(

( Pmruo CorunucroR Sconn - Acr Oxn

(
(
(
(

(
(

Book, Music and Lyrics by

]onathan Larson
Musical Arr angements by Original Concept and Additional Lyrics by
( Steve Skinner Billy Aronson
Music Superaision and Additional
I Arrangements by Dramaturg
Tim Weil Lynn Thomson
RENT was originally produced in New York
(
by New York Theatre Workshop and on Broadway
by Jeffrey Seller, Kevin McCollum, Allan S. Gordon
and New York Theatre Workshop

(
(

(
MUSIC THEATRE
INTERNATIONAL
 Rent
Piano Conductor Score

Act One
1. Tune Up A 1.

B
f-
4. Christmas Bells #1 ... ..........26
C-
(- 5. You Okay, Honey ...........27
(- 6. Tune Up 32
(- -Reprise
(-
(-
(
(
10. Today For You A 58

( L0a. Today For You B ........64

( L1. You'll See .70

(
("
(" 13. Support Group ............ 96
(
14. Out Tonight ...... ......103
(-
(" 15. Another Day .........1't 6
(_ 16. Will r......... ........135
t_ 1.42
(_
(_ ..1.47

(- 'l.,9.I'll Cover You 1.63

(- 20. We're Okay .....r76
(-
21. Christmas Bells .....'t 82
t-
L- 22. Over The Moon ............ .....2'15

22a. Over The Moon Playoff ... ......225

tL- 23. La Vie Boheme/I Should Tell You
!U ........226
(--
U
 Rent
Piano Conductor Score

Act Two
24. Seasons of Love 273

25. Huppy New Year A .. ......285

26. Voice Mail #3............ 298

27. .....299
28, Happy New Year 8............ 300

29. Valentine's Day Crossover .....31.4

30. Take Me or Leave Me ........ 315

31.. Seasons of Love B........... .....329

32. Without You............... 334
33. Voice Mail #5 ............. .....347

34. Contact.. ......348

35. I'll Cover You-Reprise ....356
36. Halloween........... ....365
- Goodbye Love
5/. ....370
38. What You Own ....397

39. Voice Mail #6 .............. 419

40. 422

4',1". Your Eyes 445

42. Finale B ....450

43. Exit Music (I'11 Cover You) 461.

 Patch List

Piano

Organ
Strings
Smooth Pad

Rhodes

Piano/Strings
Tubular Bells
Electric Pinno
Rhodes a ToA Pinno
Synth Pad
Church Organ
Horp
Steel Drums

Analog String Pad

Synth Bass
Synth-Ele ctric Guitar @D elny

Annlog Pad
Synth Breathy Pad
Brass
 r' Piano-Conductor Score
1
Tune Up A ''RENTU
Music and Lyrics by
fonathan Larson

2
Mark: 3

De - cem-ber twen-ty fourth. Nine P. M. Eas - tern Stan-dard time. From

Gtr. I only (on stagc)

4 5 6

here on in I shoot with - out a script. See if ar-r - y-thing comes of

{-l-

7 8 I

it in-stead of my old shit. First shot Ro-ger tun-ing the Fen-der gui-tar he has-n't played- ir-r a

(Mark:)
10 11 1.2

dl
year. So we hear He's just com-ing back from

A u Il Roger:

This won't tune.

(

(.
t-
Piano-Conductor Score n #1- "Tune Up A"

(Mark)
'14

a) l-J
half a year- of with-drawl. Not at all.

(Roger:)
A r*

Are you talk-ing to me?

(Mark)
ltt 17 1.8

Are you rea - dy? Hold that fo - cus stea - dy Tell the folks at home

€} €> {E>

{} e <>

(Mark)
19 20 21 A

AJ
what you're do - ing, Ro - ger...

A u11
(Roger:)
ri

Mark:Tl-re phone rings!

I'm wri - ting one great...
Roger: Saved!
€> A
.-
€>

Mark: 25
22 23

We screen.- Zoorrt ir on the an-swer-ing- ma - chine

 (-
f'
Piano-Conductor Score
la
('
Voice Mail #l URENT''
Music anil Lyrics by
(- lonathan Larson

('
Mom
2

(^ That was a ve - ry loud beep I don't e - ven know if this is work - ing, Mark.

(- 3 4

( Mark, are you there? Are you screen - ing your calls? It's Mom. We

5
( 6

l\

(
want-ed to call arrd say we love you and we'll miss you to - mor - row

\ 7 I

Cin - dy and the kids are here, send their love. Ob I hope you like the hot plate.

I 10 L1

\ ]ust don't leave it or1, dear, when you leave tl-re house. Oh, and Mark, werre sor-ry to hear that
(

(
tz 13 14
ri

Mau - reen dumped you. I say "c'est la vie." So let her be a les - bi - an. There are

15 16
t

otl-r er fish - ies in the sea. Love, Mom.

\
Piano-Conductor Score
2
Tune Up B URENTU

Music anil Ltlrics by

lonathan Larson

Mark: Roger:
2 ,
_---- 4

Tell the folks at home- what you're do-ir-rg, Ro-ger. I'm writ-ing one great

{€} €>

ar-
€> <>

Mark: The phone rings!

Roger: Yesss!
4 fi u Mark: 6

so11g. We screen.

-
ri

Collins: I o
7

-3-
' Ll
a) l-
Chest - nuts roast-ing... Trm down-stairs. Ro-ger, picked up the phone?
-
Mark:
A u* Mark & Roger: Mark:

Collins! Hey! No, it's

i a-
 f- a #2- "Tune Up B"
{'
(Collins:) '.......-J---------
(- 10 11 12

("
a)
(' Throw down the kuy
(' (Mark:) \J
(' A t ll. _J--:_

('
( me. A wild night is now pre - or - dained.

t''
(-
(

(Collins:) t5
Mark: What does l-re mean?
l 1i f.\ 1.4

I may be de - tair-red.

- fgarbage can lid hits]

/i

Mark What do you meal1 - detained?

Benny: Ho ho l'ro!
Mark & Roger: Benrry! (Shit!)
,, (vamD ,,
BennY:
18

Dudes on on- my way. I need the rent. This

Mark & Roger: lVIark:

\. Great! (Fuck!) What rer-rt?

(
\

(
Piano-Conductor Score
a
-J- #2- "Tune Up B"

(Benny:)
20
Roger:
19

a)
past yearrs rent which I let slide. Wl-ren vou

A u* (Mark)
-J-

Let slide? You said we were 'gold - en'

(Roger:)
21 ll 23

t\il
a)
bought the build 1119 Re mem-ber? You lived here?

Aull (Mark)

When we were room-mates.

Benny:
24 25 26

How could I- for-get? You, ffi€, Col-lins and Mau-reen.- How is the dra-ma

(Benny:)
27 28

-J-
a) f f
queer-r? I know Still her pro-duc - tion man a- get?

Mark:
A u* -
-J- -J-

She's per-form-ing to -nigl-rt. Two

{E>

€>
 ( Piano-Conductor Score -4- #2- "Tune Up B"
(
(Benny:)
( 29 30 31

(
a)
(' You still dat-ing her?-
( (Mark)
A u II
(

(
( days a-go- I was bumped. Last month l was dumped.
<} e €>

€} €> €>

32 (Benny:) fi 34 ri
-3-
a) f f

(
She's got a new man? What's his name?

(: Au* Roger: L- - Mark: Mark & Roger: .i

(.

She's ir-r love. Well, no Jo-anne

{E> <} /:\

€> <>

Benny: Rent, my amigos, is due - or I will have to evict you. Be there in a few
3s 36 /i 37 ri

ri ri
r"-3
3 o damp on cue
--
-+
€>

-18 [On Stage Guitar]

39 40 41

i
Mark: The power blows!
(
42 43 44 4s ri
Piano-Conductor Score
3
Rent ''RENT''
Music anil Lyrics by
lonathan Larson

2
Gtr. I 3 4

ANALOG PAD
Drums

e' e {€} J I
il+E i IU illa i
tr D# F c Dfi F c

Bass

5 6 7

a) €} J' I €>
o ilw i o
Dfr F C

I 9 10

-#
{

ar ilHA r' + €>

ro'
DilFc-
 Piano-Conductor Score -L-
n #3 - "Rent"

il Mark:
(sounds ]ab) 12 13 1.4

How- do you doc - u - ment- real life wl-ren real life's get - ting more like
-

(Bass)

15 16 17 18

fic - tior-r each day? Head - lines, bread - lines blow my mir-rd and now-
TPLAY]

a) J - {€} {€}

D
U
C
r v
al.

19 20 21 22 1.1

tlris dead - line "e - vic - tion or pay." Rent!

I -
( -
a) .{€>
U
g
4> aa bu-:a- .-s
D E G m Eb/G Gm
- ----

l:

(
Piano-Conductor Score -J- #3 - "Rent"

21
Roger: 26

How- do vou write a song when the chords- sound wrollg thougl-r

27 28 29 30

they once sound ed right and- rare? When the notes are sou - r/
-

{E>
(t
D c

32 JJ

where is the pow - er you once had to ig nite tl-re air? We're

a) -- {E} €> .sr a 4

o {E}

-l F D Em
(' Piano-ConductorScore -4- #3 - "Rent"

(Mark:) 37 Roger
Roger:
36 & Mark:

-J-
l-run - gry and fro - zen. Some life that we,ve cho - sen. How we 80n 114

+bt
a J
I
a

F c subp Gm Eb/G

I I

38 39 40

--+

Pay how we gon na pay

a) +bt
7
JIta
a
Jrl
7
I Da +J
7
T __t
7
I rl
Da
JIta
a
Gm6 nb/c Gm Eb/G G rn6 Eb/G
t ft

45
42 +J 44

how we- gon - rla Pay la$t year's rent?

.I

da b'a a <} {E>

cresc. U o
Gm Eb/G tr Gm6 Eb/G Eb F c
t (l

{€}

\- -,
Piano-Conductor Score -5- #3 - "Rent"

Mark: We light candles.

46 47 48 49 50

o
tr Eb F c EbF C

-
51
Roger: 52 53 54

- How do you start a fire- when there's no-thing to bum and it feels like some-tldng's

AJ

fc

57
Mark:
55 56 58

-
stuck in your- flue? How can- you gen er-ate heat- when you

tL, 'a lIOJA €>

a) vv

D C
 Piano-Conductor Score -6- #3 - "Rent"
tr'
(' Roger
& Mark: Mark: Roger:
(' 59 60
a-
62

*
{'
(' can't feel your feet and tl-rey're turn - ing- blue?- You light up a mean- blaze with
('
('
a' r-l -e U €>
(' D E F
(

(-
('
(Roger:) Mark: 6l Roger
( 63 & Mark: 65

i pos - ters and screen - plays. How we 80n na pay

(
Gtr. I

lrl
7
I Oa +)
7
1
+b+
7
ll ta
7
,mf Gm nb/c Gm6 Eb/G
C
\

( 66 67 68 -I T

t_
l-row we gon na pay how we- gon - r1a

i
a) lrl
7
I Da
__r
zta I T
+6J
7 +)
7
Gm Eb/G Gm6 Eb/G Gm Eb/G
\
tn ^ t
Piano-Conductor Score -7- #3 - "Rent"

69 70 71

pay last year's rent?

a) b a E {e}
o
<>
U
Gm6 Eb/G Eb F t---

73
Joanne: 74 75

Don't screell/ Mau - reen.- It's me, Jo-anne, your sub - sti - tute pro-duc-tion man-a-ger
ORGAN

tnf
1Dr.+ Bs. only)

76 77 78

-3-
H"y hey hey! Did you eat? Don't change the sub - ject, Mau-reen. But

il
Piano-Conductor Score -8- #3 - "Rent"

79 80 81

dar -ling, you have - n't ea - ten all duy. You won't- throw up. You

a) e + e e --l I
1
il _t
1 b, ee
-l +tJ

82 83 84

won't- throw up. The di - gi - tal de - lay did - n't blow up ex - act - ly

r
1 bt J T
_l J _l
J =o, = A =
a) J J
1 ee =
eeee

85 86 87 88

There may have been one tee-ny ti-ny spark. You're not cal-ling Mark!

a) e J J + JE J e
Dr.fll- ---a
Piano-Conductor Score -9- #3 - "Rent"

89
Collins: 90 91, 92

How do- you stay- on your feet when on EV

rry street it's "trick or treat" and to

a)

(Bass)

93 ol 95 96

night it's "trick." "Wel-come back to town.rr I- should lie down.

-

a) -/ t tt-
.-.-
- -

Mark: Collins:
97 98 99 100 107

Ev-'ry-thing's brown and uh-oh I feel sick. Where is he? Get-ting diz - zy

---g€)-
2J -€} rru
U 1
1
J

tr t
 (' Piano-Conductor Score -10- #3 - "Rent"
('
( 102 Roger
& Mark: 103 104

FIow we 80n 114 pay how we go11 na

Gtt. I

a) +bt
z
ll
7
ta f
-+ bi
7
___t
7
ta __l I
7
I
r_t
Da
a
+J
7
\
mf c^ Eb/G G rn6 Eb/G Gm Eb/G

t
:
:

105 1,06 107

Pay how we go11 - na pay

(Gtr.I cont.)

a) f
+bt
7 +J
7
U

Gm6 E,/G Gm nb/G Gm6 Eb/G

t at n
-rrl

Gtr.l + Gtr.II
34
108 109 0 111- 112

last year's rent?

ob 4 8 €>
U
{E>
o
Eb F c tr Am G

------?:

o e
I
Piano-Conductor Score -1't- #3 - "Rent"

34

113 11.4 115 1.1.6 117 118 I

a) g-g # a s a
d a #
c Am G Am G C Am G

il9
Benny:
120 721 122

Al - li-sory ba - by, you sound sad I can't be-lieve those two af -ter ev-'ry-thing I've done

(Bass)

123 124 125 126

ev - er since our wed<ling. I'm dirt. They'll see I can't lrelp them all out in tl-re long run.

Drums

o
 (-- Piano-ConductorScore -12- #3 - "Rent"
( 127
Benny:
128 129
(
(
rring.
( For ces are gath For ces are

( A Mark:
( -3-
a) f
( The mu - sic ig nites the night with pas - sion - ate fire.-
(.
A Collins:
(
(
( uh. uh. uh.
( A Joanne:
(
(
Mau
{
Gtr.I + Gtr.II
(
ad I I a a
( dJ J
_L
Ia 1 ae

(
Am Em C2 Am
(
(

(
(
(Benny:)
( 1.30 131 132

(
( a)
gath 'tiog. Canrt turn a way

A Roger:
(
( -3-
a) f

( "The nar - ra - tion crack - les and pops with in

t 6 (Collins:)
(
(
uh. uh. uh.
I (Joanne:)
A
(
(
( reery I'm not a the - a - tre per - son.

r.

a) +
1 +a
(_
G Am Em
Ir
(.,
Piano-Conductor Score -13- #3 - "Rent"
(Benny:)
133 134 1.35

ld--

a
For ces are gath 'ring. For - ces are

(Ro8er:) Mark:
n

d I

cen-di - a - ry wit. Zoorrt in- as they burn-

-
6 (Collins:)
-
a)
uh. I can't think. uh.
(Joanne:)
n

Could ne - ver be a the-a-tre per-son.

TPLAY]

d+ a
tao
a- co
C2 Am G Am

(Benny:)
1_36 L37 L38

a)
gath 'ring. For ces are gath 'ring.
Roger
(Mark:) & Mark:
^

the past to the grould and feel the heat of the fu ture's glow.
-
(Collins

uh. uh. uh.

6 (Joanne:)

Hel - lo? Hel - lo?

€>

Em C2 Am G
 r Piano-Conductor Score -'1.4- #3 - "Rent"
(
( (R&M:)
itc Mark:
141
( 1,40 142

(
( Hel-lo, Mau - reen Your e quip-ment won't work? O - K, all right, I'll go!
(
(
(
(
Am
(Drums only)-

(
(
(

Mark &
( lt3 Half of Company:
'tu 146
(

(
( How do you leave the past be - hind- when it keeps find - ing ways- to

i
f D

L47 148 149 L50

I
get in your heart? It reach ES way down deep and tears- you in

a)
E D

{
Piano-Conductor Score -15- #3 - "Rent"

1s2

side out 'til you're torn a part. Rent!

E Ff

151 Roger &

Half of Company: 15s 156 1-57

How can- you con nect in an age where strang - ers, land-lords, lov-ers, your own

47rr€--

2)

159
Ail: 160 161
L58

blood cells be tray? Wl'rat binds the fab - ric to - geth - er when the

a)
E D
 -1.6- #3 - "Rent"
r'
('
{' 162 L63 rb4 165

r' AJ 771
(" tag - ittg, sl"rift - ing winds of change keep flp - p1119 a - way?-
(' Benny:
A
{'
("
(' Draw a

r'
(-
('
(' E Ff

('
(-

(Roger:)
166 167 168

Use your ca m - 'ra to spar.

(Benny:) - (Mark)
L.-

line in the sand and then- make a stand Use-

a) tf r,-fr
€> tt
(
I
tr G D G

(.
(
(,
(

\.
Piano-Conductor Score -\7- #3 - "Rent"

t72 Roger
Ail & Mark:
1-69 L70 171

a)
When they act tough, you call their bluff. We're not go11 - lla
-
(Mark:)
A,^^

your gui-tar

Gtr.I

{e} I {E}

D G D *f Am F/A

TIi-

Roger, Mark, &

Roger, Mark, & Other Half of
(R&M:) Half of Company: Company:
L73 174 L75 176

pay we're not gorl - na pay we're not gon na

(Gtr.l cont.) -

I J I
a) J
Am6 F/A Am F/A Am6 F/A Am F/A
IPLAY] a a a a

Ail
t// 178 179 L80 181

pay last year's rent. This year's rertt.

aJ
-]e
4 t lrrl
{}
t€_
U TI tl
€}
Am6 FlA tr F G D F G D

o o
 tr1 -18- #3 - "Rent"
r'
['
(' 182 183 184 186
H
('
(- Next year's Rent rent rent
rent. rent rent. Werre not gotl-na pay
('
(-
('
(
a) t4
a !.u
€>
te-
t ,-lI
{e>

FG D F G D F G

r
o o

(All:) Roger
187
& Mark: 1.88 789 190
I
a_

rent, 'cause ev - 'ry - thing is rent.

/:\
,rz 4 4 ,rl
\
a) <E> 4 r it.
d .(€>

D Bb C D
(Drums only)
/i

i
Piano-Conductor Score
4
Christmas Bells #l ''RENTU
Music anil Lyrics by
lonathan Larson

1 2 3 4

PIANO

B'O

ajLllIL|lI

J
Homeless Man:
6 7 8

Clrrist - mas bells are rrlg - 1119. Christ - mas bells are nng - 1119.

(B',o)

I 1.0 1.1 12

Christ - mas bells are rllls - llls some - where else Not here.

