AdiVffioH.

TABLE OF CONTENTS
WARNING: READ BEFORE USING YOUR PLAYSTATION® GAME CONSOLE.
A very small percentage of Individuals may experience epileptic seizures when exposed to certain light Starting Up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ~
patterns or flashing lights. Exposure to certain patterns or backgrounds on a television screen or while
playing video games, including games played on the PlayStation game console, may induce an epileptic Game Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
seizure in these individuals. Certain conditions may induce previously undetected epileptic symptoms Main Menu ..............•. . . . . . . . . . . . . . . . . . . . . . . . . . 5
even in persons who have no history of prior seizures or epilepsy. If you, or anyone in your family, has
an epileptic condition, consult your physician prior to playing. If you experience any of the following Options Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
symptoms while playing a video game - dizziness. altered vision, eye or muscle twitches, loss of
awareness, disorientation, any involuntary movement, or convulsions - IMMEDIATELY discontinue use
The Game........... . ..... .. ....................... 8
and consult your physician before resuming play. 9
WARNING TO OWNERS OF PROJECTION TELEVISIONS: The Arsenal . . . . . ............ 9
Do not connect your PlayStation game console to a projection TV without first consulting the user Power-Ups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1~
manual for your projection TV, unless it is of the LCD type. Otherwise, it may permanently damage your
TV screen. PrecursortotheApocalypse . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Characters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
HANDLING YOUR PLAYSTATION® DISC:
• This compact disc is intended for use only with the PlayStation® game console. Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
• Do not bend it, crush it or submerge it in liquids.
• Do not leave it in direct sunlight or near a radiator or other source of heat.
Customer Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ~z
• Be sure to take an occasional rest break during extended play. Software License Agreement . . . . . . . . . . . . . . . . . . . . . . . . . . z3
• Keep this compact disc clean. Always hold the disc by the edges and keep it in its protective case
when not in use. Clean the disc with a lint-free. soft. dry cloth. wiping in straight lines from center to
outer edge. Never use solvents or abrasive cleaners.
 STARTING UP GAME CONTROLS
The default controller configuration is shown here. All references
to button selection in this manual refer to the default controller
configuration. You can change the controller configuration in the
Options screen which is accessed via the Main Menu screen (see
page 5).

Weapon Select/Change
Crouch

OPF.N SUTT'ON
RESET 8UTI'ON
PO\VER.JNOICATOR DISC COVER
POWER BUTI'ON Fire Left Weapon
CONTROl.l,.ERPORT - - - - - ~
Directional Buttons·
UP (Move Forward) - ...ti!:.rri"'\===;,,M:=9fi;i~ Fire Forward Weapon
Set up your PlayStation®game console according to the
LEFT (Turn Left) Fire Right Weapon
instruction manual. DOWN (Move Backward) -,..-oc-L"-Jjl---="f=,~~
Make sure the power is off before inserting or removing a RIGHT (Turn Right) -+----,''-"
compact disc.
Insert the Apocalypse disc and close the disc cover. Fire Rear Weapon

Insert game controllers and turn on the PlayStation game DIRECTIONAL BUTTON
console. To select menu options, use the directional buttons up/ down to
Follow the on-screen instructions to start a game. navigate through the menu options, highlight the 4esired option,
and press the X button to accept. Note: Apocalypse supports a

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 number of popular analog controllers. However, this section
defines commands only for the standard PlayStation controller. If MAIN MENU
you want to play with an analog controller, refer to the analog
section (see page 7). To change tl\,e defaulj, controller configuration, NEW GAME
refer to the Options sectio (see paF5). Choose New Game at the Main
menu to start a new game using
GAME RESET the currently selected options.
To abort a game in progress, press the Start button to pause the
game. Choose Quit from the me~nu to rehun to the Apocalypse title LOADGAME
screen. Choose Load Game at the Main menu
to load a previously saved game from
the memory card. In the Load Game screen, select the name of the
saved game file you would like to load and press X. The word Empty
indicates that there is no saved game in that particular slot.

