the magic

Fay Presto
The Magic Circle Close-up
Magician of the Year
 THE MAGAZINE OF THE MAGIC CIRCLE Issue 1155 Volume 106 October 2012

Features There is a Way

300 Fay Presto – Will Houstoun
Last month I wrote
about how important it
Regulars is for Members of The
Page 291 Magic Circle to involve
290 President’s View themselves in the
290 Circular News development of the
club. This month I want
293 Letters to The Editor
to thank everyone who already does so
293 In This Month – Will Houstoun much for the club. Over the last few
294 Adopt, Adapt and Improve – Walford Taylor months I have worked with the
Page 300 organisational force of nature that is
296 The Cecil Lyle Award – Jason Fenn
Noel Britten on Magician’s Choice, the
299 Magic in The Regions – Elizabeth Warlock summer programme for Monday
304 Rich Cabinet of Magical Curiosities – Nights. In the course of just two
Edwin A. Dawes months of events nearly sixty people
were involved, either as speakers or in
308 Magician’s Choice
some behind the scenes role. This
Page 308 312 Circular Mentalism – Ian Rowland reminds me just how many people are
314 In Review working for the good of The Magic
Circle and I want to thank all of them,
317 Magic Circle Cares – David Hatch
and especially those who work out of
318 Council Minutes sight behind the scenes, for everything
320 Forthcoming Club Events – they do.
Noel Britten, James Freedman and Mandy Davis On a recent evening out I spent some
Page 312
time looking around the Hippodrome
Casino in Leicester Square. Despite
EDITORIAL 07507 275 285 PHOTOGRAPHERS
EDITOR Will Houstoun John Ward being converted into a casino, a number
Editor@TheMagicCircle.co.uk ADVERTISING 07767 336882 of features from the Hippodrome’s
40 Derby Road, London, SW14 7DP BUSINESS AND ADVERTISING MANAGER theatrical past have been maintained. If
ASSISTANT EDITOR Tim Reed Scott Penrose
ASSOCIATE EDITORS Advertising@TheMagicCircle.co.uk you visit, you will be able to identify the
Anthony Brahams, Dr Edwin Dawes, 17 Berkeley Drive, theatre seating, the area where there
Scott Penrose, Ian Rowland, Billericay
Essex CM12 0YP used to be a pool in the floor, the
David Tomkins
CONVENOR OF REPORTS MISSING AND BACK ISSUES balcony in the ceiling from which
Mandy Davis 01923 267 057 people dived into the pool, and the
Cover Michael Candy
Mandy@TheMagicCircle.co.uk
Fay Presto Sound of Music, Harthall Lane, exercise area for the elephants that
PROOFREADERS
Paul Bromley, Julie Carpenter, Hemel Hempstead, famously took part in the shows. You
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John Hawkins for a moment, that Houdini or perhaps
john.hawkins.7@btinternet.com
104d Grove Road Chung Ling Soo is about to step
Published by The Magic Circle Walthamstow E17 9BY out from the curtains and perform
12 Stephenson Way Copyright © 2012 by The Magic Circle. All rights reserved. No part of this publication may be reproduced,
London NW1 2HD stored in any retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, his show.
recording, or otherwise without the prior permission of the Editor of The Magic Circular.
VAT Reg No 233 8369 51 Views expressed in The Magic Circular are those of the contributors and do not necessarily represent the views
All enquiries of The Magic Circle unless specifically stated. Whilst every effort is made to ensure the accuracy of all
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whenever possible.
President’s view Circular news
Dealers’ Day
ay Marshall, of Lefty fame, once said to me pupils there also became a top dealer who is The Magic Circle Dealers’ Day is

J that many magicians go through a similar

series of changes in their careers. Having
gone through periods of stand-up in people’s
extremely well known to Magic Circle
Members.
I stood in for a few weeks at the City Lit
always a fun day out. Whether
you are interested in seeing the
latest products, stocking up on
homes, children’s shows, cabaret in clubs and Magic Evening Classes and one of those the essential consumables that
hotels, close-up and table hopping, magic of students is a huge success in burlesque doing you use in every show, or keen
the mind, or even to big illusions on stage one of the tricks I taught at the time! to spend time talking magic
they nearly all end up doing the tricks they put Why do I say I think I’ve got teaching in my with other magicians in the bar
together in their very early days. Jay started genes? My grandfather was headmaster of a Dealers’ Day presents the
with Lefty, went through many of the above, private school in Yorkshire and my brother was perfect opportunity to do
and ended up with Lefty. Paul Daniels has Deputy Headmaster at one of England’s exactly that. And what is more
done much the same, ending up with the leading public schools where, incidentally, he it is free if you are a Circle
tricks that made him famous, or, should I say taught Derrick Speight’s boys languages. Member! Dealers’ Day will take
the tricks that he made famous? Four years ago I decided my touring days place between 10:00 and
There is another stage that some of us go were over and started Delvin’s School of Magic 16:30 on 27 October at The
through. When we reach a ‘certain age’ we in my home town of Orpington in Kent. This Royal National Hotel, Bedford
decide that it might be a good idea to put started off as a school for adults only but has Way, London, WC1H 0DG.
something back into the art which has given expanded with the addition of two further
us such a pleasurable living – and we become classes for juniors. In addition I have been The Magic Circle
gurus, making our experience available to visiting magic clubs all over the UK offering Awards Ceremony
newcomers. master classes. A small number of acts risk the 2012 is the first year that The
Just this week Paul has announced his torture of my tongue and perform before me Magic Circle’s annual awards
Magic Days with Paul Daniels to do just that. and their fellow club members in the hope ceremony has been held in our
This has caused plenty of interest and I am that they will benefit from the experience I own headquarters and, with
certain it will prove to be a huge success. have gained during over sixty years as a the event taking place on
As far as my teaching is concerned, I believe professional performer. Their peers also pick October 13, there is just
I’ve got it in my genes. Over the years I have up many tips along the way and it has worked
had several brushes with teaching. Many, very well. I hope to have included some of
many, years ago I ran my own Phoenix School these session in my Day with Delvin
of Magic from a flat in Lee Green, south east extravaganza.
London. Among the dozen or so children that Why am I telling you all this? No, it’s not to
attended two of them turned professional and gain new students for my schools, but
are very well known to you. One is famous in because I feel it would be exceedingly helpful
Australia and the other is one of our most to the future of magic, and therefore The
successful dealers. Magic Circle, if a lot more old pros would start
I also ran the International Magic School for up schools around the country. The more boys
a time and one of those attendees became a and girls, and indeed older folk, who have an
very famous tip-top close-up performer. I ran interest in magic the better for all of us.
Davenport’s School for a while and one of my Another way to bring more magic to the
public is to get your family and friends to
become Friends of The Magic Circle. A leaflet
has been included with this issue of The
Circular from which I hope you will learn what enough time left for you to get
Friends is all about and then bring it to the your tickets! The evening will
attention of all those close to you as well as include a show starring the
your bookers. inimitable Paul Daniels as well
as the presentation of the most
prestigious and sought after
awards The Magic Circle has to
offer. Tickets can be purchased
through The Magic Circle
website
Jack Delvin MIMC www.themagiccircle.co.uk
President@TheMagicCircle.co.uk
Friends of The Magic
Circle
As a Member of The Magic
Circle your family and friends
probably ask you about the

290 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

 The International
Magic Convention
The 2012 International Magic
Convention will take place on
November 16 -18 and, in
keeping with its reputation,
looks set to be one of the
finest UK conventions of the
year. The line-up contains
somebody for all interests.
The most die hard card magic
fan will love Juan Tamariz,
the close-up magicians will
enjoy Eric Mead, performers
who like their magic funny
will laugh with Rick Merrill
and Stephen Bargatze and,
for the stage performers,
there are Joanie Spina and
Simon Drake. Top all that off
with a magic competition,
gala show and great social
atmosphere and it is hard to
think what more you could
ask for. For more details visit
www.internationalmagic.com

club and its happenings on a age of eighteen and requires action as he helped with the conjuring techniques to help
regular basis. Well, now Friends no magical knowledge. Joining theatrical burning of a castle at simulate William Tell’s famous
of The Magic Circle is the is as simple as filling in the the end of the play. On one stunt in which he shoots an
perfect way for them to keep in membership form, found on occasion, his magic knowledge apple that is balanced on his
touch with the organisation, the flyer included with this also proved useful, as he used son’s head with a crossbow!
without going through you! magazine. Hopefully you will be
Friends of The Magic Circle is able to pass the flyer on to a
aimed at non-Members and family member, friend, client or
non-magicians and gives its colleague who may be
members notification of the interested and, in the process,
different events that they can help support your club and its
attend as well as priority public activities. More flyers are
booking. They receive discounts available from The Magic Circle
on ticket prices, a Friends’ Headquarters and can be
supplied upon request.

The Keys To Interlaken

Congratulations to Member
and Monday Night Host
Michael Gurr on receiving
the Keys to Interlaken in
recognition of his loyalty to
the town. Michael has been
visiting Interlaken for a number
of years and, during his visits,
has taken part in over ninety
membership card, and performances of their
up-to-date news via a monthly traditional William Tell play.
e-newsletter. On several occasions Michael’s
Friends of The Magic Circle is professional experience as a
suitable for anyone over the firefighter has been called into

www.TheMagicCircle.co.uk OCTOBER 2012 THE MAGIC CIRCULAR 291

 Dealers’ Day 2012 Saturday
27 October 2012
The annual The Magic Circle Dealers’ Day
will once again take place at the Royal
Royal National National Hotel, just off Russell Square.
Hotel, Bedford Way,
London, WC1H 0DG This year sees another fine gathering of dealers
with everything from basic consumables to some
of the most innovative effects on the market
available to view, try and buy. Come along, meet
your friends, session and discuss magic in the cafe or
bar, stock up on your equipment or be tempted by the
latest miracle.

Doors will be open 10am to 4.30pm and entry is free to

Members of The Magic Circle and the Young Magicians Club on
production of their Membership Card.

292 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

David Tomkins and The Sooty Show
by Matthew Garrett AIMC

This August I had the chance to see David Tomkins aka Cheeky
Dog present The Sooty Show in Pontins, Prestatyn Sands. The by Will Houstoun AIMC
Sooty Show was well advertised in Pontins with large posters
dotted around the main areas and it was clear this would be one
of their main shows. I passed by the Fun Factory Showbar, where
the show was due to take place, early in the day. The Fun Factory
Showbar has a fully equipped fairly large stage and seats around
six hundred people. The stage itself was impressive, with a dance
floor directly in front of it, round tables behind that and tiered
seating right at the back. The stage didn’t have tabs and no
curtains meant that the Sooty set was visible and I got a sneak
pre-show look at the set!
I returned an hour before the show to take a seat and, to my
surprise, every seat was taken, making The Sooty Show the most
popular event in the resort. The show started and it was clear
that David had mastered it. It was no
surprise that he had stage presence
and was confident,
but David’s normal
puppet acts are based
around ventriloquism
and, of course, Sooty
merely whispers so I was
curious to see how David
would interact with the
puppets. Other puppeteers
assist on the show to allow Sooty,
Sweep and Sue to interact but it
was David and the pre-recorded
soundtrack that presented the
show. The script, sound
recordings and David’s delivery
were all excellent, with plenty of On October 9, four hundred and thirteen years ago,
well timed sound effects. I was somebody who was important to every single Member of
surprised to see David’s singing The Magic Circle died – his name was Reginald Scot. Scot
and action routines, as this is not was, of course, the author of The Discoverie of Witchcraft, a
something I have seen him do before. book that was first published in 1584 and which is one of
The script was classic as Sooty used traditional favourites like the most important magic books in the English language.
the water pistol, singing and drums, but it had some up-to-date Written as an argument against the persecution of witches,
elements such as a Lady Gaga routine. There was magic in the Discoverie features a small section that describes and
show too of course, including the appearing cane. explains a number of different conjuring effects, many of
Online reviews for the Pontins resort are very mixed, but the which are still performed today. The Scot family tomb still
reviews of The Sooty Show are all positive. David should be proud exists in Brabourne Church (St Mary’s), Kent and, each
of his achievement. He held the packed audience, it was a well October, The Circle places a red rose on Scot’s tomb to
polished show and you would have thought he’d been remember both his death and his contribution to magic.
performing it for years.

