ISSN 1995-7831

YOUR stitchcraft magazine!

EDITOR
Sharon Calverley
sharon@tucats.co.za
---
CONSULTING EDITOR - TEXTILES
Dana Biddle
It was with great
dana@tucats.co.za
--- sadness that I read Nancy Zieman's goodbye letter to the sewing and
EDITORIAL ARTISTS quilting world recently. I am sure almost everyone who has been
& PHOTOGRAPHERS
Owen F. Calverley involved with sewing and quilting for a while will know who Nancy is
Kim Kritzinger
--- because she not only inspired future generations of sewers with her
ADVERTISING and inspiration videos, books and classes but was on a personal level a
SUBSCRIPTIONS
Lauren Barwick woman who overcame many difficulties to build the Nancy Zieman
lauren@tucats.co.za empire. A true pioneer in video teaching and
---
PUBLISHER bringing out a range of sewing notions as well
Owen Calverley
owen@tucats.co.za as being an author and a designer for The
--- McCall Pattern Company and Clover
ADVERTISING,
SUBSCRIPTIONS, EDITORIAL Needlecraft. Please read the touching letter
& GENERAL ENQUIRIES that she posted on her blog:
Mon-Thur 09:00 - 16:00
Friday 09:00 - 13:00 www.nancyzieman.com/blog - "Time to Say
Switchboard: 044 691 3763
Fax: 086 427 4480 Goodbye".
---
PRINTING
CTP Cape Town Well this is our yarn issue! And in this issue we have lots and lots of knitting
---
RETAIL DISTRIBUTION
and crochet to keep every yarn addict well and truly busy! Natalia has
RNA - Fransie Smuts made a beautiful summer top that can be dressed up or down
Tel: 011 248 3500
--- depending on the occasion, as well as a striking cardigan. Dana has
PUBLISHED BY some super little toys you can knit and we have two very nice patterns
Tucats Media cc
PO Box 193, Mossel Bay from Rowan Yarns. Dorothy Jacobs' little child's pullover is just the
6500, South Africa
--- sweetest. (Well so are the models!)
www.stitches.co.za
---
Sold in specialist needlework supply stores, craft Esther Snyman shows you how to make a very pretty Ohio Star quilt,
supply stores, newsagents and selected there is a needle felted landscape and felt stitchery for those of you into
supermarkets countrywide.
Available by subscription worldwide. country style projects. In our Africa Dear Jane series we start joining the
—
While the publishers take every care to ensure squares and the first few triangles. Di van Niekerk brings the next in her
that the contents of this publication are accurate, monogram series - the letter M - and last but not least, Claire Wallace is
we cannot accept responsibility for any errors or
omissions that may occur. The views expressed back with another of her very instructive letters. Don't forget to look at
in articles are not necessarily those of the the Youth Quilt Block photos - they are very inspiring.
publisher, staff or contributors.

No part of this publication may be reproduced or

stored in a retrieval system by any means without Our year starts winding down towards Christmas, so in the next issue we
the prior permission of the publisher. will be concentrating on saving money by making your own unique gifts.
The copyright of designs featured in this Keep busy - there is a lot for you to do in this issue!
magazine remains with the originators of the
designs and such designs may not be used for
financial gain in any way. PS: Before I go, there was an oopsie on Karen Adendorff's crochet
While every effort is made to safeguard original pattern on page 20 in the last issue. Rnd 7 should read: "with Lavender;
material, no responsibility for damage or loss can
be taken for samples, manuscripts, illustrations,
3ch in 1st of 4dc, 2dc in next dc". Thanks Veronika for picking that
photos and transparencies while in our possession up! All errata and updates are posted on our website too.
or in transit.

The editor reserves the right to edit material

submitted and also to reject any unsuitable
advertising or editorial material.
Till next time....

©
Front cover: Model: Helena Haasbroek
Photographer: Owen Calverley
2 STITCHES
 06

PROJECTS

6 Alta Knitted Cowl 42 Norden Knit

by Sarah Hatton by Sarah Hatton
8 Lacy Summer Top 52 Patriot! Applique
by Natalia Valentin by Sharon Calverley
10 Felted Landscape 58 Lady's Cardigan
by Sharon Calverley by Natalia Valentin
14 Children’s Pullover Knit 61 Block of the Month:
by Dorothy Jacobs Fish Tail Lace
17 Little Village: Part 3 by Dana Biddle
by Renette Opperman 62 Esther’s Ohio Star Quilt
22 Ribbon Embroidery: by Esther Snyman
Monogram M 70 Bath Mat Set
by Di van Niekerk by Marlene Heins Botha
26 Cotton Circular Jacket 73 Horse and Paddock
by Dana Biddle by Dana Biddle
30 Little Knitted Rhino
by Dana Biddle
26
4 STITCHES
 FEATURES REGULARS

34 Dear Jane Quilt Series: 66 Who, What, When, Where

Blocks (Assembly)
by Sharon Calverley 67 Back Issues

46 Taking the Bull by the Horns 68 The Sewing Basket

by Claire Wallace
76 The Basics of Quilting
48 2017 SAQG Youth Block and Patchwork
Challenge Winners
by Claire Wallace 80 Subscriptions

30 22

10 14

STITCHES 5
 By Sarah Hatton
for Rowan Yarns

This quick-knit cowl is a

great first lace project and
features a simple branch
lace motif with garter stitch
edge. Breezed is a 80%
cotton and 20% linen
blend yarn, perfect for
the coming Summer.
Instructions are given to
work flat or in the round.

6 STITCHES
 Alta Knitted Cowl Knitting

Requirements Pattern
YARN VERSION KNITTED ON 2 NEEDLES Round 1 (RS): *K2tog, yfwd, rep
l Rowan Breezed - 2 x 50 g
Using 4½ mm needles cast on 121 from * to end.
(photographed in Riviera 006). sts. Round 2: Purl.
Row 1 (RS): *K2tog, yfwd, rep from Round 3: *K3, yfwd, sl 1, K1, psso,
NEEDLES
* to last st, K1. K3, rep from * to end.
l 1 pair 4½ mm needles OR 4½
Row 2: Knit. Round 4: Knit.
mm circular needle no more
than 50 cm long. Row 3: K1, *K3, yfwd, sl 1, K1, psso, Now work in patt as folls:
K3, rep from * to end. Round 1 (RS): *K4, yfwd, sl 1, K1,
TENSION Row 4: Purl. psso, K2, rep from * to end.
l 19 sts and 26 rows or rounds to Now work in patt as follows: Round 2 and every foll alt round:
10 cm measured over patt using Row 1 (RS): K1, *K4, yfwd, sl 1, K1, Knit.
4½ mm needles. psso, K2, rep from * to end. Round 3: *K2, K2tog, yfwd, K1,
Row 2 and every foll alt row: Purl. yfwd, sl 1, K1, psso, K1, rep from
FINISHED SIZE
Row 3: K1, *K2, K2tog, yfwd, K1, * to end.
Completed cowl measures 63 cm
yfwd, sl 1, K1, psso, K1, rep Round 5: *K1, K2tog, yfwd, K5, rep
all round and is 21 cm deep.
from * to end. from * to end.
ABBREVIATIONS Row 5: K1, *K1, K2tog, yfwd, K5, rep Round 7: *K2tog, yfwd, K1, yfwd, sl
psso = pass slipped stitch over from * to end. 1, K1, psso, K3, rep from *
yfwd = yarn forward Row 7: K1, *K2tog, yfwd, K1, yfwd, to end.
Rep = repeat sl 1, K1, psso, K3, rep from * Round 8: As row 2.
K2tog = Knit two together to end. These 8 rounds form patt.
Row 8: As row 2. Work in patt for a further 42 rounds,
These 8 rows form patt. ending after patt round 2 and
Work in patt for a further 42 rows, with RS facing for next round.
ending after patt row 2 and with Next round (RS): *K5, yfwd, sl 1, K1,
RS facing for next row. psso, K1, rep from * to end.
Next row (RS): K1, *K5, yfwd, sl 1, Next round: Purl.
K1, psso, K1, rep from * to Next round: *K2tog, yfwd, rep from
end. * to end.
Next row: Knit. Cast off purlwise (on RS).
Next row: *K2tog, yfwd, rep from *
to last st, K1. MAKING UP
Cast off knitwise (on WS). Press.
For version knitted on 2 needles,
VERSION KNITTED IN THE ROUND join row-end edges to form a
Rowan Yarns are available Using 4½ mm circular needle cast tube, using back stitch, or mattress
from Arthur Bales 011 888 2401. on 120 sts. stitch if preferred.
They also sell on mail order. Taking care not to twist cast-on
edge, work in rounds as folls:

STITCHES 7
 designed & made by Natalia Valentin

SUMMER
model: Helena Haasbroek
photographer: Owen Calverley

top

8 STITCHES
 Summer Top Crochet

A super easy top that crochets up in a jiffy and can be easily made by a beginner.
The back and front are the same. Pair this top with a pretty strappy top and you
are set for the summer ahead.

Requirements Pattern
l SIRDAR AMALFI DK (75% PATTERN STITCH work (3ch, 2tr) and cont in patt to last
cotton, 25% viscose) 50 gr Multiple of 6 +1 13tr, work 3tr in ch sp. Turn.
balls X 6(7, 7, 8) Cont in patt until Back measures
1st row: (RS) 2 tr into 3rd ch from
l 4,00 mm crochet hook
hook * 4ch,miss 5ch, 5tr into next about 75 cm from starting ch ending
ch, rep * working only 3tr at the 5th row of patt.
Measurements: end of last repeat. Turn. Edge row: * Work 7tr in next chsp, miss
To fit 81- 86 (91-97, 101-107, 110- 2nd row: 2ch(counts as 1tr) miss 2tr, 1dc in next tr, miss 2tr. Rep from *
117) cm bust to end.
first 3sts, *work (3tr, 3ch, 3tr) into
Garment measure: 90(1100, 110, next space**miss next 5tr. Rep
120) cm from *ending last rep at ** miss TO MAKE UP
Length from top: 75 cm 2tr, 1tr on top of tch. Turn. Join shoulder and sleeve seam
3rd row: 6ch,(counts as 1ttr and leaving open for Neck about 30 cm
Tension: Neck Border: With RS facing join yarn
1ch)* 5tr into next ch.sp, ** 4ch
16 treble to 10 cm using 4,00
mm crochet hook rep from * ending last rep at ** at shoulder seam and work as given
1ch, 1ttr,into top of tch. Turn. for lower edge around neck.
Abbreviations: 4th row: 5ch(counts as a dtr and Work one row dc around sleeve
tr = treble 1ch) 3tr into next 1ch sp,*miss edge.
st(s) = stitch(es)
5tr, (3tr, 3ch, 3tr)into next ch.sp.
cont = continue
tog = together Rep from * ending miss 5tr, work
ch = chain (3tr, 1ch, 1dtr) into tch. Turn.
ch.sp = chain space 5th row: 2ch(counts as 1tr),2tr
sl.st = slip stitch into next 1ch sp, *4ch, 5tr into
rep = repeat
next ch.sp. Rep from * ending
tch = turning chain
ttr = triple treble 4ch, 3tr in tch. Turn.
dtr = double treble 2nd, 3rd, 4th, and 5th rows form
dc = double crochet pattern.
r(w)s = right(wrong)side
BACK AND FRONT ALIKE
Starting from top down
Make 87(93, 105, 117) and work
in patt as given in Stitch Pattern.
Pattern from 2nd to 5th row 2
(2.2,3) times then from 2nd to
4th row once. Break off yarn
Yarn is available from Arthur Bales
and turn.
(011) 888 2401. Natalia teaches
5th row: (Shape sleeves) Miss 13
knitting and crochet at Arthur Bales
tr at the beginning of row, join
on a Wednesday.
yarn with a sl.st in next chsp and

STITCHES 9
 Felted
Landscape

Needle felting is fun to do and you don't require a huge

outlay to buy equipment. All kinds of yarns, fabrics and
fibres can be felted. This little landscape is a perfect
beginner project and once completed, can be framed or
incorportated into another item.

10 STITCHES
By Sharon Calverley Felted Landscape Felting

Requirements How to
l 1 Piece of light coloured wool Copying a pattern onto felt is quite expensive!
felt measuring 12½" x 6¼ " tricky - this is an easy way to do it! • When felting, build the layers up
l A4 sheet of white tissue paper rather than putting down one thick
l Ballpoint pen / pencil 1. Using a ballpoint pen / pencil layer.
l Wool roving: colours for the sky, copy the pattern onto the sheet of • Fibres should overlap each other.
mountains and pastures as tissue paper. Don't be too • Be very, very careful when
well as black and white pedantic with the pattern felting, the needles are extremely
l Yarn can also be successfully because it is going to change sharp. Use a tweezer to hold the
felted into your piece - you will once you begin felting. You only fibres in place.
need a dark colour for the want a basic idea of where
mountains and tree and a everything fits. 4. Starting with the mountains,
green for the pasture. You lay a thin layer of roving and begin
choose the type of yarn 2. Place the felt underneath the to felt. You can decide how many
l Dark brown or dark purple tissue paper and pin together. different colours you want in your
sewing thread mountains. I used grey, ochre, dark
l Felting pad and felting tool (5- 3. Fit the free motion foot, drop brown, very little purple because it
pronged one) and extra the feed dogs and shorten your tends to take over and a little bit of
needles. stitch length. Stitch along the green.
Optional: If you have an pattern lines using a dark colour
embellisher (felting machine) thread so that you can see the Don't worry about the edges yet
then you don't need the hand pattern nicely. When complete, as that will get sorted out at the
items carefully tear away the tissue end. Also don't worry about the
l Sewing machine with a free paper to reveal the pattern. density of your felting yet - you are
motion foot and the usual only looking to get the first layer in
sewing requirements If you find that some tiny bits of place.
l Rotary cutter, ruler and mat paper are difficult to remove from
under the stitching, don't worry
about it - the felting will cover it.
Finished size: ± 10" x 6"

Front side of first layer

TIPS for machine felting: 5. Once you have felted the first
Sources for wool roving and felting
supplies: • Take your time moving the piece layer, turn the piece over and felt
ColourSpun: 083 268 5856 under the needles - you are not in the back (see photo overleaf). It
www.colourspun.co.za a hurry to finish it. should look fuzzy at the back.
• Move the piece smoothly, if you
Charlize Stone: 060 963 3606
Email: info@charlizestone.com pull it you run the risk of breaking 6. Turn it right side up and felt
the needles and they are the front again. You will have to do

STITCHES 11
 Felted Landscape

this every time you add a new flowers onto the pasture. The
layer because you want to bind flowers are random and you can
the fibres together. decide how many you want on
your picture.