(B',o) - -,loco 7 >

L' I I Lr r I
aJ

SEGUE
 r'
r' 5-
r' You Okay, Honey ''RENT''
(- Music and Lyrics by
lonathan Larcon

(-
(-
(' "Groal1"

(- 1 2 4 5 6 ri
('
(-
ri
(-
(- a)
{- [Drumming On StageJ
( l-l-t l-r /:\

(
(
(

7 8 I 1-0

PIANO

JR . It

a)

( TPLAY]
(. f--T--t
(
(_
(.
(_

(.

, L-t
t)
(-
L.
Piano-Conductor Score n #5 - "You Okay,Honey"

II
Angel: 12 ,, Collins: 14 Angel: rc 1.6

You O. K. hon - ey? I'm a- fraid so. Th"y get an - y mon - ey?

a) .J.J' --- JJ ..-J- d

e.
I
Pd ?
4: e.
I
r

Collins:
17 18 10 20 27 22

No. Had rlone to get. But they pur - loined my coat. Well, you missed a

=#i

HJ
)? 24 25 ,u Angel:. 27 28

sleeve! Thanks. Hell, it's Christ+nas eve. I'm

h
ta, t
 r- Piano-Conductor Score -J- #5 - "You Okay, Honey"
('
f' 29
(Angel:) Collins:
30 31 JZ JJ 34

(' An gel. An oo1? In - deed.

("
('

(' _,1
{-
(-
(
(-
(
(
( i5
36 37 38 39
(
( <
( An an - gel of the first de - gree.

(
( -
t. 7

(
EI.Bongos
dBass
t

)
--#

40 41 42a. 43 44 Angel:
(

(
Friends call me ColJins. Tom Col-lins Nice tree... Letrs get a

(
/:\

/:\

(
Piano-Conductor Score -4- #5 - "You Okay, Honey"

(Angel:)
45 46 47 48

Band - Aid- for your knee. I'11- cl-range. There's a "life sup-port" meet-ing at nine thir -

AJ
*z fti
c'

4s- _
50 5t 52

ty. Yes, this bo - dy pro-vides a com - fort - able home for the Ac -

tf,
a) qd \a'
L

(Angel:) Angel:
53 54 ss Collins: 56

quired Im-mune De fi-cien-ry Syn - drome. We'll

As does nune.

AJ
Z: fti
c'
 Piano-Conductor Score -5- #5 - "You Okay,Honey"

(Angel:)
57 58 59 60

get a-long fine Get you a coat, have a bite, make a night. I'm flusl-r.

at.
-t--l '-
a)
----/- !r \8
L

Collins: Angel:
67 62 63 64

1
But my friends are wait - ing. You're cute when you blush. The more the mer-

a)
7: tr
c

6s 66 67 68 69

ry. Ho ho 1-ro! ...ar-rd I do not take "no."

/i
r-
a) - qr \a'

SEGUE
(.
Piano-Conductor Score
6
Tune Up Reprise ''RENTU
Music and Lyrics by
lonathan Larcon

2 3 (vamp)

Roger: Where are you going? Mark: Maureen calls. Roger: You're such a sucker Mark: I don't suppose you'd like to
see l'Ler show in the lot tonight?

4 5 fuamp) 6 /i

(Mark:) Or come to diru-rer? Roger: Zoom in or-r my empty wallet. Mark: Touche. Take your AZT

ri

7
Mark: 8 9

Close on Ro - ger. His girl-friend, Ap - ril, left a note say - ing "we've got AIDS"

{€} {c}

{E> {E>

10 L1 1.2 ri

be - fore slit - ting her wrists in the bath-room. I'll check up o11you later. Change your
mind. You have to get out of tl-re house.
€> ri
€> {E>
Piano-Conductor Score 1 #6 - "Tune Up - Reprise"

Roger:
L3 14 /i

I'm writ - ing one great song be - fore I..

[On Stage Guitar] ri

d d

1-5 16 17 1,8

dissonant
chord

SEGUE
Piano-Conductor Score
7
One Song Glory URENT"
Music anil Lyrics by
lonathan Larson

SYNTH - ELEC. GTRw/DELAY (sounds

1 2 j 4

Gtr.I - mutcdddelay (210ms=h

__r --t Ja
aJ Ia a

cb Eb.

5 6 7 I

I a a ll l
a
a)
+ JJ
cb Db nb
C
t ? F

9 Rogen
(sounds 8ab) 10 11 12

One song glo - ry... One song be - fore I

I I -Ia
a) Ia a

cb nb
I
Piano-Conductor Score :)-- #7- "One Song Glory"

13 14 15

go. Glo - ry... one song to leave be hind. Find

(Gtr. cue 8ub)

a) I a

cb Db Ebm Db
C
O + t- ?

17 18 19 20

one song/ one last re - frain. Glo-ry from the pret-ty boy

-
a) 1
cb Db Eb' (Shaker) Db
t ? C
F J ?

21 22 l.J 24

front man who was - ted op - por tu-ni ty

a) 1
cb Db Eb'" (Shaker)
C
t ? F J
Piano-Conductor Score -3- #7- "One Song Glory"

25
26 27 28

One song... he had the world at his feet. Glo-ry... in the eves of a

a)
(+ Drums)
Gb Ebm

29 31

young girl. a you11g girl Find

a)
-_.J_-l
cb Db Eb*
t ? O
F
+
F
C'
+-F

33 34 35 36

glo-ry be-yond the cheap col-ored lights, one song be-fore the sun sets,

AJ

ch Ebt
h
 f- Piano-Conductor Score -4- #7- "One Song Glory"
(
('
40
37 38

('
glo - ry on an - oth er emp ty life.

a) 4

ch Db Eb

O )t ? ??

41 42 43 44

Time flies. Time dies.

a) J J I
a

cb Db Eb'"
C e
+T
CC
F{T

15

47 49

Glo ry

o Gtr. I&il
cb Ab'" cb

Bass
Piano-Conductor Score -5- #7- "One Song Glory"

50 51

One blaze of glo ry.-

&o

a)
Abm cb cb

54 55

One blaze of glo ry.-

@9

a)
Ab* cb cb

58
'---/-\ \ 59 62

Glo ry... Find

(B',o)
€>

a) t\l

Db/r Ebm cb
? 4
O )
r- -6-
('
(' 63

(' 64 65 66

f'
{' glo-ry in a song that rings true, truth like a bla - zing, fire,
(' -
Gtr. I
('
('
Kbd. II

cb Ebm

-r-t-
(

(
('
(

( 67 68 69 70

(
an e-ter nal flame. Find

(
a)
I
( cb Db Eb- (Shal<cr)

? J

( 71 72 73

(
(
one song/ a song a-bout love, glo-ry from the soul of a

a)

cb Eb'n

l\ I \

(.,
Piano-Conductor Score -7- #7- "One Song Glory"

75 77 78

younS man... a young fiuln. Fturd

a
a)

cb Db Eb'o (Shaker)

* J

79

80 81 82

the one song be-fore the vi-rus takes hold, g1o - ry like a sun-set,

a) .J 1

cb Db Eb-
2 ? ? e
F
J
+T ?e?

86
83 84 85
'-\

one sonS to re - deem this emP ty life.

-

a) I 1

cb Db Ebnt
a CC +CC
2 t ?? FFF FFF
 -8-

(-
89 ,-\
(' 87 88 90

(t'

f' Time flies, and then no need- to en-dure- all-y-more.

f'
(' (sim.)

('
a)

Ab cb cb
r- Gbadde

(- )J' Cz

(-
('
{'
('
('
91 92 94 /:\

Time dies. The door

/i
Gtr. I

I
a) a. a
7.
Abtn cb cb 6b1G,b

("
(.
(_
(_
(

(
(,

U
("
(,-
(._.
Piano-Conductor Score
8
Light My Candle URENT"
Music anil Lyrics by
lonathan Larson

3
Roger:
1 2

Wha'd you for - get?

SYNTH BREATHY PAD

a
lFl v l, l/ ) t tt ,l
a) I +-g I 4-4
-a
sb Cm nb Cm Eb Cm
\ \ \

4
Mimi: Roger: s 6

Got a light? know vou! You're... you're shiv - er - ing.

a.) 7 a
nb Cm rb
\

7
Mimi: 8 9

It's no-thing. They turned of{ my heat. And I'm just a lit - tle

a) I *-t I , , I {:.t t
ab sb nb
 Piano-Conductor Score -2- #8 - "Light My Candle"

(Mimi:)
10 11 1.2
\

(
weak on my feet. Would you light my can - dle?
I

I
a) , , ,a , , J y_-ibi b , J+:_' +
/- Bb Gm Abz(no3) Gm

L,

t5
Roger:
14 1.6

What are you star - ing at? No-thir-rg. Your hair in the moon - light.
-

a) , a +
TA-€+
Bb Eb Cm
\

17 18 10 20
(

(
You look fa-mil-i-ar Can vou make it?

a) a +-g I !
Eb Cm Bb
\

\-
Piano-Conductor Score -J- #8 - "Light My Candle"

21
Mimi: 22

Just have-n't eat - en much to - day. At least the room stopped spin - ning.
-

a) r t:.r l , t-t , I ,
Ab Bb Ab

(Mimi:) 25

24 zo

a)
A. - y-way... What? I
Roger:
Ar

No-thing. Your smile re - mind ed me of.

a +-q
-JA
Bb Eb Cm
\

(Mimi:)
27 28 29

al - ways re - mirrd peo - ple of... Wl'ro is- she?

- (Roger:)

Sl-re died. Her name was

AJ 7 +
--a
-i+
* rjlt
Eb Cm Ab
\
 f- Piano-Conductor Score -4- #8 - "Light My Candle"
{-
(' (Roger:) Mimi:
(' 30 )1
33

('
(' Ap-ril. It's out a-gain. Sor-ry rbout your friend. Would you light my
I

a) , t t:t t , t-? , ,Jtg+

Bb Ab Bb Gm
+ Guitnr

Roger: Mimi:
34 .1b 37

can dle? Well...- Yea[- ow...-

a) t: ,_-j, U , Jr:,+ r t:
1' ft-*
JlJ
I I1 *1
Abz(no3) Gm Bb

(Mimi:) Mimi:
Roger:
39 40

Oh,- the wax. It's drip-ping. I like it be-tweer-r my...

(

a) *I *1 Z:
1. *1 t:
1' II u.
J'1+1
t_fi. f
Bb
Piano-Conductor Score -5- #8 - "Light My Candle"

Roger:
42 43 44 45

fin-gers. I fig-ured. Oh well, good - night.

a) Z:
1' t-t
JJ+ t t:
1. t,,t.
1-1 ft
I
a
Drum solo

Bb IJ
Eb

18
(knocks) Mimi:
46 49

It blew out a-gain? No, I

a l-g
Eb Cm
t

+ Bass

(Mimi:) Roger:
q)
50 51

think that I dropped my stash. I know I've seen you out and a-bout when I

Eb Cm
\
Piano-Conductor Score -6- #8 - "Light My Candle"

Mimi:
53 54 55

used to go out. Your can - dle's out. I'm ill I

Q) a I l:1-l t
nb Cm Ab
\

56 57 58

had it when I walked in the door It was pure. Is it on the floor?

-

a) u 7-t , , t-t J , ,
Bb Ab Bb

59
Roger: Mimi:
60 61

The floor?- Th"y say that I have- the best ass be-low Four - teenth-
Piano
-3-

a) t 1 t>
t ,t I
-J
t *J qtl JtJ
c r r..r CI F
\ \
Piano-Conductor Score -7- #8 - "Light My Candle"

63 Roger: Mimi: Roger:

6/ 64

Street. Is it true? What? You're star-ing a - gain. Oh no. _

a) J l-l

\1
J _l
J
4
_l
1 t ttt 1i] -+ i}
ii ti-+/ -
F c
\ \ \ \

67
Mimi:
65 66

I mean, you do have a nice... I mean.. You look fa - mil - iar. Like
Piano
u
-
a)
hd Jt J' , ht t +
TA-E+
F7 Eb Cm
F
\ t

Roger:
(Mimi:)
u, 69 70

your dead girl-friend? On - ly when you smile. But I'm sure I've seen- you some-where

Eb Cm
\
 f. Piano-Conductor Score -8- #8 - "Light My Candle"
(
(
Mimi:
( 71 72

(
( else. Do you go to the Cat Scratch Club? That's where I work.
(

f r g t\ I I

(
a) I l:1.l t ,13, le
t-l I
Ab Bh Ab

(
(

74
Roger: 7s 76
Mimi:

dance. Help me look. Yes! They used to tie you up. It's a liv - ing.
i

a) Z t-t , t , t Anail
i
Bb Ab Bb i_J'

79
Roger: Mimi
77 78

I did - r-r't re - cog-nize you witl-r-out the har-rd - cuffs. We could light the

a) I t-l t Antil
,J +
Ab Bb
Gm
+ Guitar
Piano-Conductor Score -9- #8 - "Light My Candle"

aa 83
80

can dle Oh, won't you light the

a) >Jy3
'
,J + te eJl-l
e e r
e , J+-'
Ahz(no3) Gm Bb Gm '

86 87
Roger:
84 85

can dle? Wlry don't you for

a) utry u u -JJ1 t1 I1 b, a +-q

aa
Abz(no3) Bb Eb Cm
\t

(Roger:)
88 89 90

get that stuff. You look like you're six teen. I'm nine - teen, but I'm
-
1?A ' tt ) I tt .l
AJ a
Eb Cm
\
Piano-Conductor Score -10- #8 - "Light My Candle"

(Mimi:)
91. 92 93

7 r-t
old for my age. I'm just born to be bad.

Roger:

I once was born-

a
rM I t tt I

a)
+-3
Eb Cm
\

94 95 96

a)
I have no heat I told you.
(Roger:)
Ar

to be bad I used to shiv - er like that. I used to

a) I +-4
--a t i-* , 7 7
Eb Cm Ab Bb
\
Piano-Conductor Score -11- #8 - "Light My Candle"

(Mimi:)
97 98 99

a)
I got a cold But now and then I like to.

(Roger:)
Ar \
-
sweat. Uh-huh, I used to be a jun-kie. tlh -

a.)
I *-* I , t-t , t I
Ab Bb Ab

100 1-01 102

Feel good. What's that?

huh. Here it.. Um... Can - dy bar wrap-per

a) u I t l-* I t t-l ,
Bb Ab Bh
 r- Piano-Conductor Score -12- #8 - "Light My Candle"
(''
(
Mimi: 105
103 104 106

(
We could light the can dle. oh,
(
(

a)
,J , ,aibs v *J , 5i7 7
Gm Abz(no3) Gm Bb sbt

107 108 109 () 110

i
whad' you do- to my can - dle?

a)
TJ , ,Jir_-, ,t ,Jt + J 41-11 1
Gm Abz(no3) Gm Bb
,,

ilt Mimi:
Roger:
112 113

That was my last matcl-r. Our eves 'll ad - just. Thank-

Eb Cm
\
Piano-Conductor Score -13- #8 - "Light My Candle"

(Mimi:) Roger:
115 11.6

God for the moon. May - be itrs not the moon at all. I hear

a.) a +
ad -€+
Eb Cm
\

117 118 Mimi: 1.19

Spike Lee's shoot - ing down the street. Bah hum - bug.

d 7
Eb Cm
I

(Mimi:) Roger: Mimi:

120 121 122 123

Bah l'rum-bug. Cold l-rands Yours too Big.

flrl v t, ) I tt I

a) a , l-1, , ,J,, , i-l I

Eb Cm Ab Bb Ab
\
 {- Piano-Conductor Score -14- #8 - "Light My Candle"
('
(
(Mimir) Roger: Mimi
(' ,rn 125 126 127

(
(
Like my fa-ther's. You wan-na dance? Witl-r you? No,
(

a) ?,J?, t l-t I , ,-tt t t-l I

Bb Ab Bh Ab

(Mimi:) Roger: Mimi:

128 129 130

l
with my fa - ther I'm Ro - ger Th"y call me.

+ Piano

/''tFE M -
a) , ? t +-El
ta
Bh Eb Cm
t

(Mimi:)
L31 132 B3 <\ 134

\ they call me Mi ITI1.

a) a +-4 a
'U
Eh Cm Eb
\

(
Piano-Conductor Score
9
Voice Mail#2 URENT''
Music anil Lyrics by
lonathan Larcon

Mr. Jefferson
2

-J-

Well, Jo-anne, we're off. I tried you at the off - ice and they said you were

Mrs. Jefferson:
4 s
-J-

Re mind her that those un-wed moth-ers in Har-lem need her le - gal help
(Mr. Jefferson:)

stage man-a-ging or some-tl.ring.

(Mrs. Jefferson:)
6 7 I

AJ
too.

A (Mr. Jefferson:) ,-3-

Call Dai - sy for our i - tin-er -a-ry or Al - fred at Pound Ridge or

(Mr. Jefferson:)
I 10 II

-J-

Ei - leen at the State De - part-ment in a pinch. We'll be at the spa for New Year's un - less the
-
-

Mrs. Jefferson:
1.2 13

The hear - ings.

(Mr. Jefferson:)
A ,-3----1

Sen - a - tor chan - ges his mind. Oh yes, kit - ten,

 { Piano-Conductor Score -2- #9 - "Voice Mail #2"
r'
{' (Mr. Jefferson:)

f- 14 75 16

(' -J-

(' mum-my's con - fir - ma - tion hear-ings be - gin on the tenth. We'll need you a- lone by tl're
('
('
Mrs. Jefferson:
17 18 19
;
('
(' Har - old...
( (Mr. Jefferson:)
6

sixth. You hear that? It's tlrreeweeksa-way and

I (Ml's. Jefferson:)
20 21 22

a)
I am not.
(Mr. Jefferson:)
A l-l-l-l
-.1-_-

i she's al - rea-dy ner-vous. For mum-my's sake, kit - ten,- r1o Doc Mar-tens this time.

(Mrs. Jefferson:)
24 25 26

a,)
And a bra
(Mr. Jefferson:)
( A A
(
(
And wear a dress. Oh, and kit - ten, have a mer-ry...

L
Piano-Conductor Score
10
Today For You A ''RENTU
Music anil Lyrics by
lonathan Larson

[On Cue]
a b A

Mark: Enter Tom Collins! Computer genius, teacher, vagabond anarchist

who ran naked through the Parthenon!
ORGAN

aJ _t
bns. ;
I t
tr G7#9

Bass )

Mark & Collins:

1 2

Bu-
STEEL DRUMS

a) ti-
-:-
U^ ) *ilc ? Basr^

-r. lrrl l l F r

3 4 5

ste-lo, Marl-bor-o, ba na-na by the bunch. A box of Cap-tair-r Crunch will taste so
-
-

a) ---J + +

?
 (' -2-

r'
(' (Mark & Collinsr)
Malk:
(' 7 I
('
d ,-l
(' good. Look, it's San - ta Claus.
('
A Collins
('

l
And fi - re wood. Hold your ap -

(-
(' a) ttl J J
(.
t - ?