Letters to the Editor

Dear Sir, and his unfailing help back-stage. called All By My Selves and it is written by
We were sorry to read of Barry Miller’s death Bernard JUBY (MIMC) and Yvonne. Jeff Dunham.
in the current Magic Circular. We first met Jeff, as you may know, is now a
during one of our many appearances with Dear Sir, super-star ventriloquist and the book
the IBM and just kept on meeting. I have just finished reading a superb book shows how he planned and developed his
Although we lost touch when we retired which I strongly recommend to any act. An excellent read – not to be missed.
from the stage and then to France we will performer who wants to be inspired and Graham Reed MIMC
always remember his ever-cheerful smile motivated to achieve greater success. It is

www.TheMagicCircle.co.uk OCTOBER 2012 THE MAGIC CIRCULAR 293

 Walford Taylor AIMC

THE GREAT PIANO TUNE MYSTERY

ever apologise, never explain”, is a precept which may not be readily recognisable unless the rhythm is correct, and
“
N I have always considered to be the preserve of
politicians and the titled classes and not one to which
I would readily subscribe, so I have no compunction in
the time taken in interpreting the transmitter’s signals for each
note may preclude this. For example, the first three notes of Daisy
Bell (Daisy, Daisy) and The Star Spangled Banner are the same,
apologising straight away for writing yet again about contact but whereas the notes of the former are of equal duration, the
mind reading and explaining the reason I am doing so. middle note of the latter is of half duration. I suppose that the
In my Introduction to Contact Mindreading (The Magic actual notes of the tune could first be established one by one and
Circular December 2010) I referred to The Piano Test in which then, knowing what notes to play and in what order, the rhythm
the performer plays a thought-of tune. I have since been asked could be established by contact mind reading, but the procedure
how precisely this can be done by muscle reading. It is a good would be laborious and, I would have thought, be rather boring.
question and one which I have thought about for some time,
because I have never done it myself, nor have I ever seen it A Theory
performed. My theory is that the writers to whom I have referred were simply
It is one of the suggested demonstrations listed by a number copying the description of a test which they had read about as
of authors. Dariel Fitzkee in Contact Mind Reading − having been undertaken in the past, and I think I have found
Expanded, (Magic Limited, Oakland California, 1945) stated it where that was. In a report in The New York World (February,
thus: “Using contact mind reading methods, the receiver may 1887), by Henry Guy Carleton there is a description of a
pick out the air of a simple melody.” In the words of Dr Edward gentleman being asked by Washington Irving Bishop to think of
R. Schatz in Practical Contact Mind Reading (Micky Hades, some “familiar song.” He then went to the piano and, with the
Calgary, Canada, 1974) one can “pick out a simple melody on volunteer’s hands resting upon his, struck a number of notes and
a piano”, and Satori in Making Contact – The Real Secrets of then “guessed” the air to be “Home, Sweet Home”, which was
Contact Mindreading (H&R Magic Books, Humble, Texas, 1998) correct. There are two points to note here: first the song had to
writes baldly, “The performer plays back a short tune.” be “familiar”, thereby directing the assistant’s attention away
The trouble is that none of them explains how to do this! from less popular tunes, and secondly, this was in 1887. Edison
Clearly it is easy to discover a particular note on a piano by only invented his primitive tin-foil phonograph in 1877 and
contact mind reading by extending the forefinger whilst the obviously there were no wireless sets around at that time. People
transmitter holds the performer’s wrist and concentrates on the would become familiar with songs passed down from one
position of the chosen note on the keyboard, but claims of generation to another, through sheet music sung at home
playing a tune appear to me to be somewhat optimistic. When around the piano in the parlour or through local concerts in the
listening to music we are perceiving many attributes or village hall, apart from the few who lived in cities and were able
dimensions: pitch, rhythm, tempo, contour, loudness, to visit the Music Halls (Vaudeville in America and Canada), so
reverberation, meter, key, melody and harmony. Of these, the the choice at that time was very limited. Indeed, as Carleton
ones which concern us in a contact mind reading context are pointed out, “Ask anyone to think of a “familiar song” and the
melody, pitch and rhythm. chances are ten to one he will think of Home, Sweet Home,
First, after playing the initial note on the piano, how many Yankee Doodle, Hail Columbia, Old Hundred or perhaps Sweet
transmitters, without the music, and unless they have perfect Violets if he happens to live in a neighbourhood much infested
pitch, could guide the performer’s hand to the next note of the by organ-grinders”! (He is talking about the United States of
tune and so on, i.e. gauging the different intervals between America.) With that knowledge to start with, it was relatively
each of the notes on the keyboard? [In the cause of imparting simple for Bishop to divine the tune. I suggest, however, that
an interesting snippet of information, did you know that in later writers included the test in their lists of possible
days gone by, the Catholic Church banned the musical interval demonstrations of contact mind reading without having tried it
of an augmented fourth (the interval in Leonard Bernstein’s out themselves or thinking much about it, although I may be
West Side Story when Tony sings the name “Maria!”, and, I doing them an injustice! In any event the choice these days is
realised only recently, at the start of The Simpsons signature surely far too great for the same technique to be employed as
tune) because it was considered so dissonant that it must have that employed by Bishop.
been the work of Lucifer? The church named it Diabolus in
musica – but I digress!] Circumvention
The second difficulty is how would the rhythm of the melody All is not lost, however, if we want to perform The Piano Test
be established? Rhythm refers to the duration of a series of with the abundance of songs available to us today, for my version
notes, and the way they group together into units. It is easy to gets around all the above problems. The test is undertaken in two
find a single note, but a melody picked out with one finger parts. For the first part, the transmitter thinks of a well-known

294 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

tune, and for the second part she indicates to the audience, out from their original position without this being obvious, as it
of the performer’s sight, any one particular note on the keyboard would be if it were done without a distracting interval.
and remembers it (obviously without playing it). The transmitter is
then led to the keyboard by the blindfolded performer who A Final Thought – Subliminal Persuasion
correctly divines the chosen note and then, as a climax, picks out When performing this test you could take the opportunity of
the tune being thought of by the transmitter. trying out a little-known idea which I read about at least fifty
years ago. Unfortunately my memory does not allow me to
The secret is, as usual, that we cheat. First of all, the tune is give credit to the originator although it may have been Robert
forced on the spectator. This has the advantage that the Harbin. It is an opportunistic effect and not 100%, but it is
performer is assured that he knows and can actually play the utterly baffling to an audience when it comes off. It relies on
melody! A pack of cards is made into song titles by having labels the way in which once a well-known tune is lodged in your
stuck on them – see Adapt Adopt and Improve, The Magic head it is difficult to get it out again. The occasion for its use
Circular, April 2010 – A Lesson must be strictly chosen where
in Telepathy? I use the Henry there is an opportunity of
Christ force (it does not targeting a member or
appear in Annemann’s 202 members of an audience a
Forces and when Annemann few minutes before a show.
was told about it he called it The gentlemen’s or ladies’
the “203rd Force”), but any cloakroom is the obvious
will do. The performer place, when the performer or,
announces, “I don’t ask you preferably, an assistant, can
to write down your choice, nonchalantly hum or whistle a
but please just keep it in your few bars of a catchy tune
mind.” Then the transmitter is whilst washing his hands, or
asked to decide on and point even out of sight in a cubicle!
out to the audience while he In a home environment the
turns away, any one note on tune could be whistled in the
the keyboard. “I don’t want you to make a note of it [!] – but just passage outside the washroom if you know who’s in there!
keep it in your head.” Preferably it should be a tune which is known to people of all
The single note is then divined first, by genuine contact mind ages, like Strangers in the Night, We all live in a Yellow
reading using the wrist grip with extended finger (Photo), and as Submarine or Yesterday. Whatever your choice, your mark will,
a Finale, using the same wrist grip with the transmitter as before when asked to think of a popular song, more than likely name
(although this is completely unnecessary as he already knows the the one he has absorbed unconsciously into his memory and
tune) the performer picks out the chosen melody. which you then miraculously divine!
To adapt this idea to The Piano Test, after successfully finding
The Obfuscation Interval the particular note on the piano in the above test the performer
You will have noted that the revelation of the tune and the note suggests that before he tries to play the melody being thought
on the keyboard are in reverse order to that in which the two of by the volunteer, each member of the audience should think
choices were made by the transmitter. This allows what I call the of a tune for himself. After a moment or so for them to do this
Obfuscation Interval to occur during which attention is diverted he names the tune which has been quietly whistled or hummed
for a moment from the actions which have just taken place. In before the show and asks whether anyone in the audience is
this particular case, when the transmitter is asked “to think of thinking of it. There is a good chance of one or more of them
her tune”, the business of her having previously chosen from a raising their hands in which case you have a miracle on your
bunch of song cards is long out of mind. The Obfuscation Interval hands. Whatever the result, you then proceed, after this
is, of course, a principle famously used in the Cross Cut Force mammoth Obfuscation Interval, to the final revelation on the
before the top portion is lifted and the spectator is asked to piano of the tune the spectator “is thinking of” i.e. the forced
remove the card beneath. On a larger scale, I have also used the tune, with 100% success, using the redundant contact mind
Obfuscation Interval in the box escape in A Novel Escape reading wrist grip!
described at p.36 of Al Baker’s Book Two, (1935) (English Edition If anyone can offer any further enlightenment on the
L Davenport & Co., London c.1948) where, after a half turn of performance of the Piano Tune Test I should be interested to
the lid, it has to be replaced, but the ends have to be reversed hear at walfordtaylor@yahoo.co.uk.

www.TheMagicCircle.co.uk OCTOBER 2012 THE MAGIC CIRCULAR 295

 Fenny’s Flash Force by Jason Fenn MMC
Effect gone from three (gesturing to the three
The magician invites a spectator to play items on offer) to one (point at the
a psychological game called Three to lighter) as I said at the start. That is why
One. As an added incentive the the game is called Three to One.”
spectator is offered a £20 prize if the “Remember I said if I am wrong you
magician loses. The magician takes four will win £20. Well I knew you would
items out of a small box; a lighter, a pick the lighter because the string
piece of paper, a piece of string and a doesn’t really exist (the magician uses
business card. The business card is the lighter to ignite the flash string) and
placed aside as a prediction and the neither does the paper (the magician
spectator selects one of the remaining then ignites the flash paper) ... In fact, I
three items (the lighter). The magician predicted you would choose the lighter
proves he knew the lighter would be from the start. Take a look at the
chosen as the paper and string do not business card which has been there from
really exist. With that statement, the the very start of this game.”
magician uses the lighter to make both If, on the other hand, the spectator
of the other items disappear in a burst business card and a container to hold chooses one of the other items the
of flames! The spectator is then these items (I use a mint tin – magician says: “Push the paper/string
instructed to turn over the business card approximately the size of a bicycle card forward to leave us with two items. Now
where the word “lighter” is clearly box). On the reverse of your business card which one do you want me to take?”
written. At this point the spectator picks write the phrase: “You will choose the If lighter is named the magician picks
his jaw up from the floor and demands lighter.” I also keep spare business cards, it up as the final choice and finish the
to keep the business card as a reminder flash paper and flash string in small pay routine as previously described setting
of this amazing event. envelopes inside the tin ready for repeat fire to the flash string and flash paper
performances. before revealing your prediction.
Method If the lighter is not chosen then the
This trick is based on the classic magician’s Performance magician slides the second selection
choice, a principle I have always enjoyed The magician takes out the box, places the alongside the first so that the string and
but with which I never found a routine business card to one side and lays the the paper have been removed from the
that fits my style as a close-up entertainer. lighter, paper and string in a row on the initial row. “That leaves us with one item
My version has been designed with the table before saying to the spectator: “Let ... the lighter.” Once again the magician
following features in mind: me show you a psychological game. If I has used magician’s choice to force the
lose you will win £20! It’s called Three to lighter and can burn the paper and the
l Instant reset One.” (By introducing the trick as a game string before showing the prediction on
l Logical premise from beginning you are leading the spectator to think that the business card and bringing the
to end. the routine is just a piece of fun and by routine to a close.
l Additional, visually startling, mentioning the name Three to One you
magical content are framing the game in a context that will Final Thoughts
l Portability – it all fits in one small box. explain the potentially unusual selection You could cover your written prediction
l Business card handed to the spectator process that follows.) with scribble from a Frixion pen and
in the course of the routine. The magician states: “To play Three to then heat the back of the card to make
l An easy to remember, logical One you first have to tell me the name of the scribble disappear and reveal your
procedure for the performer. the game.” (This reinforces the premise prediction. After the two previous
In addition, the effect can be and will help them accept the the selection flashes I feel this is detrimental to the
performed nicely as a stand-alone piece process). rhythm of the sequence and the punch
or as a prelude to subsequent mentalism “Put your finger on one of the items...” of the final prediction.
effects. At this point the magician’s actions will
vary depending on the spectator’s actions. Tricks submitted to the Editor for
Preparation If the spectator places their finger on the consideration for The Cecil Lyle Award,
a trophy given at The Magic Circle Awards
You will need a square of flash paper, a lighter the magician continues: “So you Banquet, are presented here for your
piece of flash string, a lighter, your have selected the lighter and we have enjoyment.

296 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

www.TheMagicCircle.co.uk OCTOBER 2012 THE MAGIC CIRCULAR 297
 Elizabeth Warlock MIMC

he most exciting magic to be seen a £5 note, and David Stone with the first woman president.