11. Begin adding in blue and grey

layers into the sky area.
Back side of first layer

7. Lay yarn along the tree outline 12. Once you have completed
and felt in place. This is just so that the sky, fill in the pasture. Use the
you have an idea where the tree is single needle for filling in around 15. Pack away your felting tools,
because once you have start the head and small amounts of yarns and fibres and bring your
felting the area around it - it will be roving. You can ignore the legs sewing machine forward.
difficult to find it. because we will stitch them later.
16. Load your machine with the
8. Felt the area around and in dark thread, drop your feed dogs
the tree. and fit the free motion foot.

17. Free motion stitch the tree,

around the sheep bodies and the
legs. Remember the pattern is a
guideline - have fun with the free
motion stitching!

13. Steam press the piece then fill

in the heads with black roving,
9. Outline and felt the contours using the single needle. When you
of the mountain with dark yarn. have filled the heads, fill the bodies
Once that is done, lay green yarn with white.
along the bottom of the mountain
and felt that in place.

Remember to turn the piece over

regularly to felt the back. 18. Trim the piece back so that
there is no background felt
10. Begin laying the first layer of showing. If you would like to
the sky with white. Leave the tufts embellish the piece more with
at the top as this adds texture to some embroidery and beading -
the piece. 14. Using tiny bits of red, felt little please do so.

12 STITCHES
Felted Landscape

Enlarge to fit

STITCHES 13
 CHILDREN'S PULLOVER
by Dorothy Jacobs
model: Mila Herselman

Add a bit of
fun to your
child's
wardrobe with
this lovely
unisex
pullover.
Knitted in
stocking stitch
- this pattern
can easily be
knitted by a
beginner!

14 STITCHES
 Children’s Pullover Knitting

Age: 2-3 years 4-5 years 6-7 years

African Expressions yarn is available
Chest Measurements: 56 cm 61 cm 66 cm from most yarn stores. Contact them
Actual Measurements: 60 cm 65 cm 72 cm on 041 486 2433 to find your nearest
Shoulder to Length: 38 cm 42 cm 48 cm stockist.
www.africanexpressions.co.za
Sleeve Seam: 24 cm 29 cm 33 cm

Requirements Pattern
MATERIALS: BACK: end of next 5 rows = 55(61, 69)sts.
l 6(6,7) 50g balls African Using colour A, cast on 65(71, Cont straight until armhole
Expressions JOY: Colour A 79)sts. measures 14(15, 16)cm, end with a
(1077), 1 ball each Colour B 1st row: RSF, p. WSR.
(1001) and C (1057) 2nd row: K. SHAPE SHOULDERS: Cast off 7(8,
l 3.5 mm Knitting needles 3rd row: K1,*p1, k1, rep from * to 8)sts at beg of next 2 rows = 41(45,
l 4 mm Knitting needles end. 53)sts, cast off 6(7, 9)sts at beg of
l 2 Stitch holders 4th row: P1,*k1, p1, rep from * to next 2 rows = 29(31, 35)sts. Place
end. Rep these 4 rows 11 times these sts on a stitch holder for back
TENSION: more, then 1st - 2nd rows once. neck.
22 sts x 28 rows = 10 cm over Cont as foll: 1st row: K. 2nd row: P. FRONT:
stocking stitch using 4 mm These 2 rows will now be referred to Work as for back until armhole
needles. as stocking stitch (st st). measures 8(9, 10)cm end with a
Cont in st st until work measures WSR.
ABBREVIATIONS: 24(27, 32)cm end with a WSR. SHAPE NECK: K21(24, 27)sts leave
alt = alternate, beg = SHAPE ARMHOLES: K2tog at each rem sts on a stitch holder.
begin(ning), col = colour, cont =
continue, dec = decrease, foll =
follow(ing), inc = increase, k -
knit, n(s) = needle(s), patt(s) =
pattern(s), p = purl, rem =
remain(ing), rep = repeat, rev =
reverse, R(W)S =
right(wrong)side, R(W)SF =
right(wrong) side facing, R(W)SR
= right(wrong) side row, RW =
ribwise, sl = slip, st(s) = stitch(es),
st st = stocking stitch, tog =
together

STITCHES USED:
Stocking stitch = 1st row: RSF, k.
2nd row: WSF, p. Rep these 2
rows.

STITCHES 15
 Children’s Pullover

Next row: * Cast off 3sts at beg all**. Next row: K2tog, k to end. Patt 6
(neck edge) then 2sts on foll alt Next row: Col C, k. rows.
row, dec 1st on foll alt row 3(4, Next row: K7, turn, leave rem 16sts SHAPE THUMB: K2tog, k2, k2tog. K
5)times = 13(15, 17)sts. Cont straight on a stitch holder. Join col B, k2tog, 1row, (k2tog) twice, cast off using
until work measures same as back k to end. Patt 5 more rows. col B, RSF rejoin col C to sts on
to shoulder end with a WSR (RSR for SHAPE THUMB: K2tog, k2, k2tog k holder, k 2 rows, join col B. Cont in
right front). one row (k2tog) twice, cast off. stripe patt for 14 rows. Shape top
Cast off 7(8, 8)sts, patt to end, patt WSF, join col C to sts on holder. K as for right pocket. Weave ends
one row, cast off rem 6(7, 9)sts. Sl one row, cont stripe patt for 14 into WS of pockets before sewing
rem sts to needle, keeping 13(13, rows. to garment.
15)sts on the stitch holder for front SHAPE TOP: K2tog, k to last 2sts, FINISHING:
neck. RSF, join yarn to rem 21(24, k2tog. Fold sleeves in half, place fold to
27)sts. Work from * rev all shapings. Next row: K. Rep last 2 rows until shoulder seam, secure, set in
SLEEVES (BOTH ALIKE): 8sts rem, cast off. sleeves, sew up side and sleeve
Using 3.5 mm ns and colour A, cast LEFT POCKET: seams. Block garment to
on 37(41, 45)sts, work as for back Rep **-** as for right pocket. measurement before sewing
for 10 rows, change to 4 mm ns, Next row: Col C k 7sts, turn, leave pockets to front, using photograph
working in st st, inc 1st at each end rem 16sts on a stitch holder. as quide.
of 3rd then every 8th row to 53(57,
61)sts. Cont straight until sleeve
measures 24(29, 33)cm end with a
WSR.
SHAPE TOP: Work 5 rows, dec 1st at
each end of every row = 43(47,
51)sts. Work 1 row, cast off 3(3, 4)sts
at beg of next 8(4, 4) rows = 19(35,
35)sts, cast off 4sts at beg of next
2(6, 6) rows = 11sts. Cast off.
NECKBAND:
Sew right shoulder seam. With RSF,
using col A and 3.5 mm ns, pick up
and k15(17, 19)sts to centre 13(13,
15)sts. K these sts, pick up and
k15(17, 19)sts to back neck sts. K
back sts = 72(78, 88)sts. K one row,
join col B, k 2 rows, join col C, k 2
rows, k 2 rows col B. Break off col B
& C. Work 2 rows col A. Cast off.
Sew left shoulder seam and
neckband edges.
RIGHT POCKET:
Roll off a small ball of col B for
thumbs. ** Using 3.5 mm ns and col
B, cast on 23sts. Beg with a WSR, k
one row, join col C, *knit 2 rows col
C, 2 rows col B* rep *-* 5 times in

16 STITCHES
 Photographer: Nikki Opperman
Little Village
Down South
Part 3: The Railway Station
In Part 3 of our Little Village Down South series we will complete the Railway
Station. Think back to the days when the biggest daily event in small towns was
the arrival of the train. In the next issue we will make the Rose Cottage.

STITCHES 17
 by Renette Opperman ©
073 303 1568
opperman.dje@gmail.com
Little Village Part 3

Requirements This series of village houses wall hanging is foundation

Before you begin: pieced and not at all difficult to stitch. Use your choice of
l Consult the diagram to fabrics to make them, depicting your own village. Once
determine the finished size of you have completed the series of houses, why not paint
each block
l The pattern is broken up into
the matching quilt hanger shown above?
smaller sections. Each section
is then stitched together to Each of these buildings can be used individually or
form a whole
combined to make one large wall hanging.
l The sashing between the
blocks is 1¼" wide

You will need:

l Assortment of fabrics (see
Diagram
main photo for ideas)
l 50 cm sashing fabric
l 1 m background fabric
2.
1. Rose Cottage 3.
l 75 cm border fabric Post Office 10"x 8½" Hotel
10"x 10" 10"x 10"
l 110 cm square of batting and
backing fabric
l Ruler and fine liner
l Add-a-Quarter ruler
l Assorted embroidery threads 4. 5. 6.
Quilt Shop Church Garden Cottage
for embellishing blocks 10"x 7" 10"x 7"
10"x 10"
l Neutral coloured sewing
thread for piecing
l Rotary cutter, ruler and mat
l Sewing machine and usual
7. 10.
sewing requirements Railway Station
8.
School
Bonny House
10"x 10" 10"x 10"
10"x 8½"
Finished size: 37" x 32"
Seam allowance: ¼”

18 STITCHES
 Little Village Part 3 Quilting

X X

X F X

B C
X X

A
O O O O

STITCHES 19
 Seam allowance: ¼” (6 mm) Little Village Part 3

The railway station pattern is divided fabric to ¼" seam allowance every Embellish the block with charms if
into units A to G as shown. time you complete a stitching line. you wish.
This will reduce any bulkiness in the
On the patterns, the dark lines are the seams. We will only add the sashings once
stitching lines and the outside, grey we have completed all the blocks.
stippled lines are the cutting lines. Reduce your stitch size to 1.5 and
start and stop exactly on the line.
Follow the stitching sequence on each
Unpainted quilt hangers can be
template i.e. Start with 1and ending Stitch the individual units and ordered from The Creative Bug,
with 18. assemble in rows as shown. Bela-Bela. Contact Kobie van
Remove paper once you have Staden on 072 784 1332
Fold the pattern back and trim excess completed the block.

Foundation Piecing Units A to G plus sides:

Unit A - Front Door Unit B - Left Window Unit C - Right Window

X X
5
7 7

2 8 3 9 9 3 8

1 1
11 11
4 5 5 4

3 1 4 2 2

6 6
O O
10 10

Unit D - Bottom Storey Roof

7
8 9
4

X X
X X
5 2 1 3 6

20 STITCHES
 Little Village Part 3
Unit E - Top Storey

18 16 15 17
14 13
X X
12

Unit F- Station Clock

X X
3

1
9 4 5 8
11 10
2
X X
6
7

Unit G - Roof Fascia Board

2 1 3

Left Garden Wall Right Garden Wall

X X

1 1

2 2
O

(Garden Wall) (Garden Wall)

O

STITCHES 21
 Ribbon Embroidery

Requirements by Di van Niekerk

ŸPrinted or traced design Needles:

ŸWindow fabric ŸCrewel size 8 or 9
ŸSmall glass seed beads: Burnt orange ŸChenille size 20 and 22
ŸBacking fabric ŸTapestry no 22 or 24
Ÿ10 inch (25 cm) hoop ŸCrewel size 10 or straw size 9 for beading

Ribbons: Stitches used:

1) Di van Niekerk's 2 mm silk no 27 Back stitch, Couching, Detached chain stitch, Fly - and
2) Di van Niekerk's 2 mm silk no 69 ribbon stitch rose, Fly stitch, Fly- stitch rose, French knot,
3) Di van Niekerk's 4 mm silk no 99 Ribbon stitch, Stem stitch, Straight stitch, Whipped back
4) Di van Niekerk's 4 mm silk no 90 stitch.

Thread:
Ÿa) Chameleon stranded rayon no 31
Ÿb) Gumnut Astecs pure silk: Turquoise dark
Ÿc) Chameleon stranded silk no 37
Note: use one strand of thread unless suggested
otherwise.

22 STITCHES
1. Fill the initial: Thread up with one strand of
thread a (normal length) for the couching
stitch. Cut another 70 cm length of the same
thread but don't separate the strands as this is
the laid thread. Thread up on a size 22 chenille
needle and start in the centre of the shape at
A. Couch the laid thread in place every 3 to 4
mm. Twirl the thread to fill the shape as shown
in the completed photograph. Fill the entire
initial with row after row of couching, working up to the sharp point at B.
Work down to the curve at C, up to D and end off at E. End off and start
with a fresh thread when necessary.

2. Outline the initial: Use 1 strand of thread c and back or stem stitch to
outline the initial for a neat edge and to create a golden shadow.

3. Make the stems: Use 2 strands of thread b

and back stitch to form all the stems in the
design. Make the stitches about 3 mm long.
Use ribbon 1 and whip the back stitches with
the ribbon to form the rounded green stems.
Use thread b to whip the narrow blue stems.
Use thread c and stem stitch to form the twirled
golden stems leading off the green stems.
Whip the green stem with the same golden
thread to add colour, or use black or stem stitch alongside the green stem.

