(--

( PmNo CorupucroR SconE - Acr Two

(
(
{
(

(
(
(

(
Book, Music and Lyrics by

|onathan Larson
Musical Arrangements by Original Concept and Additional Lyrics by
Steve Skinner Billy Aronson
(
Music Superaision and Additional
Arrangements by Dramaturg
I Tim Weil Lynn Thomson
(
RENT was originally produced in New york
by New York Theatre Workshop and on Broadway
(
by Jeffrey Seller, Kevin McCollum, Allan S. Gordon
and New York Theatre Workshop
I

MUSIC THEATRE
INTERNATIONAL
r-
r- Rent
r'
r- Piano Conductor Score
r(-
Act One
r- L. Tune Up A 1.
r-
(-- 1a. Voice Mail #1........... J-

r- 2. Tune Up 8...... ....4

('-
(--
(- 4. Christmas Bells #1 ....
r- 5. You Okay, Honey
('-
6. Tune Up-Reprise
('
(' 7. One Song Glory..... ..34
(' 8. Light My Candle........ 42
(" 9. Voice Mail #2.............. ....56
(-
(
10. Today For You A ..... 58

( LOa. Today For You B ....64

( 11. You'll See 70
(.
(
12. Tango Maureen - Intro .82

(. 12a. Tango Maureen................. 84

( 13. Support Group ........... ..96
(,
14. Out Tonight 103
(_
(. 15. Another Day \'t 6
(" 16. Will r 135
(-
17 . On The Street.... 1.42

1"8. Santa Fe.................. 1.47

'].,9.I'lI Cover You ..1,63

20. We're Okay 176

21. Christmas Bells 1.82

22. Over The Moon 2't 5

22a. Over The Moon Playoff ... 225

23. La Vie Boheme/I Should Tell You 226

 Rent
Piano Conductor Score

Act Tzpo

24. Seasons of Love ....273

25. Happy New Year A ........... 285

26. Voice Mail #3.......... ....298

27 . Yoice Mail #4 ...... 299

28. Happy New Year 8............ ...300

29. Valentine's Day Crossover..... 31.4

30. Take Me or Leave Me............. ...315

31. Seasons of Love B............. ...329

32. Without You... ...334

33. Voice Mail #5...... ...347

34. Contact........
35. I'll Cover You - Reprise
36. Halloween.... 365

37. Goodbye Love 370

38. What You Own.... 397

39. Voice Mail #6.......... 41"9

.....422

41". Your Eyes...... 445

42. Finale B .....450

43. Exit Music (I'll Cover You) 461.

 Patch List

Piano

Organ
Strings
Smooih Pad

Rhodes

Piano/Strings
Tubular BeIIs
Electric Piano
Rhodes a ToU Piano
Synth Pad
Church Organ
Horp
Steel Drums

Analog String Pad

Synth Bass
Synth-Ele ctric Guitar @D elay

Analog Pad
Synth Breathy Pad
Brass
 a
24
(
Seasons of Love A URENTU

Mtrsic anil Lyrics by

lonathan Larson
('
('
( 2 3 4

PIANO

--)-
a) 4 i t-t 1--J'1 t J € t t_r c_J "'J J J
B,bz Am7 Gm7Cm7 F C DmAm sbz Am7 Gm7 Cm7 Dm C Dm Am
tll

--..1F

5 6 7 I

a) 4 i.t_tiJrJJr e t t_t c_J t-

i
_l
1 J
sbz Am7 Gm7 Cm7 F C Dm Am sbz Am7 Gm7 Cm7 Dm c Dm Am

ffi
ITI-1
-l

9
Company: (Mcn 8ab)
10

Five hun - dred twen - ty five thous - and six hun - dred min utes,

______)_
a) 4 t. tt 41
-J -J 1+-+1
ie
sbz Am7 G rn7 Cm7 F C Dm Am
I
-=-----
Piano-Conductor Score -2- #24 - "seasons of Lorte A"

(ComPanY:)
,, 12

five hun - dred twen-ty five thous - and mom - ents so- dear.-

AJ 4 J. It IJ
11 ,J 1 J
_l

sbz Am7 Gm7 Cm7 Dm c Dm Am

l
=-1

14

Five hun - dred twen - ty five thous - and six hun dred min utes:

a) 4 J. t + l_J11 J r
nbz Am7 Gm7 Cm7 F C Dm Am
I

L5 15

how do you meas - ure/ meas - ure a- yeat? h-r

AJ 4 J. tt ,= -+1
a
p,bz Am7 Gm7 Cm7 Dm C Dm Am
I
-41
 {- Piano-Conductor Score -3- #24 - "Seasons of Looe A"
('
( l7
( 18