T in recent months had to be at FISM

in Blackpool, where many of the
world’s best acts competed for the
production of a full bottle from a
balloon. In the close-up show we loved
Shoot Ogawa and his beautiful coin
She first came to the fore upon her
marriage to Johnny Neptune. He had
previously been married to Ray Silver,
Grand Prix of which past winners have work, and Mark Mason with the chosen and it was from this union that Shirley
included such legendary names as Fred card revealed in a sealed deck in new Ray was born, renowned not only for
Kaps, Richard Ross and Lance Burton. deck order. her prize winning Prince of Humbug act,
Taking place in this country for the very One must not forget Topas who but as one of the best balloonologists in
first time, it was something not to be appeared in the Monday evening show the world. Thus it was that upon her
missed. with his self shrinking illusion, the marriage to Johnny, Cynthia became
While full reports will have appeared Hawaiian Orange Trick, the production step-mother to Shirley.
in the magical press, I feel I must make and vanish of his partner Roxanne in a Johnny died in 1984, and a little later
mention of those like the very talented tubular chair and levitations of her on a Cynthia married Frank Sinclair who
South Korean Yu Ho-Jin who, with his raised platform culminating with Asrah, specialised in the Bullet Catch. Sadly the
elegant and brilliant manipulations with plus other gems. He has to be one of marriage was short lived as Frank died
cards that magically changed colour at the most versatile and creative in 1991. Subsequently Cynthia
his fingertips, gained for himself not magicians around. concentrated on her work with young
only a long standing ovation but also It was not just the magic, but meeting magicians not just around her home
the coveted Grand Prix for stage. It was so many of our Members from around the town of Whitley Bay in Tyneside, but the
a virtuoso performance. world. Those like Tony Wilson from New whole of the north of the country, some
Then there was the Prince of Illusions Zealand, Malta’s famed magician and of whom became prize winners in the
from the Netherlands who took basic immediate past president of the IBM Vanni biennial YMOTY competition. It was in
illusions to new heights reminiscent of Pule, Kate Medvedeva from Russia, 2005 that she started the Stars of the
Hans Klok. Using heavy metal and a Domenico Dante from Italy and now FISM Future shows at the British Ring
dream horror sequence they included president, Stan Allen and Mike Caveney conventions which gave promising
such illusions as the Assistant’s Revenge from the States, and from this country youngsters the chance to be seen by a
and escape from an elevated burning Mike O’Brien, Tom Owen and Matt Field wider audience.
sealed cage. It was a stunning to name just a few. Cynthia was a little woman with a big
performance which gave them first prize Our congratulations go to John Pye on personality, and she will be sadly missed.
in the illusion category. But there was so his installation as IBM International To her family we offer our condolences
much more that was impressive like President for the year 2012/13, which in their great loss.
close-up Grand Prix winner Yann Frisch took place at the convention in Norfolk, One of the most impressive lectures to
in a brilliant performance with a Virginia just prior to FISM. He is just the have taken place at the British Magical
variation of the Cups and Balls using a fourth person from the UK to be elected Society here in Birmingham was that of
teapot, small jug and ball with the ball to this high office, following such names Dave Forrest. Originally from Scotland
appearing, vanishing and multiplying as Bill Stickland, Jeffery Atkins and Tony but now living in Hampshire, he markets
under the jug much to his own Shelley. John is currently executive his creative magic under the name of
bewilderment. secretary of the British Ring and a past Full 52 Productions. That evening in July
There was the beautiful act of Xin Ya president of that organisation. We wish he showed us such gems as the coin
Fei from China who filled the stage with John and his wife Carol a very happy year forcer Positive Thinking, Damage a torn
his production of coloured fans of every in office. and restored card, a Haunted Deck
size, and Korea’s Ted Kim with an artist’s Although not a Member of The Circle called Scared, XBOX a signed card in the
theme using some clever effects and magicians everywhere were saddened to box, Duplo a clever duplication of a
interaction with a picture on an easel learn of the recent death of Cynthia drawing, and the first viewing of his
which won him the prize for originality. Neptune after a long illness at the age of own version of Think-a-Card. Well
The talent was endless, and it was 75. Her legacy will not be so much as a dressed, every item perfectly executed
difficult to see everything, for apart performer but rather her work with young and one hundred percent
from the competitions, there were magicians in connection with both the entertainment, no wonder he received a
lectures like those of Chad Long with Northern Magic Circle and the British Ring long ovation at the end.
the colour changing flash drives, Joshua for which she also did much to raise funds I’ll be with you again soon with more
Jay and the torn and restored corner of for the Welfare Section and became its News from the Regions.

www.TheMagicCircle.co.uk OCTOBER 2012 THE MAGIC CIRCULAR 299

 Fay Presto
The Magic Circle Close-up Magician of the Year
Interview by Will Houstoun AIMC

Darrne Tossell
On Stage At The Magic Circle

300 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

 with their own interest in magic to you?
Fay Presto MIMC is a
Yes. That has always been a problem
regular Monday for me. I don’t think that magic as an
industry pays enough attention to
Night Member as
entertaining a lay audience. It gives all of
well as one of the its accolades, all of its awards, all of its
back patting to magicians’ magicians and
busiest and most
very little to a layperson’s magician. There
practical working is always a slight view that perhaps the
workers have sold out, in a way. And if
magicians in the UK.
you look at the make-up of competition
Earlier this year she judging panels, at least historically, you
will see that they are mainly made up from
also won first prize
Edinburgh 1989
in The Magic Circle
Will: Congratulations on being The Magic
Close-up Magician of
Circle’s Close-up Magician of the Year
The Year 2012. How do you feel about having won
the competition?
competition. Fay and
I met early one Fay: It is all very strange really. I have
been so left of field for so long that when
Monday afternoon to
I suddenly found that people do approve
discuss magic of what I do it came as quite a surprise. I
really don’t know how to react to it.
competitions, The
Circle and a working Ok. Well what does it mean to you to

John Ward
have won?
magician’s approach
On the night it was amazing. The
to magic. approbation from the audience was so
moving ... it was extraordinary to hear that Fay with trophy
applause from the grass-roots magicians with the odd layperson which I
Membership. Whether it has meant think is wrong. I think it should be
anything else or not is a question. predominantly laypeople with just a
Marginally a little bit more respect from couple of magicians to make sure that the
people within the magic industry but in magic is legitimate.
some ways I still feel that I am not
considered legitimate by other magicians. Tying in with that. What do you think
the role of magic competitions is?
Do you think that is because of the Well. If you turn up at a banquet where
difference between the real-world there happens to be a magician working
working magician and the magic and you think: “What are you doing in the
convention attending amateur? room?” then they are not there to find the
I think it is, yeah. The magic seven of diamonds! They are there to put
conventioneer, if you like, still does’t take some energy into the space and kick start
me very seriously. the party. That is why people book a
magician. Now when it comes to the
But presumably, at least to some extent, question of the role of a magic
that is because they have a different goal competition it seems to me that the main
function is to find someone who can
Above: Performing to spread a entertain a room full of magicians. I am
little joy in the world. Right: What not saying that is wrong, but it is slightly
does it do, 10 minutes later incestuous.
Now, having said that, it is from
competitions and that section of the
industry that the major effects that people
like me feed off appear. My second trick is
Brainwave and that was invented by one
of the biggest finger-flingers of all time. If
he hadn’t come up with it I wouldn’t be
doing it and it is, without a doubt, the
s

second best card trick in the world!

www.TheMagicCircle.co.uk OCTOBER 2012 THE MAGIC CIRCULAR 301

 gives me liquid to vanish in a ten pound
note, an anchor point for the floating note
and it is all kosher and feels impromptu.

And then you used the same idea in

The Circle Competition to bring the world
of the table hopping magician to us.
Yes. I made a foam board table and
stuck all the stuff onto the table.
Everything on the table is bolted in place
so that I can just put it down and start.
Now that I have done it at The Circle I
have been booked to do it again for the
IBM so it will be interesting to see how it
all catches on.
Aniversary Waltz in action

So perhaps competitions serve to let Perhaps competitions don’t recognise You have talked a little bit about the
people experiment and try new things out? the real-world working magicians enough impromptu, bullet proof style of magic
Absolutely. They drive it forwards. They then? that you are known for doing. Is that a
allow people to come up with the effects. Yeah. What happened at The Circle, style that you developed because you
One that springs to mind is Anniversary however, was that I did an act that I have thought it was most interesting, to fit in
Waltz. It is an interesting trick but it wasn’t been doing for the last twenty years, in with commercial environments or for
until Richard Pinner came along and got the manner I have been doing it for the some other reason?
rid of all the extra moves and phases that last twenty years and the only difference It was to pay the rent, I needed to eat!
it turned into a very performable trick that was that everyone else was there to see it.
goes down brilliantly at weddings, I like to show people what I do in the Right. But presumably at some point
engagements and other coupley situation where I normally perform. you were interested in doing magic and
functions. It is quick, magical and they can I came up with the idea of an architect’s getting gigs but hadn’t done any tricks
describe it in that way that they need to. model of a ten seat table that I could work before so it has to have come from
at. I used it first when I was at The Magic somewhere!
You mean the one sentence Castle. You go into a room there to do Oh dear. Well I needed a job and was
description? close-up and it is such a pure, parlour unemployable. I looked at the fashion
Yes. It is Star Wars. The pitch for Star set-up. I wanted it to be like my world industry, beauty therapy and
Wars was “Cowboys in Space.” And they where I work, so I turned the table into a entertainment and thought one of those
should be able to do the same thing with restaurant table, set for five people! would be a good fit for me. I tried fashion
a trick. I remember watching a brilliant and knew it didn’t work, I didn’t want to
coin assembly a few years ago and And when you say you set the table be a hairdresser’s assistant at thirty-five so
someone said that if the audience were you mean plates, cutlery, napkins, drinks... I thought I would try entertainment. Now
asked to describe it the next day they everything you might find in a working what could I do? I couldn’t sing, juggling
would just say: “It was amazing, there restaurant? would take ages to learn and most actors
were coins moving around on a mat and Exactly... even the champagne bucket! are unemployed but maybe I can do
lots of stuff happened.” When you pull a The reset was a nightmare. Not for the magic. Card tricks can’t be that hard to do
coin through a glass using a Coin Unique magic, because I can do that in seconds, but and a lot of people would probably pay to
it is so much simpler to describe: “I saw for the table. I have to put everything back see a woman sawing a man in half.
her pull the coin through the glass.” What in its place, get to the bar and get another Now if you have never had anything to
more could you want? bottle of champagne. I say champagne, it do with show-business then it is really
was very cheap and nobody drank it but I hard to try and figure out how it all works,
So, just out of curiosity, you mentioned did go through six bottles a night! so I apprenticed myself to two fire eaters. I
the second best card trick in the world... I did that for an important reason saw them in a disco and asked if they
what is the best one? though. Everything you use when you are needed a roadie. I did that for six or seven
Card on Ceiling. If you do that at some working has to feel real, it has to have the months whilst working as a van driver and
point in your act there is no point carrying right vibe to it. If I carry a bottle to the I had two main jobs: driving them around
on... that will be the end. Get out, table at the beginning then it all looks set in the company van and trying to procure
because anything else you do will not be up but if I go to get it in the middle of the a seemingly infinite quantity of lighter
as good. I sometimes also do signed card set, and it is full of drink, then it is real and fluid because they never had any!
on the outside of a window, which was suspicion-free. I wanted a bottle to put a There also used to be a club in London I
the trick that led Paul McCartney to use coin in and to push through the table but I went to and I remember seeing a guy
some very rude words: “Fay Presto you are wanted it to be beyond doubt so it had to there doing Professor’s Nightmare which I
a f%@&ing genius!” And all because I be a real bottle with champagne in it that thought was extraordinary. So I learnt
stuck his card on the outside of a second is there as part of the table setting. It is so some stuff like that using a stripper deck
floor window, thank you Laura London for useful because not only does it give me and a brainwave deck and and a few other
climbing over a balcony! the two tricks using the bottle but it also bits and pieces. I found I was being invited