Roger:
I 10 11

a)
oh, hi. Sor-ry
(Collins:)
A
-J-
-J- -J-

plause. uOh hi" af-ter sev-en montlrs? This boy could use some Sto-li.

dd - J V' r7 b'1 ,44 + -

[Play again at m.30]
I

I
Piano-Conductor Score -J- #L0 - "Today For You A"

Collins, Mark
t2
& Roger:
13 14 1s Roger: to

oh ho ly rright. You struck gold at

Kbd.Il + Drums

c F

--5-ar-

Collins
17 18 20 zt

M. I. T? They ex -

.) 11 1t 1+ 11
C

22
an
23

pelled me for my the-o-ry of ac-tu-al re-al-i-ty which I'11 soon im-part to the couch po-ta-toes at

a) +l'
,rnf Em B Em
 tr- -4-

f'
(' (Collins:)
(- 25 It) 27

('
a)
(' New York U-r-ri -ver-si-ty Still have-n't left the l-rouse? Well, to-

Roger:
(' Au
-3- -j-
(-
I was wait-ing for you don't you know

a) l+' --- - ++' ' a -a a

B Em B
(

(Collins:)
28 29

-J-
-J-
nightrs the night. Come to the Life Ca fe af - ter Mau-reen's show
(Roger:)

No flow

Em B

4,1. ,

:
Piano-Conductor Score -5- #L0 - "Today ForYou A"

30
Collins: ?'t
31

Gent-le-men, our ben - e - fact-tor on this Christ-mas eve/ whose char - i - ty 1S on - ly matched by

CHURCH ORGAN

TPLAY]

+ Bdr^r-

JJ 34 35

tal-errt, I be-lieve, a new mem - ber of the Al-pha-bet Cit - y a - vant-garde...

a)
flrI.
{E> b{} +
U

U e

37 38
36

An - gel Du - mott Schu r-rard!

o -6o

e
 ( -6-
(
(
( 39

( HARP 5

\
a) J
I 4
Cym.

C
C C
? F O F 2 '
F tr

-t
5
I

40

5
5

a) + 5
5 5
L

^l

Angel: Today for you,

tomorrow for me!
41 ri
t F
\ /i
Bro

a) J .t
/:\ J 5
I
/i
Piano-Conductor Score
10a
Today For You B ''RENT''
Music and Lyrics by
(Pre-Record) lonathan Larson

2
Angel: 3

To - duy for you, to

f tt-

a) - ta - -

5
(Angel:)
4 6

-3-
ttt
a.)
mor - row for me. It was my
Collins: Roger:
A

And you should hear her beat. You earr-red tl-ris on tl're street?

(Angel:)
7 I I

luck-y day-to-day on A ve - nue A, wl'ren a la - dy in a lim - ou - sine

(on stnge)
 (- Piano-Conductor Score a
-L- #10a - "Today Eor You B (Pre-Record)"
(
(
( 10 11 12

('
->
( drove my way. She said darJing be a dear. I have - n't slept in a year. I need your
( - -
(

13 14 15
(

help to make my neigh-bor's yap - py dog dis-ap-pear.- This A ki-ta, E-vi-ta, just

L6 17 18 19

won't shut up. Ibe lieve if you play- non-stop that pup will breathe its ve-ry last

\ 20 22

----)
+,
high-strung breath. I'm cer - tain that cur will bark it - self to death. To -
-

I
Piano-Conductor Score -J- #1"0a - "Today For You B (Pre-Record)"

23
24

-3-
duy for you, to mor-row for me. To - day- lor you,- to-

1 tt- f !

a) J - - -

27
26 28

-3-
*

mor - row for me. We a - greed on a fee, a thou-saud dol - lar guar-an - tee, tax free,-
(on stagc - rhythm only)

29 30 31 JZ

and a bo+rus if I trim her tree. Now who could fore-tell-that it would go so well?- But

JJ x+ 35 36

sure as I am here that dog is now in dog-gie l"rell. Af-ter an hour, E- vi-ta, in all her glo-ry on the
 Piano-Conductor Score -4- #10a - "Today For You B (Pre-Record)"

38 39

win - dow ledge of that twen - ty third sto - ry, like Thel - ma and Lou - ise did when

41
40 42

they got the blues, swan dove in - to the court-yard of the Gra - cie Mews. To-

13
44 46
-J- +* -J-

duy for you, to - mor-row for me. To-day- for yotl to - mor-row for me.

I r !

t- :t
a) 1

17
IDANCE]
48 49 50

r--
Piano-Conductor Score -5- #10a - "Today For You B (Pre-Record)"

51 52 53 54

i5
57

w- 4t-

Back on the street-where I met- my sweet,-where he was moarr-ing and groan-ing on tl-re

rr r r
58 59 60

-3-

cold con-crete The nurse took him home- for some mer-cu - i-chrome and I

rr r r rr r r
61. 62

dressed his would and got him back on l-ris feet sing - in' to

tJ J J'-l=Jl )n tl )
 r- -6-
r'
(' 63

(' 64 66
( -.t- +1e- -J-
(' duy for you, to - mor-row for me. To-day- for yoq to - mor-row for me. I said to-
(-
at- tt-
('
(' a) aa -- :L

(- I
(-

!.

(
l'
67 68
\

-J-
( duy for you, to - mor - row for me. To - day for you, to
(
1 I tt-_ tt-
(

I a) - - -a
(

''

(
70 7 72

I -J
t,

( mor - row for me!

(
tt-l I

(
-a

\*:
I
Piano-Conductor Score
11
You'll See URENT''
Music anil Lyrics by
lonathan Larson

I rit.---
Benny:
a lo :5

Ioy to the world, the... H"y you, bum. Yea[ you, move o- ver.
PIANO
+ Guitar

v-,
a)
rit.---
J
tT'T-l
#

6 7 I

Get your ass off that Range Ro-ver. Mark: That attitude toward the homeless is exactly what Maureen is protesting tonight.

Gtr. II

Gtr. I
Dnuns, H.H.

10 11 12

(Mark:) Close up, Benjamin Coffin the third; our ex-roomate who married Allison Grey of the Westport Greys, then bought the..

l^l
14 I f -l )attal I I
-'laI

d i I l--rF I lv7 Ll -
rr-rrll t I l--rr
| ! I
I lf Ll
- - -
 f'
a,
Piano-Conductor Score #1L - "You'll See"
r
( 15
Benny:
( 13 14

(
( (Mark:) ...buildilrg from his father-in-1aw, in hopes of starting a cyber studio. Mau reen is- pro - tes - ting-
(

(
(
(
(
(
(

(
16 17

\
(
lo - sing her per - for-mance space. .not my attitude.

(.

I
(
Roger: 10
18
(
(
What's hup pened to Ben ny?- What

{
Piano-Conductor Score -3- #11 - "You'll See"

,o(RoBer:) 21

hap - pend to l-ris heart and the deals he once pur - sued?
-

Benny:
22 23

A-ny ow - ner of that lot next door has a

25
24

right to do with it AS he pleas es,

-
 Piano-Conductor Score -4- #11- "You'll See"

Benny: Roger:
26 27

The rent. We're broke.

Collins: Mark: J-
A
-2

Hap - py birth - day, ]e - sus. You're wast - ing your time.

Benny:
28 29

-J-
a)
There is one way you won't have to
(Mark:)
A -^ - -
-J-

And you broke your word. This is ab surd.

+ o

'l .l

t_,
Piano-Conductor Score -5- #LL - "lou'Il See"

(Benny:)
30 DT

a) f l-
pay Next door the home of Cy - ber Arts you see. And

A
Roger: -

I knew it.

'1 'l

(Benny:)
32 33

-3- -.1- )-
-.3-

now that tl-re block is re - zoned ouf dream call be - come a re-
-

\ l^l
/aI
I l^l ,t ^l

(Benny:) .ti
34

a-li - tv.- You'Il see, boys.

TPLAY]

Drum Fill
 Piano-Conductor Score -6- #11 - "You'll See"

36 38
a--

You'Il see, boys. A

-
rJ €> 4 +
r, ))))J))))))))))) (cont. sim.)
lfa vl ) .I
tl
€>

39 (Benny:)
40

-J- -J- -J- -J-

state of the art, di - gi - tal, vir - tu - al, ir-r - ter ac - tive stu - di - o.

+ Bdss

41 42

I'll fore - go your rent and on pa - per guar-an - tee that you can

\.-"

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Piano-Conductor Score -7- #11 - "You'll See"

43 44

stay here for free, if you do me one small fa - vor

(BennV:)
nu 46

-J-
a)
Con vince Mau - reen to can - cel her pro - test. Mark: Why not just get an injunction...
Mark:
A I

What?

(Benny:)
48 49

+
(Mark) ...or call the cops? Benny: I did and they're on standby. But my in ves - tors- would rath - er- I

f
 f-a Piano-ConductorScore -8- #11 - "You'll See"
(
( (Benny:)

f 50 51

( -J------
-3-
( han - dle this qui - et - ly.- Roger: You can't quietly wipe out an entire tent city then watch...
(
(
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r 7

(
(
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(
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( (Benny:)
52 53

(
(
(Roger:) ..."It's a Wonderful Life" on TV! Benny: You want to produce films, write songs? You
(
(
(
(

( r r
(
(
(
(
(
(
(
54 55
(
(
( need some - where to do it It's what we used to dream a -bout. Think
(

(
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(
I
Piano-Conductor Score -9- #11 - "You'll See"

(Benny:) 57
56 58

twice be - fore you pool-r - pooh it. You'll see, boys. You'll see,
-
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rt )r'l^l tt - IPLAY]

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61

60 62

-a-
boys. You'll see the beau-ty of a stu-di - o- that

-SYNTH PAD

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63 64 65

lets us do our work and- get paid. With con-dos on the top whose

U
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 -10- #1L - "You'Il See"
(-
f' (Benny:)
f' 66 67

(-
(' rent keeps o - pen our shop. just stop the pro - test and you'll have it made. You'll see
(' -
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or you'll pack. Angel: That boy could use some Prozac. Roger: Or heavy drugs. Mark: Or group hugs.

PIANO

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(,
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73 /4 75 76
(
("
Collins: Which remilrds me -- we l-rave a detour to make tonight. Angel: Life Support's a group for people copirlg with life
(. Arryone who wants to can come along. We don't have to stay too long.

(. d '-bJ J
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Piano-Conductor Score -1't- #LL - "!ou'Il See"

Roger: I'm not much

Angel: He'lI catch up later...
Mark: Angel: company you'll find Mark:
77 78 79

First, I've got a pro test to save Ro -ger? Be have!

a) bt t bt t- 't :t
Da- bt t
p,:bz
Ab2/c Bb/C

(Angel:) He's just got

other things on his mir-rd. 8I Mark &
(Angel:) Collins: 83
80 82

+
You'll see, boys. We'll see,- boys.

-
Iary
a) - \t t-d I
Gsus G f c4G c2/F C4A c2/F

Roger: Angel:
84 85
86
Collins: 87

-.J---

I€t it be, boys. I like boys. Boys like

d<> J J-

CYG c2lF c4A C4F

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 r- -12- #1-1- "You'll See"

rr
(' (Angel:)
Ail:
(' 88 89 90

(-
r- me. We'll see.

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Piano-Conductor Score
t2
Tango Maureen r Intro ''RENT''
Music anil Lyrics by
lonathan Larcon

I
fl b
Mark:

And so in - to the a-byss.

PIANO

a) i; J
1 ?i t _l
1 ?t t; J
1 ?J

Mark: The lot, where a small

stage is partially set up.
Mark:
.i 4

-J"._
Close on Mark's nose clive.

Joanne:
A 4\

"Line in." I went to Har - vard for this? Line

a) i,_; J
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r- Piano-Conductor Score -2-
('
(
(Mark:)
(- 5 6 7

('
(' Will he get out of here a - live? Hi.
(' (Joanne:)
(-
('
(- out. Mark?

a) t---' J
1 i},e -+

(Joanne:) Mark:
o o 10

told her not to call- you. That's Mau-reen. But can I help since I'm here?

a) t-) __l
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Joanne: I've hired anengineer. Mark: Great! So nice to have met you. Joanne: Wait... ...she's three l'rours late.
11 4\ 12 13 /i L4 L5

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SEGUE
Piano-Conductor Score
12
Tango Maureen ''RENTU
Music and Lyries by
lonathan Larson

3
.Ioanne:
2

The sam-ples won't de - lay, but the

Gtr. I

a) IJ 1

trcm Drums - New Orlcans rhumbafecl

Bcss

Roger: Joanne:
4 5 6

-3-
ca-ble.. There's an-oth-er way. Say some - thing an-y-thing. Test one, two, three.

Mark: Joanne:
7 I I

At-r - y-thing but that. This is

 a

{-
r' t0 (Joanne:)
(- 11. 12

('
a)
t weird. v"-ry weird. I'm so mad tl-rat I don't karow what to
(- - -
Mark:
(' Ar
(-
It's weird. Fuck-ilr' weird.
- -
(
Gtt. I

a) lr
(
Cm

(lroanne:)
14 15
'.--J
-J----

do. Fight-ing with mic - ro - phones, freez - ilrg down to my boues, and to

\
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a) h3 #r
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Mark:
( tb 17 18

( -J__-- --l

top it all off I'm with you. Feel like go - ing in - sane? Got a

a) nr 1
I
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Cm

I
Piano-Conductor Score -3- #12a - "Tango Mflureen"

(Mark) Joanne:
19 20 2'I

-J-------

fire in your brain? And you're think-ing of drink-ing gas - o line? Asa

a a
a) I
1 f,J
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Mark:
22 24

-J-=--- -J_--

mat - ter of fact... Hon-ey, I know this act. It's called the Tan - go Mau -

g
a) fi1 J __l-
a
lh3

26
25 7

reen. The Tan - go Mau reen. Itrs a

Kbd. II
-
tt
f V Y V
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 r' Piano-Conductor Score -4- #12a - "Tango Maureen"

{-
i' (Mark) l-,
J -----..-
( 28 29 30

(' -J-
(' dark, diz-zy mer - ry - go round as she keeps you dang - lir-rg.
( -
I

1
a)

Ab c G

(
Joanne:
31. 32 JJ
(

i a)
You're wrong. It's dif-ferent with me
(Mark:)
(
Ar
-J-
(.
Your heart she is man - gling. And you
(

a) f Y f
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777 t t7 +
7 7 +
7 +
7
c

(.

(
(Mark:)
35 Jb

-J--_- -J- -J- -J- -J-

toss and you furn 'cause her cold eyes can burn yet you yearn and you churn and re

a)

F Fm c
I

-J-
Piano-Conductor Score -5- #12a - "Tango Maureen"

(Mark:) Joanne: J- Both:

37 38 39

bound. I thhk I larow what you mear1. The Tan - go

+JJ + J J + +
I
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a

A G

12
Mark:
40 43

-3-

Mau reen. Has she e-ver pout-ed her lips and called you

-
a) + Guitqr I
Cm c F Fm

Joanne: Mark:
44 45 46

-J-

Poo - kie? Nev - er Have you ev er doubt-ed a

d 't-
ryp Fm/C C f FmC FmC F
 { Piano-Conductor Score -6- #12a - "Tango Mfluteen"
(
( (Mark) Joanne:
( 47 48 49

(
( kiss or two? This is spook - y Did you
(
(
(
a) / a a
(
Fm
nw
F G
f Fm G Fm G
"1/G

(
(
(

50 '-J-_--- Mark:
51 52

(
swoorl when she walked tlrrough the door? Ev -'ry time, so be cau - tious.

(
a) 'l
( np
F Fm Fn/C C

t'

Joanne: Mark: Joanne:

53 54 55

\
(
Did she moon o- ver oth-er boys? More tl-ran moon. I'm get-ting
( -

1
a)
f Fmc Fmc F Fm

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Piano-Conductor Score -7- #12a - "Tango Mauteen"

J8
(Joanne:)
56 57 59

nau - seous.

TPLAY]

a) r
ryp
Fn/G G f G

60 61 62

-.1-

Mark: Where'd you leam to tatlgo? Joannel With the French ambassador's daughter in her dorm room at Miss Porter's. And you?
63 64 65

-J- -J- -3-

r- -8-
(t^

r' Mark WithNanette Himmelfarb, the

Rabbi's daughter, at tl-re Scarsdale
(- ]ewish Community Center. It's hard to do this backwards.
(' 66 /i 67 68

tr'
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('
(- /:\
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a) LJJ
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7t
Joanne:
69 70

a)
You should try it ln heels! She cheat-ed. Mau-reen
Mark:
Ar I

( She cheat-ed.

Gtr.I

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Az

(. Bass

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Piano-Conductor Score -9- #1-2a - "Tango Mauteen"

(Joanne:) Mark: Joanne:

Mark:
72 73 74

cheat-ed. Fuck-in' cl-reat-ed. I'm de feat - ed. I should give up right now Got - ta

AJ l. F.
Fl
Dm A

Joanne:
75 76 77

look on the bright side with all of your might. I'd fall for her still an - y -

Both:
'-J----- 80
78 79

)-
how When you're danc - ing her dance you don't star-rd a chance. Her

Dm
 Piano-Conductor Score -10- #12a - "Tango Malrreen"

(Both:)
Mark: Joanne:
J --------l
81 82 83

-J-

grip of ro - mance makes you fall. So you think might as well... dance a

a) It ft. H.
lnl lo*
Dm A

Both
84 85 85

tan - go to hell At least I'll have tan - goed at all. The

a)
lnl
fl. J J f J-
Dm

87

89 J--------

Tan- go Mau reen. _ Got - ta dance 'til your di - va is

Kbd. II - Farfsa

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a)
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Piano-Conductor Score -11.- #12a - "Taflgo Mflureen"

(Both:) J-
90 91

through. You pre - tend to be - lieve her 'cause in the

AJ

D A

-t-r

3-
94. 95

/-
end you can't leave her. But the end it will come, still you

-
a)

D G

.____J Mark:
96 97 .-J g8

-J_----
have to play durnb 'til you're glum and you bum and turn blue. Why do we

AJ +t
J
Gm D B7

-J-
 ( Piano-Conductor Score -12- #12a - "Tango Maureen"

f
( (Mark:) Joanne:
(' 99 100 101

f"
r- love when she's mean? And she can be s() ob - scene.-
('
('
\
a) JJJ J J J J J J ++J J J + J J
Bb/A
(-

( Mark Patched!....
Joanne: Thanks.
( (dialogue contiwrcs)
Mark: Joanne:
102 1.03 1.04 105 ri
(

Try tl-re mic. Mv Mau ree11.

Gtr. I

f
Db/A

(Joanne:) Forget it,

we're patched.
Both: rit.
I
1-06 ri 107 1.08

The Tan - go Mau reen.

B,o-
I ri II
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a)
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A ri Bass

o
Piano-Conductor Score
13
Support Group ''RENTU
Music anil Lyrics by
lonathan Larson

Steve Gordon: Ari:

1 2 3 4

Steve Gordon. A-li.