('
(
day - lights, in sun - sets, ln mid - nights, in cups- of cof - fee,
(
('
i t t c_J1=J1
nbz Am7
aa + Drums \ )
Gm7 Cm7 F C Dm Am
tt a a
I'
--- ffi

10
20

in inch - es, in miles, in laugh - ter, [1_ strife? In

t-

a) e t. l.-l l-J 1+
i
_l
1 J
nbz Am7 Gm7 Cm7 Dm c Dm Am

--EJ-

21. 22

five hun - dred twen - ty five thous - and six l-run - dred rnin utes? How

----r--
a) 4 i. t t l_J1J J 4
sbz Am7 Gm7 Cm7 FCDrnAm
l.
lTr-]
(_
Piano-Conductor Score -4- #24 - "Seasons of Loue A"

at
ZJ

_t J.
AJ 1
do vou meas - ure a year I 1-l the lrte? How a - bout
- o?

How a - bout

d 4 J. tt 1
I J
1 1+
i
_t
1 J
sbz Am7 Gm7 Cm7 Dm c Dm Am
_----,- t--1|

25
27

love?
f"v How a-bout love?

love? How a-bout love?

of 1---
Eb/sb Bb
Eb/sb nb
Bb/F F FmaT
ranbtll!| + +

+ Bass
 r- -5-
('
('
(' 29

(' -------1
7' r 7\> >
(' a)
lJ l-l -l
-J
I JC

(- How a-bout love? Mea-sure in

('
O?
('
('
How a-bout love? Mea-sure in

a) lv

( Dn/C Eb/Bb
C Bb GmA F
(
\
\

.l.t
31 32

o JO
love. Sea - sons of 1o

'
O?T t

love Sea - sons of lo

(tamb. out)
(

a) t tt u
+ Organ 4
(
Eb C sus4 sbz Am7
\.

\,
Piano-Conductor Score -6- #24 - "Seasons of Lozte A"

J5

a) J et r. 1-_-
YPt sea-sorls of ve.

O?f

V€, sea - sor"ls of lo VE

-------7

a) t. t-t c cl; J J
-)-21
e T.t it J t-i -J
I J
Gm7 Cm7 F C DmAm sbz Am7 Gm7 Cm7 Dm C Dm Am
r-1

37
Soloist:
38

a)
Five hun - dred twen - ty five thous - and s1x hun dred min - utes,

Company:
ft \e 2 t^t

Ooh

a) e J. IJ l_J.+ J I
sbz Am7 Gm7 Cm7 FCDmAm
I
 r' -
r'
('
(' 39 40

('
a) I
('
five hun - dred twen-ty five thous - and jour - r-reys to plan.
(-
(" ft
-
\e & h,f:; i:*
)
Ooh
('

( a) 6 t t t -J
11 -J 1+-+1
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sbz Am7 Gm7 Cm7 Dm C Dm Am
4 ?-1
(

41 42

a) 1- l-)
Five hur-r - dred twen - ty five thous - and six hun - clred min - utes: how

ft \e 4 2^2

a) e t. t J 4-J1J J J
sbz Am7 Gm7 Cm7 F C Dm Am
4
I

\
Piano-Conductor Score -8- #24 - "Seasons of Looe A"

(Soloist:)
43 u

a-) t 1- v
do you mea - sure the life ofa wo - man or- a man?-
-
(Company:)
ft - \e &i i:t Soloist #2

Ooh L-r

a) e t. tJ 1_! 'J t J
sbz Am7 Gm7 Cm7 Dm CDmAm
--l

(Company:)
45 46

(Soloist #2:)

trutlrs that she learned, or ln times that l-re cried, 1n

a) 4 t. JT l_crJtr
sbz Am7 Gm7 Cm7 FCDmAm
 (' -9-
('
(
(. 47 48

('
(' Ooh
('
('