302 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

to a lot of parties and people were clapping important and trying to apprentice
so I decided that if they could invite me yourself to someone who is doing well
and clap they could also pay. As it happens with it is also a good idea. You will learn
the cabaret industry was collapsing so that what they are doing and how and why it
wasn’t really there either at the time. works and you will also get a real idea of
I started working in nightclubs and what magic is actually like to do as a job
getting paid for it but it was a tough rather than as a hobby. After you have
mistress. The music was so loud, it was so done all of that then you just have to work
dark and people were so interested in out how to do it better than they do!
doing the kind of things that people do in
nightclubs that the material had to be Who is your biggest influence within
really strong and direct otherwise you the world of magic?
would lose them and lose control. So the David Nixon, because he was a man
material I developed came from that kind of generous spirit and that is rare in the
of environment and everything that was Fay and pianist Harry with Tony Blair magic world. In general we are
required for it to work there or in a in 1999 not team players and often when
restaurant where you can’t use the table we perform it is still: “Me, me,
and everything has to be lifted up so You have talked a bit about how your me ... I, I, I.” David Nixon was
people can see. career developed. Do you think the same the last magician who it was a
path would work today for someone privilege to be asked to assist
Which is the conditions you showed us trying to get into magic as a profession? on stage. If he came into the
with your act in the competition! I had it easy. It is much harder today audience and asked you to join
Right. It’s also something I try to do because close-up magic barely existed him on stage you knew you were
when I lecture. We start the evening with when I started. There were people who in safe hands. He wasn’t going
a table that has been set for ten people would be invited to private parties and do to make comments at your
and the club who has booked me invite stuff but to turn up at a table was expense and I think that is one
ten non-magicians to come in and watch. something that just didn’t happen. I am of the things that magicians
I do my working material for them in not saying it wouldn’t have happened if I really need to pay attention to. Early Publicity Shot
working conditions and then, after they hadn’t been there, it was an idea for
have seen the show, the non-magicians which the right time had come. Having How about your biggest influence
leave to carry on with their evening. Now said that I woke up to it a tad sooner than outside the magic world?
when I do the show for them I film it all anyone else, probably because I was more I am not sure really. Another big
and the second half of the evening is desperate and because there was no way influence on me, who is around at the
explaining the tricks, but more importantly that I was going to entertain kids! moment, was Arturo Brachetti. One of the
deconstructing the video frame by frame first gigs I had was working at his show in
and explaining exactly why I did everything And if someone was trying to get into The Piccadilly Theatre. He used to fly in the
in the specific way I did it during the real it now what should they do? show and it made me cry every night that
performance that they saw me do for real Follow me around for six weeks! When I watched it. He enjoyed flying, he would
people. I know I haven’t spent hours and the recession hit I lost the Criterion which soar up into the proscenium arch and
hours learning arcane moves but I have was one of the main places I used to be looked like he was loving every minute.
spent many hours learning all about how able to fish for work. A couple of other Then he would lose the power of flight
to manage a table, how to perform for residencies also fell through so I had to get and it was devastating. Wow.
people and how to maintain my off my backside and what I realised is that
equipment so that is what I talk about. none of my residencies have come from You have been an active Member of
going to a restaurant and showing people The Magic Circle for some time, certainly
tricks, they have always come from the for longer than I have been a Member!
top. I got The Hippodrome by impressing What do you think the most important
Peter Stringfellow, I got Langan’s by thing that the club does is?
impressing Richard Shepherd and I got The important thing is that the club runs,
Little Italy by impressing the family who that the Membership enjoy enough bits
run it. The problem then is that you have of it to keep coming back and that those
to get into a position where you interface who have been given stuff to do by the
with those people and if you are young it Membership get on with it as best they can
is difficult. The first thing to do is to while trying to earn a crust in whatever
develop a style that they want to buy. Find way that they can. What matters is that
out where you can work and bend we guard the heritage we have, that we
yourself to fit it. encourage the next generation and help
My guess is that you would try to look build a market place for them to work in.
for an act that works within the variety We should also be a haven for them to
and burlesque type circuit. Fortunately I relax with like-minded people, compare
Magic in any conditions
don’t need to do it again but I think that notes, have a beer and eventually doze in
working out what you could do is the corner in the twilight of their years.

www.TheMagicCircle.co.uk OCTOBER 2012 THE MAGIC CIRCULAR 303

 Edwin A. Dawes

407. MAX ANDREWS AND THE END OF HIS VAMPIRE EMPIRE

he Coronation of Queen Elizabeth II occurred in 1953 Vice-Presidency of the Magicians of

T amidst much rejoicing and a bonanza for conjurers as

street parties and other celebratory events called on their
services and dealers sought to provide topical tricks. Max
Mann. As we shall see, this weekend
meeting of Andrews with Dr Cannon
led to a business association, but first it
Andrews attended The Magic Circle’s Coronation Banquet and is interesting to quote from a Goodliffe
the British Ring Coronation Convention in Edinburgh, where he editorial in Abra on 17 July 1954:
was joined by the Vampire ‘gang’ of Lenz, Eddie Joseph, “Another man with a business sense
George Blake, and his wife Helen. It was here he first is Max Andrews who I see has turned
introduced Magic Jewellery with rabbit in hat motif and No.1 himself into a limited liability company
of his magical newspaper, the Vampire News. This large, with Helen as co-director. He won’t
four-page, folded sheet (20 by 15 inches) carried the headline notice much at present until he dies,
“White Yogi Sensation Lenz Holds London Crowd Spellbound”. Eddie Joseph but it will be a big advantage then
No.2 was issued in 1954 at the Brighton British Ring because he’ll avoid death duties. Yes, my friends, there is a
Convention. With No.3 the size changed to 10 by 7 1/2 inches shrewd brain behind that face fungus – one strong reason why
and comprised eight pages by the folding of a single sheet; its I’ve never tried to ‘touch’ him for a loan.”
appearance coincided with the much heralded opening of the Now Goodliffe would, from time to time, offer coded
Vampire Magic Studio. information to his readers, which some would correctly interpret
In October 1953 Max announced the first of a series of whilst others remained unaware of its significance. In view of
lectures by Eddie Joseph at the Swiss Hotel, home of the what was to follow, one suspects that this might well be a
Vampire Club. Not long after came the announcement that case in point.
Eddie had joined the Vampire Organisation, a notable The situation in 1954 was that Max’s business was developing
acquisition for the team. so successfully he wanted to expand to meet the demand for
When Goodliffe was installed as the President of the Vampire products, but lack of space was a constraining factor. To
Magicians of Mann for 1954, the Flying Sorcerers took to the do so capital was required and he approached several people,
air again to fly to the Isle of Man to support their founder in a one being his new acquaintance Dr Alexander Cannon, who
weekend of activities which were held at Laureston Mansion responded favourably and joined the Board of Max Andrews
House in Douglas, the home of Dr ‘Sir’ Alexander Cannon. The (Vampire) Ltd as a director. Fergus Roy (2011) in Volume 3 of
Sunday morning was devoted to Max Andrews who gave a The Davenport Story, has reproduced the content of an
demonstration of the latest Vampire products. The following illuminating letter in the Davenport Collection dated 1 April 1954
year Max, together with Dr Zina Bennett, was elected to from Andrews to an unknown recipient (whose name has been
cut out to preserve anonymity) which throws light on his
aims. It reads:
“Further to the matter I mentioned to you. Owing to the
continuous expansion of our business we have decided to
take steps to capture the enormous market there is for
Tricks, Jokes and Magical Apparatus. Whilst we have
enjoyed considerable success in this field, I know there is
several times as much business to be obtained.
We have enclosed a short description of our success and
the means we intend to adopt to ensure our progress.
The business is valued at £10,000 which will represent
my part of the share capital.
In this connection I thought you might be interested to
participate in our progress and this is a personal invitation
to you to apply for a number of shares, should you so
desire, in the new company.
I am sure you will treat this matter as highly confidential
and I should be pleased to hear from you as soon as
possible because I am only offering this opportunity to a
few very good friends.”
Mandrake with Broom Suspension As a measure of the firm’s progress, Andrews quoted

304 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

MIMC

annual turnovers rising from £6,062 in 1949 to £17,120 in 1953, connection with Max
and expressed the view that had sufficient space for efficient Andrews after many
operations been available from 1950 the turnovers could have years association.
been trebled. Some of this was attributed to development of the These events were
Export Market, particularly the USA and British Dominions. The harbingers of further
decision had therefore been taken to form a company with a problems ahead.
capital of £15,000. The firm’s 1956
Thus in August 1954 it was announced that Dr Cannon had Christmas Greetings in
joined the Board of Max Andrews (Vampire) Ltd. At this stage Abra were signed by
there was no information regarding any other(s) who might have three Directors, namely
responded favourably to Max’s letter. Max Andrews, Dr Sir
As a measure of the expansion of Vampire Magic, the No.4 Alexander Cannon and
Catalogue issued in 1954 and heralded as the ”latest and Major Stanley Cattle
greatest” is perhaps a good barometer. It differed from its (the last named was
predecessors in having spiral binding which enabled it to open Max’s brother-in-law.)
out flat, and it certainly lived up to the claim that besides fulfilling Significant was the
its primary purpose it was a collector’s item. But the spiral binding absence of Helen
had a drawback in that it was a hand process, which limited Andrews’s name.
production to some 200 copies per week and resulting in a The following year
backlog of orders. Not surprisingly, it was not used for the next Max attended the first
catalogue. Northern Magic Circle
In 1955 the Vampire enlarged and redecorated Magic Studio Convention held at
was completed. It was open every day during The Magic Circle’s Newcastle and
Golden Jubilee celebrations, and at the Jubilee Supper Max presented a trophy for
proposed the toast to the Guests. But a sour note was introduced the most original trick,
when Levante was sued for £112 for work done and materials which was won by Harold Beaumont. Later came an unhappy
supplied in making a new shell for the Cannon trick. In dispute notice in Abra:
was the reasonableness of the claim and judgement was given for “EXPIRATION OF LEASE
the firm for £25 only and certain costs were awarded to each side. We regret to inform magicians that we are having to give up our
Then in March 1956 the fifth, and what turned out to be the Studio at Archer Street at Christmas. Our ten years’ lease, which
final Max Andrews Vampire Catalogue, was published. The spiral we took out in 1947 is up, and we are unable to get renewal.
binding was replaced All correspondence will naturally be forwarded, but
by a black cloth strip, otherwise in future can be sent direct to our main premises as
it ran to 284 pages, under. Callers can also be seen and supplied from there. A 39
and like all its bus from Charing X Road stops opposite the shop.
predecessors it was Max Andrews, 132 Wandsworth High Street, London, SW18.”
printed by Charles And at the end of July 1957 the last advertisement for Max
Sowden’s Central Andrews to appear on the back page of Abra carried this
Printing Works in message:
Burnley. There was no “NOTICE
discount offered. For seven years we have given readers of this magazine the
It was becoming faithful service of week by week information of our Latest
apparent that all was Exclusives, Books, Magazines and services etc. We feel that
not well with the firm there is nothing we can say that will improve your opinion of
when in September us – which from experience and your correspondence we know
1956, after to be extremely high. We have to tell you that we are,
four-and-a-half years, therefore, relinquishing this advertising space.
publication of Magic We propose in future to spread our advertising appropriation
Magazine, the house round in a more general way, and it behoves those who are
organ, ceased, and really keen to buy and keep abreast of the times to take a little
s

Lenz severed his trouble to find out what we have to offer by calling at the

www.TheMagicCircle.co.uk OCTOBER 2012 THE MAGIC CIRCULAR 305

 THANK YOU
Noel Britten and Will Houstoun,
the organisers of Magician’s Choice 2012, wish to
thank everyone involved in making the programme
such a success. They were:

Jon Allen
Arthur Benjamin
Mark Bennett
Steve Biddle
Paul Bromley
Angelo Carbone
Mike Caveney
Charlene Collins
Alexis Conran
Maria Cork
Simon Coronel
Andrew Eborn
Nick Einhorn
James Freedman
Peter Hajek
Bob Hamilton
Terry Herbert
Mark Hesketh-Jennings
David Hibberd
l Magic Circle Umbrella. Navy blue with silver Justin Higham
Guy Hollingworth
coloured handle and printed silver logo. Alan Hudson
Automatic opening. £14.95 Max Humphries
Clive Hyams
l Magic Circle Playing Cards. Poker Size Darren James
with black backs and gold coloured logo. Rob James
David Kaye
£3.95 each or £6.95 for two
Ian Keable
l Magic Circle Key Ring. £1.95 Paul Kieve
Mark Lee
l Postcards. Four styles depicting posters from Tina Lenert
The Circle Collection, namely Soo, Devant, Roy Marsh
Le Roy and Hertz. £0.50 each Richard McDougall
Megumi
l Bob Read's Magical London Map. £2.95 Michael Pearce
Tracey Mullis
l Inside The Magic Circle. Souvenir booklet. £1.95
Scott Penrose
l Fridge Magnets. Four styles depicting posters Chris Power
from The Circle Collection, namely Soo, Devant, Fay Presto
Steve Price
Le Roy and Carter. £2.95 each or £9.95 for four Andy Reay
Mat Ricardo
MEMBERS ONLY Steve Rice
*please state your Degree when ordering Brendan Rodrigues
Peter Saturno
l Button Badge* £3.95 Brian Selznick
l Jewel with or without Star* £13.50 Brian Sibley
Bruce Smith
l Cufflinks* £11.95 Andy Stone
l Tie £14.95 John Styles
Tim Sutton
l Membership Certificate frames £26.95 Darren Tossell
These items can be purchased from the Showcase at The Michael Vincent
Magic Circle Headquarters on a Club Night or can be sent Carlos Vinuesa
David Weeks
by post to your address (P&P extra). Credit cards (Visa and
Chris Wood
Mastercard) and cheques drawn on a UK bank accepted Scott Xavier
(cheques payable to “CMA Ltd”). Paul Zerdin

