE a wien Parte 4 we be SSE SSS S at 5 SAVED THE WHALES NOW HAVE THE HAN, DON'T LET MARK BEA FLASH I THi PAN «Wo: “nse” z ‘= ears = 2 == + z SF + F $ 4 2 Girk Ub A cALL OR PHL TALANE THAT SHES CWE Us THE WORD, JAY FHL LINES ue SAY ast” Crest wants potevtan (en GD ‘ Gass s0t Gn . “ === === = = == SSE Sat a “2 WANT MARK a sore Hib BARK, WES Gor My uP PIRF {LLL MAKE IT SHAT Gray Ban? (RMAC, Out fin, TE) Srvrw Gan © 8s Bub)ae + BABY Boe to a 1a. 8 KEEP WARK Ar Tak Fear.” WES GOT movES, THE OuY'S PuRE SEX. Ruan Gaty) Pm 708) (burt. be D847 (Lek cor, pate 4 20 ROLAN MAN'S Gor — NEEDS, bike a WLER ALY SALARY CHECKS, MELA Ama (aed Piso AND HES Tok OUCH y WE CUD BE THE NExr_ £0 mud-hOW. HES, 13 oa w waeR) MAV-Y, PAM 10 SEE y WE MINT EAM Sh EMER ME, Gam (Fremnonbt oP) < Marr 6 wap eas (CA O70 CBB tae tae4A6Y b20m (e] te 7 SAVE Hib Sith ¥,RICH BAR I~ TONE g — T/k RANTS AID TAL CHANTS ui CALL “IN PHONE, MIS PO (ints tout ow Om Ga twont waa ar) 24s tun rt) - ° 7 a a 3B 7 LiPet= LAL SAVYYGWIS IN + CREDIBLE WIT, $0 Pick UP THE AuONL AND THhoWw 4 BT. pace x a CALL, CAMPHIAS, D-DAY, Waar You ALL Gor Te say? PLAYPe fo. ' sA6Y 00m ( iv GaLLeR?) GARD) (Tae Giana) 4 ‘Goons 3 ee @ cat Grane) ee eae £ THINK MARVELOUS MARK IS A TENS WES A Tid! MES A rin! ‘bay A+ cam? ewel Arvan Coen ae cone 8) 4 |. (etmatn cours. (Cat Fon) gu (ARK?) 36 MY, £m TURN IN OP THE VOL “UME NieH. THAT'S 17 AMP bas cr % Gea aaa) St aay ” MARK (202 CALLER fA HIRVULOUS MARK 6 A MAR VALOIS oe say waar “hatvth-ous ? t vs.Po sa Baby Boon t 36 (MARKY GF eau 4 LEP LAVA HANDLE on Gan iia) (ee wten, jeer? WM. Wie WANTS To TAKL Tb IAD E 2. cour. hex ‘GS. cont's sre “ (Sad (ec) (G09, xed ALD A srark of Mind, (aaa) shes tnd. oD. A DataN-ER, fay A sewgwrta, 2h ALL MAW xno ds 3 So oe a Amr —— Laas (cot) CHORUS} (cmseas) 6 oc ch a os 2s cd —— Toe ¥ ae f + z WANT MARK, whur wath, fukk SEK, aut six, FTA 4 (.Po q. BABY 800M . Tr i ME mle: oy Ae » a GOT Nees fe LY Sale Asay entees, MAN'S OOF NEEDS, Fafa (AY AE WEEKLY SALARY eles» (ue mmriteer A caut.) (22 CALL. nf Dd (aeoPrib) 7 SAUL Wh FA-BY BOOM Boobie BI¥., vk ALL FUT TWAT SAsTd th I YOUR IM PLOY ore = mF Deny acer GH cai) Goa) (eT eat) Fea, . #8 der (nent d (ovxt) OS) KLIP Wn HhOn EAS IN" OM DOW TAL FIRE 5 CATEM MUM y PATCH Hi, MIDAT-TAGH MIM TO NIEMKE HES IN 8) eae) N.S.baby Boom eo 8 9 (Tan) as : (a) Dane Ok. WE Don'r Gan. P28 $ONL SAAN-OLR ON TAL Hike SAY oo 2 ors ra Gara = i cif n D4 ee ae wee 7 Cea) nat eg 2 : 53 wag = SS a = = = | ‘s want make, THe Guy's fumbe Six, aura = Ese i FF omy (65+ neo 995 Z_T > Gren omy oor ative Wha bY Sake As Ay enteas, # 2d . 