OPTIONS
Choose Options to access the Options menu. In the Options menu
you can adjust the difficulty setting of the game and the sound
volume, configure your controller, or access other various options
by selecting Misc Options. From the Miscellaneous Options screen
you can view the credits and the opening movie, reset all options to
their default configurations. center the game screen, and calibrate
your analog controller (this is only for non-dual shock analog
controllers).

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5
 OPTIONS SCREEN VIEW CREDITS
Choose View Credits to see the people behind the scenes.
DIFFICULTY VIEW INTRO
Choose Difficulty to adjust the Choose View Intro to see the opening movie.
difficulty setting for the game. You
can choose between Easy, Normal, RESET TO DEFAULTS
and Hard. Choose Reset to Defaults to revert all menu options to their
original settings.
SOUND
Choose Sound to adjust the volume of CENTER SCREEN
the sound effect, music, and voices in Choose Center Screen to adjust the game screen to better fit on
the game. your particular TV monitor. Use the Directional Buttons to adjust
the screen. Press the X button when finished.
CONTROLLER CONFIGURATION
Choose Control Configto alter the control buttons in the game. In CALIBRATE ANALOG CONTROLLER
Apocalypse, the move and shoot control is always the same in every Apocalypse supports analog controllers. To calibrate an analog
configuration - you move with the Directional button and shoot controller, follow the on- screen instructions. Apocalypse also
with the X, □ , ..6., and O buttons. Only the L1, k. R1, and R4 can be supports the Dual Shock~ Analog Controller. The Dual Shock"'
customized. To change the function of one of these buttons, select Analog Controller is auto -calibrating, therefore Calibrate Analog
an action using the up/down Directional buttons, then press the Controller will not appear as an option if a Dual Shock"' Analog
button you to which you would like to re-map that action. Choosing Controller is plugged into Controller port 1.
Reset to Defaults returns the Land R buttons to their original
configuration.

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 THE GAME HUD
The Apocalypse world is not a friendly one. You, as Trey Kincaid,
Health Meter
must fight your way through sewers, factories, and rooftops (to
name a few) in your journey to defeat the Reverend. Of course, to
defeat this barbarian you must defeat his Four Horsemen: Death,
Plague, War, and the Beast. The key to successfully completing each
The Arsenal Ammunition
level is simple - kill everyone and everything that's out to get you. Meter
You must protect yourself from the Reverend's minions. He will
send all ofthem after you. Don't feel bad. you 're doing them a favor.
They live in hate and misery.
Weapons and power-ups can be found th_roughout each of the THEARSENAL
levels. You'll need these in order to successfully navigate through all
of the levels and defeat the bosses. Health power- ups can make the MACHINE GUN
difference between success and failure when the Reverend's forces This gun is not only the mainstay of your arsenal, it is also a techno-
attack en masse. Certain weapons are more effective against certain logical wonder providing an unlimited supply of ammunition.
enemies, so be sure to pick them all up and try them out. While it is the least powerful of your weapons, it is the most
Good luck. .. You'll need it. Don't forget-shoot first. ask reliable.
questions later.
PULSE LASER

■ Firing rapid bursts of lethal green energy, the Pulse

Laser is great for quickly dispatching hordes of enemies.
Unfortunately, the increased fire rate of the weapon also
depletes the supply of ammunition in a'short amount of

8
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 time. Use your nano-tech skills to create this weapon from the RIP LASER
Pulse Laser power- up materials found throughout some of the Purple arcs of lightning shoot from this handy little
levels. weapon, electrocuting those caught in its path. This
weapon is effective in taking out solitary enemies, but the
■ FLAMETHROWER smell afterward may leave something to be desired.
There is nothing like a ~ving a barbecue ... especially