Gtr. I solo (8ub)

sbz F sbz Dm7 C

Pam Sue Collins Paul:

5 7 I

Pam. Sue. Fli, I'm An-gel. Tom Col-lins. I'm Paul. Let's be-gin.

sbz F r,bz Dm7 C

9
Ail:
10 11 12

There's o11 1y us. There's ol-l ly

Kbd. il

a) {> q
4 {} q
a
+ * J +
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F c sb F c sb
 r- -2-

f-
f' (All:) Mark: Paul: Mark:
(' 13 14 15

{'
r' this. Sor-ry. Ex - cuse me. Oops. And you are? Oh, I'm not... I'm
('
PIANO
('
(' fhF J'? l)? li? l)?
(-
a' "nf PLAYI

('

(
(
( 15 17 18

just here to... I don't have... I'm here witl-r... Mark.

(
(

L'aaia I!!I
1111 .!.
aJ11 .J. -J- -J.

19 20 21
(.

( Mark. I'm Mark. We11, this is quitean o-per-a-tion.

t\1744 .r.
J111 .r- .-- _r- .J-
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t,
Piano-Conductor Score -3- #L3 - "Support Group"

Paul:
22 23
-J-

Sit down, Mark. We'Il con tin-ue the af - fir - ma-tion.

daajj .t_
JlJa
.J_ .!. .a- :]
+eee -L .-. .J-

-5EI-------Ii-l- r o

25
Ail: 26 27 28

-----a

For get re gret or li{e is yours to

+ Kbd. II

a) 4-!.
a+J
--- -+ - 4 e #
4
-J
J
1
J_4
w
ry

o I
U

Hl
Gordon J--.---
3L
29 30

-3-

lTUSS. Ex-cuse me, Paul. I'm hav-ing a prob-lem with this.. this cre do.

aaaa= .--
111 .-_ .4. I
1 r_
1111-r. -J- -t

mf
 (^ -4-
(' (Gordon:) Paul
(' 32 JJ I,t
-J-
('
r' My T-cells are low I re-gret that news, O. K.? A11 right. But Gor-don,
('
('
(' ujAi7 .r. L .-_ .J_ .r.ttI
teee JJJl
('
('

('
(Paul:)
35 36 37

-J- -J-

I
a) l-i
how do you feel today? How do you feel to<lay?
Gordon:
A
-J-
(

What do you mean? o. K.

dta t_a
11 -r-
11 -r" .a-
11 .t- .r.
eeeC -L .-- L

(Paul:)
38 39 40

a)
Is that all? Then wlry choose fear?
(
(Gordon:)
A

Best Irve felt all year

aJaiaa .r.
J111 .t- .-- .a !!-I_.J
eeee

I
Piano-Conductor Score -5- #13 - "Support Group"

Gordon:
41 42 43

-3-

I'm a New York - er! Fear's my li{e!

&o- - - - -'
/:\

a) .t-
* I
/:\

(Gordon:)
+5 46

Iook, I find some of what you teach sus-pect

Gtr. I
Ir--

Bb/D cln Fsus F

Bass^

48 49

be - cause I'm used to re - ly lng on 111 tel - lect. But I try to o-pen

lr--

a)

F/L cln Bb/D c/a

 Piano-Conductor Score -6- #13 - "Support Group"

Gordon
l-t
50 51
& Roger: 52

up to what I don't know Be-cause rea son_ says _

tt I

-l
l-l-l-J t t
Fsus FmaT cln ,r3 IPLAY]
l. _
u
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(
<? 54

I should have died three years a-go

L

---+- --t-
a) J J I a- J J J 1J

I
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56
Ail:
57 58

No oth er road. No
t
(Gordon & Roger:)
I

a) e
a
J
1 J J 1
-J ;a
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f
Piano-Conductor Score -7- #L3 - "Support Group"

(All:) OL
59 60 51
)- ---_{
----{

oth er way.- No duy but to - day

31e
<>
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TE-i-
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( Piano-Conductor Score
( t4
(
(
Out Tonight URENT''
Music anil Lyrics by
( lonathan Larcon

(
(
2 J 4
(
(
(

(
( a)
(
( Gtr. I (+ )ry1n55

5 6 7 8

'

rl

9
Mimi:
10 11 12

What's the time? Well, it's got-ta be close- to mid nigl-rt. My

+ Guitat II

t.
Piano-Conductor Score -2- #14 - "Out Tonight"

14 15 16

bo-dy's talk in' to me. It says- "time for dan-ger." It says "I

17 18 19 20

wan-na com-mit a crime, wan-rla be tl-re cause of a fight, wan-na

22
21 23 24

put on a- tight skirt- and flirt with a stran-ger.

+ Bass

a a tsr
f. Piano-Conductor Score -3- #74 - "OutTonight"
(
( 25

t _-__26.\ 27

(
( I've had a knack from- way back at break-in' the rules- once I learn
(.
ANAT,OG STRING PAI)
(

o pteyl'
+ Guitar I €t II F D A2
II

Bass

28 29 30
(-
-3-
the games. Get up, life's too quick. I know some-place sick where this-
-

F D Esus

32 JJ

chick-'ll dance in the flames. We don't need an-y mon-

-

a) l-l J

E F#'n D
Piano-Conductor Score -4- #1-4 - "OutTonight"

3s
"-_3 36

ey. I al-ways get in for free. You-

-

F#* D c

37 38
39

can get 1n too if you- get 1n witl'r me

a) 4 J -
D Esus

In
-/'lll*t
^.
r r r r r r

l1

[-et's go out to - night.

-
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a)

E D E

-
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44 45
\

I have to go out
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('
(
Asus A D

(.

('
\ 47
46 48

( to - night.-
\ I
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a)
E Asus A

i
i

49 50 51
(

( You wan-na play? Let's run a - way.- We won't come back be-fore it's

{E>

a) lr

D E F# D

(
Piano-Conductor Score -6- #14 - "Out Tonight"

54
52 53

Cl-nist - mas duy Take me out to - night.

-

-o_

a)
E

57
55 56 sB aocal ad lib

Me-ow

AJ

Asus A Guitar I €t II
L

59 60 aocal ad lib 67

Wher-r I get a wink-

J
a)

Ffi. D
+ Bass
 Piano-Conductor Score -7- #14 - "Out Tonight"

62
63 64

from the door - marl/- do you know how luck-y you'Il be that you're
-
-

Ff'n D C

65
66 67
-J-

o1"l line with the fe line of Av-e-nue B.

a) - 1,,
sub mf
D Esus

69
68

Letrs go out to - night.

-
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E D E

(
Piano-Conductor Score -8- #L4 - "Out Tonight"

71 72 73

I have to go out

{C>
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-
.)
Asus A D

-/'fl#t r r r
' ' r

,,A
75
/4 76

to - night.-
e
-o.

AJ

E Asus A

77 79

-J-

You wan-na prowl? Be my night owl.- Well, take my hand, we're gon-na

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D E Ff,n D
 Piano-Conductor Score -9- #14 - "Out Tonight"

80 81 oa

howl out to - nigl-rt.

-
CI CT

8i
83 {C} 84 86

In the eve - ning I've got to roam. Can't

I BEI-L PAD

a) 4> u
Asus A D E

HJ
|..-J
87 88 89-3-
-3-
-J-
sleep ir-r the ci - ty of ne - on and chrome Feels too damn much like

e
Ffi'" D

(r
Piano-Conductor Score -10- #14 - "Out Tonight"

90 91-
,-J 92

-J-

home when the span-ish ba - bies cry So let's find a

.ll
{E}
E F# D

ot 95
3- '-J
96 97

bar, so dark- we for-get who we are,- where all- the scars- of the

a.) o {€} v

E F#'n G2(no3) A
-

t0t
98 99 1-00
-J-

ne-vers and may-bes die. Let's go out

ANALOG PAD
{€}
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a)

Esus E D

Bass
-
 r' -11.-

{'
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103
(' 102 1.04

('
(' to - night. I have to go
('
CI -
(' -
a)
('
E Asus A
(-
(.

105 107

( out to - night.
1

{G} I
CI

D E Asus

108 1.09 110

(
You're sweet. Wan-na hit the street? Wan - na

<E>

A D E

(
Piano-Conductor Score -1.2- #L4 - "OutTonight"

111 L 11)J 113

wail at the moon- like a cat l11 l-reat? just take me

-o

Ffi. D

1L4 115 e> 116 117

out to - nigl'rt.- Please take me out

e CI

a)
E Asus A D
tsr

,/-.
118 1.1-9 120 121

to - night. Don't for sake me out-

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-
AJ

E Asus A D
Ir.
 ( -13- #14 - "Out Tonight"
(
,-. |...-J
( 123
L22 124 125
( a_

(
( to - night. I'll let you make me_ out

(
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( -
(
a)
(
E Asus D
(
ts

\
( 7^.
( 126 1.28

(
to -nigl-rt. To -night. To-night.- Ton-ight.
(
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(

E A

APPLAUSE SEGUE

(
(

(
Piano-Conductor Score
15
Another Day ''RENTU
Music and Ltrrics by
fonathan Larson

2
4
+
1.

PIANO

a) /- l_J_l_J
nb BbmT Fm cb ab ob BbrnT
Drum Solo
Bass (8ab)
-J-

't

6 Roger:
5 7 8

Wlro do you think you arc? Bar-ging in on

-

a) v- t) J DJ' - J DJ - t-t DJ

Fm cb lb Pblno:; gblno:; phlno:; gb1no3) pb1no3)

I 10 71

me and my- gui - tar, lit - tle girl. Hey, the door is that way

aJ qJ3 7J J J
4
- J - DJ
pb1no3) qb1no3) pb1no3) gb1no3)
F(no3) 6b1no3) 4b1no3)
?be
r' Piano-Conductor Score -2- #1-5 - "Another Day"
('
(
(Roger:)
( 12 14

( The fi - re's out-

You bet-ter go, you know. ar1 - y-way. Take the pow-der
(
( I

3 7-7 t c-
ril t\ I I I I

a) - O DJ !+ +
pb1no3)
'=
F(no3) 6b1no3) Ab
? ?bv

15 t6 17

Take your can - dle. You sweet whis - per I just can,t han-dle.

a)
--z_
th/cb Ab/Bb BbmT Ab/Bb BbmT

? a

18 1.9 20

Well, take your hair- in the moon - light, your brown eyes.- Good-

/ fY
thlcb Db/F
Piano-Conductor Score
a
-J- #L5 - "Another Day"

21 22 24

byu. Good- night. I should tell- you,

ffi u 11 a a 1a
a) tttl -1 - t 4 tJ'
_t
J 1-
Gb Ab Bb tnf Bb
[+ L.H.]

25 26 27

I should tell you.. I should tell You, I should.. no!

a) ri- - l' - ri- J

Ebmal f

28
29 30

An - oth - er time. An-oth-er place. Our tem-rpra-ture would- climb.

J
a)

Eb Ab Db Gb Eb Ab
l-
 ( Piano-Conductor Score -4- #15 - "Another Day"
(
(
a1
( 31
I
( -
(
There'd be a long em - brace.- We'd do an-oth-er dance.- It'd be an - oth-er play.-
(
(
(
a) a l-)
i
Db cb Eh Ab Db Gh
l^ t^
(

I 34 35 36

(
Look-ing for ro - mance?- Come back an - oth - er duy
-
I

a) l-) 7
I

Eb Ab Db cb Eb

{E}
U

(
39
37 38

An - oth - er duy

a) l_l f tr-r7l
Eh Ab E

\. .' <E>
r
Piano-Conductor Score -5- #1,5 - "AnotherDay"

10
Mimi: 41 42 11

The heart may freeze or it- can bum.

---f -+
- t t a J
a)

Em Bm A G D/r# D
^/c#

44 45 +h 47

The pain- will ease if I- can leam.

-
a) a t t' - i- i i - J -t a
1
_l
1 J
Bm7 E G Dlrfr D
^/c#

€>
=

48 49 50 51

Tl-rere is r1o tu ture There is no past

Bm D E
^/cil
i\. t

U €>
o o
 (' Piano-Conductor Score -6- #1-5 - "Another Daq"
I
r' (Mimi:)
52 53 54 55

I I live this mo-ment as my last

I l-l-F
--Ft-t II I

a)

G
- - t

rVn#
l_Jl tlr B
ll' J -
BlA
11-

B
-

r.l _ L
(

56
57 58 59

There's o11 ly us. There's on ly

tt-- tt
I "'------------7
a)
.

E - B/n LlE E B/n A1Y,

60 o1 62 53

this. For - get re gret or life is yours to

a) t t t
11
-J--J-
t- t
Cilm7 BlDfr A B
I
Piano-Conductor Score -7- #15 - "AnotherDay"

64 65 66 67

fiuss. No oth er road. No oth er

tt tt I

ffi --iF I --tF _a_+

a) t-
E Bln Alz E Bln A/n
I

68 69 70 71

way No duy but to - dav

a) J t J
t i i t l-
C#mz BlDil E sus4 E f c#t

o o

72
Roger:
73

Ex-cuse me if I'm off track. But if you're so wise then tell me

-

a) J - D} t t DJ J
- DJ
pb1no3) gb1no3) pb1no3) gb1no3) pb1no3) gb1no3)

Bass
 r- Piano-Conductor Score -8- #L5 - "Another Day"
('
(' (Roger:)
( 76 77

('
(' why do you- need-smack? Take your needle. Take your fan cy ptayer.-
I

----{
a

F(no3) 6b1no3) Ab 6b1C,b

/6 79

And don't for - get, get the moorr - light out of your hair

---'-
a)

Ab/nb Bbmz Ab/Bb Bbm:.

?

80 81 82

Long a - go you might-'ve lit up my l'reart.- But the fi - re's dead.- Ain't ne-ver

YYf
6h1G,b Db/F

\,
Piano-Conductor Score -9- #15 - "AnotherDay"

83 84

e - ver gon-na start.

a) \- t _l
J
1 t+'
cb Ab Bb

86
87 88

An - otl'r - er time, an - oth - er place, the words would on ly rhyme.

J
a)

Eb Ab Db Gb Eb Ab
[+ L.H.] l^

89 90 91

We'd be in out - er space. It'd be an - oth - er song. We'd sing an - oth - er way
-

a) - L.-J-J l-)
Db cb Eb Ab Db cb Eb

l- t^

-'vvt r I I I v I t)
Piano-Conductor Score -10- #L5 - "Another Dny"

92 93 94

You want to prove me wrong?- Come back an - oth-er duy

a) l-) 7

Eb Ah Db cb Eb
t^

97
95 96

Arl - oth - er duy

a) I r_l ft

Ab B/A

<E}

98
(Roger:)
100 101

a)

Mimi: -
AuIl

There's on ly Y€S, o11 ly to

tt-- tt

a)

E B/n A/n E B/n AlE

L
Piano-Conductor Score -11.- #L5 - "AnotherDay"

103 104

night We must let 80 to

a J O _l _l
a) 1 1
Cfrmz BlDfr A
\

105 106 107

know what's right. No oth er

tt-

AJ t t i
B E Bln Aln

108 109 110

course/ 11c) oth er way.- No

--l- ___]_ tr
a-)

E B/Y Aln Cfrmz

e
 f- Piano-Conductor Score -12- #15 - "AnotherDatl"
(
(
L11
( 1.12 113

(
( duy but to - day
(
(
(
(
a) a - a t t i t t I
BlDfr E sus4 E
(

( o €>
(
(
(
( t 11
Mimi & Others:
( 115 116 117

(
a) I

I can't co11 trol

(
A u* Roger:
(

(
Con trol your tem - per.-
(
_lt
,
I

[(fl '' ,

-ttL
A E E(#4) E

1
<> {€>

(
(
(
\.

I
Piano-Conductor Score -13- #15 - "AnotherDay"

(Mimi & Others:)

L18 119 1-20 121

a) I

my des ti ny
(Roger:)
Ar 11

She does n't

-t )-
----a-
--Fz
A E(#4) E

122 123 1.24 L25

a)
I trust my soul. My o11 1y

Aull

see. Who says that there's a

J-L + -lJ + JI -+
A E
 r\
t
Piano-ConductorScore -1.4- #15 - "Another Day"
(
( (Mimi & Others:)
( 126 1.27 128 1.29

(
a)
f goal IS just to be.
( (Roger:)
A u ll
(
(
( soul. just let me be

{
(
{
( LLI-J
F# G#(no3) Gf,z
(
(
(
(
(
(
( t30
131 132 133
(
(
a)
( There's on ly r1ow. There's on ly
(
Ar
(
(
( Wl-ro do you tlrirrk you are?

(
I --l
( M -
ffi -)- 1-
( J t -
a) 1 -J

( ob Ab/Db Gb/Db Db Gb/Db

( ^blDb
(
t UU UO
V V
(
(
(
(
t
L
tl
(

L-,
Piano-Conductor Score -15- #15 - "Another Day"

(Mimi & Others:)

1.34 735 1i6 137

a)
O - -
here. Give 111 to love or live 111

A
(Roger:) _---.-.\
- -
Bar - ging 1n on me and my gui-tar.
-
q lr'.h I N I l\ :
ffi
d t
1 -
_l +_- J J + .141
IJ'II
,ila^
?jJ
3.bmT Ab/c cb elnb Ab

138 739 L40 141

a)
fear. No oth er path. No oth er

Ar 4
zll l\* I \ ) )

Lit - tle girl, hey, the door is tl"rat way

I --l

ft F |r'l= I I ' -l z --)- +

a) J
-- - - Q f
-!
Db AblDb cb/Db pb Ab/Db cblDb

UU
V
(' -1.6-

(t'

('
(-
(- (Yjmi & Others:)
743 144 145

('
(' a) --J \-
way, No duy but to-day.-
('
(Roger:)
(' Ar
('
Tlre fi-re's out an-y - way.
(- -
-
('

('
a) lttl J._J]
11 __J- -!_.
1' -JJ
1
Bb- Ab/c Dbsus4 Db

146 147 148 149

No duy but to -day

Take the pow - der.- Take the can - dle.

(
a) tj - ___L
J - O -J-
11 -J _l
1 J'
111 J' - J
- J
1 J

Gb/Bb Ab/C Db

t_,
(-
Piano-Conductor Score -17- #15 - "AnotherDay"

150
(Mimi & Others:) 151 152

No day but to - day

(Roger:)

Take your brown eyes, your

a) - J -
-J -J
)
t J J
1 J
J
J -J
1 J
4 -
-J J
1
cb/Bb Ab/c Db

o e

1.s3 154 1.55

(t t-
AJ
No day- but to - day.
- -
Ar

pret-ty smile, your sil-hou-ette An

- - ,
+ -
_l -J O
a) JJ
1J -J
I
-J
1 1
pb Gb/Bb Ab/C

o U {E}
Piano-Conductor Score -18- #L5 - "AnotherDay"

(Mimi & Others:)

1.56 157 158

--
No day-
(Roger:)

oth - er time, an - oth - er place, an oth - er rhyme, a warm em brace

a) 1 -
-J -J
1 O _l
1 J J
I - - J
--l t -J
J
J -
Db Gb/Bb

o
=

t60
159 161

lfil- r'D t I I I

but to-day

ta) ta ta ) )

An oth-er dance, an-oth-er way, ar-r oth - er chance, an

a) -J
1 -J
1 J _l
1 v- t)
Ab/c Db Bbttt F(no3) 6b1no3) Ab

o
(+8vb)
Ped.
Piano-Conductor Score -19- #L5 - "Another Day"

(Mimi & Others:)

162 163 164

EJ
c)

No duy but to
(Roger:)
Ar

oth er duy

a)
I
-l - JJ
'J
t
o

165 166 L67 168 ri

g
{e}

.i

/i
-o.

a) a'|-!-a - -

ri

{€}
 Piano-Conductor Score
t6
wilr r URENTU

Music and Lyrics by

lonathan Larson

I
a
Roger:
b /i 2

I'm writ-ing one great song be -fore- I.