4. Make the green leaves: Use ribbon 1 and detached chain stitch for the
larger green leaves. Use ribbon or straight stitch for the smaller green leaves.
Work from the stem outwards. Use thread c and straight stitch at the tip of
some leaves to add colour.

5. Make the green filigree shapes: Use

ribbon 1 and fly or detached chain stitch to
form the green filigree shapes at A and E.
Change to thread c and add a straight stitch
down the centre of each shape. Use the same
thread on a size 10 crewel or size 9 straw
needle and attach an orange bead between
each shapes.

6. Make the blue buds and leaves: Use ribbon 2 and a detached chain or
ribbon stitch to form the blue buds and leaves. Use thread c and straight
stitch on the tip of some shapes to secure the stitch and to add colour.

STITCHES 23
 The Alphabet: M

Stitch Sequence
4.
3.
8.

7.
6.

6.

9.

5.
1.

5. 2.
10.

7. Make the golden yellow buds and leaves: Use chain stitch. Use a long anchoring stitch as you take
ribbon 3 and ribbon stitch to form the golden buds and the ribbon to the back. Change to thread b and make
leaves. Use 1 strand of thread a and make a French two or three straight stitches at the tip of the bud, use a
knot (one wrap) or straight stitch to add a touch of red grab stitch at the base of
alongside the golden leaves. the bud to neaten the
shape.
8. Make the yellow rose: Use thread 1 and make a
three-wrap French knot to form the orange centre. Use 10. Add-ons: Blue and
ribbon 3 and make a orange detail: Use thread
fly stitch rose. Make b and a three-wrap
two or three fly stitches French knot to make the
and add two or three blue dots on the initial.
ribbon stitches on top Use a gentle tension so
to form the open that the knot sits on the top of the orange stitches. With
petals at the base of the same thread make a straight stitch to form the tiny
the rose. blue stalks at the end of the stems. Attach an orange
bead to form the
9. Make the orange roses and buds: Use ribbon 4 Orange dots in the
and make the orange roses as you did the yellow rose Design.
above. The orange bud at C is made in detached

For more information, to purchase the pre-printed designs, Di van Niekerk

books etc., please contact Di on 021 671 4604 or www.dicraft.co.za

24 STITCHES
 STITCH GALLERY
Back Stitch

Fly Stitch

Stem stitch filling Whipped

Back Stitch

Fly stitch rose

Fly- ribbon stitch rose

Detached Chain

STITCHES 25
Cotton
circular
jacket
by Dana Biddle
 Cotton Circular Jacket Knitting

Looking a lot more complicated than it is; a circular

jacket is a pleasure to knit. It can be worn either long or
short and held closed in the front with a shawl pin or
large brooch.

Requirements Pattern
Before starting there are a few Your jacket can be started using Continue working until the diameter
points to consider. what ever method you prefer from of your work is about double the
lUse larger needles than what is
the Knitting a Round section. back measurement or larger if you
usual for the yarn you choose prefer. Cast off.
so that the knitted fabric is soft
Take a loose measurement from
and drapes well.
lUse a lot of different colours to underarm across the back to To work the sleeves, using a circular
underarm and work until the needle pick up the stitches on both
create interest.
lChange yarns randomly to diameter of your knitting is equal to sides of each armhole, removing
avoid having a thick line this measurement. waste yarn if necessary. Place a
through your fabric where Then insert the armholes using one marker at the end of the round.
ends have been woven of the following 2 methods: Work in the round until the sleeve is
/darned in. the required length. Cast off.
lUse colours that blend rather 1. Next Round: Work from
than contrast next to each beginning of round to first marker; If you would like a tapered sleeve,
other and change yarns cast off stitches between 1st and decrease 1st each side of the
frequently to avoid a “target”
2nd markers; work to 6th marker; marker on every 4th or 6th round
look.
lAs you knit your work will grow cast off stitches between 6th and depending on how much taper is
7th marker; work to last marker required.
too big to fit on 1 or 2 circular
needles, so just distribute your Next Round: Work to 1st marker;
stitches over more needles as cast on the same number of
required. stitches that were cast off on last
round between 1st and 2nd marker;
You will need: work to 6th marker; cast on the
lColourSpun Pure Cotton DK – same number of stitches as were
16 x 50g cast off on last round between 6th
l6 -8 circular needles - 5 mm
and 7th marker; work to last marker.
l5 mm crochet hook, same size
as knitting needles
2. Next Round: Work from
beginning of round to 1st marker;
using waste yarn in a contrasting
colour, work stitches between 1st
and 2nd markers; turn and work
back to 1st marker; turn and
continue using working yarn to 6th
marker; using waste yarn, work to
ColourSpun yarns are available 7th marker; turn and work back to
from 083 268 5856 or
6th marker; turn and continue using
www.colourspun.com
working yarn to end of round.

STITCHES 27
 Cotton Circular Jacket

Knitting on the round round, to stop the colour jog when second loop. Knit each half round
These instructions can be used to changing colour, slip the 1st stitch by preparing the stitches to be knit
knit berets, bags, rugs, jackets etc. (old colour) purl wise and start and making a new right hand loop
Use your imagination to turn flat, knitting into the 2nd stitch. before knitting the next half round
knitted circles into a multitude of of stitches. Continue until you have
garments and accessories. Double pointed needles enough stitches to work with only
Cast on 8 stitches. one loop and eventually without a
Your circle can be started on 4 x Next row: Increase by knitting into loop in the cord.
double pointed needles, a circular the front and back of each stitch = Rnd 1: Increase into every stitch - 16
needle (or 2) or it can be 16 stitches. sts.
crocheted. If you don't like working Divide stitches onto 4 needles, join Rnd 2 and all alternate rounds: knit
with your work bunched up, as and continue as follows: Rnd 3: (k1; inc1) to end - 24 stitches
your knitted circle increases in size, Rnd 1 and all alternate rounds: knit Rnd 5: (k1; inc1) to end - 36 stitches
you can add more needles. Most Rnd 2: (k1; inc1) to end - 24 stitches. Rnd 7: (k2; inc1) to end - 48 stitches
patterns for round knitting start on Rnd 4: (k1; inc1) to end - 36 stitches. Rnd 9: (k5; inc1) to end placing a
the outer edge with a lot of stitches Rnd 6: (k2; inc1) to end - 48 stitches. stitch marker after each increase -
and decrease to the centre. This is Rnd 8: (k5; inc1) to end placing a 56 stitches.
because decreases are usually stitch marker after each increase - Rnd 11: knit – increase 1 stitch
neater than increases. I prefer to 56 stitches. randomly between each set of
start in the centre and work toward Rnd 10: knit – increase 1 stitch markers i.e. increase 8 stitches in
the outer edge as this gives more randomly between each set of total.
control over the size of your knitting markers i.e. increase 8 stitches in Rnd 12: knit
without swatching – you can stop total. Repeat rounds 11 and 12 until your
when you reach the size circle Rnd 11: knit circle reaches the required size.
required and if you want to you Repeat rounds 10 and 11 until your
can change your mind, perhaps circle reaches the required size. Method 2
start out knitting a beret and This method uses 2 circular needles.
decide to turn it into a rug or vice Circular needle/s Cast on 8 stitches.
versa. When increasing, I like to use TIP – if necessary use steam or hot Transfer the last 4 stitches cast on
the loop cast on method, which I water to straighten the connecting to your 2nd circular needle. You
find the neatest. tube/cord before you start knitting. now have half your stitches on
needle 1 and half on needle 2.
These instructions are given in Method 1 Pull needle 2 through so that those
stocking stitch but will work for This method is called the magic stitches are held on the needle
circles worked in any stitch pattern loop and requires 1 long circular cord.
you choose – just make sure that needle. Push the stitches to be worked
the stitch pattern will fit in with the Cast on 8 stitches. next, in order to continue working
increases. Pull a loop of your needle's cord in the round, to the tip of needle 1
through between 4th and 5th and work them with the other side
NOTE When knitting in the round, stitches. Push stitches to be worked of needle 1.
stocking stitch = knit every row and next, in order to continue working Now, pull needle 1 through so that
garter stitch = knit 1 row, purl 1 row. in the round, to tip of needle, pull those stitches are held on the
the other tip of needle out until you needle cord. Push the stitches to
TIP – When knitting stripes in the have enough cord to make a be worked next, in order to

28 STITCHES
 Cotton Circular Jacket

continue working in the round, to loop on the bottom needle – you Pull the needle that is now on the
the tip of needle 2 and work them have cast 1 stitch onto the bottom bottom so that the stitches are on
with the other side of needle 2. needle. the cable.
Rnd 1: Increase into every stitch - 16
sts. Bring the top needle over the yarn Making sure that the dangling tail
Rnd 2 and all alternate rounds: knit tail on your thumb, around and lies between the top needle and
Rnd 3: (k1; inc1) to end - 24 stitches back up bringing the yarn the working yarn and using the
Rnd 5: (k1; inc1) to end - 36 stitches between the 2 needles to form a other end of the top needle, start
Rnd 7: (k2; inc1) to end - 48 stitches loop on the top needle – you have knitting the 1st round.
Rnd 9: (k5; inc1) to end placing a cast 1 stitch onto the top needle.
stitch marker after each increase - Continue until you have the TIP - painting the tips of one circular
56 stitches. required number of stitches on needle will help you to keep track
Rnd 11: knit – increase 1 stitch each needle. of which needle tip to use when
randomly between each set of starting a new half round or use
markers i.e. increase 8 stitches in Drop the tail yarn and let it dangle. needles that look different to each
total. Turn your needles so that the other.
Rnd 12: knit bottom needle is now on top.
Repeat rounds 11and 12 until your
circle reaches the required size.
If your work grows too large for the
needles you are working on, just
keep adding extra needles, knitting
off those holding the stitches onto 1
empty needle as it grows.

Method 3
This method is known as the magic
cast on and is also great for toe up
socks and for hand bags.
Place 2 circular needles together,
leaving a long tail, make a slip knot
and place it on the top needle
(counts as 1st stitch).
Hold the needles together in one
hand and the yarn in the other,
with the tail over the fore finger
and the working yarn over the
thumb.

Bring the tip of the bottom needle

over the yarn on your finger,
around and under the yarn and
back up bringing the yarn
between the 2 needles to form a

STITCHES 29
 little Knit this little rhinoceros as a special toy for a
little one. Over the next few issues we will be
making a few more of our special African

rhino by Dana Biddle

animals. Knitted in pure cotton and stuffed
with pure merino super wash - this is an easy
and fun item to knit.

Requirements
l ColourSpun Pure Cotton Aran K2tog = knit next 2 stitches together the slipped stitches to the left
colour 326 - 1 x 50g, colour 330 – 1 P2tog = purl next 2 stitches needle.
x Happie together P2togtbl – Insert the right needle up
l Pure Merino Super Wash stuffing M1 = make one using loop cast on into back loops of the two stitches
50g SSK = Slip the next stitch and then and purl them together.
l 4 mm Knitting needles the following one knit wise, insert
l Yarn needle with large eye the left needle into the front of the
2 slipped stitches and knit them
Abbreviations together
K = knit SSP = Slip the next stitch and then
P = purl the following one knit wise, return

30 STITCHES
 Little Rhino Knitting

Pattern
Body together, stuff lightly before closing Row 3: K3, k2tog.
Cast on 35 stitches using grey yarn. seam. Cast off.
Work 29 rows stocking stitch. Ears Large
Cast off. Left Cast on 8 sts.
Cast on 4 stitches. Row 1: Knit.
Fold in half (side edges together) Row 1: K1, m1, k3. Row 2: Purl.
and seam 3 sides. Stuff lightly Row 2: Purl. Row 3: K2tog, k4, k2tog.
before closing the final seam. Row 3: K3, k2tog. Row 4: Purl.
(The long seam is the bottom of the Row 4: Purl. Row 5: K2tog, k2, k2tog.
body.) Row 5: K2, k2tog. Row 6: Purl.
Row 6: P1, p2tog, cast off. Row 7: K2tog x2.
Legs Right Cast off.
Make 4. Cast on 4 stitches. Attach horns to head.
Cast on 12 stitches using grey yarn. Row 1: K3, m1, k1.
Work 6 rows stocking stitch. Row 2: Purl. Embroider eyes and nostrils using
Cast off. Row 3: SSK, k3. black yarn and French or colonial
Row 4: Purl. knots. Attach the head to the
Fold in half (side edges together) Row 5: SSK, k2. body.
and seam cast off and side edges. Row 6: P2tog, p1, cast off.
Attach legs to bottom of body. Tail
Fold each ear in half lengthwise Cast on 4 stitches on double
Head and stitch together from bottom to pointed needles.
Make 2 – back and front. half way up. Attach ears to head. Work 5 rows I-cord.
Cast on 4 stitches. Cut yarn, thread through stitches
Row 1: Knit. Horns and pull up tight.
Row 2: P1, m1, p2, m1, p1. Small Attach the tail to the back of the
Row 3: Knit. Cast on 4 stitches. rhino.
Row 4: Purl. Row 1: K1, m1, k3.
Row 5: K1, m1, k4, m1, k1. Row 2: Purl.
Row 6: Purl.
Row 7: K1, m1, k6, m1, k1.
Row 8: Purl.
Row 9: Knit.
Row 10: P1, m1, p8, m1, k1
Row 11 – 16: work straight in
stocking stitch.
Row 17: K1, SSK, k6, k2tog, k1.
Row 18: Purl.
Row 19: K1, SSK, k4, k2tog, k1.
Row 20: Purl.
Row 21: K1, SSK, K2, K2tog, k1.
Cast off.

Stitch back and front head pieces

STITCHES 31
32 STITCHES
STITCHES 33
 Part IX Africa Dear Jane

by Sharon Calverley

LAYOUT DIAGRAM
A1 2 3 4 5 6 7

D1 B1

2 2

3 3

4 4

5 5

6 6

7 7

C1 2 3 4 5 6 7
34 STITCHES
 Africa Dear Jane

Assembling the centre section row. Press. necessary.