■
when you have the Flamethrower in hand. As the name ROCKET LAUNCHER
implies, this baby shoots a thirty-foot flame at your The Rocket Launcher fires Hermes 9 energy rockets that
chosen target. Enemies caught within the heat of this portable explode in a ball of fusion upon contact with any surface.
furnace will often combustinto a fieryhill. This weapon really Those that are unlucky enough. to be caught within the
makes you feel the burn! blast radius take a considerable amount of damage. Let's just say that
you should keep your distancy when you fire off one of these babies.
HOMING MISSILE
This weapon is ideal for nailing those hard-to-reach GRENADE LAUNCHER
enemies. Simply fire the Homing Missile in any One way to take out a guy trying to hide behind some
direction and it will seek out the nearest hapless enemy obstacle is to lob a grenade right onto bis lap. The
with a venge~ce. Wham, bam,thankyou, ma'am! Grenade Launcher is perfect for this. Give 'em a real lap
dance, heh heh heh ...
PARTICLE BEAM

■ Ifyou want to shine a little light into someone's soul, and

we mean it literally, the Particle Beam is the way to go.
This weapon fires a fatal orange beam of energy that can
cut through almost any opponent. The Particle Beam is so powerful,
it can slice an enemy clean in half. Okay, so it's not so clean ...

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 POWER-UPS PRECURSOR TO THEAPOCALYPSE
The future is a troubled place of seething masses and conflicting
SMART BOMB ideas. Sprawling metropolitan laµdscapes cover the earth. These
When you begin each level, you will start with three Smart industrial gothic centers rumble with internal chaos and external
Bombs. These are weapons you can use to clear out all the strife. Religion and Science have become the world's dominant
enemies who are within close range. The closer the enemies are, the
more damage the Sma1i Bomb will inflict. The Smart Bomb can kill
J cultural forces, each offering their own version of salvation. These
two opposite pillars of life battle for disciples as humanity verges on
enemies and deflect enemy fire. These power-ups are hidden the breaking point. Science seeks the answers to life in technology
throughout the game and are essential to your success. while Religion condemns it as the sure path to Armageddon.
For a while, Science seems close to proving technology is the

■
SMALL HEALTH answer to the complexities of modern life. Through the research of
Small Health power-ups increase your health meter by zo % . brilliant scientists, cloning, cold-fusion, and nano-technologies are
These power-ups can be found throughout all the levels. no longer the stuff of science fiction. The miracles that Science has
promised are inevitable.

■
MEDIUM HEALTH
Medium health power-ups are a little harder to find, but Violently opposed to such progress is a mysterious figure known
well-worth the effort. They increase your health meter by only as the Reverend. The Reverend is a false prophet who
50%. These power-ups are absolutely necessary for your evangelizes his version of the gospel to a world teeming with lost
souls. Desperate men and women latch on to his teachings by the
survival in some of the tougher sections of the game.
\ billions. The Reverend preaches that the approaching scientific

■
FULL HEALTH breakthroughs are an offense against the one true God and declares
Full health power-ups fully replenish your health meter. J science to be blasphemy. He seeks to suppress all scientific progress
These aTe difficult to find but extremely useful. Stay alert as as tools of Satan. With the President of the United States as a close
these power-ups are well-hidden. Blink and you might pass
by one.
12 13
 _personal friend, the Reverend succeeds in having all scientific steal his research, and massacre his coworkers. Trey is captured,
research banned. The anti-techno dogma of the Reverend has but not before he learns the truth.
prevailed. While the Reverend was also decrying Science as the work of the
After eliminating all opp,osition, the Reverend p roceeds with his devil, he was also secretly following Tr~y's research. With the
true intentions. He turns to the same technology that he has publicly information his thugs have stolen from Trey's lab, the Reverend
condemned to perpetrate evil. It is, ironically, the tools of forbidden plans to use his newly developed nano-tech resources to bring to life
science which will enable the Reverend to conjure up his own his own revelatory version of the Four Horsemen of the Apocalypse.
version of the Apocalypse. He can no longer wait for Judgment Day to The end of the world is at hand, and the only true hope for
arrive, it must take place immediately. This depraved cleric is mankind's salvation is Trey Kincaid.
planning the deaths of billions in a grand genocidal event that will
leave the earth in smoldering ruins. Th'e Reverend tells his followers
that the Four Horsemen of the Apocalypse walk among them. Death,
CHARACTERS
Plague, War, and the Beast are the her.alds of the coming Judgment
Day. The world is mesmerized by the Reverend and his fabled MARY MAGDALENE
Horsemen. Will Judgmept Day truly arrive as he has prophesied? Mary Magdalene is a sexy rock diva with a global following. Her
Only one mall,--has an inkling of what th~ Reverend has in store curvaceous body is alway;s wrapped in skin-tig};i,t fashions of leather
for the world. He's a lone tech-renegade on the run named Trey and automated nano-fiber. Mary's performances burst ear drums
Kincaid. Trey is a brilliant scientist whose rebellious ideas and and break hearts from Maine to Morocco. During the height of her
breakthrough work in nano-technology have finally brought that popularity, Mary died under mysterious circumstances. Her corpse
fringe science beyond the prototype stage. At last, mankind is was stolen from the µiorgue by devoted fans. But she turned up
capable of creating complex machinery on the molecular level. Trey several days later alive and well. Mary lqoked sexier than she had in
knew his experiments would one day provide the world with an years. Apparently, it was just the latest publicity stunt from rock 'n
answer to its prayers. But Trey's dreams are shattered when science roll's most controversial siren. She is just as popul::ir as ever, even as
is banned. The Reverend's thug "disciples" breakinto Trey's lab, her once easygoing lyrics have taken a turn to the dark side. Some