Gtr. II Gtr. I solo

a) 1 ll
tI
aa
1 l
a +
77 +J
D cbz cb/sb
/i

5
Steve:
3 4

Will I lose my dig -

a) Jf
--I
aa -J
1
)J 1
cbz Eb. Db cbz

6 7 I

ni - ty? will some - one care?

Gb/Bb cbz Eb- pb

t,
Piano-Conductor Score a #16 - "Will l"

Will I wake to -mor row_ from this night

a) 4.
JJ 1. __r
++
77
I
a J fJ
__I
aa I

cbz cblsb cbz

5l!'hLr r

t3
Grnup #1
12 14

ma rc? Will I lose my dig l-t1 ty?

a) J'J+ IJ
aa
J I
a +
77 +t
Eb* Db cbz cb/sb
ry * Kbd.II(ChurchOrgan)

Bass + 6

15 16 7

will some - one care? Will I wake to - mor -

1 a t 1 I ll I
a) -L
__t __I llaa
a a

cbz Ebm Db cbz

+ ) l 'e

r I r (
ri
Piano-Conductor Score -3- #16 - "Will l"

18 19 20

row_ from this night ma rc?

a) t ++-J
aa
1
]J 1

cblBb cbz Eb'n Db

{> )

o r I r r

(Group #1:)
21 22 23

a) - Jq

Will I lose my dig 111 ty? will some one

Group #2
-
Ar

Will I lose my dig nl ty?

I
a +aa
+i
cbz cbz
cb/Bb
+ + +
& o &

LT IJ r I
Piano-Conductor Score -4- #76 - "Will r"

(Group #1:)
25 26

LI

care? Will I wake to-mor row- from-

(Group #2:)

will some - one care? Will I wake to-mor -

a)
Ebtn Db
1
cbz
l
__I
a l 4 -
cb/Bb
___L
tta
77
I I

+ + +
F F a 6

r I LT L-T-

29

27 28 30

a) I aa(t
this r-right ma te? Will I lose my dig r-ri - ty?
-
Ar )

row_ from this nigl-rt ma re? Will I lose my dig -

STRINGS

+
a) 1.
++-+1. (Gtr.I cont.) IPLAYI legato
tt(/
v

cbz nbz Db
cbz Gb/Bb
o
F- F F + Organ

r. tr
 Piano-Conductor Score -5- #16 - "Will r"

(Group #1:)
31

L I
AJ I

will some - one care? Will I wake to - mor -

(Group #2:)
Ar

a) - J U L I

n1 ty? will some - one care?

Group #3:
Ar
a

Will I lose my dig 'l't I ty? will some - one

L I
a)

cbz Eb* Db cbz

34 35 36

this nigl-rt ma re?

a)
Will I wake to-mor this riight

AI
)-

cate? Witl I wake to-mor row_ from-

Lrl
a)

Gb/sb cbz Eb. Db

i
Piano-Conductor Score -6- #76 - "Will l"
(Group #l:)
37 38 39

a) - .U
Will I lose my dig 111 ty? will some - one

Ar
(Group #2:)
-
t
a) 'U
ma te? Will I lose my dig r-ri ty?

(Group #3:)
-
Ar )

this night ma re? Will I lose my dig -

f cbz Gb/Bb cbz

(Group #1:)
40

care? Will I wake to-mor - row- from

(Group #2:)

L I
AJ
will some - one care? Will I wake to-mor -

(Group #3:)
Ar
a .U LI
a)
nl ty? will solne - ol1e care?

#4:_
-
Ar Group

Will I lose my dig ni - ty? will some - one

a) '-J Vt V
Ebtn pb cbz Gr/sb
r- Piano-Conductor Score -7- #16 - "Will r"
(\
(' (Group #1:)
44 ri --__
(' 43 45

f-
(' this night ma re?

(Group #2:)
(' Ar /:\
('
( row_ from this night..
(- (Group #3:)
/i
('
{^
(' Will I wake to-mor row...

(- (Group #4:)
/a
{'
{' care?
(
(
ri
(
(
a)
(
.l I
( cbz Ebm nb
( cbz cb/Db Ebm

(
( G -
( SEGAE

(
(_
(,
(,
(.
t_
\
(,
(.

t.
(.
L
(""
(--
(--
Piano-Conductor Score
t7
On The Street ''RENT''
Music anil Lyrics by
lonathan Larson

2 3 4

PIANO Baa HJ
r___J F-_J 3
-J- -o
a)

+ H.H.
I
-J- -J.-

Bas-s

.t
Three Homeless People:
6 J- 7

Cl-uist - mas bells are r[19 mg. Christ - mas be1ls are

(8va) H2
3 3 HJ 3 3
-.1-

a)

rJ-
-J- -J- -J- -J- -J-

J
I 3----i 9 10

rmg lng. Christ - mas bells are rmg llls

_----1
(Sva) - r-__J HJ r___J HJ--__I
3 3
-3- -J-

a)

-J- -J- -J- --l- -J- -J- -J- -J-

 tr - Piano-Conductor Score -2- #17 - "On The Street"

tr'
(- II
12 -J- 1-3 -- 3a
-3- ,+ )-
f'
(' out of town. San - ta Fe. (whistling)
3
(' ._...-J
loco b
(' b

(' -3-
a)

tr p
|....--l------ D+ 2
1- +-
-3-
I

{
Squeegieman: Honest living, man!
I [Car Squeall Feliz navidad!

I 14 15 /i 76

-J- -3

\
b ri
(

a)

Dt
hL
r b+
F ri L._

l7
18 19
t
(

RHODES
rJ
3----r HJ ,.-J ---r
-J---
-3 -3- -J-
a) 'VJ

;:F: rTj.---,
-;-
-J-
-.'-

-3- -J- -3- -J- -3-

I
Bnsr-
(

!,
Piano-Conductor Score -J- #17 - "On The Street"

Homeless Person: Mark Smile for Ted Koppel, Officer Martin.

20 21 22
-J-

Eve-ning, of - fi-cer

,-3< 3n
rJ-

a) Jfr+ - +l'
3< - A,3-
"--+l l-l-l l-l-1
-3-
-J- -3-=- -3-
-J-
-J-

Homeless Person: Cops:

23 24 25

-J-

And a mer - ry Cl-uist-mas to your fam - rly Right.

,-3 3<
,-3
-J-
a)

-3- -J-
-3- --t-

It) 27 28

PIANO
,----b J--- x J----r 3 --__, HJ HJ |- |- J-__r
b r-3 J -___1

-J-
du| t_JdLrl

-3- -J- -J-

fr Piano-ConductorScore -4- #17 - "On The Street"
(
Faster
( 29
Blanket Person:
f 30 JI

(
( Who the fuck do you think you are? I don't need no
(
{
(
(
( Gtr.
rl
(
( + Bass

(
(
{
(
JZ DJ 34
(
(
( God - damn help from some bleed - ing heart cam - 'ra man. My life's not for
(

(
(
( I I rl
(
(
(
(
(
37
( Angel:
35 36
(
(
( you to make a name fot your - self on. Eas - f, sug df,

( STRINGS

(
( a)
ba bU
\.
\
t
( i
L,
I

(.-
(_-,
Piano-Conductor Score -5- #17 - "On The Street"

(Angel:) Blanket Person:

38 39 40

eas-y He was just try - iog to.. |ust tryir-r' to use me to

a) rJ I b8 DA

Gtr. I
L
5t:tt-
+ Bdss

41

kill his guilt. Itrs not that kind of mov - ie, hon - ey Let's go. This

44 45 46 ri

Iot is full of moth - er fuck - ing at tists. Hey artists, got a dollar? I thought not.

ri

A
f- Piano-ConductorScore
( 18
(
(
Santa Fe ilRENT'
Music anil Lyrics by
( lonathan Larson

{
(
1 2 3 4
(
(
(
(
t'

(
(
r1
(
(
:i SYNTH BASS

(
(
(
(
( 5
Angel:
6 7 I
(
(
a)
( New- York Ci -ty Cen-ter of the u - nl-verse.
( Mark: Collins:
A rIl
(
(
( Uh - huh. Sing it, girl.

(
(
(
(
( l-t-t
(
(
(
(
t
(
(
L
\-,
(.
L,
Piano-Conductor Score n #18 - "SantaFe"

(Angel:)
9 1.0 1.1 12

a)
Times- are sl-rit-ty But I'm pret-ty sure they can't get much worse.

Mark:
Au*

I hear ya.

a)

(Angel:)
1.) 14 15 1.6

Itrs a com-fort to know when you're sing-ing the hit the road blues that

a)

-
-

17 18 19 20 ri
4+

an-y-where else you could pos-si-bly go af -ter New- York-would be .a pleasure

cruise.
/i

l-l-1 /i
 r.\ -3- #L8 - "Santa Fe"
f^
("' )I
Collins:
{' 22 23 24

('
(' Now- you're talk - ir.r' Well, I'm
(' (play again m.41)

(
(- a)
(-
a' + Drums (Bongos)

(- Bass
-
(

25 26 27 28
(

thwart - ed- by a met - a-phys-ic puz - z7e.- Arld I'm

(
(

a)
(
(
|-l-1
(

\
(

29 30 ?1 7t
(
(
( sick of grad-ing pa - pers that I know And I'm
t
(

t-t-l

I
Piano-Conductor Score -4- #18 - "Santa Fe"

(Collins:)
34 35 36

shout - ing l11 my sleep. I need a rnuz-zle

a)

|_l-1 t-t-i

37 38 39 40

All this mis - er - y pays no sal - a - ry So. let's

t-t-l

]I
+J 44

o-pell uP a res - tau-rant lll San ta Fe. oh

a) t+ li- t
PIANO

e e'
tr-

(Bass, Drums cont.)

 Piano-Conductor Score -5- #1-8 - "Santa Fe"

(Collins:)
45 46 4/ 48
\

sun - ny San - ta Fe wotrld be nlce. We'll

\
a) H* 7 7

e A-A
- ta)- ,-i /)
('

\
( 49 50 51 52

o-penup a res - tau - rant in San ta Fe and

l
A a
a) 1 Ht
=.---/- T

-Y
)' ) ) ,

( 53 55 56

(
leave this to the roach - es- and nuce.

- T J-J llu
a)
r'

(
Piano-Conductor Score -6- #78 - "Santa Fe"

(Collins:)
60
57 58 59

oh

a)
+ Kbd. il Pad
YV
Ei 8:

Ail:
61

2----rz-
I

l-

Oh

mf
)
 -7- #18 - "Santa Fe"

(' (Ail
70
(' 67 68 69

r-
('
(-
r' 1 r.t
Angel:

('
(-
You

(^
{'
(' (play again m.79)

(-
(

7I
Collins
72 73

I teach. Com pu - ter age- phi los-o-phy. But my

(
(Angel:)
Au

teach?

(_ a)
(.
t-t-t l-t-r

Bass
-
Piano-Conductor Score -8- #1-8 - "Santfl Fe"

(Collins:)
75 76 77 78

stu-dents would ratl-r-er watch T.V You're a

Angel: Ail
L

A mer-1 - ca._ A - mer-i-ca

79
(Collins:)
80 81 82

sen - si - tive aes-thete. Brush the sauce on - to the meat. You could

tpLAvl

(Bnss, Drums cont.)

83 84 di)

make the men u spark - le with rhyme You could

a) I <_J
4
 r-1 -9- #18 - "Santa Fe"
(-'
(' (Collins:)
f' 87 88 89 90

(' ----)+
(- drum a gent - le drum. I cotrld seat guests AS they come/ chat-ting
\

f'
{- 7 7.- 7 7
(' Y >-*-/
(' 2
b

('
('
(

94
91 93

not a-bout Hei deg - ger, but wine. Let's

a) J t J' (/'

( 4\.
'

(
95
( (Collins:)
96 97 98
(
(_ a) 7l I

( o-penup a res tau - rant l1"I Fe Our

(
Att
Ail:
#t
-T-l \
(
i.
San - ta Fe

(.
I
a) T rl I' J J

I -
Piano-Conductor Scote -10- #78 - "Santa Fe"

(Collins:)
99 100 L01 102

a) rl I

la bors would reap fi-nar-r-cial gains. We'11

(Alltl
a ,., -

Aah Gain Gain Gain

a) f

e' 2^
{-+}
Q: ,rt- , )).

103 104 1.05 1.06

a) 7l
o pel1 up a res tau - rant 111 San ta Fe and

Au l\
#a

Aah San - ta Fe

a) l -. I'J J
 Piano-Conductor Score -11- #18 - "Santa Ee"

(Collins:)
1_07 L08 L09 110

save from dev-a sta - tion our brair-rs. We'll

Homeless: Ail:

Save our brains. We'll

a) f
v-1
5nt 12
T_
L * 2
+-

111 112 11-3 114

a)
pack up all our junk and fly SO way De

Av

pack up all our jr.k and fly so far a way. De-

-rrl-
a) J +
f Drums (Sct)

fti *? ti s: - f-ofi- t

t
Piano-Conductor Score -12- #18 - "Santfl Fe"

(Collins:)
116
tfp 118
115 1.17

a) f 7
vote our-selves to pro jects- that We'11

(All:)
Au \\

vote our-selves tcl pro jects that sell. We'11

a) J +l' t' +

J C t) O
? l-r 'l-r F - F

11-9 1.20 122

L' I
a)
o pel1 up a res tau -rant rn Fe. For -

Att l\

o - penup a res tau - rant ln San ta Fe.

Piano-Conductor Score -13- #18 - "Santt Fe"

(Collins:)
1.23 124 125 L26

get this cold Bo he Inl z['t hell.

(AIl:)
N

Aah hell.

a) f f I

'? e a-,
{-
) il.

t27
130
L28 129

a)

Ei
Piano-Conductor Score -1.4- #1-8 - "Santfl Fe"

131 132 133 134

--1

__<

135
1.36 tJ/

*) J

a)

Ei
 (' -15- #18 - "SantflFe"
(-
t1t
('
(' 139

('
('

(' )-
(-
(-

('
a) -\-_--

B ) J.J ^

(Drums - Bongos)

pp
143 144 145 146 147

-=.-

\-
( 15r: -'-- zT
a
t

(
Piano-Conductor Score -1.6- #18 - "SantaFe"

Collins:
149 150 151 152 153

Do you know the way to San-ta Fe? You

Bass t-l_r

rit
15+ 1-55 156 157
ri

know... tum-ble - weeds...- pfar rle dogs... yeah.

-
(Bongos) 6,

a
+-
_
rit. ri
tPLAvt
|-l-1 ).
 f- Piano-ConductorScore
(- t9
f' I'll Cover You ,RENTU
Music anil Lyrics by
(- fonathan Larson

('
(- Shuffle Feel Last X
(vamp)
(' , 2 Mark: 2a 2h

('
r- I'll see you- at the show t11

{'
{-
('
(-
Drums, H.H.
{
{'
('
("
('
( (Mark:)
( 2c 2d t(vamD [Dialoguel

(
Cue to continue:
( trv and con - vince Ro - ger to go. Angel: Darling,
( we're everything.
Guitsr
(
( a)
(.
(
(.
(
(.

(, J
[On Cue]
Angel:
(. 5 6 7

(.
( I'll
Live in- my l'rouse. be your shel ter.
(
I

-4'
-d. --u
t- Bass

/,

L-
Piano-Conductor Score n
-L' #L9 - "l'll Coaer You"

(Angel:)
I 9 10 11

just pay my back with one thou sand kis SES.

- -

---/
a)
-z

12 13 L4 15
>

Be my lo ver. T'll co - ver

da -8i 2':-==-
-=-'-

16

you.

de' O J J J

p
 Piano-Conductor Score a
-J- #19 - "l'll Coaer YoLt"

20
Collins: 2L 22 ZJ

o Pen_ your door. I'11 be yur ten - ant.

--/ 4
-ti

24 25 25 27

Don't got much bug - gage- to luy at your feet. But

'-- u'-t
_--l l.- ri
-

z6 29 30 J1

sweet kis SES I've got to sPare Ill be

o t:-t
\-- / t- .- -J
1 ta-'--- t- /r:-,
--i-/

\",
Piano-Conductor Score -4- #1-9 - "l'll Coper You"

(Collins:)
35
32 JJ 34

there. I'll co ver- you.

AJ
rr:='t .'--/ t- -a -r- /
t JJ -

Fa

36
Both: 37 38 39

I think they meant it- when they said you- can't bry love. Now I

J
a)

Am9 FmaT

40 41 42 43

know you- can rent it. A new lease you- ate, my love,

a) J J bt
Gm EbmaT
Piano-Conductor Score -5- #19 - "l'U Cooer You"

(Both:)
u 45 46

o11 life. Be my

t-

a) J J J e J J
Ab Fm

' lT]----+---

49
48

life

Cm Ebsus4 Eb
>

53
52 54 55

a) 1-JJO -J. t+' CJO

I ? t
Piano-Conductor Score -6- #19 - "l'U Cover You"

56 57 58 59

AJ

- ? f.
t-r ??? -

60 Both:
61 62 53

Just slip me o11. I'11 be your blan - ket.

Lr I L, I h*_l
a)

1> ?

64 6s 66 67

Wher ev er what ev QI, rll be your coat

 -7- #19 - "l'll Cooer You"

{'
{' Angel: Collins:
(' oo 59 70 71

('
(' You'Il be my king and Ill be- your cas tle. No,
('
('
(.
('

('
(-
(
(
(

(Collins:)
( r, /J 74 75

(
you'll be my and I'11 be your moat.

( -

(
(

( Both:
76 77 78 79
\.

(
( I thnk they meant it- when they said you- can't bry love.- Now I
\ ---\

a)
Am9 Fma7

(.

\.
Piano-Conductor Score -8- #79 - "l'll Couer You"

80 81 83

-----1 ----a
------a

know you- can rent it. A new lease you- are, my love,

b b

a) f

Gm Ebma1
l

85 87
84

o11 li{e. All my

a)

Ab Fm
L/-

--F-

90 o1
88

life. I've

F
a)

Cm Ebsus4

f ?
 r^ -9-
('
(' 92
(Both:)
(' 93 94 95

('
( longed to dis co ver _ some thing as true as this
( - -
loco

(-
a)

F Cfi
t
- -

(
(

(
( Collins:
96 97 98

( z-
(
1S. So, with a
l

a)

I Bb/n cln

t00
(Collins:)
101 102 103

a) f ft JJ J
thou sand sweet kis ses co -ver you. _ With a

Angel:
-
A

If you're cold and- you're lone ly

a) t)) Ltl
t- sbz C2
Piano-Conductor Score -10- #19 - "I'll Cooer You"

(Collins:)
104 10s 106 107

dl f f + e+'
thou sand sweet kis - ses co - ver you.