( brid - ges- he burned or the way that she died? Ifs

(
a) 4 i t t -l
14 _t 1 -=-
J -J
1 1
Ybz Am7 Gm7 Cm7 Dm C Dm Am
I
-''-1

19
Company:
50

a) l-) t- t_a
time now to sirlg out thougl-r
-a the sto - ry nev er ends. Let's

2 ? O' ?'-'..--

time now to sing out though the sto - ry nev er ends.- Let's

t. t-t C_J lJtr

+ Tnnh.
sbz Am7
(cont.) Gm7 Cm7 F C Dm Arn
ll ) - )
a
t'
_----- l--r-l-1

I
Piano-Conductor Score -10- #24 - "Seasons of Love A"

51 52

AJ L { l-t= E-l rr| l- d u

cel - e-brate, re-mem - ber a year in the life of friends.- Re-mem-ber the

't.tD g I
t t
I
? ?t
L I r,l
?
-

I
?? t' i-" 2
F ??
J I '
-
cel - e-brate/ re-mem ber a year ir-r the life of friends. Re-mem-ber the

AJ 4 t t t _l
1 t+-++
ie
sbz Am7 Gm7 Cm7 Dm C Dm Am

t-l

fSoloist ad lib]
i.l
54 55

lo ve, re-mem-ber the lo

-

lo ve, re-mem-ber the 1o

-
____a-
AJ l--
Bb
Eb/Bb
(cont.)
Bb/n F FmaT Eb/Bb Bb
.r Tamb.
tt !J-l f + +
 Piano-Conductor Score -11.- #24 - "Seasons of Loae A"

57 58

a) 1--- fu) rtJ

ve,- re-mem-ber the lo ve. Mea+ure in

? b-
i- a^ ^ o? bg ffe-r?t ? **
-
"5-t
ve,- re-mem-ber the lo ve.- Mea+ure in

Dn/C C Eb/Bb sb G*/F F

[+ Soloist nd lib: MEASURE, MEASURE YOUR LIFE IN LOVEJ

59 60 61 hz

a) U +- 1

love Sea - sons of lo

C ??

love. Sea - sons of 1o

a) U 1, 4
(tamb. out) sbz Am7

I
o
UO

I
Piano-Conductor Score -12- #24 - "Seasons of Lozte A"

Soloist:

63 64r 6s /i

a) -
V€,
e
sea-sons of lo
1[
lJ- [-J-U ve.

)?t -

V€, sea-sons of 1o ve.

ri
*
a) t t_t J t.7 J e 4 t.t t _t
1d
_J

Gm7 Cm7 F C DmAm sbz Am7 Gm7 Cm7 Dm

lT'l-l -1

\y
( Piano-Conductor Score
( 25
(

(
Happy New Year A ''RENTU
Mnsic anil Lyrics by
( fonathan Larson

( 2 3

:
/

a) I t 7 7
Gtr. I8II, Drums

IL
f E B Giln.' A E B D

Bast-

4 5 6

Guitar ll

a) f

E B cfr A

9
7 I Mimi:

I'm giv - ing up my

+ Guitar I

a) f

E B D E B
Piano-Conductor Score
a,
#25- "Happy New Year A"

(Mimi:)
,, 1,1

vl - ces. Im go-ing back, back to school. E-

7 f
a)

Gilt" A E B D

13 14 15

vic-tion or not, this week's-been so hot, that long as lve got you, I know I'11 be cool.-

7 7
AJ

E B Gfr* A E B D

16 17 18

I cotrld-nt crack the love code, dear, 'til you

,mf
Fil A
 a
Piano-Conductor Score -J- #25- "Happy New Year A"

19 20

made the lock on my heart ex - plode. It's gon-na be a l-rap - py new year.-

Ffr A C D

2t
22 23

z
A hap - py r-rew year

t .t tl
a) I 7

f E B Gil'n A E B D

25
24
Mark:
26

Coast is clear Yot/re sup-posed to be work-ing. That's for

a)
Bass/Drums only

F ?

(
Piano-Conductor Score -4- #25- "Happy New Yeflr A"

(Mark:) Mimi:
27 28

mid - night. Where are they? There 1S n t much time. May - be they're

(Mimi:)
29 30

dres - sing. I mean what does orle wear tl'ra/s ap ro-pos- for a

Maureen: Mark:
32

par - ty tha/s al - so a crime? Chips an - y - one? You can

AJ Guitars

ABb
a
 r- Piano-Conductor Score -5- #25- "Happy New Year A"

33
(Mark)
J+

\
take the girl- out of Hicks - ville, but you car{t take the Hicks - ville out of the girl.

a)

AAbG
1

Bb
a

(
I

Maureen: Mimi:
I
35 36 37

(
My ri - ot got you on- T. V., I de-serve a roy al-ty Be nice you two or no God

I
AJ
(

abn Bb
I

38 Maureen: 39 Roger:

\ aw - ful cl'nm - pagne! Don't mind ifI do. No luck? Bol - ted ply - wood,

a)

A AbG

!
Piano-Conductor Score -6- #25- "Happy New Year A"

(Roger:) Maureen:
40 41 42

pad-locked with a chain. A to - tal dead end. ]ust like- my ex girl - friend.