14 15
 ~ve accused her of delivering the Reverend's fatalistic message to the all the world's weaponry. Rafer is constantly searching for the next
unwashed masses. One thing everyone agrees on is that when Mary high-tech weapon of mass destruction to satisfy the bloodthirsty
grinds her sinful curves against her guitar and roars to the audience demands of warmongers, gangsters, politicians, religious zealots,
about the coming Apocalypse, doomsday doesn't seem so bad after all. and street thugs. His weapons can be fou:nd everywhere from
blood-soaked war zones to elementary school playgrounds. He feels
THE PRESIDENT no responsibility or remorse for his role in the carnage that his
As the leader of the world's economic and military superpower, the weapons have wrought. Ra fer has no loyalty to country or ideology.
President of the United States is the most powerful man in the world. Greed is his Teligion.
His rise to power was as surprising as it was meteoric. He was a
humble mayor of a small southern city until he was befriended by the LARRY
Reverend who brought him instant international recognition. He won Larry is a science prodigy and Trey Kincaid's faithful lab assistant at
the presidency largely on the support given to him by the Reverend. the science research facility. He's skinny, shy, and has glasses that
The Reverend's millions of followers cast their vote for him after he make the lenses on the Hubbell Telescope look thin. Although
was publicly endorsed as the only candidate who could save the barely past his teens, Larry is exceptionally gifted and dedicated to
country from drowning in its own moral turpitude. Ever thankful and scientific research to the exclusion of all else. His family and
indebted to the Reverend for bringing him to the ultimate seat of friends wony that he doesn't get out enough (L;my's idea of hot and
power, the President never makes a move without consulting his heavy is atomic fission). He is the ultimate gearhead. He shares
mysterious and powerful ally. Trey's vision and has pledged to devote his scientific skills to make
tbe world a better place. Despite his genius-level intelligence, Larry
RAFER is still young and impressionable. Fortunately for Larry, Trey has
Countless wars have turned the world into an endless battlefield. taken him under his wing as he would have been easy prey for
Amidst all the death and mayhem, one man has reaped immense someone with less noble intentions.
profits. Rafer is the biggest arms dealer the world has ever seen. His
monolithic War Factory alone produces more than ninety percent of