(Angel:)
- -
A

You've- got one nick el o1"l ly.- With a

a)
sbz C2

1-08 1.09 110 11.1

a) 7Y
When you're worn out- and ti - red.

thou - sand-sweet kis ses I'll co -ver you. With a

a)
-.=...-
Bb C2
 ts !
0) o
I I
I
o
(.,)
o
(J
I
-o
c)
5
o \
I
=r
L
CJ
I
p. o
U
LO
x
C) -
L L
o c)
6
L ol
6
CJ
a U
o o
o
H
I
F-r
x
I
a)
6
o
o
.v
m
\ /'
c,)
3
6
I
'U
e
o
q
o 3e..l
-
q)
oo na
o
N
U
a a
-\-V--l
) --! --"/ L -
Piano-Conductor Score -12- #19 - "I'll Cooer You"

(Collins:)
120 121 122 123

a)
you' Yeah eal-r eah eah eah.

(Angel:)
A

-
you.

F2

1.25 '127
124 126

lo ver/

1o ver Iill co ver

obz
> |
I
D.
T_
- ----:
a
t-
a
t-
 ( Piano-Conductor Score -13- #1-9 - "l'U Cooer You"
(
( (Collins:) 129
( 128 130

( you.
( (Angel:)

(
(
( you.

(
(
( a)
(
(
(.
F r-

(
(

(
\ 731 132 /:\
(

ri

/i

a)

(
(
( (+ Bass, Gtr.)

\.

!
Piano-Conductor Score
20
We're OK URENT''
Music anil Lyrics by
lonathan Larson

,E=fi 2
3
.Ioanne:

-J-

Steve? |o - anne. The Mur-

ORGAN

a)
J;}J']' J
J ut t
J iJ
Jrlt
(+ Drums) f (+ Bass)

4
-J- s -J- 6

-J-

get case? A dis - mis-sal! Good work, counse-lor! We're O. K.

a) J
J" J}J,=A J
Jut
I \ \

o 10

-J- +
Hon-ey bear wait. I'm on the otl-r-er phone.

a)
J-+rJt + J rt J 'JIJ' I
J 't
\ \
 -2- #20 - "We're OK"
(
(
( 1.1 12

(
( Yes, I have the cow-bell. We're O. K. So
(
(
{
(
a)
},J'JT I
Jt t J'J'JT ;J
J tt
( T \
(
(
(
(
(
( l5
76 17
( -J-
(
( tell them we'll sue but a set - tle-ment will do. Sex-u - al ha-rass-mentand
(
(
( a) J J J
(
(
(

\
(

(
t 18 19 20
(
*€
(
(
civ - il rights too Steve, yourre great. No, you cut the pa - per plate. Did you

(
(
a) J a. J J J -
a

t"

t,.,
I
\

\.-
Piano-Conductor Score -J- #20 - "We're OK"

23

21 22

/-
cheat or1 Mark a lot would you say? We're O. K.

a
d J t

tnf
JjJluJt

24 25 26

Honey, hold on.

a) I
J" _l
J ;J
Jult J Jrt
(+ Gtr' l)

\ \

27 28 29 30

Steve, hold on. Hello?

-o
d J'Jr=a I
Jrt
t
--------z
Piano-Conductor Score -4- #20 - "We're OK"

3I
aa JJ

-J-

Dad, Y€S, I beeped you. Mau-reen is com-ing to Moth-er's l'rear-ing.

a)

f J}J'JT
;J
Jrt t
--J I
J ' It
I

34 37

-3-
We're O. K. Hon-ey bear, what?

a) J
J' t J'J'J' tJ , * J '7t=t
I \

38 39 40
-3-

Newt's les-bi-an sis-ter? I'11 tell them. You heard? They heard We're O. K.-

a) iJ
Jtt J
J
I
J ' JT ;J
Jra
\ l'
Piano-Conductor Score -5- #20 - "We're OK"

13
41

And to yo!, Dad.. Oh,

a)
JAJIJT rJ
J rt J J +

44 45 46 I

Iill is there? Wait, Steve, got - ta... Iill, with the sl'rort black hair? The

.) J J J

47 48 49

Cal - vin Klein mod - el? Steve, got - ta go! The mod - el who lives in pent-house A?-

a) - - J
 {' -6- #20 - "We're OK"
(\
f'
(' 50 51 52

('
("
('
('
(- a) LI-J f I

e - ?, * -
('

('
('
53 54 55 s6

We're.. We're. o. K._

a,

a) L-I-J f

e ) t * ) a
I

57
<> {E}
58 59 60

)-
I'm on my way
[On Cue]

a) l-lJ f
l-]
e ) t * )2

(
Piano-Conductor Score
2t
Christmas Bells URENTU

Music anil Lyrics by

lonathan Larcon

2 3 4

go

s r I s , I
a)
PIANO

7E-4- -

5
5 Homeless People:
6 7

Cluist mas Bells are fillg lr1g. Christ - mas Bells are

(&o)

8 9 10 11

rmg ing. Christ-mas Bells are sr18 - r1g o11 t

(B',o)- loco

oLlllqlI

A \ \ \
Piano-Conductor Score n #2L - "Christmas Bells"

(5 Homeless People:) Squeegieman:

12 13 14

at Saks. Hon-est liv-ing, hon-est liv-ing, hon-est liv-ing, hon-est liv-ir"rg,

a)

A I

l5 (Squeegieman:)
1.6 I I 1"7

*S#
a)
LJJ_J
hon-est liv-ing, hon-est liv-ing, hon - est liv - ing, hon - est liv - ing, hon - est liv - ing, hon - est liv - ing,

5 Homeless People:
A

Can't you spare a dime or two? Here but for the grace of

a) V l-J

l-l-l-1
Piano-Conductor Score -J- #27 - "Christmas Bells"

(Squeegieman:)
18 1.9 20

a)
hon - est liv - ing, hon - est liv - ing.
(5 Homeless People:)
A

God go you. You'll be mer - ry, I'11 be mer ry, tho'

(5 Homeless People:)
21 22

mer - ry ain't 111 my vo cab u 1ar v No sleigh bells.

24 26

No San ta Claus. No Yule Log. No tin sel.

a)

eaee
???? Ftrtrtr C ) t 2

I
 tr' Piano-Conductor Score -4- #21 - "Christmas Bells"
r'
Soloist:
(' 27 28 29 30

f'
(- No hol - ly No heartlr, llo Ru-dolph the Red Nosed Rei-n-deer,

t
(
a)

5 Homeless People:
31 32 33 34

Ru-dolph the Red Nosed Reir-r - deer No room at the Hol-i-day

a)

7 t t L

35 37 38

Im, oh no. And it's be - gin - ning to snow.

-
_-------_
Piano-Conductor Score -5- #21- "Christmas Bells"

Vendors:
39 40 41

a)
Hat, bats, shoes, booze,

(5 Homeless People:)
A

L'| '|
aJ I

+ Kbd. II

e
+ Bas"s

(Vendors:)
42 43 44

moun-tain bikes, pot - pur - ri, leath-er bags, gir - lie mags, for - ty fives A Z

s r | r I L' I | LJ t I
dLJl|

-i

15
46 47 48

PIANO / STRINGS
\ tt-

dJ + I I ;J
+ SlcighBells

- -
 Piano-Conductor Score -6- #21- "Christmas Bells"

Vendor #l:
49 50 51

No one's buy-ing. Feel like cry-ing.

a-)

L t

53 54 55 56

a)

iT''i iTl
.|

57
Ail: 58 59

No room at the Hol - i - day Im, ol'r no

a) t(t c

7 t i L: i L i L

L
Piano-Conductor Score -7- #2L - "Christmas Bells"

(All:)
61 62 64

And it's . be gin - ning to snow

--+ -+
a) I
J -
+ Slcigh Bells

ffi

65 Vendor #2:
66 67 68

How a-bout a fir in per - fect shape owned by an M - B A from Up - town.

BRASS

J + -l1 bt lq?
a) =- :J

(Kbd.II - rry)

69 70 71 /l

I got a tweed brok-en in by a greed - y brok-er who went broke, and ther-r broke down.

a) :J.
J J
1 bi
T
J
lq? 1
 (- Piano-Conductor Score -8- #21- "Christmas Bells"
f'
f' Collins: Angel
(' 7J 74 75 76

( You don't have to do this. Hush your mouth, it's Cluist mas!
(
RHODES
(
(
(' o €>

('
(
I il ^r l I l^l
-1
I )
{€>

(.

Collins:
I 77 78 79 80

(
(
I do not de serve you Ar-r gel.

I
a)

flt
(

t I )-l
--1

I I 1d
t)4
-1
I a.
I J-J
-1

(Collins:)
81 82 83 84

a)
Give, give, all you do 1S
(.

Angel:
( A
I

Wait! What's o1-l the

t" I I I ) t I J
I
Piano-Conductor Score -9- #2L - "Christmas Bells"

(Collins:)
85 86 87

d
give. Give me some

(An8el:)
6

floor? Let's see some

r I )

88 89 90

a)
way to sl-row

more No No. No. No.

I ) I
r'a. Piano-Conductor Score -10- #2L - "Christmas Bells"
f-
f' (Collins:)
(' 91 93 o/

f'
(' how you've ' touched me_ so.
('
(' -
(- .......-
d l))
('
e L. e t^ e L^ e L
('
(-
('
(-
(
(' Angel:
95 96 97 98
Mark:
(
(
( Kiss me, it's be gin - ning to snow She said,
(
( tt-
-+-. --a -.rl_+-a- < ___+-a -1
(
(
a) ttrt-.-- O J J t -
(
(
(

\
(.
(
(, 99

(. 100 1.01

(,
(. "Would you light my can dle?" and she put on a pout. And sl-re

( -
(

d Gtr.r
(
+ Drums
(_
(.
t-- Bas-s

t;
t,,
L,
Piano-Conductor Score -11- #2L - "Christmas Bells"

(Mark)
102 103 104

AJ
want-ed you- to take her out to - nigl-rt?- She got you out.
Roger:
A L^

Right. She was

a) JE
-a
J
ilJ l

(Roger:)
105 107

morethan O K but I pushed l'rer a- way It was bad, I got mad, and I

_/- a aa
a)
 Piano-Conductor Score -12- #21- "Christmas Bells"

('
11o Mark:
r" 1-08 109

{'
{
a)
L-J
Wait. Wait. You
r' A
(Roger:)
) - U:,_^ u^.
Wait.

('
('
(' had to get her out of my sight.

(' PIANO

a) tPLAYl gllss.
I

('
\,

\
(Mark:) Roger:
12 ttJ
\,

( said she was sweet. Let's go eat. I'll just get fat, it's the

]R - a t t

F c F
t-t-t-t |-|-|-ll-l-l-1

Bas'-

(.
( 't'14
115 L1-6

t
i
one vice left when you're dead meat.-

a)

C D E GUD

(
i
Piano-Conductor Score -13- #21- - "Christmas Bells"

Markl
117 118 1-1.9 120

AJ I

Mau reen? Whoa!

(Roger:)
A
- - -------
There! That's her! Mi - mi. I should go.
-

a) t l-J
, L- t t_ t t ? t^

Cops:
12L 122 123 124

a) ll'
I'm dream-ing of a

Both:
A

ffi

Hey, it's be gir-r - nir-rg to snow.

-
ffi
a) J
 Piano-Conductor Score -1.4- #21- "Christmas Bells"
('
(' (Cops:) Mimi & Junkies
r- 125 126 128

f'
('
white rigl'rt Christ-mas. Fol-low the man, fol-low the man
(
PIANO / STRINGS
(

clrrLJJ_J \H

O fi*?
(
(
(

( (Mimi & Junkies:)

1.29 130 1.31 132

( ts H{
I

with his pock - ets full of the jam. Fol - low the man, fol -low the man.
(

a)

IJJ 134 135 0 1.36

t'---+,t

Help me out, Dad - dy, il you can.

(
Bro
(

a)
?\f
L

(,
Piano'Conductor Score -15- #21 - "Christmas Bells"

(Mimi & Junkies:)

rc/ 139

Got ar1 y D, man? Gotan-yC, man ?

The Man:

I'm cool. I'm cool.

a)

) r ll
sim.
I I -t I I l l I l l ,l l

(Mimi & Junkies:)

141 142 143 144

Got an - y X, an-y smack, an-y l-rorse, an-y ju-gie boo-gie, boy, an-y blow?

-_
I I ll I I ll I r ll l]€}

a .G>

r I =
t- U
r'
I1s
Roger: Mimi:
746 147 148

Hey Hey

a)
nw
f- Piano-ConductorScore -'t6- #21 - "Christmas Bells"
r'
(' Roger:
L49 1s0
(t' 151 L52

f' I just want to say I'm sor - ry for the

r'
('
(' a)

(Roger:)
153 t5+ 1-55 1.56

a)
way I blew uP.

Mimi:
A uI4

For get it,

V V

L
Piano-Conductor Score -17- #21 - "Christmas Bells"

ttr (Ro8er:) 158 159 1.60

AJ
L1

- I make it
Can up to you? Dirr - ner pat - ry

(Mimi:)
A th

How? That - '11 do.

a) .i} J' i}' ;J

, The Man:
1.61 1.62 L63 164

a)
Hey Lov - er Boy Cu - tie Pie, you steal my cli - ent, you die.

Roger:
A uIl

You

a) ;J -- 7 )J ;J
rnf
\ \ \ \ I
f'\' -18-

f'
(' The Crowd
f' 1.65 166 167 168

(' .I
a)
f' I'm
(' (Roger:)
(' A uIl ,
LA'A l^^
L

('
r' did-n't miss me, you won't miss her. You'll nev-er lack for cus - tom - ers.-
('

a) J t7 7 e I q J J

('
(' \ \ \ \
('

(The Crowd:)
169

170 L71 u2b

d I

wil - lin', I'm ill - il1', I got - ta get my sick - ness off - - ta
Got
(Roger:)
A -->-
ffi
(

(. a) I I

(
(_ e l- e L.
(_
(.

t-
I

(
Piano-Conductor Score -19- #21- "Christmas Bells"

(The Crowd:)
1/J ,rob a

run. Got - ta ride. Got - ta gun. Got - ta hide. Got - ta 8o

a) l-

e l^

The Man:
1a7 178 79 180

a)
Arrd it's be gin - ning to snow.
-
Benny:
A
-J- -3-

We're out of luck, Al-li-son. The pro-test is on.

==J- --+ +-
a) - - t
 -20-

('
(' 181
Coat Vendor: Squeegieman: Roger:
(' 1.82 183

(-
a)
(' L. L. Bean, Geof - frey Beene, Bur - bu -ry zip-out lin-ing. Hon - est liv - ing. Mark, this is

f' A
.Iunkies:
\ \
{'
('
d- Got an yC, man?- Got Etr1 y O, mal?-
t

('
(- a)
(-
(-
(
(
(
(
(

{ (Roger:) The Man: Vendors: Collins:

1.84 185 186 187
(
( a)
( Mi-mi. She'll be din-ing with us. That is an ounce. Flats, dats, bats. That's my

( (Junkies:)
n I
(
( a) I tl
( Got an y B, man?- Gotan - y crack?

( Mark& Mimi: Coat Vendor:

(
A C CC ?t
(
(_ Hi. Here's a new ar-riv - al.

(_ &o
(.
(, dl I

(
(

i,
t-
\;
I

(-
\--
Piano-Conductor Score -21.- #2L - "Christmas Bells"

(Collins:) CoatVendor: Mark: Collins:

188 1.89 190

a)
. coat. We give dis counts. I think we've met. Itrs a

(Junkies:)
n t

f
a)
Got ar1 yX? Got an y C, man?-
Angel:
A

Let's get a bet - ter one.

8'n)
))

a) rJ tJt -

<>

(co llins:) The Man: Collins:

701 192 193

a)
sham. I said it's a grarn. But she's a thief.

(Junkies:)
A \ \

7 f
a) I

Got al.r y D, man?- Got an y B, man?

Mimi: Angel:
A

That's what I're said. But she brought us to

a) I
 r- -22-
(-
(-
r' 194 195
Collins: 196

('
a)
I'll take the leath - er
(' (Junkies:)
A
('
(- a) 7 7 f f

r\ Got an y crack? Got an yX?

(' (Angel:) Benny:
A
('
('
(- geth - er. Which in - ves-tor's com-ing? Your fath - er? Damn!

('
('
(' a)

(
(
(
(
(

(.

\
(,
(,
(.
(_
(_
(_
(_
(,
(,
(,
L
'(";
(-
L
Piano-Conductor Score -23- #21 - "Christmas Bells"

197
Homeless & Vendors: '199
1.98

- a
a)
Clrrist mas Bells are swing ing. Christ - mas Bells are

A tt Cops:

a)
I'm dream - ing of a white right

Junkies:
Att \ t

AJ
Got an yC, man?- Got an yD, man?-

Coat Vendor: Angel Coat Vendor: Angel: Coat Vendor: Angel:

I I
AJ
Twen-ty five. Fif teen. Twen-ty five. Fif teen. Twen - ty five Fif teen.

Au Mark & Roger:

I-et's go to

a)
tr
l-l-l-1 --
- -
 -24-
['
(' (Homeless & Vendors:)

(' 200 201 202

('
J
(' a-J

ring ir.g. Christ mas Bells are smg ing

a' (Cops:)
(' Au
('
a) I

i Christ - mas. |ust like the ones I used to

Au (Junkies:)
\

(
a)
( Got an yB, man?
(
Au Coat Vendor: Angel: Coat Vendor: Angel:
(

a) I

( No way Twen-ty four Fif teen. Twen-ty four. Fif - teen.

(Mark & Roger:)

Au ^
(

( the lot. Mau reen's

(, a)

1
l-l-l-1 l-l-l-1 l-l-l-rl l-l-l-l l-l-l-l

(
(

(
1

L:
Piano-Conductor Score -25- #21 - "Christmas Bells"

(Homeless & Vendors:)

203 204 205

a)
1n my dreams. Next year Once you do nate,

(coPs:)
6 ,,

ai
know jin - gle Bells,

(Junkies:)
Au I

---t
a)
Got an yx? Crack? I'm will in',

Coat Vendor: Angel: Coat Vendor: Angel:

Att

d I

. Twen - ty four Fif - teen. Not to duy Twen - ty three. Fif teen.

(Mark & Roger:) Mimi Roger: Mark:

AL,_^

per - form-ing. Who's Mau-reen? His €X, but

AJ

- ) ) ta
(- -26-
('
(' (Homeless & Vendors:)
(" 206 207 208

('
a) I I

(- you can go. Cel e brate 111 Tuck a hoe.

f' A tt (Cops:)
('
(' a) J - t
(- pris-on cells, Jin - gle Bells, pris-on cells
(^ (Junkies:)
Au
r'
(' a) J - O J

\
I'm ill in' Got ta get my sick-ness off.