The finished blocks are joined
with sashing strips to form rows. 6. Join the rows with the Turn the patterns over and
When joining the rows you can sashing between each row. redraw them on the back of the
decided if you want the Spray with spray starch then paper. You stitch on the printed
horizontal sashing plain or have press well. side and place the fabric on the
coloured cornerstones as I have hand drawn side.
on mine. Triangle A1: Eiffel Tower (E13)
3. Copy the leaf patterns
NOTE: Before joining the blocks onto thick cardboard or
keep in mind that the layout I template plastic. Don't add any
gave you is not set in stone - this seam allowance.
is your quilt therefore you have
artistic licence to move the 4. Using the leaf template
blocks around before draw around the shape on the
assembling them in rows. right side of your main fabric.
Cut out with a seam allowance.
You will have bias on a lot of I tried a few ways to make this
the blocks, so pin well! triangle and eventually settled 5. Place pattern 5 on your
on foundation piecing and work surface with the hand
1. For the horizontal sashing, appliqué. I think traditionalists drawn side facing you. Roughly
cut (42) 5" x 1½" strips from your would prefer to EPP (English cut out a large triangle from
background fabric. Paper Piece) it - but that would your main fabric, large enough
take just waay too long for me to fit 1 with seam allowances all
2. Join the blocks and to do! Each triangle finishes to around.
sashing strips together to make ±6" x 6".
the 7 rows (A to G). Follow the 6. Place the triangle right side
layout Diagram alongside for To get the leaves centred on up over 1. Pin in place.
block placement. Press. the foundation block you will
need to make a placement 7. Place the plastic template
3. For the plain horizontal guide. The cheapest is to make over the foundation pattern and
sashing cut (6) 38½" x 1½"wide it from a thin sheet of see- tape in place - right hand side
strips. Join the rows with the through plastic (a lid from tinfoil and bottom. Leave the left
sashing. Press well when freezer containers works well), a hand side untaped otherwise
complete. permanent pen such as Pilot you won't be able to slide the
Permaball and cello tape. leaf in position.
4. For the cornerstone sashing
cut (42) 5" x 1½" strips from your 1. Copy the pattern for the
background fabric and (36) 1½" two bottom layers onto the
squares from your choice of plastic with the permanent pen.
bright fabric.
2. Copy the foundation
5. Join the squares and patterns. They have already
sashing strips to make a long been mirrored for you where

STITCHES 35
 Africa Dear Jane
Triangle A1: Eiffel Tower
8. Carefully slide the leaf into
position. Pin in place. Remove the
plastic template then appliqué in
place.

9. Continue finishing section 5

with normal foundation piecing
methods.

Section 4 is made in exactly the

same way.

10. Continue with the rest of the

blocks and once you have
finished all the sections, join them
together. Press and hang up -
don't remove the paper yet.

Triangle A1: Eiffel Tower:

Triangle A1: Eiffel Tower: Section 4 Leaf
2 Section 5 Leaf
2

4 2 3

1
Triangle A1: Eiffel Tower: Section 5

36 STITCHES
 Africa Dear Jane

Tria
ngl
eA
6 5
1

1: E
2

iffe
4 3

l
Tow
3

er:
Triangle A1: Eiffel Tower: Section 4
2

S
ect
1

ion
1
3 2
1 3 1 2
Triangle A1: Eiffel Tower: Section 3 Triangle A1: Eiffel Tower: Section 2

Triangle A2: Carla's Candle (Tower) flame shapes onto firm cardboard
or template plastic and cut out on
the lines. The flame is tiny - so
patience is called for! le

3. Place templates on the right

and

hand side of the fabric and draw 3

's C

around it with a fine pencil or

la

heat erase pen.

Car

1
A2:

A super easy block. Copy the 4. Cut out with a small seam
gle

foundation patterns and stitch as allowance then appliqué in place. 2

n
Tria

previous. The diamond and flame

2b
at the top are appliquéd in place Hang on display wall. Section
using the needle turn method.

1. Remove the paper Triangle A2: Carla's Candle: Section 1

From the top triangle,
But not the other
sections.
3 2
2. Copy the 1
diamond and

STITCHES 37
 Africa Dear Jane
Triangle
g A2: Carla's Candle
Triangle A2: Carla's Candle

3 2
1
4
Section 2c

3
1
2 4
Triangle A2: Carla's Candle: Section 2a

Add seam Triangle A3: Needle's Point (TR9)

allowance to
both flame and
diamond 1
Tria

2
n
gle

3
A2

4
6
:C
arla

5
's C
and
le:

Again, an easy triangle that is foundation

3 2
S

pieced. Copy the individual sections and

ect

piece.
ion
1

1 Join sections then press and hang on

display wall. As easy as that! Don't get too
5 4 complacent though - there are a few
challenges coming...

38 STITCHES
 Triangle A3: Needle's Point: Section 5
1
3 2
3 2 Triangle A3: Needle's Point: Section 2

2
1
3
Tria

Section 1
ngl
eA
3: N
eed
le's
Po
int:

3 2
1
Triangle A3: Needle's Point: Section 3
Africa Dear Jane

Triangle A3: Needle's Point: Section 4

1
3 2
Triangle A3: Needle's Point

STITCHES
39
 Africa Dear Jane
Triangle A4: Brigadoon (TR8) Triangle A4: Brigadoon

Ok - this one is a little bit more

complicated. I first thought I could
make the triangle just with
foundation piecing but once I
broke it apart I decided that a
combination of foundation
piecing and appliqué would work.

1. Copy the foundation

patterns and stitch them.

2. Join together. Remove the

paper from the bottom section.
Spray with spray starch and press
so that the bottom section doesn't
stretch with handling.

3. Copy the appliqué patterns And that's where we leave it for

onto freezer paper and cut out on this issue. In the next issue we will
the lines. continue with the triangles.

4. Fuse to back of your main Till next time ...

fabric and cut out with a seam 6. Leave to cool then remove
Tri

allowance. Appliqué the rhombus the freezer paper and position on

3
an

shapes in place using the needle bottom of your triangle. Applique

2
gle

turn method. in place.

A

Make 2
4: B

You don't need to appliqué the Rev 1

1
riga

5. Clip around the curved bottom section because this will

be taken up in the seam
doo

section (ignore the bottom seam

allowance). Lightly spray with allowance later on. 5 4
n:

Spray starch then press Section 1

The seam allowance over
to the back.
Cut out with a seam allowance

40 STITCHES
Africa Dear Jane

2
3

Triangle A4: Brigadoon: Section 2

Triangle A4: Brigadoon: Section 3

2
1

STITCHES 41
 Norden
by Sarah Hatton
for Rowan Yarns This reverse
stocking stitch
cardigan has
stylish, short
sleeves and a
simple all-over
stripe, making it
suitable for the
less experienced
knitter.

42 STITCHES
 Norden Knitting

Requirements
NEEDLES SIZE
l1 pair 4 mm needles S M L XL XXL
l1 pair 4½ mm needles To fit bust
81-86 91-97 102-107 112-117 122-127 cm
BUTTONS – 7 x 20 mm buttons
YARN, Breezed
TENSION A Riviera 006
19sts and 26 rows to 10 cm 3 3 4 4 5 x 50g
measured over rev st st using 4½ B Sage 007
mm needles. 4 5 5 6 7 x 50g
C White 001
2 2 3 3 3 x 50g

Pattern
Stripe sequence Change to 4½ mm needles. 13, 15) sts on right needle and turn,
Rows 1 and 2: using yarn A. Beg with a p row, stripe sequence leaving rem sts on a holder.
Row 3: using yarn B. row 1 and joining in and breaking Work each side of Neck
Rows 4 and 5: using yarn C. off colours as required, now work in separately.
Row 6: using yarn B. stripe sequence and rev st st Cast off 3 sts at beg of next row.
Rows 7 to 9: using yarn A. throughout as folls: Cast off rem 7 (8, 9, 10, 12) sts.
Row 10: using yarn C. Cont straight until back meas ± 35 With RS facing, slip centre 31 (31,
Rows 11 and 12: using yarn B. (36, 37, 38, 39) cm, ending after 33, 33, 35) sts onto a holder, rejoin
Row 13: using yarn C. stripe row 2 (4, 8, 10, 12) and with appropriate yarn and p to end.
Row 14: using yarn A. RS facing for next row. Complete to match first side,
These 14 rows form stripe sequence Shape armholes reversing shapings.
and are repeated. (note: rows 14 Keeping stripes correct, cast off 3 LEFT FRONT
and rows 1 and 2 use yarn A, (4, 5, 6, 7) sts at beg of next 2 rows. Using 4 mm needles and yarn B
making this a stripe of 3 rows in 79 (87, 97, 105, 117) sts. cast on 46 (52, 58, 62, 70) sts.
total.) Next row (RS): P2, p2tog tbl, p to Row 1 (RS): *K1, p1, rep from * to
last 4 sts, p2tog, p2. last 2 sts, k2.
Back Next row: K2, k2tog, k to last 4 sts, sl Row 2: *K1, p1, rep from * to end.
Using 4 mm needles and yarn B 1, k1, psso, k2. These 2 rows form rib. Cont in rib
cast on 85 (95, 107, 117, 131) sts. Working all armhole decreases as until left front meas 7 cm, ending
Row 1 (RS): K1, *p1, k1, rep from * to set by last 2 rows, dec 1 st at each with WS facing for next row.
end. end of next 1 (1, 3, 3, 5) rows, then Next row (WS): using yarn B rib 9
Row 2: P1, *k1, p1, rep from * to on foll 3 (5, 5, 7, 7) alt rows. Then on and slip these 9 sts onto a holder
end. foll 4th row. 65 (69, 75, 79, 87) sts. (for button band), join in yarn A,
These 2 rows form rib. Cont straight until armhole meas 20 m1, p to last 1 (0, 0, 1, 0) st, (inc in
Cont in rib until back meas 7 cm, (21, 22, 23, 24) cm, ending With RS last st) 1 (0, 0, 1, 0) times. 39 (44, 50,
ending with WS facing for next facing for next row. 55, 62) sts.
Row. Break off yarn B and join in Shape shoulders and back neck Change to 4½ mm needles.
yarn A. Next row (RS): Cast off 7 (8, 9, 10, Beg with a p row, stripe sequence
Next row (WS): Purl. 11) sts, p until there are 10 (11, 12, row 1 and joining in and breaking

STITCHES 43
 Norden

off colours as required, now work in

stripe sequence and rev st st
throughout as folls:
Cont straight until Left Front matches
Back to beg of Armhole shaping,
ending with RS facing for next row.
Shape armhole
Keeping stripes correct, cast off 3 (4,
5, 6, 7) sts at beg of next row. 36 (40,
45, 49, 55) sts. Work 1 row.
Working all armhole decreases as
set by Back, dec 1 st at Armhole
edge of next 3 (3, 5, 5, 7) rows, then
on foll 3 (5, 5, 7, 7) alt rows, then on
foll 4th row. 29 (31, 34, 36, 40) sts.
Cont straight until 24 (24, 26, 26, 28)
rows less have been worked than on
Back to beg of Shoulder shaping,
ending with RS facing for next row.
Shape front neck
Next row (RS): P25 (27, 30, 32, 36)
and turn, leaving rem 4 sts on a
holder.
Dec 1 st at neck edge of next 6
rows, then on foll 3 (3, 4, 4, 5) alt
rows, then on 2 foll 4th rows. 14 (16,
18, 20, 23) sts.
Work 3 rows, ending with RS facing
for next row.
Shape shoulder
Cast off 7 (8, 9, 10, 11) sts at beg of
next row.
Work 1 row.
Cast off rem 7 (8, 9, 10, 12) sts.
RIGHT FRONT Cont in rib until right front meas 7 colours as required, now work in
Using 4 mm needles and yarn B cast cm, ending with WS facing for next stripe sequence and rev st st
on 46 (52, 58, 62, 70) sts. row. throughout and complete to match
Next row (WS): Using yarn A, (inc in Left Front, reversing shapings.
Row 1 (RS): K2, *p1, k1, rep from * to
end. first st) 1 (0, 0, 1, 0) times, p to last 9 Sleeves
sts, m1 and turn, leaving rem 9 sts on Using 4 mm needles and yarn B cast
Row 2: *P1, k1, rep from * to end.
a holder (for buttonhole band). 39 on 69 (73, 77, 81, 85) sts.
These 2 rows form rib.
(44, 50, 55, 62) sts. Work in rib as given for Back until
Work in rib for a further 2 rows,
Change to 4½ mm needles. sleeve meas 4 cm, ending with WS
ending with RS facing for next row.
Beg with a p row, stripe sequence facing for next row. Break off yarn B
Row 5 (RS): K2, p1, k2tog tbl, yfwd
row 1 and joining in and breaking off and join in yarn a (A, B, A, C).
(to make first buttonhole), rib to end.