16 17
 Grebas, Brian Heins, Aryeh Richmond,
.CREDITS Sean Ro, Amie Haemi Yi
Art and Sound, Activision Studios
Conceptual Artwork and Character
"WAR?"
Performed by, System of a Down
Movie Scoring and Sound Effects, Design: Christian Gossett, Robert Written by, Daron Malakian, Serj
DEVELOPED BY NEVERSOFT Tommy Tallarico Studios Brown, James Clyne Tankian
ENTERTAINMENT Game Scoring, Doxon Entertainment, Animation and Compositing: !drry Eubli11hedby, Sony/ATVTunes LLC
Production, Mick West, Joel Jewett ]eehun Hwang Paolicelli, David Dalzell (A1,<ZAJ>), DDevil Music (ASCAP)
Programming, Dave Cowling, Mike ]viotion Capture: hOuse of mOves Video Post- Production: Chris Hepburn, Music Video directed by, Michael
Day. Kendall Harrison, Jason Keeney Bruce Willis Head Model, Viewpoint Mattt Stubbs Perlmutter
Artwork: Chris Ward, Noel Hines, Mark Data Labs, Jason Turner Audio Post-Production, Kenny Ramirez "War?" appears on the debut album
L.Scott, Silvio Poretta Bruce Willis Dialogue Recording and Sound Engineering, Michael Schwa~. !'System of a Down."
Design, Jason Uyeda, Chad Findley, Editing: Soundelux Media Labs Brian Bright Syste~_of a Down appears courtesy of
Aaron Cammarata Movie Screenplay: Jesse Alexander, Aineri.c an Recordings by arrangement
Support, Lisa Edmison, Sandy Christian Gossett, Margaret Stohl MUSIC ith Sony Music New Media Licensing.
Newlands. Christer Ericson Music Supervision by, Gametraxx / '
Motitin Capture Actors and Voice-Over l $TOOJJD''
Talent: Music Supervisors , Kelly W. Rogers, Joe
PUBLISHED BY ACTIVISION. INC. Jel"fortned by, Snot
BRUCE WILLIS as Trey Kincaid Fischer
Produce1·, Dave Stohl 1W~ ~en by 15:_ri Strait. Mike Doling.
POE a,s Mary Magdalene/Plague In- Game Music Videb Editiµgby.:'M.ittt
Creative Executive, Scotf Pease
Associate Producer, Jenny Park
JOE FRANK as The Reverend and
Larry/Death
Stubbs, Chris Hepb n
"CONTROL"
.. Ja~e Miller J~hn Fahnestock
Publ~hed by1itJ-mo Music Corp.
(AS,!},µ') ad inisters on behalf of Snot
A.P. Localizations, BrfanClarke
TOM WYNER as Rafer/War and Performed by: Poe 'Dhe B~stMusic
The Presioent/Beast Written by, Poe ~usie Video directed by: Christoffer
MOVIES Additional Motion Capture Actors, Siilz-beger
Published by: Sony/ ATVTuRes LLC
Cut- Scene Movies, EquinoJ(e Digital Barton Smith, Christian Gossett, (ASCAP), Apro Poe Go ¥usie--{i3Ml) ,. "Stoopid" appears on the Snot album
Entertainment Margie Luke Music Video directed by: Mark Z. "G tSo~e".
Equinoxe Artists and Animators: Ben
Danielewski Snj apr,ears courtesy of Geffen
Cheng, Andy Chung, Karen T. 1
"Control" appears on Poe's upcoming Recordt\ 1
Delgadillo, Anthony Fung. John
album due out in 1999.
Poe appears courtesy of Fishkin
Entertainment/Atlantic Records.
18 19
 CREATIVE SERVICES Makridakis. Dan Ullmann, James
·:BACK ON A MISSION" ORIGINAL CONCEPT DEVELOPMENT TEAM