For more information Email ... and all those Members that came along
ShowcaseSales@TheMagicCircle.co.uk and supported the programme
or telephone 0207 387 2222

306 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

 deriving from the desire in 1954 to expand the business by
seeking investors, and then overspending on a new studio.
The second factor was a personal one. According to Fergus Roy
Studio, or by sending a stamp for the latest lists, which are (2011), one of the backer’s Max acquired in 1954 was a magician
periodically issued.” named Mandrake, who “took a shine to Max’s wife” and she
The writing was now on the wall. ‘Sensational Reductions’ clearly reciprocated his
were advertised, the Archer Street Showroom closed, and on 15 feelings. A marital
March 1958 the Chavel’s Magic Shop (located at 7 Charing Cross breakdown inevitably
Road) advertisement in Abra announced, under the heading ‘Max occurred eventually
Andrews’, that the full range of Vampire tricks could still be seen resulting in a divorce,
in the West End of London. “As from the date of this notice, after which the marriage
Chavel’s Magic Shop will be the Official Representatives of the of Ellen [Helen] Andrews
Vampire Organisation. BUSINESS AS USUAL IS OUR POLICY (née Giddings) to Gerald
FROM NOW ON” A. Sullivan took place and
Max with Vampire Tricks
was recorded at Hendon, Middlesex,
in the second quarter of 1958.
On 24 May, Goodliffe mentioned
Mandrake’s appearance at the Astor
Club and went on to say “Mandrake
is in real life the Joe [sic] Sullivan
who married the former Helen Vampire Studio
Andrews… and that reminds me that Max Andrews is reported to
have shaken the dust of the old country from his feet and
departed for Auckland, New Zealand.”
Mandrake was the unoriginal nom de théâtre adopted by Gerald
Sullivan whose nightclub act at the Astor in London was reported
in Abra on 31 May 1958. The present writer met Mandrake
around this time when he played the Metropole Theatre in
On 3 May 1958, Goodliffe in his Abra editorial noted that, as Glasgow with substantially the same act, opening with Stick to
his readers would be aware, Max Andrews had disposed of his Silks, production of two of Max Andrews’s giant 55-bloom
business with the trade mark ‘Vampire’ and all that went with it, Botanias, Dove in Balloon, and concluding with the Broomstick
to the Chavel Magic concern. “So it was that last Friday Dick Suspension, the last two effects being Jack Hughes’s products.
Chavel ushered in a new era at the Vampire Club. Opening the At the end of July 1958 the advert in Abra for Chavel’s Magic
bill was Max Andrews with his paddles and ukulele, and Shop changed its format to become headed by “Max Andrews
Channing Pollock was there for a question and answer session as Vampire Magic, We supply the World. Send your order to our
his contract forbade a show.” Head Office, 132 High Street, Wandsworth, London SW18.”
There was a corollary to this report of the sale of the business The Vampire Magic Club continued to operate under Dick
of Max Andrews when Goodliffe told his readers that “H.E. Dr Sir Chavel’s aegis but in 1960, when the organisation seemed to be
Alexander Cannon asks us to point out that he is a Director of foundering, Claude Manley came to the rescue, was elected
the latter concern which cannot be legally disposed of without President, and carried the Club forward until his death. It was not
his consent”. This statement immediately brought a rejoinder long afterwards, in 1971, that the demise of the New Vampire
from Dick Chavel: “I was amazed to read the notice published by Club was announced.
you regarding information received from H.E. Dr Sir Alexander
Cannon. I would inform you that my company, Revlis (Magic (To be concluded)
Products) Ltd, entered into a contract with Max Andrews
(Vampire) Ltd for the purchase of its entire assets, and I am
advised that, contrary to what has been alleged, this contract is
entirely valid…whatever the position may be between Dr Alexander
Cannon and the vendor company.” At this point Goodliffe wisely
and diplomatically withdrew with an Editorial Note to the effect
that there obviously was a right and a wrong about the matter
on which he wouldn’t presume to speak, and it was a subject
that could not be profitably pursued in the pages of Abra. But
before this final episode occurred it is known that Cannon had
written to several magicians advising them not to invest in Max
Andrews’s enterprise, which underlines the fact that he was by
this time concerned about his own investment in the company.
So, what were the factors that caused a magic business which,
at its height, was second only to Davenport’s, to end in the
manner it did? On the available evidence it would seem there
were at least two causes. The first, undoubtedly, was financial,

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 Conference. He discussed a seldom seen technique described in
his book, Drawing Room Deceptions, as well as applications and
Last month’s Circular featured a report of the first few weeks of routines that use it. Guy finished by performing an updated
Magician’s Choice. The following reports cover the remainder version of another routine from his book, The Cassandra Quandary.
of the programme. Paul Kieve took the audience on a whistle-stop tour through
the history of magic at The Hackney Empire Theatre. Built in
WEEK FOUR – 23 JULY 2012 1901, the theatre has featured many magic acts from classic
The fourth week of Magician’s Choice started with a series of performers such as Chung Ling Soo, Houdini and The Great
three hands-on workshops by Nick Einhorn. Rather than focusing Lafayette to some of the modern day masters of magic.
on a particular move or prop Nick decided to concentrate on a Unfortunately the final speaker, John Styles, had to pull out at
principle. This gave his workshops a broad appeal as participants the last minute due to illness. In just a few hours, however, a
were able to apply his instructions to their own preferred replacement event was organised: A question and answer session
performing situations. with Alexis Conran. Alexis is a writer and presenter of the
Starting events in The Devant Room was Andy Stone, an popular The Real Hustle series on the BBC and was also a
experienced studio-director of live news and magazine consultant producer for The Magicians. This experience, along
programmes. In his talk, Andy gave a selection of tips for anyone with expert questioning by Noel Britten, provided an entertaining
appearing on a live TV show, explaining how the shows work and and informative session.
exactly what you, as a guest performer, can do to make your
appearance as smooth and effective as possible. WEEK FIVE – 30 JULY 2012
Moving from publicity to sleight of hand, Guy Hollingworth This week Spanish magician, Carlos Vinuesa, ran the hands-on
previewed the talk he was planning for workshops in The Club Room. Carlos talked about Paul
The Essential Magic Curry, the inventor of what Dai

horn
Nick Ein

Carlos Vin
uesa
Arthur Ben
jamin
ieve
Paul K

tone
Andy S
Maria Cork
Mark Lee

Conran
Alexis Rob James
gworth Alan Hudso
Gu y Hollin n Noel Britt
en

308 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

Vernon described as “the card trick of the century”, Out of
This World. This trick, however, is only the tip of Curry’s creative
iceberg and Carlos drew attendees’ attention to a wide range
Steve Bid
of Curry’s lesser known, but no less clever, creations with dle
Mark Ben
ropes and cards. nett
Following the success of his earlier Tax Tips talk, Mark Lee
returned to Magician’s Choice to present a second talk: Twitter
Tips for Tricksters. For some, the use of social media services such
as Twitter has become second nature but to many they are
strange and confusing. By the end of Mark’s talk the entire
audience would have understood exactly what Twitter is, what
Megumi
people use it for and why it might be worth looking into. There
Jon Allen
were even a selection of more advanced tips for those who
already regularly use the service.
One of the most popular talks last summer was Maria Cork’s
discussion of automata, a talk that she used as her examination
for Membership. One year later, and now a Member, Maria
returned to give a talk on special effects. Maria began by giving a
brief history of special effects for film and showing some famous
Simon Co
examples that illustrated key developments. She then moved ronel
Paul Zerd
onto her own work, showing images of a selection of projects in
that she has worked on and particularly talking about her
own area

of specialisation, hair! Maria

also discussed ideas for magicians who want to make their
own props.
Mathematical magic may have a reputation for being rather
dry but the next speaker, Arthur Benjamin, proved once and
for all that it does not have to be. Arthur mixed his ability as a
mathematician with a selection of magical techniques to
perform a show that makes you believe he could do anything
with numbers! He performed lightning calculations, mentally
found the square of three and four digit numbers faster than
a Ian Keable the audience could using a calculator and demonstrated the
Carlos Vinues
best Magic Square routine that I have ever seen. A truly
magical talk that had the whole room buzzing.
Talking of buzz, the final event for the evening was a
panel discussion, featuring Rob James, Alan Hudson and
Noel Britten, on what to do when you start to lose the buzz
of magic. All three panellists are expert magicians who
perform fantastic magic, the problem is that after
ries
Max Humph performing for many years in the same environments they
have started to lose the personal satisfaction they used to
get from doing a show. This was a fantastic discussion of
a subject that is rarely talked about amongst magicians,
but which is hugely important, especially for anyone who
is currently considering turning their hobby into a source
of income or career.

ent
ns Michael Vinc WEEK SIX – 6 AUGUST 2012
Charlene Colli
Following his session on Paul Curry in the previous
s

week, Carlos Vinuesa chose another influential magical

www.TheMagicCircle.co.uk OCTOBER 2012 THE MAGIC CIRCULAR 309

creator, Charles T Jordan and investigated some of his planning, foundations, framework and structure. With this in
creations. Again Carlos took his audiences deeper than Jordan’s mind he performed his Travellers routine and linked the various
eponymously named Count to some of his other techniques elements to his theory. As always with Michael, beautiful
and effects. technique was matched by deep thinking.
In The Devant Room, Ian Keable detailed some of Charles
Dickens’s links with the world of magic. With his usual WEEK SEVEN – 13 AUGUST
painstaking researching into the subject, Ian managed to dispel Steve Biddle’s hand-on session on origami was preceded by his
some of the myths about Dickens’s connections, although not talk on the origins and history of Troublewit. A staple item for
before informing us of some of the more amusing ones. Never let many performers, Steve explained how the intricacies of making
the truth stand in the way of a good laugh! the prop usually meant it was accompanied with extensive
Ian was followed by Charlene Collins, an actress and mutterings and cursing from its manufacturers. Steve
playwright who examined some of eventually admitted that he was no different in this respect!
the thinking Mark Bennett explained how he started up Illusions Magic
Bar in Bristol and the lessons that he has learnt as well as
those learnt by the many magicians that he has employed in
one of England’s most accessible magic venues. In this
honest and frank talk, Mark discussed trying to balance the
business side of the establishment with the idealised view
he has of the bar from his point of view as a magician.
Obviously he has managed to make this work as Illusions
enters its fifth year of trading and a second Bristol-based
venue, Smoke and Mirrors, is just about to open.
Having a venue or show is all well and good, but you
also need to get people in. Simon Coronel gave us his
thoughts on the size of the flyers you use. Whilst 1/3 A4
Pearce
Michael flyers are the most common size Simon gave his reasons
ibberd for using A7. This was one of those wonderful talks that
David H
make you suddenly think you should question
everything you do a little bit more regularly, rather than
just following the herd mentality.
Following the break and a brief history of silhouette
cutting, Megumi demonstrated her skills in this art
form. The audience’s appreciation of her talent was
ak apparent not only in the number of questions she
Peter Hij
n rose received at the end of her session but from the
Scott Pe crowds that surrounded her in The Clubroom as she
continued to cut silhouettes for the rest of the
evening.
There are few places where the public appreciate
the art of illusion, aside from conjuring
performances, more than with the art of
ventriloquism. A combination of animation and
ith
Bruce Sm voice-throwing creates the illusion of life, and
wer
Chris Po this topic was discussed with Paul Zerdin, one of
the UK’s top practitioners of the craft. Paul
explained how he got involved with
ventriloquism, introduced a guest appearance
by Sam and told some very funny anecdotes about people
behind Robert-Houdin’s reacting to Sam as a person rather than a puppet. Members
famous quote “A magician is an actor playing the found themselves doing exactly that during the question and
part of a magician.” She also explained how improvisation answer session!
exercises used in acting classes can help magicians with their Rounding off the evening, Jon Allen led a brainstorming
script and also teach them how to deal with interaction within session as an extension to his talk on making magic meaningful
that script. to an audience. Backed up with examples from his own work Jon
Max Humphries admitted himself that he was talking on a invited suggestions from the audience for patter themes for the
niche subject as he detailed the history of Karakuri, the automata Pom Pom sticks and proved, by the number and breadth of
of the East. For the third time in the evening Robert-Houdin got a suggestions from the audience, that we are more creative than
name-check as Max explained how Eastern automata were we give ourselves credit for.
initially given as gifts to Japanese noblemen, a tradition which led
to the development of their own unique style. WEEK EIGHT – 20 AUGUST 2012
Following the break, Michael Vincent made an analogy The final week of events in Magician’s Choice started in The
between creating a routine and creating a building: both need Library with a talk from The Magic Circle Archivist, David Hibberd.