44 STITCHES
 Norden

Next row (WS): Purl. cm above Neck shaping, and rem (to make 7th buttonhole),
Change to 4½ mm needles. 5 buttons evenly spaced between. Rib to end.
Beg with a p row, stripe sequence Buttonhole band Cont in rib until neckband meas 4
row 1 (3, 7, 9, 11) and joining in and Slip 9 sts left on Right Front holder cm, ending with RS facing for next
breaking off colours as required, onto 4 mm needles and rejoin yarn row.
now work in stripe sequence and B with WS facing. Cast off in rib.
rev st st throughout as folls: Beg with row 2, work in rib as given
Work 2 rows, ending after same for button band until this band,
stripe row as on back to beg of when slightly stretched, fits up Right
Armhole shaping and with RS Front opening edge to Neck
facing for next row. shaping, with the addition of a
Shape top further 5 buttonholes worked to
Keeping stripes correct, cast off 3 correspond with positions marked
(4, 5, 6, 7) sts at beg of next 2 rows. for buttons on button band as folls:
63 (65, 67, 69, 71) sts. Buttonhole row (RS): K2, p1, k2tog
Dec 1 st at each end of next 5 tbl, yfwd (to make a buttonhole),
rows, then on every foll alt row until k1, p1, k2. When this band is
33 sts rem, then on foll 7 rows, complete, ending with RS facing
ending with RS facing for next row. for next row, do not break yarn.
Cast off rem 19 sts. Neatly sew this band in place.
Making up Neckband Rowan yarns are available from
Press. With RS facing, using 4 mm needles Arthur Bales 011 888 2401.
Join both shoulder seams using and yarn B, rib 9 sts of buttonhole Arthur Bales also supplies
yarn on mail order.
back stitch, or mattress stitch if band, then k across 4 sts on Right
preferred. Front holder, pick up and knit 22
13(14, 14.5, 15.5, 16) cm

button band (22, 24, 24, 26) sts up right side of

Slip 9 sts left on Left Front holder Front Neck, and 3 sts down right
onto 4 mm needles and rejoin yarn side of Back Neck, k across 31 (31,
B with RS facing. 33, 33, 35) sts on back holder, then
Row 1 (RS): K2, (p1, k1) 3 times, k1. pick up and knit 3 sts up left side of 5 cm

Row 2: K1, (p1, k1) 4 times. Back Neck, and 22 (22, 24, 24, 26)
These 2 rows form rib. sts down left side of Front Neck, k
Cont in rib until button band, when across 4 sts on left front holder,
slightly stretched, fits up Left Front then rib across 9 sts of button band.
opening edge to Neck shaping, 107 (107, 113, 113, 119) sts.
ending with RS facing for next row. Row 1 (WS): K1, *p1, k1, rep from *
56 (58, 60, 62, 64) cm

Break yarn and leave sts on a to end.

holder. Row 2: K2, *p1, k1, rep from * to last
Neatly sew button band in place. st, k1.
Mark positions for 7 buttons on this These 2 rows form rib.
band – first button to come level Work in rib for a further 3 rows,
with buttonhole already worked in ending with RS facing for next row.
Right Front, last button to come 2 Row 6 (RS): K2, p1, k2tog tbl, yfwd
44.5 (50, 56.5, 61.5, 69) cm

STITCHES 45
 Taking the bull by Claire Wallace
International Educator for
Handi Quilter

by the horns!
www.quiltastix.co.za
082 562 5983

It’s so nice to be back after an edition’s break!

Last issue was just too much for me with all the preparations for the
National Quilt Festival falling at the same time as Sharon’s deadline,
but I’ve had so many lovely comments over the last few weeks about
the articles I’ve written, that I feel inspired to push through and try to fit
everything into the hours I have available. Thank you to everyone who
has said they enjoy my articles! It can be difficult to decide on topics I
think you will enjoy but your positive comments make it all worthwhile!

S iyadala National Quilt Festival

was AWESOME! If you didn’t go,
you really missed out. For me it’s a
to my stand and chatted about
machine quilting and machines and
lots said how intimidated they felt.
longarm machine (a field I knew
NOTHING about) was a good idea
and so I had no choice but to make it
business opportunity but just as Some people have machines but use work.
importantly it’s a brilliant chance to them as extremely expensive clothes There was no real history of Longarm
meet up with friends, old and new. hangers because they are quilting is South Africa. In some ways,
There’s always an amazing vibe and intimidated by the machine. Others this has worked to my favour. On the
energy around events where have stacks of finished tops but are positive side, there were few
creative people come together that too intimidated to quilt them. ‘personalities’ in the South African
I can’t help coming away feeling quilting community who specialised
inspired and all fired up! I’ve got This seemed like a good topic to in machine quilting and longarm
plans in my head for a new quilt and tackle. Firstly, intimidation is a mental quilting. There was no one I had to
now just need to find time to execute state. It is an emotion caused by low match up to and there was no one
it! self-confidence; it’s worrying about whose quilts, skills or personality could
people laughing at you or being intimidate me. On the negative side
I was extremely happy when it was embarrassed that your best isn’t though, there was no one locally I
announced at one of the Festival good enough. The good news is that could learn from.
functions that the judges had a machine or a pile of unfinished tops Having given it some thought, I think
specifically commented on the can only intimidate if you let them. there are 3 main things that could be
incredible improvement of machine intimidating you:
quilting skills seen in quilts entered in Thinking back to when I bought my ŸMachines
the competition! Getting more first longarm machine in October ŸFree motion quilting itself
people free motion quilting is my 2009, I don’t remember being Ÿand people.
mission in life and I’m ecstatic that intimidated. I actually don’t think I
the efforts I’ve made may have had time to be intimidated! I’d just We’ll look at each in turn in a
contributed in some small way to this jacked in a reasonably well paid job moment but before we go there, we
improvement and I hope that along in marketing because the pressures need to look at what can be done to
with building skills, people are also of working, traffic and trying to overcome feelings of intimidation.
having a lot of fun! balance 2 young kids were just too So, as I see it, there are 3 Simple teps
There was one thing that struck me much. we can take:
during festival that I decided would 1) Change your thought
be good to try and address in this I’d managed to persuade my very patterns from negative to positive.
month’s article. Many people came tolerant husband that buying a Instead of thinking about the worst,

46 STITCHES
 Taking the bull by the horns
think about the best things that could can create now after thousands of the chances are you don't know
happen: a finished quilt, a gift for a hours of practise. I’ll include a few enough about it! How many people
family member or friend, having fun, pictures of some of my first attempts get the proper training when they
making friends, learning a new skill, just to prove the point! purchase a new machine? I insist my
starting new career. I‘m not going to with hold information machine customers for the larger
2) Stop avoiding the machine from you in case you might one day machines attend training sessions if I
or that pile of quilt tops! Avoiding be better than me! Nothing would don’t do their installation. There so
quilting because you feel intimidated give me greater pleasure than to see much you need to know on top of the
simply reinforces negative beliefs someone who has been to one of my normal threading etc. I almost
and kills confidence. Empower classes or asked for advice become entirely logical, left brained so to me
yourself by jumping in and getting the next big name in machine information is power. The more I
some classes to build your skills and quilting, in fact I go out of my way to know about the machine, threads,
inspire yourself make sure it happens! tension, batting etc. the more power
3) Take control. It doesn't I have and the less the machine can
matter what other people think or These days the machines available intimidate me. I turning a potentially
that your quilt is not perfect, but it to do free motion quilting are scary situation into something
does matter that you don allow fear amazing. Whether you have a long familiar, so make sure you get
of embarrassment or criticism to arm, mid arm or domestic machine, training. Fortunately, you don't have
paralyse you. Learn to say so what!
Everyone started at the beginning at
some point or another, and anyone
dishing out negative criticism is
someone to avoid.

If you are intimidated by the people,

ask yourself why? In my experience,
quilters are awesome people. They
share my passion and exude positive,
creative energy. I make a point of
surrounding myself with positive
characters and find passionate
quilters re encouraging of any efforts
made. Even the best quilters in their
fields are real people with worries,
responsibilities, families and friends.
When you think of them as ordinary
people rather than a queen on a
pedestal, then a lot of the
intimidation disappears.

Maybe you are intimidated by a

teacher superior skill. Then just
remember, they also started out as a
beginner once. My own first
attempts at quilting were less than
spectacular! They were very
ordinary and worlds apart from what I

STITCHES 47
 Taking the bull by the horns

to go overseas anymore to find Pinterest or Facebook addict or winning quilts! Was there any way I
quality classes and training in subscribe to online magazines, social could even dream of quilting
longarm or free motion quilting. media can be your friend if used something like that? Then the
wisely. We no longer have to move second day I took another look
Free motion quilting itself can also from the comfort of our favourite around and focused on quilts that
leave people feeling intimidated chair to be able to see amazing hadn’t won ribbons. It didn’t take
because it not a technique you can quilting from around the world. In long before I found a few that I
just read about, take a class and be fact, we can surround ourselves with thought I would be able to achieve
an expert. It takes practice a lot of it! the work of the worlds best quilters in with a little practise. So I think I got a
Hopefully, over time my articles have an instant. They can be a source of great balance of inspiration from the
been helping to reduce the huge inspiration, but if you are even a winning quilts, and a confidence
intimidation you feel by explaining little lacking in self-confidence about boost from the quilts that I felt I could
different elements to free motion your own abilities, looking at all these achieve before long. Now when I
quilting. That question. How do you fabulous quilts becomes intimidating! look at drop dead gorgeous quilts, I
eat an Elephant?...One bite at a I have a few favourite “top quilters” inspired but not intimidated.
times particularly apt. Again, that left that I follow, but I also make sure to
brain of mine needs some help, so look at more realistic quilting on a I hope the tips I’ve tried to tease out
I’ve developed a way to break down daily basis. Not every quilt has to be of my own personal experiences will
the seemingly complicated show quality and in fact, some of the help you if you are one of the people
process of quilting into bite sized most beautiful quilts are much feeling intimidated by their machine
pieces. I start with one shape or one simpler. Getting a balance between or pile of unfinished tops!
design and when I feel confident with over the top, drop dead gorgeous Remember, a finished quilt is better
that, I’ll build on it to make something quilting and realistically achievable than an unfinished top and it ok for a
more impressive. Again, there are quilting is really important! quilt not to be perfect (there’s a
some great free motion quilting whole other article there that I could
teachers and events available in Oh yes, quilt exhibitions are also share with you!) So get quilting, learn
South Africa now. You don have to wonderful sources of inspiration. to say so what! And most of all, forget
spend a fortune going overseas to Unfortunately, I only managed to run the rules and have fun! I can’t wait to
get quality training so make the most through the exhibition at Siyadala see more fabulous quilts at the next
of it! very quickly so didn’t have a chance Quilt Festival: Interchange Thread
to really soak up the quilts on display. Connect in 2019.
The internet and social media are It probably the most frustrating part of
huge influences in our lives these
days. We have almost unlimited
sources of information available.
being a vendor at festival! But I
remember the first time I went to a
quilt show in America. On the first
Claire
Whether you follow blogs, are a day I was overwhelmed by the

48 STITCHES
 2017 SAQG Youth Block Challenge 2017
At the recent Siyadala National Quilt Festival in Port Elizabeth,
the winners of the SAQG Youth Block Challenge were
announced.

More details at: www.youthblockchallenge.co.za

The competition targets young Machine piecing. 3rd - Chrismarie Britz - Mentor
sewers from Grades 1 to 12, divided 2nd Anica Rawlinson - Mentor Malinda Neto.
into 3 age categories. The Malinda Neto. HC - Paige Dolamn - Mentor Tristan
participants, with the help of a 3rd Amelie Kruger - Mentor Spargo. Also awarded Most
mentor, produce a quilt block Jeanette Botha. humorous.
according to their own HC Charis Hughes - Mentor Irene
interpretation of a theme. The Hughes. Cate ory 3: Grade 9-12
youngest age category produces Best use of colour - Hanna Williams - 1st Megan Lucas - Mentor Jeanette
only the quilt block top, whilst the Mentor Tristan Spargo. Delport, Zimbabwe.
older 2 categories are required to 2nd Christelle Theron - Mentor
piece, quilt and bind their block. Category 2: Grade 5-8 Jeanette Botha.
Here is a list of the winners per 1st Andreia Carvalho - Mentor 3rd Dillan Neethling - Mentor
category: Tristan Spargo. Also awarded Best Jeanette Botha. Also awarded Best
Embellishment, Best interpretation of machine piecing.
Cate ory 1: Grade 1-4 theme. HC Francesca Marclay - Mentor
1st Kathryn Venter - Mentor 2nd Madison Samual - Mentor Jeanette Delport, Zimbabwe.
Jeanette Botha, also awarded Best Tristan Spargo. The Viewers choice, voted for by

Grandma Jeanette Botha, Mom Nicolette Venter and

Some of our wonderful sponsors! granddaughter, Kathryn Venter all in the same class!

STITCHES 49
 Youth Block Challenge

visitors to the exhibition at Siyadala and challenging as the mentor too. enjoying our wonderful art!
was Francesca Marclay - Mentor She described it as something every The format of the competition is
Jeanette Delport, Zimbabwe. quilter should do…Now there’s a likely to change slightly for the
This year’s theme was “if I were…” challenge!!! future, but details will be publicised
and whilst the overall number of as soon as everything is finalised.
entrants was down on last year, the It was fantastic to see families
standard of the entries had brought together through quilting As always, a competition of this
improved. Many of the children and the Youth Block Challenge. nature would not be possible
took part for the second year in a Kathryn Venter from Pretoria without our fantastic Partners. The
row, which was really encouraging. attended some of the classes at prizes sponsored were outstanding
One of the mentors chatted to me festival, holding her own and even and I think there is no doubt that
during the festival and said how attending a class with Mum, winners were delighted with the gifts
rewarding she’d found the whole Nicolette Venter and Ouma, they received. What fantastic
process…exciting to see a child Jeanette Botha. How fantastic to incentives the Partners put on the
making so much progress but fun see a new generations of quilters table for us.

Cat 1 2nd prize Anica Rawlinson Cat 1 3rd prize Amelie Kruger Cat 1 HC Charis Hughes

Cat 2 3rd prize Chrismarie Britz Cat 2 HC Paige Dolman Cat 3 1st prize Megan Lucas

Cat 3 2nd prize Christelle Theron Cat 3 3rd prize Dillan Neethling Cat 3 HC Francesca Marclay

50 STITCHES
 Youth Block Challenge Interest

Cat 2 2nd prize Madison Samuels Cat 1 1st prize Kathryn Venter

Cat 1 Hannah Williams Best use of Colour Cat 2 1st prize Andreia Carvhalo

STITCHES 51
 Patriot!

by Sharon Calverley

This naive style appliqué piece is not only easy to make but it also makes a really
nice décor item. Once you have stitched the piece, either frame it using old planks
or use it as a mini dressing table mat. You have the option of finishing it as I have or
making it into a mini quilt - the choice is yours.