Designer: Jim Bridges Boone, Judy Gates, Justin Burkman,
Performed by: Cirrus Director: John Spinale
Copywriter, Veronica Milito Elias Jubran. Michael Satornino,
Written by, Aaron Carter. Stephen James Producer: Michael Kirby
Production Artist, Ron Graening Shahab Lashkari, Adnan Chowdhury,
Barry, Rene Pad ilia Programmers: Sandy Burusco, Gary
Creative Director: Ron Gould Thom.as Jason, Craig Lewis, Daniel
Published by: Tola Music (ASCAP), Jesda1mn, Linus Chen, Ben Diamand.
Documentation Manager: MikeRivera Atkins
Clanger Songs (BM!) Dan Kamins. Yishai Lerner. Karl
Manual Layout, Sylvia Orzel
Music Videos directed by: Jason Meissner. Tim Perry. Christian Grunca.
Farrand. Piper Ferguson Brian Jennings QUALITY ASSURANCE ACTIVISION UK
"Back on a Mission" appears on the Designers: Hardy LeBel. Jason Weesner, V. P. Quality Assurance/Customer Sr. V.P. International, Bob Dewar
Cirrus album "Back on a Mission:• AndyZavattero. David King Support: Jim Su=ers Marketing Director Europe: Janine
Cirrus appears courtesy of Moonshine Artists and Animators, Danny Matson. Manager Quality Assurance, Dave Jo~on
Music. Kevin Cunningham. Boris Nawratil. Arnspiger Sales Director Europe: John Burns
Senior QA Project Lead, Marilena UK Product Manager: Michele
Ga1y Brunetti, Junki Saita. Robert
"ACCELERATOR" DePalma. Tim Hoffman "RavenessX" Morini Marchand
Performed by, Gearwhore QA Project Lead: JoelLock 'n Load" Local~tion Supervisor: Nicky Kerth
Written by: Brian Natonski lptetnational fublishing Coordinator,
Published by: Fatal Data (ASCAP)
ACTIVISION. INC. Favazza
Testers: Mike "Machine-Gun" Denny. He~ther M~eU
Music Video directed by, Eric Meagher STUDIO Aaron"AG" .Gray, Hector''Smart Bomb"
"Accelerator" appears on the Gearwhore Senior V.P. of Studio: Alan Gershenfeld Guerrero, Robert liamiter, Darren SPECIM.iHANKS TO:
album "Drive.'' V.P. of Console, Steve Crane Harper, Tim Harrison, EriCi11RacerX" Bryant Bustamante. Linus Chen, Sarah
Cearwhore appears courtesy of Koch, Anthony Korotko, K,ip Stolberg, Cigliano, Steve Crane, Paul Fish.kin,
MARKETING & PUBLIC RELATIONS
Astralwerks Records. Kenneth Chia, Hya Tchak Scott Gershon, Frank Gomez, Jay
Director of Console Marketing,
MarcMetis External Test Coordinator, Emily Moher ijaldennan, Gary Jesdanun, Kathe
Soundtrack fromAPOCA.LYPSE corning
Associate Product Manager: Visioneers: Jeff Sterck, Jon Leoaway, Malta. Maddie Nervous, Kramer
soon! Details will be available at
William Kassay Alan Liebowitz, Danny Elias, Dimitri O'Neill. Larry Paolicelli. Jennifer
www.activision.com and
Marketing Associate, Alison Zelepuhin, Brandon Lorenz, Rakesh Pyken, Logan Stormbringer. Murali
www.gametraxx.com.
Horstmeyer. Serene Chan Chilakapati, Pat K1amerus, Jay Heil, Tegulapalle, Stacey ~tuarte, Tekla Zorba
Senior Publicist: Juli.a Raether Doug Ortano, Tom Pfister, Antonio
Phillips. Michael Paul, Helen