310 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

David discussed the last generations of touring illusion shows
that were seen in the 1930s, 1940s and 1950s and illustrated his
talk with over one-hundred images from the archive. David was
joined by Michael Pearce who recounted tales from his time
touring with Virgil and Julie as a carpenter and assistant. The
content was fascinating and the images are a reminder of just
how much interesting material is to be found in our Archives.
Scott Penrose discussed the magician’s classic symbol of power,
the magic wand. Scott talked about a project The Magic Circle
undertook for a Playstation game in which he had to generate a
list of the five most interesting wands in history and then
displayed some of his personal collection of wands.These
included a selection of wands made for collectors, such as wands
signed by the likes of Paul Daniels and John Calvert, as well as
gadget wands that are used to accomplish particular tricks. Of
particular interest amongst these were three coin wands, one of
which was made with the original method that allows the wand
to be viewed from all angles before a coin is produced.
An allied art to magic was represented next by Peter Hijak, a
collector and expert on puzzles. Peter started with a talk in which
he explained the different categories of puzzle that exist before
choosing the three that he thought would be of the most interest
to magicians. He then showed images of a selection of
impossible objects as well as a number of trick boxes with cleverly
concealed opening mechanisms. In addition to his talk Peter
brought a selection of puzzles with him and it was a good thing
there was a break after his talk – the following twenty minutes
was filled with people asking him questions or sitting on the floor
trying to solve one of the puzzles he had brought for them to try!
Last year Chris Power won the prize for the most enigmatic
talk title with “How to Fill a Sandwich”. This year he maintained
the standard with “How to go Fishing and What Bait to Use.”
Chris talked about taking advantage of the situations that often
occur in close-up performance, happening to see a spectator’s
card for example. He explained some ideas for using this kind of
knowledge in a subtle and powerful way and also discussed
some ideas that allow you, as the performer, some control over
what kind of opportunities will present themselves.
The final talk of the evening, and indeed the Magician’s Choice
programme, was given by Bruce Smith. Bruce has been working
as a demonstrator at Hamley’s for twenty-five years and shared
some of the secrets behind demonstrating magic. He discussed
the physical aspects of the demonstration, the patter and the
psychology of the performance, as well as the ways in which
these techniques are useful to anyone performing magic, not just
those who are trying to sell it. The power of his techniques was
made clear by the fact that they were working on his audience
for the talk, even as he was explaining what he was doing!

WEEK NINE – 28 AUGUST 2012

The final week of Magician’s Choice took the form of a social
night, a chance to talk and relax after the five plus events that
had been held on a weekly basis for the last two months. To add
to the atmosphere of the evening Noel Britten and Will Houstoun
organised a magic themed pub quiz with various teams
competing to triumph as the winners!
In the last three years Magician’s Choice has transformed from
a new initiative into one of the most popular Monday night
programmes of the year. Thank you to everyone who has been
involved in Magician’s Choice whether they organised events,
presented a talk or workshop, or helped out behind the scenes
making sure everything could run as smoothly as it did.

www.TheMagicCircle.co.uk OCTOBER 2012 THE MAGIC CIRCULAR 311

 Ian Rowland MIMC
MIMC

Fringe Binge
Ground-breaking cultural events don’t always get the Brilliant Binns
recognition they deserve. Some thirty years ago, during what I attended the Fringe for nine days, during which I managed to
were technically my student years (although studying was very see about 33 shows. That may sound like a lot, but in fact by
much the least of my preoccupations), my friend Eddie Izzard Fringe standards it was quite a light schedule. Notwithstanding all
decided we should put on a show at the Edinburgh Fringe. We the above, I’m going to stick my neck out and make a prediction
wrote some comedy sketches, hired the cheapest venue on concerning the future greatness of one particular act I saw.
offer, and put on a show. Tom Binns is an accomplished comedian and character actor.
We were brilliant in Three years ago, Tom created a character called Ian D. Montfort.
every respect and our Ian is a well-meaning spirit medium with a warm smile, terrible
show was hilarious. Sadly dress sense and a lilting Geordie accent. Admirably devoted to his
and inexplicably, the psychic ‘gift’, Ian is simultaneously the very best advert for his
Edinburgh crowds profession and the very worst. On the one hand, he epitomises
managed to remain the absurd and witless antics of so-called psychics in a way that is
unaware of this fact no witty and devastatingly well-observed (without ever actually
matter how often we being cruel). “Science can’t prove my gift is real,” he gently
performed our pearls of explains, “so instead we use pseudo-science. It’s like the next
droll, satirical wit. I won’t step… it goes beyond science.”
say our show was a
failure, but assessed
purely in terms of
audience reaction I
Eddie Izzard
expect there have been
funnier autopsies. This just goes to show that people at the
Edinburgh Fringe can be very bad at recognising radiant,
shimmering talent even when the evidence is right in front of
them.
Eddie Izzard, as you may be aware, has since gone on to
enjoy a glittering career as one of the greatest stand-up
comedians of the his day: a star of stage and screen with
homes on two continents who can sell out the O2 Arena and
Madison Square Garden. I live in Croydon, don’t have a job and
drive a car that’s older than coal. As you’d expect, Eddie is very
jealous of my success and is constantly nagging me for career
advice.
Just as no-one even noticed Eddie all those years ago, it’s
perfectly possible that some superstar of the future appeared at
this year’s Fringe only to be cruelly overlooked by one and all.
According to official statistics, there were about 21,000
performers taking part in 2,700 different shows. With so much
on offer, trying to identify the superstars of tomorrow is never
going to be easy.
Locating the shows you want to see at the Fringe isn’t
particularly easy either. There are some 280 different venues
involved, spread across a fairly wide area of the city. The
blanket term ‘venue’, it has to be said, covers a multitude of
inns. Some of these performing spaces are sumptuous palaces
of entertainment offering a luxurious theatrical experience.
Others amount to a clump of plastic chairs in a pub basement
with a dishcloth cunningly draped over the 2003 Fire Safety
certificate upon which, in attractive scarlet lettering, may be
seen the harsh imprint of the word ‘FAIL’. Tom Binns

312 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

 On the other hand, as Ian starts talking to members of the credit for his show, Magicana. It’s always important to judge a
audience he begins to read minds and reveal personal details in a show on its own terms, taking into account what the
way that is spookily impressive and has spectators gasping out performer is actually trying to achieve. Rob wasn’t trying to put
loud in disbelief. Tom himself is not a mentalist, but he has had on the most extravagant show or to impress other magicians.
the help of some top-class consultants, including the tirelessly Having established himself primarily as a very talented close-up
brilliant Philip Escoffey, to make the ‘psychic’ aspect of the show worker, in recent years Rob has been steadily developing his
look 100% convincing. stage and cabaret repertoire. He figured that putting on a
The show is a resounding success on many levels. Part of the show at the Fringe would be one more good way to do this,
time, Tom is working from a solid gold script of beautifully and Magicana was the result.
crafted lines and well-rehearsed gags. However, for much of the The show was very loosely based around ‘classics of magic’,
time he is necessarily improvising, since much of the show but always with a twist or an original embellishment. One
depends on audience interaction (no plants or stooges). This is highlight was his take on the Cups & Balls. Rob explained that
notoriously difficult to do well, but Tom handles it brilliantly. since so many magicians perform this particular trick, he would
What’s more, it’s a show that everyone seems to enjoy. Believers do something a bit different and get a member of the audience
see it as a satire on sceptical attitudes and vice-versa. Okay, say to perform it instead. Rob then launched into a brilliant
the believers, Ian may poke a little fun at psychics, but then again presentation of the Dick Williams routine (as marketed by
he does accurately relay messages from the spirit world about Michael Ammar) in which the spectator performs all the magic
things he couldn’t possibly know. (Tom has actually had people without knowing how. Although it was clearly the Williams
say this to him after the show.) routine (as Rob openly admits), there were several original
For me, this was the stand-out act of the Fringe. Intelligent, twists that made the magic seem all the more incredible.
magical, fantastically original and funny enough to kill you from Another highlight of Rob’s show was his Ghost Story
asphyxiation. Even those who just want to go along for an acting prediction routine, which is one of the most baffling routines
masterclass will be impressed by the way Tom completely inhabits of its kind. It’s from an obscure source that I won’t mention
the ‘Ian D. Montfort’ character, never missing a step or breaking here because Rob doesn’t need copycats, but again Rob has
the illusion for a second. added several original touches to the source material. He also
I also want to mention Tom’s wife, Liesl, who works hard devised a great script for the routine, in which plenty of laughs
during the show and assists ‘Ian’ during many of the psychic arise from the spectators not following the dramatic cues that
demonstrations. While hers is intentionally a rather low-key role, Rob is desperately trying to convey. It’s a wonderful piece of
she is a vital part of the show and adds immensely to the overall funny, magical theatre.
effect.
This was the only show at the Fringe that I made a point of Segal Success
seeing twice. On both occasions I went with other magicians and The best mentalism show I saw was Doug Segal’s How to Read
performers, all of whom agreed that not only is the show utterly Minds and Influence People. This was a huge hit in Edinburgh
brilliant but that the ‘Ian D. Montfort’ character has massive for all the right reasons: great material, good pace and plenty
potential. I expect he could become as well-known as other of fun. The show contains some superbly well-crafted effects,
nearly real people such as Dame Edna Everage, Alan Partridge or including a deliciously sneaky prediction that must, to a lay
Austin Powers. audience, seem as miraculous as anything could be. The show
I hope it can be arranged for Tom to perform at a major magic also featured Doug’s signature finale in which a spectator is
convention sometime soon, so that more of you get the chance apparently taught how to read minds. This fooled me badly
to see this wonderful performer in action. I’ve discussed this with when I first saw it, and I still think it’s an absolute gem of a
Tom and he’d certainly be up for it. Convention organisers, routine.
please take note. The great appeal of Doug’s show is that although all of the
mentalism is presented completely straight, and to powerful
Magical Variety effect, Doug makes it clear to the audience that he doesn’t
I saw about a dozen different magic shows at the Fringe, and it take himself too seriously. He’s there to entertain people and
was nice to see how little they had in common. Chris Dugdale, give them a good night out, not start a new religion.
Jerry Sadowitz, Morgan & West, R. Paul Wilson, Colin McLeod, I’d also like to mention Peter Antoniou’s show, Psychic Circus.
Ian Kendall, Alan Hudson and more besides all had their own Peter’s background is in comedy and improvisation. He’s
slant on how to present magic to the Fringe crowds. striving to develop a new kind of show in which the mentalism
It’s hard to say which was the ‘best’ magic show in any is fused with improvisational comedy. His Fringe was ‘work in
meaningful sense, but I think Rob James has to be given plenty of progress’, as Peter freely admits, but nonetheless it’s a
s

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fascinating approach and I look forward to
seeing how Peter develops the idea in
future.

Quick Trick
Take a look at the Darwin side of a £10
note. You will see that you can Z-fold it,
with sharp creases, so that ‘Bank of
Big Revelation means that it doesn’t really build to a
England’ becomes the word ‘Bland’.
by Wayne Dobson climax. Furthermore, it is the first
Put the creases into the note, then open Special prediction and instructional revelation that is covered by the gags –
the note out again. Take a piece of blank DVD. $20.75 (£13) plus p&p from your for the second, you are rather left on your
card, and on one side write ‘Look what’s favourite dealer. Dealers contact own to come up with a reveal. Michael’s
written on the ten pound note’. On the Murphy’s Magic Supplies, solution of producing the relevant card
other side write ‘Prediction’. Fold this with www.MurphysMagic.com. from his pocket rather defeats the conceit
‘Prediction’ on the outside. of performing a card trick without
Get a paperback book or a pocket Reviewed by Ian Keable using cards.
dictionary that contains the word ‘bland’ Wayne Dobson is a master at coming up These potential deficiencies can easily
quite near the top of a left-hand page. with very simple tricks to perform, with be overcome in a more informal setting,
You’re all set. minimal props, but which pack a huge and this is indeed well demonstrated by
Say to your spectator that you’d like to impact. In the case of this trick, Mark James in a live sequence to a small
demonstrate how brilliant her mind is. Say however, it’s not so much the magic group. The lack of a similar example in a
that you’re willing to bet ten pounds that revelation at the finish, but the amusing cabaret or stage setting rather reinforces
her mind can do more amazing things presentation that leads up to it, which is my view that ultimately this is a neat item
than she realises. Show the ten pound the principal selling point. to carry around in walk-about situations;
note clearly front and back, then leave it Big Revelation is but perhaps lacks the stage clout of some
on open display. Show the folded a way of revealing of Wayne’s other products.
prediction card and give her this to hold. two thought-of
Using a riffle force, let the spectator cards without the 8 Effects and a Sleight
‘choose’ a page in the book while in use of a deck. by Michael Kociolek
reality you force the ‘bland’ page. Open The first is 60 page illustrated pdf download $20
the book at this page. Move your finger found by an (£13) or softbound book $28 (£18) plus
around the upper left area of the page idea credited p&p from www.lybrary.com.
and invite the spectator to say ‘Stop’ to Bob
whenever she wants. It’s quite easy to Hummer – Reviewed by Brendan Patricks
make sure your finger comes down on the which Michael Kociolek describes himself in his
word ‘bland’. enables you, with some very introduction to 8 Effects and a Sleight
Show her the one word that she selected, simple maths, to work out the value of as an avid magic enthusiast, a creator first
out of all the possible words in the book: the card; whilst the second utilities the and foremost, who performs on occasion,
‘bland’. Ask her what she thinks is written Mish-Mash card (which I first saw mostly to test out his own material. What
inside the ‘Prediction’ card. Whatever she written up in Harry Anderson’s Wise follows are eight effects and a sleight,
guesses, let her open it and see. Guy, but it almost certainly pre-dates presumably the creative impulse for the
Point out that you showed her the ten that). In between there are a couple of name of his book – 8 Effects and a Sleight.
pound note earlier on, and that it had a visual card gags, and the classic ‘No’ All the effects are with cards and, by his
couple of very strong creases in it. Show gag, to assist in determining the suit of own admission, not thoroughly audience
her that when you fold the note along the first card revelation. All of this is tested, Kocioleck only performs “on
those creases, it creates the word ‘Bland’. done with the enclosed fold-out sheet occasion” after all. Despite this, he offers
The prediction was there all the time, but that starts four by six inches in size and advice on performance, akin to a giving a
she never saw it. ends up eleven-and-a-half by sixteen writer tips because you occasionally read
inches. the papers.
Invitation The presenters, Michael J Fitch and Remember though
If you have items, stories, jokes or Peter Nardi, claim that it’s suitable for that Kociolek is a
vicious rumours of interest to stage or cabaret; but I would probably “creator first and
mentalists, please drop me a line prefer the fold out sheet to be larger for foremost” and his book
(ian@ianrowland.com). If you can’t these venues. And I also suspect that for should be judged
afford Derren and want to hire a fairly stage, the magical impact probably isn’t primarily on this. Before
good also-ran mentalist, or you just strong enough. The fact that both I go on, I think it’s
have time to kill, please visit revelations require you to extract the worth noting that
www.ianrowland.com. suit of the card from the spectator, anyone can be creative.