Coat Vendor: Angel: Coat Vendor: Angel

Au

a) I

Twen-ty three. Fif - teen. Twen-ty three. Fif teen. Itrs old.

(Mark)
Au

am_ o ver her

j---\

(
Piano-Conductor Score -27- #21- - "Christmas Bells"

(Homeless & Vendors:)

209 21.0 211

.) l_l
You'll feel cheer - !, I'll feel cheer f , tho' I dor-r't real - ly

Au (CoPs:)

a) I

Fa la la la 1a. Fa la la la la. You have the

-
A ! (Junkies:)
ffi*==\

C? D? Help

Coat Vendor: Angel: Coat Vendor: Angel: Coat Vendor: Angel:

Att I

a) I I

Twen-ty two. Fif teen. Twen-ty two Fif teen. Sev - en-teen. Fif teen.

Roger, Mark & Mimi:

Au

I should tell you. I should

rlnfl
 r- Piano-Conductor Score -28- #21- "Christmas Bells"
f1
f1 (Homeless & Vendors:)
f' 212 213 11t

f- a)
know that theo - ry No bath robes. No Steu - ben glass.
(' -
(CoPs:)
(-' A tt
('
a) I

right to re - malll Si lent night.

('
A tt (Junkies:)
['
(', a) +l--t-
(- me. Fol - low the man, fol - low the man,
(- ^
Au
Coat Vendor: Angel: Collins:
('
( a) I

(' Fift - een. Sold! Give. Give

( (Roger, Mark& Mimi:) Roger:

Au
(
(
tell you. Let's not
{
{
(
( a)
( ffi
(
(
(.
(
(
(_
(",
("
(.
(_
(_
(.
("
(".
.L
'[-
L,
L-
Piano-Conductor Score -29- #2L - "Christmas Bells"

(Homeless & Vendors:)

216 21.7

AJ
No cap - pu cl 110 mak ers. No pearls. No

(Cops:)
Ar)

AJ
ob ho ly night. Fall o11 your

(Junkies:)
Au

a) +,J J'J - , J J , t t - HO
O --
fol - low the man. lu - gie, boo - gie. Ju - gie, boo - gie. Fol low the man.

(Collins:)
Au

a)
All you do 1S Give.

(Roger:) Mimi: Roger, Mark & Mimi:

A tt

hold hands yet. Is that a warn ing? He/We/I-

-

a)
 ( -30-

f
( (Homeless & Vendors:)
( 218 219 220

(
a)
( dia monds. No chest - nuts roast-ing on an o-pen fire.
(
( Au (CoPs:)

(
( knees. Oh, night di vu1e, You'11.

(
(Junkies:)
Au

a)
L

Fol - low the man. A. - y crack? A. - y X? A. - y ju - gie boo - gie boy? An - y

(
(Collins:)
A tt

\ a)
Give me some way

( (Roger, Mark & Mimi:)

Att

(
need to take

a)

h* t t

(
Piano-Conductor Score -31.- #21- - "Christmas Bells"

(Homeless & Vendors:)

221 222 223

a)
Chest-nuts roast-ing or-r an o-pen fire. No room

(Cops:)
Att

J-J
a)
Do some time Fa la la la la.

(Junkies:)
AL \

a)
Blow? An-y X? An-y ju - gie Boo - gie Boy? Got an y D, man?

Au (Collins:)

a)
show how you've-
(Roger, iVlark & iVlimi:)
A L- ;--'-

it slow should tell YoU, I

a)
 Piano-Conductor Score -32- #21 - "Christmas BeIIs"

(Homeless & Vendors:)

22s 226

a)
at the Hol-i-day Inn, oh 11c)

(CoPs:)
Au

a) t - a-J J t
Fa la la la la. Fa la la la la Fa la la la la.

(Junkies:)
Au \ I

a)
Got an y C, man? Got an y crack? An - y X? Ar - y |u - gie Boo-gie?

(Collins:)
Au

touched me. so.

(Roger, Mark & Mimi:)

slrould tell yo1t, I should tell- you, I should tell you, I should tell- you, I.

sfp
cresc. poco a poco
227
Ail 228 229 230

And it's be gm - mng to. and it's be gin - nitlg to,

d +Kbd.n-Trpt I

sfp

f
Piano-Conductor Score -JJ- #21- "Christmas BeIIs"

(All:)
231- 232 233 234

and it's be grn - ruIlg to

W
ffi FrtthL rt
)- -t_
a) Jllt t I I I

-'-##
-rE---40-
) )-h
-# ---# I
1r

235 236 237 238 239

&'
('. H a ?fif 'l I ffi
.-ll
.)

_o.

Maureen: ]oanne, which

way to the stage?
(All:)
-o.
240 A 241

sl-low

o.
ri
a)
tr I
/i o

u
 22
\

(-
r' Over The Moon URENT''
(' Music and Lyrics by
lonathan Larcon
f'
('
(
Maureen: Last night, I had this dream. I found myself ir-r a desert called Cyberland."
(' It was hot. My canteen had sprung a leak, and I was thirsty. Out of tl-re abyss
(' walked a cow - Elsie. I asked if she had anytlfng to drir-rk. She said...
1 /i z (Maureen:)

I'm for

3
(
344 5
(

bid den to pro-duce milk. In Cy - ber - land,- we on - ly drink

(
6 ri7 I 9
(

Di - et Coke. She said on ly thing to do rs lumP

\
ri STRINGS

.)
Cozu BelI ri
/i

70 11 12 I,)

-J-

o ver- the moon.- They've closed ev-'ry-thing real down...-

(
Piano-Conductor Score n #22 - "Ozter The Moon"

t4 15
..-J ri Itt 17

barns, trouglrs, Per for-mance spac-es... and re placed it all- witl'r lies and rtrles and

/:\

Cow BeIl

ri

(Maureen:) 19

18 ri 20 21

-3-
d
vir - tu - al life. But there is Ooh.
a way out...
A ri Backups:

Leap of faith Icap of faith Leap of faith-

/:\

(Maureen:)
22 2,7 24 25

a) J - J
On ly thing to do is i,r-p o ver- the

(Backups:)
n

Ieup of faith Leap of faith Leap of faith Leap of faith-

- - -l
 -J-

('
{' 27

{ 26 ri -J---: 28 29
-J-
('
a)
(' moon. I got-ta get out-ta here It's like I'm be-ing tied to the hood of a
('
A
(' W
(-
treap of faith
('

('

(
-
(
(
(
(
(
( 30 a1 32

yel - low ren - tal truck, packed in with fer - til - iz - er and fuel- oil,

JJ J+ 35 36
-J----
+tz ----d4tz

i pushed o-ver a cliff by a su - i-cid-al mick-ey Mouse. I've got-ta got-ta got-ta got-ta
I

(
I
(
37 38 39

got - ta got - ta got - ta got - ta got - ta got - ta find a way to ju-p

(
Piano-Conductor Score -4- #22 - "Ozter The Moon"

10
(Maureen:)
41 42 43

a) J - J
o ver- the moon. On 1y tl-ring to do is jump

A Backups:

Leap of faith- Leap of faith

a)

Maureen: Then a little bulldog entered. FIis name,

we have learned, was Benny. And although he once
had principles, he abarrdoned them to live as a lapdog
to a wealthy daughter of the revolution.

44 45 46 /:\

AJ
o ver the moon.

A - /i

t*ap of faith- I,eap of faith

/i

/.\
 r- -5-
('
f' (Maureen:)
(vamp)
(' 47 48 49 so ri
(-
a)
[' (1 2 3) That's bull he said. Ever since tl-re cat took up the fiddle that cow's beerl.. .'lumpy
('
A ri
('
(' ad lib zualking bass
(-
(' ri
('
{' a) shaker simile
r' -3- -3-
{' ri
('

(vamp)
51. 52 s3 /:\

And the disl'r and the spoon were evicted She's had trouble with her milk and
from the table and eloped. that moon ever since. Maybe it's a... ...female thing.

/:\

(ad lib bass cont.)

(. (shaker cont.)
ri
(.
(.

Lr
t
Piano-Conductor Score -6- #22 - "Oaer The Moon"

(vamp)
54 55 s6 /i

'Cause who'd wanna leave Cyberland They were down on their luck, ..not in my backyard, utensils!
anyway? Walls ain't so bad. The dish knocked on my doghouse door. I said... Go back to China!
and the spoon/ for instance.
ri

ri

ri

Maureen:
57 ri 58
-J_-
59

o
The on - ly way out is up, El - sie whis-pered. A
(ad lib ends)
A /i

(Bi - di-bah)
ri

shaker ri
 f- Piano-ConductorScore -7- #22 - "Oaer The Moon"
(
( ri \J---___
A /:\ /i
( 60 61 62

(
( leap of faith. Still thirsty? Parched.
Have some milk.
(
(
/i A /i
f
( :1
(
( rl ri ri

{
(
{
(
( 63 /i 64

(
( I lowered myself ber-reath her swollen udder and sucked
the sweetest milk I had ever tasted (make a slurping sound)
"Climb on board" she said. And..
(
( /:\
(
{
(
4\
(
(
(
(
(
( 65 aa C:
\
( ...as a harvest moon rose over Cyberland, we reached
I awoke, singing...
( back and sprarlg *,o u out of orbit!
( *oO,leaping ri
(
(
(
/i ri
-Ef----r
(
r r

t- -
(
t
t-
Piano-Conductor Score -8- #22 - "Ozter The Moon"

67
68 69 ilIaureen:

AJ
Ooh.

Backups:
A

I*up of faith- Leap of faith Leap of faith Leap of faith

/3 1114 11 ru - - - ru - - -

71 72 73 /+

a) J J J J - J
On ly thing to do.. On ly thing to do is ju-p.
A

t-

I-eap of faith Leap of faith Leap of faith Leap of faith

JF 1111 11 4 - - - - -
 -9-
(r\
(' (Maureen:)
(' 75 76 77 78

r- a) J J J
(:- On ly thing to do is ju-p o ver the moon.
(*
A (Backups:) -
('
\
{' Leap of faith l,eap of faith Leap of faith Leap of faith
r'
("
{'
('
(
(' -
(
('
(
(
(
(
79 80 81 82
(
(
a) J J J
( On ly thing to do is ju-p o ver the moon.
(
A -
(
(
(
Leap of faith Leap of faith Leap of faith Leap of faith
(
(,
("
(_
(_
/

(
(
(

(,
L
(
t-
L.
Piano-Conductor Score -10- #22 - "Ooer The Moon"

(Maureen:)
OJ 84 85

a)
o ver- the moo11. o ver the

(Backups:) -
n

l-eap of faith I*ap of faith Leap of faith

-

(vamp)
86 87 88 89 e0 ri
#
a)
mooo - ooo - mooo'ooo - mooo - ooo - mooo withme.
"*:""
-#
A (lx only) ll
Leap of faitl-r
/i

a)

/i
- -

SEGUE
 /'
22a
Over The Moon r Playoff URENTU

Music anil Lyrics by

lonathan Larson

F 6b F
Gtr.
1 2 3 4

(-
{
tr Gtr. II
(cont.)
(-'

(
Bass

F nb F
5 6 7 8
(
(
a)

( ali?t.p.

PIANO
rb F
TPLAY R.H.]
I 10 1.1 12

a)

.Lt????r

F Eb F
13 14 15 16
/:\ 17

a)
Drums

ffi r

(.

SEGAE
Piano-Conductor Score
23
La Vie Boheme lI Should Tell You ''RENTU
Music and Lyrics by
lonathan Larson

2
Restaurant Man:

F
No, please, flo, not to - night. Please, flo, Mis - ter
PIANO

aJ
mf
,'J
bt ;J
t .i}
bt J
t
\ \ I \

Restaurant
Roger: Man:
4

Can't you go? Not to-night. Can't have a scene. What? Go, please Bo, you. Hel - 1o, Sir

Restaurant
Mark: Man:
5 6

I said no. Im - por - tant cus-tom-er Wl-rat am I, just a blur? You sit all night, you

,+
a) bt I Je .J
bsb.llll
\ \ \
 Piano-Conductor Score -2- #23 - "La Vie Boheme I I Should TeIl You"
r-
(Restaurant
Man:) Mark:
7 I

nev - er bry That's a lie That's a lie, I had a tea the

('
* r r l-l-l-1

/'
a) b, I 5 r'* r t t bSrrr"t+r+
I

\
Restaurant
Man: Mark:
I
9 10 1.1 /:\

otl-r - er duy. You could - n't payl Ob yeal-r.

(
4\
(
a) bSrll"t+Jt V
b
J
L

t2 Faster in 2 Restaurant
\ Man: Ail:
13 1.4 15

Collins: Benjamin Coffir-r the third? Here? oh, 110 Wine and beer

'

(.,
Piano-Conductor Score -J- #23 - "La Vie Boheme I I Should Tell You"

Restaurant
,u Maureen: 17 18 10 Man:

Tl're en - em - v of Av-e-nue A. We'll stay. Oy vey!

4
db *d #
c
V

Collins: What brings the mogul in his own mind to the Life Cafe?
Benny:
20 21 22 23

I would

aJb *d #
c
7

24 25 26 27

like to pro - pose a toast. To Mau - reen's no - ble fry. It went

r- -4-

f-
(' (Benny:) Maureen: Benny:
[- 28 29 30

-J- -J-
r-
(' well. Go to hell! Was the yup - pie scum stomped? Not count-ing tl-re home-less, how m€u1 -y
('
('
() a) {e}
{€> t
('
r' 41.
(-
I

('
{-
{'
('
( Roger: Bennv: Roger:
JI 32 .L-l- J.l 34
(
(
( tick - ets weren't comped? Why did Muf-fy... Al-li-son. Miss the show?
(
(
(
(
(
(
(
(
(.
(. Benny: There was a death in the
Benny, Mark,
family, if you must know. Angel, & Collins:
(. 35 36
Ansel:
"37 Benny:
37a 37b
(. I
I

(.
(, Who died? OurA - ki-ta, E vi - ta.

(
(
a)
(.
(.
(.
(.
L- \'-'-
\,
(, _,

L..,
Piano-Conductor Score -5- #23 - "La Vie Boheme I I Should Tell You"

.18
Benny:
39 40

Mi-mi, I'm sur prised a bright and charm iug girl like you

a) b DE e d
J id
4
+ Drums (military snare)

1a 44 45

hangs out with these slack - ers who don't ad - here to deals.

AJ
b DA T
I - 7 i

46 47 48 49
-+t-

They make fun, yet I'm the one- at - tempt-ing to do some good. Or do you

-
DE T
U
ttt I
J
I
(. Piano-Conductor Score -6- #23 - "La Vie Boheme I I Should TeIl You"

(Benny:)
50 51 52

real - ly want a neigh-bor-hood where peo - ple piss ol1 you stoop ev - 'ry

a) b D4 I l-J

53 54 55 56
L

night? Bo hem i-a, Bo hem i-a's a fall-a-ry in your

t-

a) + I I t ",J-J J J

57 58 59 60

l'read. This is Cal - cut-ta. Bo - hem-i - a's dead.

t-

a) JJJ+
rall.
a -

( h
Piano-Conductor Score -7- #23 - "La Vie Boheme I I Should Tell You"

61 Slower Mark:
62

-J-
Dear - ly Be - lov - ed, we gath - er here to say our good

CHURCH ORGAN

Gong

(Mark)
63 64 65

byes. Here she

Collins & Roger:

(Sobasso)

Di-es i-rae di-es il-la. Kyr-i - e e - le - i - son.-

€>
(' -8-

a'
r' (Mark)
( 66 67 68

(
('
rr7
lies. No one knew l'rer worth. The late, great daugh-ter of-
(
(Collins & Roger:)

( Yit-kad-dal -v -'yit-kad-dash.-
1

(' _--
4--=--/
a) a 4 U
a
1

(
{E} {E}
L

(
(

(
(Mark:)
( 69 70 71

-J-

Moth-er Earth. Orr this night, when we cel - e- brate the birth ir-r tl'rat

a) -4 (/ a
TJ

<t

72

\ 74 75

lit - tle town of Beth-le-hem, we raise our- glass, you bet your ass, to-

a) l-) T

I J. -o. a
F ? ,
Piano-Conductor Score -9- #23 - "Ln Vie Boheme I I Should Tell You"

(Mark:) rall 7u
a tempo
76 77 79

a)
la v1e bo heme

Ar Ail:
--
La vie bo -
(R.H. stays on ORGAN)

:
rall.
accel. poco ct poco
PIANO

I
r

(All:)
80 87 82 83

=
heme. La vie bo - heme La vie bo-

a)

+ Bdss
 -10-

r-
(' 86
Tempo
Mark:
(- 84 85

r' a) L.-#
f' To days of ir-rs - pi - ra-tion, play-ing
{ (All:)
(' Ar \ \

('
-
heme I-a vie bo heme

f'
i-
{' AJ

(-
('
Ft

87 88 89

-j-
a) l-4
l'rook-y, mak-ing some-thing out of noth-ing. The need to ex press, to
- com-mun -i - cate, to
(
Ar \
--

La vie bo - heme. la vie bo -

(
( a)

(_ l'1 I

(.

L-,
(,,
(-
Piano-Conductor Score -11.- #23 - "La Vie Boheme I I Should Tell You"

(Mark:)
90 91 92

go - i11g a - gainst- the grain, go-ing in-sane, go-ing mad.

(All:)

heme La vie bo heme

93 94 95

a) l-- f
To lov-ing ten-sion, no pen-sion, to more than one di - men-sion, to

Ar \

[,a vie bo - heme.

-
La vie bo -

a)

I I
 -12-

(Mark:)
( 96 97 98

starv-ing for at-ten-tion, l-rat-ing con-ven-tion, hat - ing pre -ten-tion, not to men tion, of course/
(All:)

heme. La vie bo - heme

(
a)
(

99 100 101

a)
l'rat - ing dear old Mom ar-rd Dad.

La vie bo - lleme. La vie bo -

a)

\
t
Piano-Conductor Score -13- #23 - "La Vie Boheme I I Should Tell !ou"

(Mark)
1.03
102 104

rid - ing your bike, mid-day past the three piece suits. To fruits, to

(All:)
\

heme. La vie bo heme.