52 STITCHES
 Patriot! Stitchery

Requirements
l 1FQ of quilting cotton fabric
for your background
l Off cuts of wool felt (if you
can't get hold of it - use off-
How to
cuts of wool type fabric with 1. From the FQ cut (2) 12" x 10½" Place the backing fabric with the
different textures and rectangles. Put the one rectangle placement guide near your ironing
weights) to one side as this will become station.
l Oddments of fabric for the your backing piece. Optional: you
appliqué can sandwich and quilt the 5. Piece 1 is blanket stitched in
l Appliqué paper finished piece - the remaining place. Copy the pattern piece
l 12" x 10½" of iron-on non piece is enough for a binding. onto appliqué paper (it's already
woven interfacing been mirrored for you) and cut out
l ColourSpun No. 8 Lace 2. Fuse the iron-on interfacing to just outside the lines.
embroidery thread in assorted the back of the second rectangle.
colours (your fabric choice 6. Fuse to the back of your
will dictate the colours to be 3. Copy the pattern onto the chosen fabric and cut out on the
used) and/or DMC see through plastic using the lines.
l Crewel / embroidery needle permanent pen. This will become
l Thin thread of needle turn your placement guide. Don't be 7. Remove the paper and
appliqué. I like to use either a too pedantic with the details - you carefully slide under the
silk or The Bottom Line from just want the basic idea of where placement guide. When you are
Superior Threads the pieces will be fused. happy with the position, lift the
l 12" x 10½" sheet of see placement guide carefully and
through plastic 4. Place the plastic placement touch a small section with the iron.
l Permanent pen guide on top of the fabric and pin Carefully move the plastic then
l Heat erase pen, fine so that it doesn't shift. fuse in place properly.
mechanical pencil or your
choice of marker
l White pencil
l Template plastic or
cardboard
l Rotary cutter, ruler and mat
l Sewing machine and usual
sewing requirements

I have used a combination of 8. Appliqué in place using a

Optional: Frame made with old normal blanket stitch appliqué blanket stitch.
planks and needle turn appliqué
because I wanted some texture Continue in this manner until you
with the piece. have attached all the 1st layer
Finished size: ± 10" x 11½"
pieces, including the flag.

STITCHES 53
 Patriot!

Placement Guide

5
4
9 6
6
11
12 1
10

13
2+3 14

54 STITCHES
 Patriot!

4 5 7
Left hand flower
Right hand flower

9
1

Layer 2
8 Layer 1 9
6
Flower centres
Make 2
10
Layer 2 Layer 2
10 12
Layer 1

3 2
Layer 2 Layer 1

STITCHES 55
 Patriot!

14. Cut out shape and fuse to top

left hand side of apple. Stitch in
11
Layer 1
place using a running stitch. Use a
colour thread that contrasts nicely
with your fabric.
Layer 1
11 15. Copy the bird shape and

Layer 2 12 heart onto appliqué paper then

fuse onto your choice of fabrics.

14 16. Cut out then appliqué in

place with a blanket stitch.
Attached the heart with a knot.
13 17. Using a white pencil, sketch in
the flower stems and bird's legs.
Stitch these with two rows of back
stitch using your choice of colour.
9. Copy the patterns for the 2nd
The eye is a French knot and the
layer pieces onto template plastic
thread the bird is holding - a
or thickish cardboard and cut out
running stitch.
on the lines.

18. Sketch in the lines on the flag

10. Using a heat erase pen, fine
and stitch out using two rows of
mechanical pencil or your choice
back stitch. Use a colour thread
of marker, draw around the shape
that contrasts with your flag fabric.
on the right side of your choice of
fabric. Cut out with a small seam
At this stage you can decide if you
allowance.
want to add more embroidery to
the flowers and leaves.
11. Finger press the seam
allowance to the back then using
Assembly:
the thread of your choice,
1. Place the backing fabric and
appliqué in place with an invisible
your stitchery right sides together.
stitch.
Pin all the way around.

12. Continue with the rest of the

2. Stitch all around using a ¼"
layer 2 pieces in the same manner.
seam allowance, leaving a small
opening on one side. Clip corners
13. Copy the star onto freezer
then turn right side out. Push out
paper and fuse to the back of your
the corners neatly. Top stitch
chosen fabric. I used a purple red
around the outer edge, press well
wool felt.
then frame your stitchery.

56 STITCHES
 Lady's
Cardigan

designed & made by Natalia Valentin

model: Helena Haasbroek
photographer: Owen Calverley

58 STITCHES
 Lady's Cardigan Knitting

This lovely, fitted cardigan features an interesting geometric pattern, It might look
difficult to knit, but really isn't. A very striking cardigan that can be worn both in
the day and evening.

Requirements Pattern
l STYLECRAFT LIFE 100 gr balls: PATTERN STITCH Dec 1st at each end of next and
• 3 for (4, 4, 5) main shade 1st row: k1, *k1, yb, slip 3, repeat from every alternate row (6, 8, 9, 10)
• 1 for first contrast times. 77(79, 87, 91) sts.
* to last 3sts, k.
• 1 for second contrast
l One pair 3,25 and 4,00 mm 2nd row: p3*, yf slip 1, p3, repeat Cont straight until armhole measures
knitting needles from* to end. 21(22, 23, 23)cm ending with WS row.
l 10 buttons 3rd row: k. Shape shoulders:
4th row: p. Cast off 10(10;11;12) sts at the beg of
Repeat 1st to 4th row for pattern. next 2 rows, then 10(12;13;13) sts at
Measurements:
To fit 81-86(91-97, 101-107, 110- the beg of next 2 rows .
117) cm bust Stocking Stitch (st.st) Leave rem sts on a stitch holder.
1st row: (RS) knit. LEFT FRONT
Garment measures: 94(100, 110, 2nd row: (WS) purl. With 3,25 mm needles and MS cast
120) on 51(55, 59, 63)sts and work as
Repeat these 2 rows.
Length from Top: 61(62, 65, ;65)
cm given for Back from ** to **.
Sleeve seam: 40(42, 44, 44) cm BACK Shape armholes:
**With MS and 3,25 mm needles cast Cast off 7(8, 9, 10)sts k to end. Dec
Tension: on 103(111, 123, 131) sts and work in 1st at armhole edge in every
22 stitches and 28 rows to 10 cm alternate row 6(8, 9, 10) times, 38(39,
k1, p1 rib for 7 cm ending with a WS
in stocking stitch using 4,00 mm
row. 41, 43)sts and continue straight until
knitting needle
Change to 4,00 mm needles *** and armhole measures 7(7, 8, 8)cm less
Abbreviations: starting with a k row work 4 rows in than back to shoulder line ending
k = knit st.st, then start the pattern. with a RS row.
p = purl Shape neck:
1st to 4th row: C1.
st(s)s = stitch(es)
yf = yarn front 5th to 8th rows: C2. Next row: P10(11, 12, 13) sts and slip
yb = yarn back 9th to 12th row: C1. these sts onto a stitch holder, p to
cont = continue 13th to 16th row: MS st.st. end. Dec 1st at neck edge on next 5
inc = increase 17th to 20th row: C2. rows then in every alt row twice
dec = decrease more. Continue straight until Front
r(w)s = right (wrong)side 21 to 24th row: C1.
ms = main shade 25th to 28th: C2. matches Back to shoulder line
1 c = 1st contrast 29th to32nd:MS st.st *** ending with WS row.
2c = 2nd contrast 33rd to 44th Repeat 1st to 12th row. Shape shoulder:
yfw = yarn forward Cast off 10(10, 11, 12) sts, k to end. P
45th and 46th rows: (MS )repeat 1st
and 2nd row of pattern. one row then cast off rem sts.
Cont. in MS until back measures RIGHT FRONT
40(40, 42, 42) cm from cast on edge Work as given for Left Front reversing
ending with a WS row **. shapings.
Sleeves:
Shape armholes: With MS and 3,25 mm needle cast
Cast off 7(8, 9, 10) sts at the beg. of on 43(51, 51, 55) sts and work 5 cm in
next 2 rows. k1, p1 rib ending with a WS row.

STITCHES 59
 Lady's Cardigan

Change to 4,00 mm needle and work in pattern as given from back

from *** to***.
Join MS and work 1st and 2nd row of patt. once more. Continue in MS
shape sleeve by inc 1st at each end of next and every 6th(6th, 4th,
4th)row until 73(75, 79, 81) sts.
Continue until sleeve measures 40(42, 44, 44) cm from cast on edge.
Shape top:
Cast off 4(4, 5, 5) sts at the beg. of next 2 rows.
Dec 1st at each end of next and every alternate row until 39(41, 43,
37) sts, then in every row until 11(11, 13, 13) sts. Cast off.
TO MAKE UP AND BORDERS:
Join shoulder seams.
Neck border: With RS facing and 3,25 needle and MS, k 10(11, 12, 13)
sts from stitch holder, pick up and k 14(14, 16, 16) sts up right front
neck edge, k across sts from back of neck, pick up and k14(14, 16, 16)
sts down left front neck edge and k across sts from stitch holder. K6
rows and cast off knitwise on WS.
BUTTONHOLE BORDER
With RS facing using MS and 3,25 needle pickup and k
118(118;125;125) sts up right front edge between cast on edge and
cast off edge of neck border. K 3 rows.
Next row: k 4(4;3;3) k 2 sts together, yfw k 10 (10;11;11) 10 times, k to
end. K 4 rows and cast off.
BUTTON BORDER
With RS facing using MS and 3.25 needle pick up and k
118(118;125;125)sts down Left Front edge.
Work to match Buttonhole border omitting Buttonholes.
Sew on buttons. Cover with a damp cloth and leave until dry.

INDUSTRY NEWS!
Mirza Agencies cc has obtained a new Agency for the Import
and Distribution of embroidery and cross stitch fabrics from
Zweigart & Sawitzki, from Germany. Zweigart’s products are
well known all over the world for their top quality. We are glad
to announce that we can now also supply the famous
”Jobelan 28” evenweave fabric, in all
the colours they manufacture.
All South African Retailers are very
welcome to contact us at:
mirza.tj@absamail.co.za or call
Jeanne Voogt on 012 669-0125
cell: 082 446 8914

60 STITCHES
 Fish Tail Lace
Use the yarn of your choice and knitting needles to match
Block of the Month
by Dana Biddle

Abbreviations
C/on = cast on.
C/off = cast off.
K = knit.
M1 = Make a new stitch by wrapping your yarn around As the name implies, this pattern looks like
your needle. little fish tails in a chevron.
P = purl.
SK2P = slip 1, knit 2 together, pass slip stitch over the knit
2 together.
St/s = stitch/es.

Instructions
C/on a number of stitches divisible by 10.
Row1: (M1; K3; SK2P; K3; M1; K1) to end.
Row 2 and all even rows: Purl.
Row 3: (K1; M1; K2; SK2P; K2; M1; K2) to end.
Row 5: (K2; M1; K1; SK2P; K1; M1; K3) to end.
Row 7: (K3; M1; SK2P; M1; K4) to end.
These 7 rows make the pattern, knit until your work reaches
the desired length. C/off.

STITCHES 61
 Esther's Ohio Star
This pretty, small quilt is sure to become a favourite and would be ideal as a
lap quilt, small table-topper or picnic blanket. It's an easy pattern and quite
suitable for beginners. You can choose to use warm tones, as we have, or
bright fabrics - the design is suited to both.

62 STITCHES
 Esther's Ohio Star Quilting

Requirements Cutting
l Ohio Star: 40 cm background All fabrics are cut across the width 4. Place two units right sides
fabric as well as 30 cm floral of fabric - WOF. together. Butt the seams nicely
fabric then join. Press.
l Borders: (8)x 4½” strips; (8) x Ohio Star
5” strips. Make sure you From the background fabric:
repeat some of the 4½“ and (1) 5¼" strip cut into (2) 5¼"
5” squares. squares.
l 60 cm floral for final border (2) 4½" strips cut into (4) 4½" x 12½"
l 20 cm cut across width of rectangles and (8) 4½" squares.
fabric for the eye breaker (Four will be used in the Ohio block
border and the remaining four in the 2nd 5. Join two background 4½"
border.) squares to an Hour Glass block.
NOTE: A selection of scrap Make two of these units.
fabrics can also be used when From the floral fabric:
making the borders. (You will (1) 5¼" strip cut into (2) 5¼"
need (60) 4½“ squares). The squares.
largest block used in the border (1) 4½" strip cut into (1) 4½" square.
is a 5” square. (40x ) (The remaining floral fabric will be
used in a border.) 6. Join an Hour Glass unit to
l Rotary cutter, ruler and mat each side of a floral 4½" square.
l Sewing machine and usual 1. Cut the 5¼" background
sewing requirements squares in half diagonally 2x.

2. Do the same with the floral

squares.
7. Join the three units. Press.
You will now have (8) quarter- Your Ohio Star should measure
square triangles from both the 12½" square.
floral and background fabric.

3. Join a light triangle to a dark

triangle. Press the seam towards
the darker fabric. You need to
make (8) of these units.

by Esther Snyman
072 612 3284
esther@wispernet.co.za

STITCHES 63
 Esther's Ohio Star

8. Attach a background 4½" x Borders:

12½" rectangle to the top and 1. Join (5) 4½" floral squares in a
bottom of your star block. Press row. Press seams to one side.
seams outward.
2. Join the strip to the top of the
quilt top.

3. Join another strip of (5) 4½" floral

squares in a row. Press seams to one
side. Join to bottom of the quilt top.