314 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

I would go so far as to say that anyone executed. This brings the cards to the top. when I next film a promo video.
reading this could “create” ten Sandwich Sound complicated? It is, and it’s Mental Gum is great if you’d like to
Tricks with a deck of cards in the next needlessly technically demanding. Marlo’s prove your mental powers in a casual
hour, many of which would have never Simple Shift is best described in Card situation. I’m not sure if that has ever
been published. Does this mean that they College Volume 3. Have a look at it, it’s been a dilemma for anybody but if it has
should be published and sold to beautiful. You push the cards in with one this would be perfect. The
magicians? Should every painting ever hand, cut the deck and show that the spectator
painted be archived simply because it was shifted cards are not at the top or bottom chooses a row
created by someone? of the deck… and it’s really easy! (bottom or top)
The eight effects in this book are hybrids This book is an example of a dangerous and position.
of original effects, variations of original trend in magical literature. A trend which When the pack of
effects or variations of variations of is slowly destroying the foundations that gum is slid open
original effects. Is this creative? Well, sort Marlo, Fulves, Vernon and many others only one piece is
of I suppose. It could be considered so if spent their entire lives cementing so that still in its sealed
these great-grandsons and second-cousins we might build on it. compartment, which
improved upon the work of their is the chosen position!
ancestors. But, as in this case, if they Sticky It’s important to note
complicate in method and outcome what by Kevin Schaller and that all these effects use the large style
was once so beautifully simple, they Oliver Smith blister pack of gum rather than the foil
become the very anti-matter which we Instructional DVD. $29.99 (£20) plus p&p wrapped paper packet that Fonzee used
need to avoid. from your favourite dealer. Dealers contact to favour. Do you perform a lot of
For example, the book opens with You Murphy’s Magic Supplies, impromptu magic? Do you usually carry
Know Better which is basically Karl Fulves’ www.MurphysMagic.com. gum? If you answered yes to both this is
Gemini Twins with three cards instead of perfect for you. I don’t like gum and
two. Kociolek states that “this may not Reviewed by Noel Qualter very rarely perform impromptu but I can
sound revolutionary, and it’s not a Sticky is a DVD of fresh, clever magic using see myself using at least two of these
hands-off approach like the Fulves’ classic a chewing gum pack. It’s brought to you effects occasionally. There is a little
effect, but I hope it will prove interesting, from the fertile minds of German Kevin prepping of packets needed before you
due to the use of artificial progression in Schaller and English Oliver Smith. The perform and some routines require a
the presentation itself.” The true beauty in content was devised during brainstorming reasonable amount of prep in between
Gemini Twins is, surely, that it is hands-off, sessions on Skype and this twenty-first performances.
the spectator does all the work and it’s so century sessioning tool has produced Sticky is recommend strongly if you
simple yet deeply fooling to the some excellent magic. There are four are looking for organic magic for social
uninitiated. By adding that extra card and routines on the DVD; three are magic and situations. I can’t see these routines
picking up the deck, as must happen in one is a strong mentalism item. The DVD being used by professional magicians at
Kociolek’s version, we get further and has low production values but it’s easy to gigs but that doesn’t take away from
further away from what was almost learn the effects which are all taught by what is an excellent product.
perfect to begin with. Kevin.
The sleight, a multiple shift, is MK Torn & Fuzed has a super clever method Let’s Go Dutch
Simple Shift Variation described as a that allows you to seemingly fuse a torn by Fritz Alkemade
“technical variation or close cousin” square of foil from a different coloured 150 min instructional DVD. $29.99
of Marlo’s Simple Shift. This variation pack of gum to the foil backing of the (£20) plus p&p from your favourite
over-complicates the original Simple Shift. pack you hold. I’m not convinced by the dealer. Dealers contact Murphy’s Magic
Here, the deck must be neck-tied, both handling but it’s simple to alter this and Supplies, www.MurphysMagic.com.
hands push in the cards to be shifted, a the use of a PK ring would clean things up
strange squaring action is adopted where hugely. Reviewed by Noel Qualter
the right thumb stays still at the back of Push Through is a visual treat. It’s a This is the debut DVD from Dutch
the deck while the fingers square the front very convincing illusion of popping professional magician Fritz Alkemade,
edge, and a pinky pull down must be a single piece of gum through the plastic produced by RSVP Magic to their usual
executed before the block of cards above it’s nestled in into the cupped hands of excellent standards. The material apart
s

the pinky break are shifted and a cut is your spectator. I will definitely use this from one coin routine is almost

www.TheMagicCircle.co.uk OCTOBER 2012 THE MAGIC CIRCULAR 315

 because of the background music in the they freely selected is the card named on
bar, it’s a little hard to hear the magician the instruction sheet in big bold type.
and spectators sometimes. This is a simple, powerful and seemingly
exclusively card-based and all the routines Something to bear in mind is that some fair effect which all happens in the
come from Fritz’s professional repertoire. effects require the use of a table so not spectator’s hands. Anyone familiar with Al
You can see he has performed this totally suitable for walk-around magic. The Koran’s work will recognise what is going
material a lot. difficulty is intermediate with moves like on here and Peter Nardi, the effect’s
All the performances take top changes and deck switches. Nothing creator, credits him appropriately.
place at Illusions Magic too heavy and if you are a performer I am This differs from the original in that it
Bar in front of a lay sure you will be capable of the sleight of allows for different outs. This makes it an
audience. This has hand required. ideal ‘worker’, allowing you to perform it
the advantage of Fritz’s English is excellent and, although at parties, restaurants and mix and mingle
letting you see how English isn’t his first language, you will situations without worrying that your
the magic plays for have no problem learning the material audience, who may see it more than once,
real people but from his clear, concise explanations. The will realise what is going on.
something is lost as live magic routines cover familiar plots to the strolling The DVD is
is hard to capture on camera. Having said magician such as card under box and of clear and
that you do still get an excellent idea of course ambitious card. As the routines are precise
the routines and the explanations personalisations of fairly standard plots and,
afterwards clear up everything. The sound many walk-around performers will already because
during the performances is fair but, have their own take on them. If you are Koran
looking for revolutionary handlings or provides
complex methods you won’t find them an easy and

IT PAYS TO
here. This is a DVD of solid workable sleight-free method of forcing a card, you
material and I can see several of these can work on making the effect your own.
routines being added to the repertoire of All in all, another clever, affordable

ADVERTISE professional magicians. Take a look at the

effect list online and if you haven’t already
addition to the Alakazam range.

IN THE got your own handlings of some of them

then this is worthy of your consideration.
Exchange
by Wayne Dobson
Special packet of cards and instructional
Knock ‘Em Dead II DVD. $46.75 (£30) plus p&p from your
by Peter Nardi favourite dealer. Dealers contact Murphy’s
Special pack of cards and 30 min Magic Supplies, www.MurphysMagic.com.
instructional DVD. $28.80 (£18) plus p&p
from your favourite dealer. Dealers contact Reviewed by Ian Keable
Murphy’s Magic Supplies, Exchange is a typical Wayne Dobson trick
www.MurphysMagic.com. in that it combines a potentially hilarious
routine (the blurb on the DVD cover states
Reviewed by Darren Tossell that “all you have to do it [sic] perform it
You explain to your spectators that you’ve and you’re guaranteed laughs!”) with a
To reach 1500 just a learnt a new trick. So new in fact strong magic climax. The effect is similar
magicians that you need to keep the instructions, to The McCombial Deck, but rather than
around the which you show them, close to hand just selecting a card, the assistant chooses a
world costs in case things don’t go to plan. word. The audience think the word
You spread the deck of cards to show chosen is ‘sex’ but the assistant actually
less then
they are all different before handing them selects the word ‘eat’. The laughs revolve
you think
to your spectator, who then deals the around confusion between the two words:
cards, one at a time, on to the palm of make up your own gags but in case you
Full page from £100.00 your hand, table or any available surface. are short of any, there are plenty provided
Half Page £55.00 They stop when they are ready to do so on a pdf file on the DVD.
Quarter page £30.00 and show the audience their selected card. Also, with the DVD, you get a nicely
all prices subject to VAT At this point, things go a little wrong as produced packet of cards, enabling an
you’ve forgotten the rest of the trick. easy force of the word ‘eat’. However the
For full details contact Those instructions you kept safely will magical climax requires you to switch one
the Business and come in handy! written down word for another; and for
Advertising Manager Handing them to the spectator, they of this you are going to have to construct
Scott Penrose course read out what has just occurred, your own props. Peter Nardi and Michael
on 07767 336882 including the confirmation that they had a J. Fitch go through the mechanics of the
or email completely free choice of card. As they different methods, suggesting the ‘out to
advertising@TheMagicCircle.co.uk continue to read, the “knock ‘em dead” lunch’ principle for close-up; and a rather
moment is the revelation that the card simpler method for stage. A trip to a local

316 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

 David Hatch MMC

I am glad to report that this month has Perhaps I could take this opportunity to If you hear of Members or their families
been a quiet one as far as Members’ remind Members about the Benevolent who are sick or facing hard times please
health problems are concerned, though Fund, which is able to make small grants contact:
several are waiting patiently for the NHS in confidence to Members in difficulty. David Hatch MMC (Welfare Officer)
to sort them out. Details of the criteria and of how to apply 6 Darnley Road, Woodford Green,
can be found in the Members’ area of the Essex IG8 9HU
Alan Shaxon MIMC is recovering from website, under “organisation”. T. 020 8504 4134
surgery in August, and I hope that by Applications can be made either by the E. WelfareOfficer@TheMagicCircle.co.uk
the time this edition is published he will person applying for assistance or by a Chaplaincy:
be well on the way to recovery. Member applying on his/her behalf. Revd Peter Liddelow AIMC
23 Kings Road, Barnet, Herts EN5 4EF
Bobby Bernard MIMC is also in hospital Just a thought: “A man’s reach should T. 020 8441 2968
again at the time of writing. exceed his grasp” Robert Browning E. Chaplain@TheMagicCircle.co.uk
(quoted by Sir Roger Bannister in a Rabbi Geoffrey Shisler MMC
It has been good to see some who have personal communication to his former 10 St Petersburgh Place, Bayswater,
been unwell returning to join us on schoolmate Peter Liddelow) London W2 4LB
Monday evenings, including T. 020 7229 6215
John Ward MMC, Keith Pain MMC Contact address: E. Geoffreyshisler@TheMagicCircle.co.uk
and Harry Reeve MIMC. (see website for Members’ details):