----4-

10s 106 107

f
a) 7
no ab - so-lutes, to Ab - so lut. To choice, to the Vil-lage Voice, to
-
Ar I

--
La vie bo heme. [,a vie bo -

a)

-i+1
'--/
Piano-Conductor Score -'t4- #23 - "La Vie Boheme I I Should Tell You"

(Mark)
108 109 110

a) 7
an-y pass - ing fad, to be lng an us for once/-

A ,(All:) \
'

heme. Ooh

a) rhrr a_a 1-
\i t i t

L11 1.12 1.13

ffi-

stead of a- them. La vie bo -

- vie
La bo -

a) 1-
4r t t t
Piano-Conductor Score -15- #23 - "La Vie Boheme I I Should TeIl You"

t lJ
(Mark) L15 1.16
Maureen:

heme. Is the e - quip-ment in a

(All:) I

heme.
- vie bo -
I-B heme

it4 I-
*f

(Maureen:) Joanne: Maureen

117 118 L1.9

pyr - a- mid? It is, Mau-reen. Tl-re mix - er does - n't have a case. Don't give me that face.

a) 14*
ei

[She smacks loanne's

ass as she exitsl
Mr. Grey Maureen:
120 122

(slap) Ahem. Hey, Mis - ter, she's my sis - ter

AJ t,1 lt
i
*i 1
i
 f' Piano-Conductor Score -'t6- #23 - "La Vie Boheme I I Should Tell YoLt"
('
('
Restaurant Man:
f' 123 124

{-
(' So that's five Mi - so soup, four sea - weed sal - ad, three soy bur - ger
(-

a) 1''i} Wi a t
lt \ \

125 126

din - ner, two to fu dog plat - ter, and olle pas ta with meat - less balls.
(

a) 1"J rl: a t
\ l.

A BoY Collins: Mimi:

127 1.28 129

( Ugh. It tastes the same. If you close your eyes.

!
a) ''l''+ lti
\

(
Piano-Conductor Score -17- #23 - "La Vie Boheme I I Should Tell You"

Mimi
Restaurant Man All: & Angel:
,r, 131 L32

And tl-rir - teer-r or - ders of fries. Is that it here? Wine and beer! To

d 1T'J rli J t ,rl

\ L

t33
134 135

hand - craft - ed beers made in lo - cal brew - er - ies. To yo - ga, to yo gurt, to

136 138

rice and beans and cheese. To leath - er, to dil - dos, to cur - ry vin - da - loo To

d_- C' o ar
 Piano-Conductor Score -18- #23 - "La Vie Boheme I I Should Tell You"

(Mimi & Angel:) Maureen

& Collins: 111
139 1-40

(
hue - vos ran-cher os and Ma - ya An - gel ou. E mo - tion, de - vo tion, to

a) O

,'
!.
,lTl-]
a'

Maureen
Mark: & Collins:
142 143 144

i
caus-ing aconun.-o - tion,cre - a-tion,va-ca-tion. Mucll-o mas-tur-ba tion. Com

d4 v
- DE i J
1

Four
Collins Angel: People:
1.45 146 147

I
pas - sion, to fash - ion, to pas - sion when it's new. To Son - tag, to Sond - heim, to

-4 -

I
Piano-Conductor Score -19- #23 - "La Vie Boheme I I Should Tell You"

(Four People:) Collins & Roger:

148 149 1.50

an - y-thing tab - oo. Gins-berg, Dyl-an, Curm-ing lram- and Cage,

a) t-- J
lr iU I

Collins: Roger: Maureen Solo #1 Solo #2:

1s1 152 153

Len -rry Bruce, Lang - ston Hughes To the stage. To U-ta, to

\-/

Two People: Mark& Mimi

15+ 155 156

Bud-dha, Pab -lo Ner - u- da too whv

a) Shtt t-a
-
 f- -20-
t

i (Mark& Mimi:)
(' 157 158 159
Hz 1 I
J- -----1 ,.
(' -a
(' Dor - 'thy and To to went o- ver the rain - bow to blow off Aunt ie Em.

('
(' a) 1-
4t i t t 1-
4r t t i i t i t
I

(-
(

(
( 160
Ail: 161 162

\
( La vie bo heme
( '-J---r

a) t DJ q 4

Maureen: Joanne: Maureen

( 163 164 765

And wipe tl're speak-ers off be fore you pack. Yes, Mau-reen. Well, hur - ry back.

a) It1 *i II1 t*. lt

i* 1 i

\.;
(
Piano-Conductor Score -21- #23 - "La Vie Boheme I I Should Tell You"

Mr. Grey: Maureen

1,66 1.67 1.68

Sis - ters? We're close.

3

a)

a--J
'=-
,-3- -T:1

Angel, Collins, t7l Mark, Angel,

Maureen, & Mr. Grey: & Mimi: (+3 Others)
169 uo

Broth-ers! Bi-sex - u - als, tri-sex - u -als,

8ro 3 gliss.
-J- ,l)

d
a-A
r-J
Ar -3- r
--T| r- 3n Il- '
-Jt
11 z

172 173 174

-----1

Ho-mo Sap - i - ens, car-citt - o gens, hall -u - cin - o-gens, men. Pee Wee Her-man.

de' J O'

a
( Piano-Conductor Score a.) #23 - "La Vie Boheme I I Should TeIl You"

(Mark, Angel,
|.
& Mimi:) (+3 Others)
t/J 176
*
\

Ger-man wine, tur-pen-tine, Ger-trude Stein, Ant-on - i - on - i Bert-o luc-ci, Kur-o - sa-wa, Car -

(' a) J

i
('

('

178
Ail: 179 180

--a

min-a Bur - an-a. To ap - a-tlry, to en-tro-py, to em-path-y, ec sta sy

a) - - J qr
r lr-J (t

181 182 183

Vac - lav Hav - el, the Sex Pis-tols, B B C, to 110 shame,-

-+: --F
a)

l--- |
---1
+
(,
Piano-Conductor Score -23- #23 - "La Vie Boheme I I Should Tell You"

(All:) F Bub) Collins: All. (+ qub)

184 185 186

nev - er play - ing the fame game. (hrhale) To mar-i-juan-a, to

-

a) ----

(+ Bab)
187 1.88 189
..t-
_<

sod o- my. It's be-tween God and me. To S and M.

a) 1- qr i t t 1 qr t t t i t t i

o <>

1go Benny: 191 L92

a)
Wait-er! Wait-er! Wait-er!

A All:,-, I

La vie bo - heme.

5-
 -24-
('
(' t93
(' 194 195 196

f'
( Collins: In honor of the death of Bohemia....
('

e' E+
,=
\Wqin7

197 198 199 200

....dance to the sounds of iced tea being stirred

e qq
e \nIq1nl

201
202 203 204

Roger: And Mark Cohen will preview his new documentary....

(.,
a) H+ bafrJ ?

(
Piano-Conductor Score -25- #23 - "La Vie Boheme I I Should Tell You"

205
206 207 208

Roger: And Maureen johr-son.....

a) c) u4
'l \++aEila

Benny:
209 210 211. 212

...she has never studied. Your new

a)
rt
,t
u4
h++3r3++3

2t3 Mimi: Benny:

214 21.5

boy-friend does-n't know a-bout us? There's noth-ing to know. Don't you think that we should dis-cuss

a) a J-J vb"J-
 Piano-Conductor Score -26- #23 - "La Vie Boheme I I Should TelI You"

Mimi: Benny: Mimi:

216 217 218

It was three morltlrs a - go. F{e does - n't act like he's with you. We're tak - ing it slow

rl O' /4i
-lf* ..-r-
----

€>

Benny: Mimi: Benny: Mimi

21.9 220 221

Where is he now? He's right... hmm. tll'r, huh. Where'd he go? Mark: Roger will attempt...

O O
a)
-a

223
222 1a n 225
(
(
( ..to write a bittersweet, provocative song. That doesn't remind us of "Musetta's Waltz."
(On Stage Guitar)
ri
QJ qr q-l
-EU
!.

4 ri

l.
Piano-Conductor Score -27- #23 - "La Vie Boheme I I Should TeII You"

226 227 228 229

Collins: Angel Dumott Schunard will model...

--a- --a-

230
231 232

Angel: ...and Collir-rs will recount l'ris exploits as anarchist....

234 235

a) o

l-l-l-1
---
1_-, Piano-ConductorScore -28- #23 - "La Vie Boheme I I Should Tell You"
(-
(- [On Cuel.
,ru Safety (opt) (vamp)
{' 237 238

f' All: ...actual reality... ...act up.... ....fight AIDS! Benny: Check!

('
('
('
#HF
a)
(-
('
-+li-rF
{'
(' -+]--
('
(
(
( 239 [On Cue]
Mimi:
240 241
(
(
( Ex-cuse me, did I do some-thir-rg wrong? I get in - vi-ted, then ig -
(
(

( a) a url
t4 a. a lo
( E D ED E D
I t-l
-----f---z
(
(

(
(

(
Roger:
242 243
(
t
( nored all night long? I've beer-r try - ing, I'm not ly - ing, no_
(
(
a) ll' '
G#'n A B BlA
\

L
Piano-Conductor Score -29- #23 - "La Vie Boheme I I Should Tell You"

(Roger:) Mimi:
246
247 248

one's per-fect, I've- got bag-gage. Life's too short, Babe. Time is fly - ing. I'm

-
t- T
.) l_J_l_l -
C#rn B B/L

o
-

aro /5Il 251

look - ing for bug gage that goes with ITrine.

J I

a) n-
E/G# A B cil
-

Roger
252 & Mimi: Others
Roger: Mimi: Roger:
253 2s4

I should tell- you I've got bag - gage too. Should tell- you. Bag-gage, wture ar-rd

l
a)

oo
 r' -30-

r- Slower in 2
(' (Others:) 257 Mimi
255 256 258
(
('
(' beer! A Z T break.
('
('
(' a)

t-

UU
I
V
('
(

\ Roger:
259 260 261_ zoz

t You.

(
1

Jt'rair - Jl'rJlr
a)
\J. Jt 1-
ea \J. Jt- !i -
et
\

g I g q
U tt o o

Mimi Roger: rall. 266

263 264 265
(
(,
Me. You. Mi fiu,

- - -
a) J,+J-
4-- 1J- 1-
11
=,
t
=T' I l;t
-J
J

rall.
JJT
- JqJt J'

I {€} {E}
Piano-Conductor Score -3'J.- #23 - "La Vie Boheme I I Should Tell You"

267 rit.
a tempo
268 269 270

Gtr.I

AJ

rit
Bass

Tempo
271
Roger:
272 273

I should tell you, I'm dis AS ter I for - get how

ELECTRIC PIANO

d t 7 t J tTJJ '- +z +
r-1 l---l

Mimi:
274 275 276

to be - gin it. Letrs just make tl-ris part go fast er.

ar zl11 7 t !fr
llt t7t+
 Piano-Conductor Score -32- #23 - "La Vie Boheme I I Should Tell You"
('
(' (Mimi:)
( 277 278 279 ,rJ*o*"t'
('
(- I have yet to be in it, I should tell you. I should tell you,
('
('
('
('
a) t JJ J t7a J
a'
(- 4
,J .[tJ J J1 l l -1

( Mimi
281 282 283 284

(
a) f f

I should tell you. I should tell I blew the can - dle

I
A,U Roger:

I should tell you.

\.

a) t :J-
t1 =- -t"
J '71J
J JJ.ll )) J* f-l

(
(Mimi:) Roger:
28s 286 287 288
t

out just to get back in. I'd for - got - ten how to smile un

a) t 7a 7 i7 - J i J- 7 t IJG
J4l
l-r
Piano-Conductor Score -33- #23 - "La Vie Boheme I I Shoulil TeII You"

(Roger:) Mimi: Roger:

289 290 291. 292

til your car-r - dle bumed my skin. I sl-rould tell you. I sl-rould tell you.

a) t 7- 7 t 7J 7
J JJ) ,J11 {{

Mimi: Both: rall. 295 a tempo

293 101 296

I should tell vou. I should tell, well, here we

a)
#tt tt,
rall. Em Gmal/D

Bass

(Both:) Mimi:
297 298 299 300 301

go Now W€, oh no.

a) -
Bm t-ma/ Em Gma7fD Bm

nE6
f' Piano-Conductor Score -34- #23 - "La Vie Boheme I I Should Tell You"
r'
('
Roger: Mimi:
(' 302 303 304 30s 306

('
(' know... This some-thing is... Flere goes... here goes...

(' -
(
(
a)
(
CmaT Am7 Bm7 CmaT GmaT

Roger: Mimi:
307 308 309 310

Guess so. Itrs start - ing to who knows? Who knows?

a)

Am7 Bm7 CmaT GmaT

Both:
311 312 313 314

Who knows where? Who goes- there?

dq.J c
t_l

F Dm7

{
Piano-Conductor Score -35- #23 - "La Vie tsoheme I l Should'I'ellYou"

315 316 31.7 3L8

-----4

--f-

Who knows? Here goes/-

aJq te'
4'6i U AC. PIANO
FlBb G A

3t9
320 321

trust - ing de si - tP, start irg to leam.

a) d'
4
d
4
d
!
1 l-) -
f

(Both:)
323 324 325

Walk ing through fi re with out a burn.

aia c
4

oan
(- -36-

r'
{'
{' JZ/ 328 329

(' F

{' Cling - ing a shoul - der, a leap be - gins.

('
(
(- a) U
4
--J --J

?-1

331 .),)L

( Sting - itg and old er a sleep on- pins. So

\
( a) _I
1 l-)

;-1 4t

(
335 337

(
here we 8o.
(

( ELECTRIC PIANO

dqr
Bass
h--

t,
Piano-Conductor Score -37- #23 - "La Vie Boheme I I Should TeII You"

Roger: Mimi Roger:

1?O 340 341

Now wE, oh, no. I know Ol'r, 110,

AJ
r a) qe a4
ta:

rall.
Both
343 344 345 l- 346

Wl-ro knows where? Who goes _ there? Here

a a.
a-J
(' r rall

a tempo
(Both:) 350
348 349

goes Here goes Here

AJ

LIUTJ tt i lrt-J f
u | ,-)
t
qr Jt a-

.-t r1.-l
f= Piano-Conductor Score -38- #23 - "La Vie Boheme I I Should TeIl You"

35L 352 353

goes.... Here goes Here

a)
LIUIJ tt t
LTUTJ qr Jt +

rit.
355 356 357

goes. Here goes

a)
I rU
'-
I ?
l-)
t i t- J
LrU U 4+
rit
Jt +

359 Tempo
Maureen: Joanne:
360 361 362

Are we packed? Yes. And by next week, I want you to be

PIANO

a) €D-
dB
D4
d
td

€> €>
f-,
Piano-Conductor Score -39- #23 - "La Vie Boheme I I Should Tell You"

Joanne:
Maureen: J
363 364 365 '-J...._

Poo - kie! And you should see, they've pad - locked the build - ing and they're

(t
.) F D4

Maureen:
366 367 368

ri-ot-ing on Av-e-nue B. Ben - ny called the cops. That fuck.

a) t p De'
c.

{€}

Joanne:
369r-34 i70 371

-J---------
Th"y don't know what they're do 1119. Ths cops are sweep-ing the

a) td Er
 f' Piano-Conductor Score -40- #23 - "La Vie Boheme I I Should Tell You"
(

Ail:
(' 372 373 J/C 375

('
lot, but 11o one's leav-ing. They're just sit-ting tl-rere moo-ing. Yeah! To

('
(' e rJ1frt '
(-
a) D4
\# fr'ila 4,
i.
sub mf
Drum Solo

376
(All:) A Girl:
,)/ / 378

dance! No way to make a liv-ing, mas-och-i-sm, pairl per-fec-tion, mus-cle spas-ms, chi-ro-prac-tors,
i

(A Girl:) 380 All: Mark:

379 381

I
sl'rort ca-reers, eat-ing dis -or-ders. Film! Ad-ven-ture, te - di-um, no fam-i - ly, bor-ing lo - ca-tions,

i
Piano-Conductor Score -41.- #23 - " La Vie tsoheme I I Should'I'ell You"

aa1 JOJ

dark rooms, per - fect fac - es, e - gos, mon - ey, Hol - ly - wood and sleaze.

AJ
It a - -

381
Ail: Angel:
38s 386

Mu-sic! Food of love, e - mo-tion, math-e-mat-ics, i - so -la-tion, rlryth-m, pow-er, feel-ing, har-mo -

J ----# J ----!- ------tH J -# _____l

--+ ---H ------r ---# J 4-
.)

------# + ---+

388
Collins
(Angel:) Ail: & Maureen:
387 389

rry and heav-y com-pe - ti-tion. An-ar-chy! Rev-o - lu-tion, jus-tice, screan'L-ing for so - lu-tions,

e) tttttttt llll
l-l-l-] Fl \

n,all
 -42-
(^
('
Alt:
(' 390 391 392

('
(' forc-ing chang-es, risk and dan-ger, mak-ing noise and mak-ing pleas. To fag-gots, lez-zies, dykes,
('

(
a) tttt glLss. 1-
"Ll-l-J
I
\ l-l-l-l ITT-''I I

Maureen Mark: Collins: All:

393 394 39s

cross dres - sers too. To me. To me. To me, To you and you and you/ you and

{E>

\
(

(All:)
1
396 397 398

( -3-
( you. To peo-ple liv-ing with, liv-ing wit[ liv-ing with, not dy - ing from dis - ease.
( -o.

a) f
t ITI-'1 ffi

(,
Piano-Conductor Score -43- #23 - " La Vie Boheme I I Should'I'eIl You"

100
401-

Let l-re a-mong- us without sin be the

B,o-- ------a
I

J H ::#1 r +
-+FL-
a) 7- I U - t1-
Ll_[:l-rrrr
\

- -
o

---\
402 404

first to con - demn. La vie bo - heme.

405 406 407

----l --a
€>
La vie bo - heme. La vie bo

BM

.1/10
 Piano-Conductor Score -44- #23 - "La Vie Boheme I I Should Tell You"

Mark:
409 410

In-t " I'l I I I I I I I

a)
An y - one out of the main stream 1S an - y - one is the main -

A u Il ,, (All:)

-
heme. La vie bo heme.

(B',o)

a)
'[-[-f Itrl
l-1 \ |-l-l-1 lTl-l ---a- l-r

(Mark)
411 412 a1?

a)
- stream. An-y-or-re a live with a sex drive
(All:)
A u* L -

{E}
- -
La vie bo heme. La vie bo -

Bt'w-
(B',o)

a)
'[-I-fl-lrl
l--T--l-''l fhs
-
+ uL t.t L ! 3\e ? CL u L t

(
Piano-Conductor Score -45- #23 - " La Vie Boheme I I Should'I'ell You"

(Mark)
414 415 4L6

-J-
a)
Tear down the wall. Aren't we all? The op - po -site of war is - n't

A t Il ,,(All:)

heme.

(B'OY

a-J
|l- .

Je Jl I r'l I-LLJ \
# Cf
f hr ??f ?ep

(Mark:)
4t / 418 419 Alt:

peace. Itrs cre a - tion. (Yeah, whoop, etc.) La vie bo

a)

B
L 4

r'ta
 -46-
('- Mark: The riot continues. The Christmas
('- Tree goes up in flames. The snow dances.
Oblivious, Roger and Mirni exchange
(- a small, lovely kiss.
122 Conducted
(' 420 421 ri 423

tr-
('
heme.
{'
{' ri Guitar

{-
a 1" + +
{-
r' // /i
('
('
('
('

Ail:
424 425 426

Vi VA la vie bo - heme!
(8ua)
PIANO

a)

(,
(_
(,
("
(.
(

[-
L
(