6. The 4th border consists of (40)

Half Square Triangles. From your floral
fabric cut (8) 5" strips. Sub cut this into
(20) 5" squares.

7. Place the squares right sides

together. Try to place squares that
contrast nicely together. Using a fine
9. Attach (2) floral 4½" squares to mechanical pencil and ruler draw a
each side of the remaining line diagonally across the top square.
background 4½" x 12½" rectangles.
You need to ensure that these TIP: Stitch the next step with a scant
4. Make another two rows in ¼"- it will give you a little bit of wriggle
floral squares are the same.
exactly the same way, but add (2) space!
extra 4½"squares to each row. Join to
10. Attach these two units to
sides then press seams outwards. 8. Stitch down each side of the
each side of the star block. Press
drawn line - ¼" away from the line.
seams outwards.

9. Cut along the drawn line with

5. The 3rd border is made up in your rotary cutter and ruler. Press the
exactly the same way except the block open. Trim the block to 4½"
top and bottom have (7) 4½" squares square.
and the sides have (9) 4½" squares.

64 STITCHES
 Esther's Ohio Star

Following the Layout Diagram

alongside do as follows for the next
borders:

10. Join (9) Half Square units in a

row. Make sure that your triangles
face the correct way! Make
another row in the same way,
paying attention to colour choices
of your units.

11. Attach to the top and bottom

of the quilt top. Remember to take
care butting your seams nicely.

12. Make two rows consisting of

(11) Half Square units each and
attach to the sides. Press well.

The eye breaker border:

13. Measure the quilt top across
the middle. Cut (2) x 1" wide strips to
this measurement. Attach to top
and bottom. Press seams.

14. Repeat the procedure for the

sides.

The final border:

The final border is made in exactly
the same way as the eye breaker
side strips then attach to the quilt measurement.
border, except that it has
top. Press well.
cornerstones and is cut 4½" wide.
4. Cut 2½" wide strips from your
Make sure that the fabric you use in
Finishing off: choice of floral fabric. You will have
the cornerstones are identical!
1. Press the backing fabric and to join the strips with a 45-degree
cut it so that it is 5" larger than the angle to get one long length.
15. Measure the quilt top across the
quilt top. Cut the batting to the same
middle. Cut (2) x 4½" wide strips to
size. 5. Attach binding to quilt with
this measurement. Attach to top and
mitred corners. Fold binding to back
bottom. Press seams.
2. Sandwich the three layers then and hand stitch in place.
quilt your quilt in a design of your
16. Measure the length of the quilt
choice.
through the middle. Minus the
cornerstone measurements.
3. Trim the quilt then measure the
quilt all around. Add ±30" onto the
17. Attach the cornerstones to the

STITCHES 65
 DEADLINE: (Issue 58) must reach us before 15 October 2017
Who, What, When and Where entries are free for guilds and non-profit organisations etc. If you earn
an income from shows, classes etc., please contact Lauren@tucats.co.za for advertising costs.

Quilt Festival Houston

November 2-5, 2017
Preview night, November 1 Kaapse Kwiltgenot is having their
Classes begin October 30 quilt exhibition at Rust en Vrede,
Who, What, When, Where
Wellington Road, Durbanville from
the 2nd to the 9th of November.
George R. Brown Convention Centre
1001 Avenida de las Americas
Contact: 0824865407 or 021 9194296
Houston, Texas, USA 7701
For more information

Quenti Alpaca & Mill Farm Festival

Saturday 28 October from 9AM TO 5PM
at Quenti Alpaca & Mill Aardklop Nasionale Kunstefees
Klein Lemietrivier Farm, Palmietvlei Road,
Wellington

Say Cheese Artisanal Fair North-West, Potchefstroom

Sep 30 - Oct 1 · Italian Club of 2017-10-02 - 2017-10-08
Cape Town · Milnerton This year’s Aardklop National Arts Festival
is an event focusing on locally in Potchefstroom offers a wide variety for
made and imported quality festival-goers - from huge concerts at the
cheese. A market-like cheese new festival grounds to an outstanding
and cheese complement theatre programme.
showcase. Tickets available from Computicket

Contact: 072 795 4214

Good Hope Quilters Guild meeting dates

It is time again for the annual Cape Gift Market. for 2017
The 16th Gift Market is to be held in the Sea Edgemead Community Hall, Edgemead
Point Civic Centre (Town Hall next to the Library) Drive.
Meetings: 9 August and 4 November 2017.
from 21 November to 03 December. We have
Crafters from all over South Africa with lots of You can email Carol Minshall at
unique products for sale. carol@barpro.co.za or Hazelmay Duncan
Come and stock up on fruit cakes, rusks and Tel: 021 532 7524, Cell: 084 453 7714 for
more information.
such for the forthcoming holidays. All of these
edibles are home made as granny would have
done. Gifts for the entire family will be available.
The stage of the hall has been converted to a
clothes boutique with exceptional locally made The Witwatersrand Embroidery Guild meets
products. each Tuesday morning at 10h00 and the
More than adequate safe parking is available. second and fourth Saturday at 14h00.
Business hours as follows; Meetings take place at Roosevelt Park
Mondays to Fridays from 09:00 to 19:00 Recreation Centre, Preller Street, Roosevelt
Saturday and Sunday from 09:00 to 17:00 Park, Johannesburg.
Visitors are welcome.
Contact: Lynn Puttick 011 805 2647 or
Contact: Hestelle Fourie
lynn_putttick@hotmail.com
Cell 082 4113981 or Fax 0866090510

66 STITCHES
 41 42 43 44 45

46 47 48 49 50

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South Africa: R39.00 each

ORDER FOR BACK ISSUES Neigh. states: R69.00
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 The Sewing

October Sale: Don't miss out The Fat Quarter is having an

October clearance sale: 1 - 31 October 2017.
www.thefatquarter.co.za

Sew Yourself a Merry Little Christmas by Mary Hertel

Soft cover: 56 pages
ISBN: 978-1-61745-528-5

Create more Christmas cheer in less time!

Pick your project then pick your block: mix and match 8 super-easy projects with
16 adorable paper-pieced blocks just for Christmas. Simply follow Mary’s clearly
illustrated instructions to create fun and fresh holiday blocks. Plus, use her time-
saving technique for paper piecing with less waste to create custom winter decor
ranging from tree skirts and table toppers to gift bags, mug rugs, pot holders, and
more. Sew by number and watch your image emerge!

• Paper piecing can be easy! No need to precut your pieces—follow Mary’s

instructions for working from scraps and cutting as you sew.
• Easily customize gifts for friends and family or your own personal style.
• Celebrate the season with whimsical yet modern designs, including place mats, stockings, table runners, and
more.

Available from online stores such as Loot.co.za or Takealot.com

Paper Folded Flowers by Elizabeth Moad

Soft cover: 56 pages
ISBN: 978-1-928376-13-2

Elizabeth Moad shows you all the techniques you need to make
simple, yet stunning, paper folded flowers. Origami, kirigami and
even teabag folding are used to create 21 beautiful projects,
including gorgeous greeting cards, gift box toppers, floral bunting
and a fabulous festive wreath.
• easy-to-follow step-by-step photographs
• perfect for beginners as well as experienced papercrafters
• packed with inspiration and ideas.

These same techniques can very easily be used with fabrics!

Available from all good book stores or contact Metz Press on

021 913 7557 or info@metzpress.co.za

68 STITCHES
Mirza Agencies cc has obtained a new agency for the
import and distribution of embroidery and cross stitch
Fabrics from Zweigart & Sawitzki, Germany.
Zweigart’s products are well known all over the world
for their top quality.
They are glad to announce that they can now also
supply the famous ”Jobelan 28” evenweave fabric, in
all the colours they manufacture (shown are just a
small sample of the colours).
All South African retailers are very welcome to contact
Jeanne Voogt at mirza.tj@absamail.co.za or call 012
669 0125, cell: 082 446 8914.

ColourSpun Hand Dyed No. 5 Cotton

ColourSpun's hand dyed pure cotton embroidery threads
use only the finest quality, mill spun, non mercerised, pure
cotton thread; coloured to complement their range of
cotton fabric and yarns using earth friendly dyes which
have excellent wash fast and light fast properties.
Each hand wound bobbin holds 10 m.

Collect your own rainbow of ColourSpun bobbins and

make something unique. They can be used to make
granny squares, knitted, embroidered - mixed and
matched and whatever you make will be one of a kind!

Contact: 016 349 2949 or www.colourspun.com

New Wool Felt Colours

The Fat Quarter has just received their new range of neutral colours of
wool felt. These 12" x 18" sheets are perfect for stitcheries, country crafts
and soft toys.

Available online only from www.thefatquarter.co.za

STITCHES 69
 Bath Mat
Set
by Marlene Heins Botha
mfgbotha@icloud.com

70 STITCHES
 Bath Mat Set Crochet

Bursting with texture, this set is meant to be an eye (and feet!) catcher! Both
rugs are super durable, super textured and super soft. Reshape them after
washing while they are still damp.

Requirements
l Blue Label Raw Cotton Chunky dc1) x8 times until only one stitch Count 22 stitches from the end of
l 6 balls of 250g each = 1500g remains, dc1, ch1, turn. row 50, part 2, ss and ch1 in the
Row 53: Start in the 1st st, dc19, 23rd stitch.
Abbreviations and Notations ch1, turn. Row 50: dc1, (dtr1, dc1) x9 times,
ch = chain Repeat rows 50-53 twice more. ch1, turn.
ss = slip stitch Repeat rows 50-52 once more. Row 51: dc19, ch1, turn.
dc = double crochet Row 65: Start in the 1st st, dc19. Row 52: dc2, (dtr1, dc1) x8 times
dtr = double treble crochet Cut your working yarn and work until there is 1 st left, dc1, ch1, turn.
htr = half treble crochet away the ends. Row 53: dc19, ch1, turn.
Repeat rows 50-53, x3 times more.
You need to be familiar with the Part 3 Do not cut yarn. Continue with
invisible join. Start on the wrong side of the rug border.
(in row 49 of part 2).

Pattern
Toilet rug
Part 1
With a 7mm hook, ch61. Change
to a 6mm hook.
Row 1: start in 2nd ch from the
hook, dc60, ch1, turn.
Row 2: dc1, (dtr1, dc1) across the
row until 1 st remains, dc1, ch1,
turn.
Row 3: start in the 1st st, dc60, ch1,
turn.
Row 4: start in the 1st st, dc2, (dtr1,
dc1) across the row, ch1, turn.
Row 5: start in the 1st st, dc60, ch1,
turn.
Rows 6-49: Repeat rows 2-5, x11
times (44 rows): 49 rows in total.

Part 2
Row 50: Start in the 1st st, dc1, (dtr1,
dc) x9 times, ch1, turn: 19 stitches.
Row 51: Start in the 1st st, dc19,
ch1, turn.
Row 52: Start in the 1st st, dc2, (dtr1,

STITCHES 71
 Bath Mat Set

Border Border Round 2: Ch1, htr63, (htr1, ch1, htr1,

Right side Right side facing ch1, htr) in the last stitch (corner),
Round 1: Continue down the inside Start on the long side of the rug. htr49 on the short side, (htr1, ch1,
of the rug: do 19ss down the first htr1, ch1, htr1) in the last stitch
side, 22ss along the horizontal part, Round 1: Ch1, htr59, (htr1, ch1, htr1, (corner), htr63 on the second long
and 19ss up the last side. Continue ch1, htr) in the last stitch (corner), side, (htr1, ch1, htr1, ch1, htr) in the
straight onwards on the first short htr45 on the short side, (htr 1, ch1, last stitch, htr49 on the last short
horizontal side, ch1, htr18, (htr1, htr1, ch1, htr1) in the last side, (htr1, ch1, htr1, ch1, htr1) in
ch1, htr1 ch1, htr) in the last stitch stitch(corner), Htr59, (htr1, ch1, htr1, the last stitch (corner).
(corner), htr around the outside of ch1, htr) in the last stitch htr45 on Cut yarn and do an invisible join.
the rug: htr64 down the first side, the short side, (htr 1, ch1, htr1, ch1,
(htr1, ch1, htr1, ch1, htr) in the last htr1) in the last stitch(corner), ss to
stitch (corner), htr58 on the close the round.
horizontal lower edge, (htr1, ch1,
htr1, ch, htr1) in the last stitch, htr64
on the last long side, (htr1, ch1, htr1
ch1, htr) in the last stitch (corner),
htr18, ch1, turn.

Round 2: htr21, (htr1, ch1, htr1 ch1,

htr) in the last stitch (corner), htr68
down the first long side, (htr1, ch1,
htr1, ch1, htr) in the last stitch
(corner), htr60 on the horizontal
lower edge, (htr1, ch1, htr1,
ch1,htr1) in the last stitch (corner),
htr68 on the last long side, (htr1,
ch1, htr1 ch1, htr) in the last stitch
(corner) htr21.
Cut yarn and do an invisible join.

Bathroom rug
Part 1
With a 7mm hook, ch61. Change
to a 6mm hook.
Row 1: Start in 2nd ch, dc60, ch1,
turn.
Row 2: dc1, (dtr1, dc) to the end,
dc1, ch1, turn.
Row 3: dc60, ch1, turn.
Row 4: dc2, (dtr1, dc1) until there is
one stitch left, dc1, ch1, turn.
Row 5: dc60, ch1, turn.
Repeat rows 2-5 11 times (49 rows
in total).
72 STITCHES
 by Dana Biddle

Knitted Toy
The Horse and Paddock

This little horse, knit in pure cotton and filled with pure merino super
wash wool is a wonderful, natural toy for children of all ages. It is the
first in our new farmyard knit along.