4 = ¥ wan's cor NEEDS. WK? LY She a-Ry eA leaS wAL,vouPc 9 BABY B00M So ‘57 see 5 SSS Gora BE-Liivk THAT WEE OW A ABihg I'S (Fara Fa oer) PERE ANAND 173 WORLIN AND ITS Our oF co -THOL » ou. mabatenuei) 58 Eid Ef = — = = 3 ee as SSS ee CAMP: ERS Don't Bi AFRAID > TO SON THE HARK CAU- SADE. . h ca -4 E = = : f ae ata oo FED Grae) Rem) o mann) (FE cau) FEL, HEL WHAT IAA MIL -OUS MARE SHOULD BE HAwD-souk-Ly., wANDsomt-LY? PaiD I!PC “10° aby sou BAP sone ral o Girma cae os (mage) ont LEP ME MAR IT NOW PED-PLE PELL ME WHAT ¥24 THINK wwe |! Gore B57 BBY) . a— 7 Wand tia Ps contrat Faau ban B) Ouamc) CUCERn eran rire rt rena WARK eee a Ler ab MAR 7 Loud NOWao “le 66 a7 (FIR) Ge FATT) WARK MARK THATS wmar ay NAME IS (Grecxouto) 4g LdowbLé Tink RAP Tat thers In wav tudu a bawd Ptavet) v4 MAKE WARK aaby boom (eran \ [ware vil 6B uanemane rats 1h eink TUS 1b SUK A PHIL IF ENDS A EAILL RUPME PUBL MY SP WEE BILL LQMYOUR DRICFIOW A CaW-NMCoriONOBA-FLL TiO, SAYwat Po oth, BABY boom Garon) Garment (BFR OT 70 W Gera OW Vian TwEY Lira werk Leud-thamie ahd ip Til PAOUD-4Ay (Gone) Cae B wane wages”) corti rahe 92 4 rinks Fg whut MARE Make mane “¢ - Tut To 58 fe 4PAT 16, MOhE IDI De dPW-GAATHE THAN Youd Moko @ PAM ATi, Eh 3g wiRED and ADMIRED Eu n=Pe lio BABY $o0M LAPS Cont) 7 mun (ante 60.) (ont) w Gost*B8) Goneta) Sg wana ake Math -_ wate made ware mae ° fontye Boopsit PLD 0 3 WALD WALL E HL FMA ATAL, Sn A ef Tae by 600M Stow cared, TS Sy (KCFTO) Banta) ap CED Cant) A alee athe ¢ want WARK wank waa p - Quet+s.s. : GR asan maans” 95 PAA pouty + : serait F z SULA BITEIN'ITEMIN THAT VOSRE MILB MEE TO SEMATECH, GOTTA 0 FAR eha-BAl Cha8-¥, 000-0 OAT ON Btu + SHARE THE Fun Geran Ad 17d) vis. Aztec? cue ean weP.O oY Ube 4ABY Boom (vats cour) 16 (wnt 80) Goanta) ” nee wag F RAAT mae (ovet||e 3-3) 5 war nage ‘sonst |e Soot, ARK Sv maenee B08 OF MY STORY ON PAL Ashe, Mow OAL ABELTIAL A RIGATADOS xk cone VAV TOME AND LAY on ME A 0 (wateB®) (Gouvta) a senae wang FANE ARK want mate ewe "=> SS aan age Gin OF LITA TION PRON TL LLUANTY OE FAIS STATION WITHA FIMEAPLELEL A TOW OF MY BAW BY 820M BARK.