stationer will easily provide you with the wouldn’t touch with an ‘extended wand’. Asher’s website to learn it, only to be
necessary accessories. So if you are the type of magician who greeted by a $10.95 charge to download
It is suggested that the trick works can ‘pull off’ the bra trick, then Exchange the instructional video. Bearing in mind
equally well in close-up or stand-up and, might be right up ‘your alley’. that Back Twist itself is just under $30, this
with the caveat in the next paragraph, I seems ludicrous, particularly as Matthew
would go along with that. You have to be Back Twist Bich opens the DVD by telling us that he
careful your helper doesn’t see what the by Matthew Bich came up with the effect while learning the
rest of the audience sees. So it does Gimmicked cards and 23 min instructional Asher Twist.
require a certain amount of spectator DVD. $29.99 (£20) plus p&p from your The other three handlings: Easy
management skills; but nothing beyond favourite dealer. Dealers contact Murphy’s Handling, Classic Handling and Flourish
the capabilities of most magicians. Magic Supplies, www.MurphysMagic.com. Handling muddy what the effect actually
The problem with this trick is that most is. Blue cards are simply turned over to
performers shouldn’t go anywhere near it. Reviewed by Brendan Patricks show a red back four times
I’m sorry, but to have an entire audience Matthew Bich fooled Penn and Teller with before showing
(of, I suspect, predominately male his own invention, Spreadwave, last year four of a kind.
spectators) laugh at the relentless double on ITV, even double bluffing the pair to The Asher Twist
entendres inflicted on a bemused woman secure his Vegas performance prize. Handling at least
(which is what we see in the toe-curling Clearly a lot of thought, time and patience makes sense, even
live demonstration), who is doing her best had gone into designing Spreadwave but if it only really
to assist the magician, is not my idea of don’t take my word for it, If you haven’t comes into its own
entertainment. And neither is it, I suspect, seen it, it’s well worth checking out on when trying to fool
for ninety-nine percent of my audiences: YouTube. magicians who know
the only time that I laughed on this DVD is BackTwist, then, should be exciting but the Asher Twist, a fairly
when Michael J. Fitch said it was the is ultimately disappointing. It constitutes niche audience. Oh, and
“perfect trick for corporate”. four different handlings of the following the cards cannot be given out at the end.
However, I have been too long in this effect: one at a time four blue-back cards The gimmicked cards are made in
business to know visually turn into four red-backed cards. Bicycle Mandolin backs and you do not
that there aren’t Unfortunately this reasonable effect only get to choose what four of a kind you get.
certain occurs in one of the four handlings on the The DVD is only twenty-three minutes
magicians who DVD, the Asher Twist Handling, which is long and over five minutes of this are
can effortlessly not even taught on the DVD! After trailers for Bich’s other products. An
perform tricks watching the performance of the Asher overpriced, disappointing release from
that I Twist Handling, you are directed to Lee someone who should know better.

OCTOBER 2012 THE MAGIC CIRCULAR 317

 remitted from 1 June 2012 until Ali Cardabra (P Buonocore),

Council minutes 31 August 2012 under rule 7.4,

for this year only, such that
Steve Dimmer, Simon White,
Henry Webb
continuity of membership iv Promotions
(which affects eligibility to sit (See attached schedule)
on Council, eligibility to v. Correspondence:
propose or second new None.
Councillors and eligibility for
waiving of subscription for 6. Stage Magician of the
members of 50 years continuous Year Competition
membership) is not interrupted The SMOTY Committee
if payment is made by that date. reported a lack of applicants
In the meantime, membership of required standard and
MINUTES OF THE MAGIC privileges including access to the recommended cancelling the
CIRCLE COUNCIL MEETING headquarters and receipt of The scheduled competition.
HELD AT THE HEADQUARTERS Magic Circular are suspended Council accepted the report,
1 August 2012 6.32 pm for those members who have asking for the competition to be
not paid their subscriptions. rescheduled. All in favour. The
PRESENT All in favour, with three majority were also in favour of
Jack DELVIN abstentions. a review of the rules. If there
Scott PENROSE are rule changes, then existing
Brian SIBLEY (Chairman) 5. SECRETARY’S REPORT applicants will need to re-apply.
Steve PRICE (Hon Secretary) i New Members
Alexander CRAWFORD (See attached schedule) 7a. Friends of The Magic Circle
(Hon Treasurer) Arthur Benjamin MG said the Friends leaflet was
Noel BRITTEN (mathemagician) was discussed. on the website for downloading
Mandy DAVIS WH asked how we define a and asked to present them at
James FREEDMAN magician. RP said attitude is MTMC events. He also asked
Matthew GARRETT important but that in his view about sending them to members
Will HOUSTOUN (arr 6.37pm) Arthur Benjamin had for their friends and family to
Richard PINNER demonstrated sufficient apply. AC suggested putting a
Fay PRESTO magical ability. MD said each letter to the editor in the
Roberto FORZONI (arr 6.37pm) case needs to be discussed on Circular. JFree suggested a
Kevin DOIG (arr 6.52pm) its own merit. NB asked why Presidential column and leaflet
Katherine RHODES people are worried about in the Circular.
having members who specialise
David WEEKS in allied arts. 7b. Young Magicians Club
(Minute Secretary) Regarding the need for new KD reported that YMC goes
members to have a proposer from strength to strength. We’ve
1. Apologies and seconder, it was noted that just had five workshops in a
Alan MASKELL, Andrew the diligent investigation by the row sold out (90 members at
EBORN, James FORTUNE Examination Secretary and each). 500 members currently.
deputy Examination Secretary
2. DEATHS was a strong measure for 8. IT report
None. vetting the suitability of Council thanked the IT
members, AC proposed that Committee for their very
3. MINUTES Council recommend to comprehensive report. An
On a proposal by Richard Pinner, members that the requirement immense amount of work has
seconded by James Freedman, that proposers and seconders both been done and is being
the minutes of the meeting held of potential new members to done for the benefit of the
on 5 July 2012 were approved. have known them for at least society. There is a large amount
Those who did not attend the one year be removed from the of ongoing work with the
last meeting abstained. Application form (which forms databases.
an Appendix to the Rules), BS was glad that IT
4. MATTERS ARISING Seconded by WH. For: StP; JD; committee had highlighted the
The Treasurer proposed that, AC; MD; MG; FP; KR; RP; WH; need to look at navigation,
in accordance with the NB; RFor; Sp; KD. Against: JFree structure and design. There was
recommendations of the discussion about adding an
March 2012 meeting, late ii Reinstatements. internal or external design
subscriptions for the 2012/13 Chris Keward, Russ Stevens, specialist to the web team to
membership year, due by 31 Nigel Swycher, Craig Petty supplement their strong
May 2012, be considered iii Resignations. David Blyth, technical expertise.

318 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk

 Commercial advertisements sought formal approval of the 11. Council dates: Alex Radford MMC –
of members events on TMC accounts subject to final minor The September 2013 date by examination at an Ali Bongo
website need to get run past audit adjustments. AC clashes with a Jewish holiday. Saturday show, student,
Secretary before publication. proposed. RP seconded. Passed StP to alter. amateur magician, from
An American group have the unanimously. Middlesex
Twitter name @TheMagicCircle. 12. Any Other Business: Arthur Benjamin MMC –
StP will liaise with Andrew 10. FISM: TMC neckties – Council agreed by examination at a Magicians’
Eborn about this. AC reported that FISM Europe that the colours of ties were Choice performance and by his
The costings for having a will be hosted by France in not connected to degrees of submission of a book,
dedicated server over more 2014 (on board a cruise ship membership and any colour tie Professional Mathemagician
regular hosting were departing and returning to could be sold to any member. Alex Sprackling MMC –
questioned. SP, AC and RF to Marseilles). FISM will be held in Council wished to record by examination at an Ali Bongo
meet with IT and discuss Rimini in 2015. how excellent the Essential Saturday Show, Amateur ,
potential cost savings. Although The Magic Circle Magic Conferences had been former YMC member,
members who had competed in over the past three years. from Essex
9. Treasurers Report: this year’s competition were to Mike Stoner MMC –
The Treasurer noted that the be commended, they were Meeting ended 10.45pm by examination via DVD,
accounts will be substantially as generally some way from medal Date and time of next meeting: Hypnotist, professional
presented to Council at the standard. FP suggested putting Thursday 6 September 2012 magician, from Berkshire
previous meeting, except that a a production team together at 6.30pm TMC HQ
change of accounting for and producing a “college of Promotion to MIMC
subscriptions (with a performers”. New members elected on Chris Wood MIMC
corresponding prior year WH will collate ideas to 1 August 2012. with Gold Star
adjustment) would likely be consider whether we should James More MMC – Darren Tossell MIMC
made, accounting for subs on take steps with the aim of by examination at a FISM Steve Price MIMC
an accruals basis rather than a improving Magic Circle entries performance, professional with Gold Star
received basis. The Treasurer in the future. magician, from Dorset

The Magic Circle

Awards
Ceremony 2012
Saturday 13 October 2012
The Magic Circle, 12 Stephenson Way,
London, NW1 2HD
Doors open: 6.30pm Show Starts: 7.30pm
Formal Dress Code
(There will be an interval)

Champagne reception with stunning close-up

magic followed by a star studded stage show
featuring the one and only Paul Daniels.

The awards announcements and presentations

will feature as a segment
of the show.

Ticket price: £30 (inc VAT)

Tickets available from The Magic Circle website
www.themagiccircle.co.uk

www.TheMagicCircle.co.uk OCTOBER 2012 THE MAGIC CIRCULAR 319

Forthcoming club events

The Headquarters are open on Club Nights from 3:00pm until Looking ahead to November
10:30pm. Unless otherwise stated, events start promptly at
7:30pm and are scheduled to finish between 8:45pm and 9pm. Monday 5
Club Nights are principally for Members, so entry is by Membership EXPECT FIREWORKS – We're Having A Heated Debate
Card. A bona fide magician guest may attend any evening that is Three contentious magical issues discussed with one noted
not marked ‘Members Only’ on condition that he or she is able to magician arguing for and another against. The audience can vote
show membership of a magical society. A non-magician guest for who's got it right after their cross examination of the
may only attend evenings that are marked as ‘Show’. Guests may protagonists.
only attend two evenings a year. No guest may attend unless the
CMA is told in advance, so if you wish to bring a guest please Monday 12
phone (020) 7387 2222. There is a limit of ten guests per night. WOODYLAND – Woody Aragon
All guests must pay a £15 entry fee at the door and respect our Direct from Spain Woody Aragon, the winner of The International
Conventions. Indeed, it is your duty as their sponsor to ensure Close-Up Competition 2011, will explain several routines,
that they do. The Magic Circle reserve the right to refuse entry. innovative moves, and principles which are easy to understand
See our website for all the latest event details and to subscribe to and do. Join Woody as he discusses his theory of structure and
a weekly email reminder of upcoming events. tricks, in his inimitable style, with wit, charm and hardly a hint of
an accent. (He learnt all his English from Lennart Green DVDs!)
October
Monday 1
Change of address? Contact Secretary Steve Price,
AGM
Secretary@TheMagicCircle.co.uk
Strictly Members only. Admittance ONLY on production of a valid
Member in need? Contact Welfare Officer David Hatch,
Membership card.
WelfareOfficer@TheMagicCircle.co.uk

Monday 8
CABARET NIGHT – Laura London MMC
Laura London presents, for the first time at the Magic Circle,
Fantastique, a night of incredible magic and cabaret. Unique
entertainment, jugglers, burlesque performers and so much more Our Headquarters
never seen before on The Magic Circle Stage.
Conventions
Monday 15
MARK ELSDON LECTURE
One of the UK's creative minds (Whacked Book Test, Family Dress Code
Values, ZennerTech 2.0) Mark Elsdon reveals some of his latest Smart attire is required at
creations. Although busy working currently as creative consultant all events in the Headquarters.
on Dynamo: Magician Impossible we are delighted that Mark has
been able to make time to visit us for an evening of mentalism Mobile Phones
and close-up based effects. Please ensure that you switch off your mobile
phone before entering the Headquarters. If you
must make a phone call, please do so outside the
Monday 22
building.
WAYNE DOBSON MIMC: A Life In Magic presented
by Michael J Fitch MMC Photography and Sound Recording
Wayne will be interviewed by Michael as they show footage The use of any form of recording equipment, audio
from Wayne's amazing career. During the evening, Wayne will or visual, including cameras and mobile phones, is
be sharing some of his best kept secrets, funny stories and his not permitted in any part of the Headquarters
amazing inspirational story. This talk has received standing except by special arrangement.
ovations at the Blackpool Magic convention, Ipswich magic
convention, Tyneside convention, FISM and the IBM. Join us to Gum
celebrate the life in magic of Wayne Dobson. Please refrain from chewing gum of any sort in the
Headquarters.
Monday 29
Smoking
GET CREATIVE WITH LATEX – Miss Ballooniverse Smoking is not allowed anywhere in the
A fun and interesting workshop on balloon art for beginners and Headquarters.
advanced practitioners. Elegant, cute and cool balloons from the We all benefit from these conventions, so please
sensational Miss Ballooniverse. Demonstrations with some respect and abide by them to avoid being turned
hands-on balloon twisting. Please bring your own pump if you away. Thank you for your understanding.
have one.

320 THE MAGIC CIRCULAR OCTOBER 2012 www.TheMagicCircle.co.uk