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ACTIVISION.

When returning the Program tor w.fllT8;nty replaeemenl please send lhe original product disks only ln protective packaging and inolude: (1)
a photocopy ol your dated sales ,eoeipt: (2) your name and recum acldress typed or clearfy pru'tled; (3) a btiel note describing l.tlo defed,
the pt"Olwm(s) you &18 encountered and the system on which you are running the Program; (4) if yoo are returmng the F»rogram after tM
90-day warrarity period, but within ooe year after the date of purehase, pl&aSa induCS8 check or money otder for $15 U.S. currency per CO
or floppy disk replacement. Note: Cerlifted mall recommended.
In the U.S. send to:
Warranty Repiacements
Activision, Inc.
~o. eo, 67713
Los Angoles, Calilomia 90067

LIMITATION ON OAMAGES. IN NO EVENT WILL ACTIVISION BE LIABLE FOR SPECIAL. INCIDEITTAL OR CONSEQUENTIAL DAMAGES
RESULTING FROM POSSESSION, USE OR MALFUNCTION OF THE PROGRAM, INCLUDING DAMAGES TO PROPERTY, LOSS OF
GOODWILi.. COMPUTER FAILURE OR MALFUNCTION AND, TO THE EXTENT PERMITTED BY LAW. DAMAGES FOR PERSONAL
INJURIES. EVEN IF ACTIVISION HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. ACTIVISION'$ UABILllY SHALL
NOT EXCEED THE ACTUAL PRICE PAID FOR THE LICENSE TO USE THIS PROGRAM. SOME STATES/COUNTRIES 00 NOT ALLOW
LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS AND/OR THE EXCLUSION OR LIMITATION OF INCIDENTAL OR
CONSEQUENTIAL DAMAGES. SO THE ABOVE LIMITATIONS ANO/OR EXCLUSION OR LIMITATION OF LIABILllY MAY NOT APPLY
TO YOU. THIS WARRANTY GIVES YOU SPECIFIC L.EGAL RIGHTS, AND YOU MAY HAVE OTHER RIGHTS WHICH VARY FROM
JURISDICTION TO JURISDICTION.
TERMINATtON. Wrthout prnfu(ice to any other rights ol Ac1ivfsion, this Agreement will lerminale automatically if yoo la}I IO compty with its
terms and conditions. In such event, you musl destroy all copies of lrnS Program and all of its component parts.
U.S. GOVERNMENT RESTRICTED RIGHTS. The Program and doc1.1mentatjon have been oevek>ped entirety at prtvate exponse and ate
pfOYided as "Commercial Compuler Software~ or arestricted compute< soltware~ Use, duplication 0< dlsdosure by the U.S. Government or a
U.S. GOYemmenl 5'.lbcoolractor is subjecl IO lhe ,oslriction> .., fonh Jn svbpam.graph (c)(1)(W) ol lhe Rlghos In Tecllnlcal Da'8 al1d
Computer Software clauses in OFARS 252.227•7013 or as sel fot1h ln subparagraph (c)(1) and (2) of lhe Commercial Computer Software
Reslricted Rights clauses at FAR 52..227•19, as applicable. The Contractor/Manvtacturer is ActMslon, Inc., 3100 Oooan Pane: Boulevard,
Sanla Monica, C8Jik>mia 90405.
INJUNCTION. Because Acbvlsk>n wouki be lrreparabty damaged if the terms of thiS Agreement were not speafk:alty enforced. you agree
lhal Activision sM.1I be entitted, W'ithout bOod, other sacurity or proof ol damages. to appropriate equitable remedies with respec:t to
bteacheS o, lhls Agreemenl. in addition 10 such other remedies as Activision may OUlGrwis.e have undor applicable laws.
INDEMNITY. You agre,e to indemnify, def8f"ld and hold Ac:tlviSlon. ils par1t1ets, afl1llates, contractors, ottlcers. directors, employees and
&genls harmless lrorn all damages, losses and expenses arising directty or indif&Ctly lrom your actS and omi$$ion~ to act In using tho
Product ptJtsuant to the terms of this Agreement
MISCELlAHEOUS. Thi$ Agrf,IIEIIT18nt represents the oomp!ete agreem&nt concemlng lhl.s lloen58 betweefl the parties and supe1Md4!1s All prior
agreements and repres.entatloos between lhem. lt may be amended only by a writing executod by bolh partJes. If any provision of tNs
Agreement Is- held to be unenlort:eabkt for any reason, such prO'IMlon shall be rek>rmed only 10 !he ex1ent necessary 10 make it
enforceable and the remaining provisions ol this Agreement &hal not be affected. This Agreement shall be construed under Calllomia I.aw
as such law ls applied to agreements between California residents entered into and to be performed within catifornia, except as governed
by federal law and you consent to lhe exciusive jurisdiction of the state and federal courts in Los Angelos, California.
U you have MY quesHons oonceming this l~se. you may contact ActMsbl a.I 3~00 Ocean Park Boulevard, Santa Monica, Ca1rfornia
9040S, (310) 255-2000. Attn. Business aOO Legal Affairs. tegaJOactivision.com.

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