STITCHES 73
 Horse and Paddock

Requirements Pattern
Horse NOTE: when seaming use Row 4: Purl.
l ColourSpun Pure Cotton Aran Kitchener and mattress stitch for Row 5: K1, m1, k4, m1, k1.
brown – 50g invisible seams. Row 6: Purl.
l ColourSpun Pure Cotton Aran
Row 7: K1, m1, k6, m1, k1.
Happie – light brown
Body Row 8: Purl.
l ColourSpun Pure Cotton DK
Cast on 30 stitches using pure Row 9: Knit.
Happie - charcoal
l Pure Merino Super Wash stuffing cotton aran. Row 10: P1, m1, p8, m1, k1.
50g Work 27 rows stocking stitch. Row 11 – 16: Work straight in
l 4 mm Knitting needles Cast off. stocking stitch.
l Yarn needle with large eye Fold in half (side edges together) Row 17: K1, ssk, k6, k2tog, k1.
l Cardboard – strong piece about and seam 3 sides. Stuff, shaping Row 18: Purl.
5 – 7 cm wide the body into a rounded Row 19: K1, ssk, k4, k2tog, k1.
“sausage” shape, before closing Row 20: Purl.
Paddock the final seam.
l ColourSpun Pure Cotton Super
Row 21: K1, ssk, k2, k2tog, k1.
(The long seam is the bottom of Cast off.
Chunky green – 100g
l 9 mm knitting needles
the body.)
l 9 mm crochet hook Stitch back and front head pieces
Legs together, stuff, shaping head
Abbreviations Make 4. before closing seam. Pull sides of
K = knit Cast on 8 stitches using pure head in slightly with a few invisible
K1tbl = knit stitch through the back cotton aran. stitches from side to side around
of the loop Work 12 rows stocking stitch. row 7 and 8.
P = purl Cast off.
K2tog = knit next 2 stitches together Fold in half (side edges together) Neck
P2tog = purl next 2 stitches
and seam cast off and side edges. Cast on 20 stitches, work 6 rows
together
Stuff evenly. stocking stitch, cast off.
M1 = make one using loop cast on
S1PW = with yarn in front, slip the Attach legs to bottom of body,
next stitch purl wise one each side close to the back Ears
SSK = Slip the next stitch and then and close to the front. Stitch back Left
the following one knit wise, insert and forth between the front legs to Cast on 4 stitches using pure
the left needle into the front of the hold them together and repeat for cotton aran.
2 slipped stitches and knit them the back legs, this will help your Row 1: K1, m1, k3.
together horse to stand. Row 2: Purl.
SSP = Slip the next stitch and then
Row 3: K3, k2tog.
the following one knit wise, return
Head Row 4: Purl.
the slipped stitches to the left
Make 2 pieces, back and front. Row 5: K2, k2tog.
needle.
P2togtbl – Insert the right needle up Cast on 4 stitches using pure Row 6: P1, p2tog, cast off.
into back loops of the two stitches cotton aran. Right
and purl them together. Row 1: Knit. Cast on 4 stitches using pure
Row 2: P1, m1, p2, m1, p1. cotton aran.
Row 3: Knit.

74 STITCHES
 Horse and Paddock

Row 1: K3, m1, k1. Paddock

Row 2: Purl. Using a crochet chain, cast on 20st.
Row 3: SSK, k3. Row 1 and 2: K1tbl, (p1, k1) to last
Row 4: Purl. st, s1, pw.
Row 5: SSK, k2. Row3 and 4: K1tbl, (k1, p1) to last st,
Row 6: P2tog, p1, cast off. s1, pw.
Attach ears to head, on side Repeat these 4 rows 7 times and
seams, one each side of the cast then rows 1 and 2 once more, cast
off edge at top of head. off.

Embroider eyes and nose on front ColourSpun fabrics, threads, yarn

of head using charcoal yarn and and roving are available from
French or colonial knots. www.colourspun.co.za
Stitch the sides of the neck
together and attach to the back of
the head. Stuff the neck and
attach to the top front of the body.
Cut a pile of 5-6 cm long pieces of
pure cotton dk yarn. Knot them
from the centre top of the head
and down the top of the neck.
(Fold each piece in half, thread the
folded side into a darning needle
and pull it through the knitting.
Remove the needle and pull the 2
loose ends through the loop. Pull
up tight.) Trim.

Tail
Make a tassel by wrapping the
light brown yarn around the
cardboard. Thread a length of yarn
through under the wraps and tie
tightly around all the yarn wraps,
take the yarn off the cardboard
and wrap the tying yarn around
the top of the tassel, thread the
end through the wraps into the
middle. Use the other end of the tie
to stitch the tassel to the top back
of the body. Trim the end of the
tail.

STITCHES 75
 Basics

The Basics of Quilting and Patchwork

Cutting fabric
Nowadays strips and blocks are cut
with a rotary cutter, mat and blade.
These are time savers and once you
know how the rulers work, are
extremely accurate. If you are not
confident using a rotary system please
contact your local quilt shop for a
class. Bernina South Africa have
introduced the Truecut system which is
incredibly safe to use. Scissors should 5 Holding your left hand (not 9 Double check that you
be used for cutting template pieces. your cutting hand) flat on the ruler and have a 3" vertical alignment and a 3"
thumb away from edge, apply horizontal alignment showing on your
pressure with this hand to stop the ruler ruler. The rule “Check twice, cut
moving. once” cannot be stressed enough!
Cut your strip.

10 Open up the strip and check

the strip is straight. I find that initially
pressing the fabric and getting the
sharp fold line really helps to keep my
strips straight. If your fabric is not
To get a perfectly cut strip you need to pressed you may find that you are
make sure that you are working with a cutting strips that have a “v” shape
straight edge. and are useless.

1 Fold the fabric selvage to Tip: Make sure that you are standing TIP: If you find you have cut a skew strip
selvage. Press the folded fabric so that higher than your mat so that you don’t simply go back to step 1 and cut a
you get a really flat piece to work with. push it forward when you start cutting. straight edge.
Standing at the correct height also Tip: Always, always keep the safety on
2 Place the folded fabric on the prevents backache. the rotary cutter when not in use -
cutting mat with the raw edges at the never leave it open!
top and the folded edge at the 6 Flip the fabric so that the bulk
bottom. The bulk of the fabric should of the fabric lies to the right of yourself, Piecing
be on the side that is not your cutting (or the other side if you are left ! Pieces are sewn together ¼ -inch
hand. handed). from the edge of the fabric unless
otherwise stated in a pattern. Many
3 You will see on the mat there 7 Place the ruler on the mat of the sewing machines have a ¼ -
are horizontal and vertical lines. Place so that it overlaps the fabric. Align inch foot which makes accurate
the folded edge along one of the the cut edge of the fabric so that it piecing a breeze.
horizontal lines. corresponds vertically with the size
you want to cut i.e. 3". ! Begin and end stitching at the cut
4 Place the ruler on the fabric edges (except for set-in seams
towards the cut edge, aligning the 8 Align the folded edge with where you have to stop a ¼ -inch
horizontal lines on the ruler with the the horizontal 3" measurement. from the seam line). You do not
fold of the fabric and with the selvage. have to backstitch at the start and

76 STITCHES
 stop of stitching unless you are doing be that you have not inserted the with 1/4 -inch extending beyond the
a set-in seam. needle correctly into the shaft or it seam line between areas #1 and #2.
could be that the needle is too small
! When hand piecing your unit start for the type of thread that you are 4 Using a slightly shorter stitch
with a knotted thread, make tight using. length than usual, sew on the printed
running stitches and back stitch line. Stitch several stitches beyond the
every 4 or so stitches. Sew along the 4 Thread shedding: This can seam line at each end.
marked line from point to point and occur when the needle is too small for
not from edge to edge. Secure with the type of thread, or you could be 5 Using a warm, dry iron, press
3 small backstitches before cutting using the wrong type of needle for the fabric #2 completely to the side, being
the thread. thread i.e. metallic thread should be careful to avoid any pleats that will
used with a metallic needle. affect accuracy.
Sewing machine needles
Use the correct machine needle for Two techniques that keep coming up 6 Fold the paper on the line for
cotton fabrics. I use an 80/12 universal are Foundation paper piecing and the next seam to be sewn. Using this
for normal sewing but will use a how to make a continuous binding so fold as a guide, trim the fabric along
different needle for quilting and we will address them in this issue. the fold, leaving a 1/4 -inch seam
thread painting depending on the allowance.
type of thread I am using. Many of the Foundation paper piecing
machine needle and thread This is one of my really favourite 7 Continue adding fabric
manufacturers have websites you can techniques and not only is it easy once pieces to the paper by repeating
Google to find out which you have “clicked” but it is accurate. these same steps until all numbered
needle/thread to use. areas have been covered with fabric.
1 Trace or photocopy the
All sewing machine needles carry a paper pieces for each block. 8 Cut off excess fabric by
two-number code, such as 60/8 to trimming 1/4 -inch away from the
indicate the needle size. The larger outermost solid line along each edge.
number is the American size and the
smaller represents the European 9 Place two pieced sections
metric. A higher size indicates a larger, right sides together. Place pins at the
more rigid needle, while a smaller size beginning and end of the seam lines
calls for a thinner, more flexible on both pieces.
needle.
10 Sew on the line, stitching from
Problems that can arise with needles: cut edge to cut edge.
1 Bearding: These are the little
white dots or bits of fluff (batting) that 11 Sew pieces together in the
appear on the top of your quilt top. This order indicated in the individual
can happen when you are using too instructions.
large a needle for the fabric, your
needle is blunt or the needle has a burr Continuous binding (double French
or nick on it. fold binding):
This binding gives a neat edge and a
2 Noisy machine stitching: mitred corner and adds durability to
When sewing you hear a popping your quilts. See the diagrams on next
sound as the needle pierces the 2 Cut a piece of fabric for each page.
fabric. This is a definite sign of a blunt section on the paper with a generous
needle. 1/4 -inch seam allowance along all 1 Measure all around your quilt
sides. and add 50 cm to the final
3 Skipped stitches: There are a measurement.
few causes for this and one can be a 3 Place #1 fabric right side up
damaged or dull needle. It can also on the wrong (unprinted) side of the 2 Cut 2½ -inch strips then join
paper and #2 fabric right side down the binding strips with diagonal seams

STITCHES 77
 to make one long binding strip. 5 After stitching, press the seam
allowance toward the convex piece.
3 With the wrong side inside,
fold under 1" at one end of the binding English paper piecing
strip and press. Fold the strip in half With this method, every fabric patch is
lengthwise with the wrong side inside basted around a stiff piece of paper
and press along the length of the strip. and then the edges of patches are
whip stitched together. One can
4 Place the binding strip against either draw the patches out or make a
the right side of the quilt top along one master and photocopy a whole lot.
side, aligning the binding strip’s raw Nowadays one can buy pre-cut
edges with the quilt top’s raw edge. patches.
You can start anywhere but not the
corner. Curved Piecing Many quilters prefer using freezer
Curved shapes add a sense of motion paper for their paper templates,
5 Begin sewing the binding in to designs and they are quite fun to do thereby eliminating the need for
place 2" from the folded end. whether by hand or machine. You will pinning - the choice is yours.
be joining two separate shapes: a
6 To turn a corner, stop sewing convex with a concave curve. 1 Pin the paper template to one
when you’re 1/4" from the corner (or a or more layers of fabric. Cut out
distance equal to the seam around the template adding a ¼ -inch
allowance you’re using). Backstitch, seam allowance all around. Luckily
and then clip the threads. your seam allowances do not have to
be accurate because you are using
7 Remove the quilt from under the paper template as the accurate
the sewing-machine presser foot. Fold guide.
the binding strip upward, creating a
diagonal fold, and finger-press.
1 Cut patches using a small-
8 Holding the diagonal fold in rotary cutter - it helps to manoeuver
place with your finger, bring the around curves better. A 18 mm rotary
binding strip down in line with the cutter is very handy.
adjacent edge, making a horizontal
fold that aligns with the quilt edge. Pin 2 Transfer all matching points
in place. and centre points. If your template 2 Place a paper template on
doesn’t have centre points simply fold the wrong side of a fabric template
9 Start sewing again at the top the concave piece in half and gently and fold the one side of the fabric over
of the horizontal fold, stitching through finger press the centre of the curved one edge. Finger press.
all layers. Sew around the quilt, turning edge. Do the same with the convex
each corner like this. piece.

3 With right sides together, pin

the convex patch to the concave
patch matching centres and other
matching points.

4 Sew with the concave patch

on the top, stopping frequently with 3 Beginning with a knot on the
the needle down to adjust the fabric right hand side of the fabric baste the
to lay flat under the needle and seam allowance in place, stitching
presser foot. through the fabric and paper
template. Use a long running stitch
because you will remove the paper at

78 STITCHES
 STITCH DIAGRAMS
a later stage and small stitches make
removing the paper difficult.

4 As you approach the corner

fold the seam allowance of the next
corner over the template and continue
stitching down the seam allowance.

Continue in this manner until you have

folded over all the corners. Do not end
with a knot, simply leave a long tail.
Finger press the block. Put aside and
start the next block.

5 When you have completed all

the patches simply join them with a
whipstitch taking care to catch the
fabric and not the paper.

Perfect applique circles

Sometimes a pattern calls for perfect
appliqued circles i.e., grapes. This is a
quick and easy way to make them and
you can also make them on the go.

1 Trace a circle (whatever size

you need) onto lightweight interfacing.
Pin the interfacing to the right side of the
fabric.

2 Stitch over the drawn line. Cut

3
about ⁄16 -inches outside of the drawn
line.

3 Carefully clip slits up to the

stitching line ± ¼ to ½ -inch along the
edge. Pull the interfacing away from
the fabric and carefully cut a slit in the
interfacing.

4 Pull the fabric through the

interfacing to turn the circle right side
out. Push out and smooth the edges.
Appliqué in place.

STITCHES 79
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