AJ

F F =

)=) Swing Feel (Maureen:)

44 45 46

<
Hon-ey, I know yotrlre there PIease

ORGAN

a) t Jb, jt ;J
J brt r Jb" Jr + J btt
,nf tPLAyl
(+ Bass /Drums)
I \ \

-'-,lDJ

47 48 49 50

----1

pick up the plrone. Areyouo-kay? It's not

-
? N' I I

AJ J
J bt Jt a-
J brt J Jb'
JT + Jb, t
\ \
 a' Piano-Conductor Score -7- #25- "Happy New Year A"
(
I

(Maureen:)
( 51 52 4?

-----a
1

(
fun-n/, it's not fair. How can I a-tone? Are you o- kay?
-

i a) r)bt J # a-
J btt ;J
J btlt a J brt
\ \

57
55 56 58

I lose con-trol, but I can learn to be-have Give me

a) a +b,
J, J
J brt JJl +J I

59 60 b1

one more chance. Let me be your slave. fil kiss your Doc Mar-tens, let me

a) J JaL J JJ t - a

t
Piano-Conductor Score -8- #25- "Hnppy New Yeflr A"

(Maureen:)
u, 63

kiss your Doc Mar - tens, your ev - ery wisl-r I will o bey!

- J - -

65
.loanne: 67 68
66

-3-
That rnight be o kuy Down girl! Heel. Stay

3'

d J Jb' J J
J brt
' a
\

69 70 7L 72

I did a bit of re search with my friends at Le - gal Aid.

4 ,JA)A

ai
o-c) --u

Bass
 ( Piano-Conductor Score -9- #25- "Happy Neu) Year A"
r
( (Joanne:)
Mark & Joanne: Mark:
(' 75 76

{''
(- Tecl'L-ni-cally you're squat-ters, there's l-rope, but just in case: rope! We can

'l I

a) J-U

r.'-

(Mark:) Joanne: Mark: Mark & Joanne:

77 78 79 80
I

hoist a line to the fire es-cape and tie off at that ber-rch.

tl
I

O
+ Guitar I

Maureen: Joanne:
81 82 83 s4 t^
(
( I can t take them as chums. Start hoist-ing, Wench!

1 I /:\ Drums

a)

/i
Piano-Conductor Score -10- #25- "Happy New Yeat A"

85
Tempo 10
(sounds 8ab) R:ogerl. 87
86

I think I should be laugh-ing, yet I for get, for-get how to be - gin.

-
Gtr.I & ll, Drums

f 7
a)

f C G E F c G Bb

t F

Bass

oo 90

I'm feel-ing some-thing in-side, and yet I still can't de-cide if I should

f I
AJ

c G Em F
F ?

a1
91.

l-ride or make a wide o - pen grin. [,ast week I want-ted just to

f
AJ
rnf
c G Bb D
F
 ( Piano-Conductor Score -11- #25- "Happy New Yeflr A"
(
(
(Roger:)
( 94 95 96

(
( aP - My life was dust, it just may be a
dis Pear but now hap - py new year
(
(

a)
t,

F D F Ab Bb<

(.

I, 97
99
98

\
A hap-py new year

a) f f

f c G Em F C G Bb
F

l0I
Collins: Angel:
100 102

( loco
( Bor-rd, James Bond, and Pus-sy Ga - lore- in per - son.

34
i
IPLAYI R.H t) a

a)
'"r /-VJ '>
|

|/
EJ
l-4

(+ Bnss / Drums)
ta tt
Piano-Conductor Score -12- #25- "Happy New Yeflr A"

Mimi: Angel:
103 1.04

Pus-sy, you came pre-pared. I was a boy scout once, and a Brow-nie

-J-

---3 --'-- r-3

(Angel:) Collins: Mimi:

1os 106

-3-
'til some brat got scared. A-ha! Mon-ey -pen-ny, my mar - ti - ni. will
34

a J'I
r.3 V- I '--
f,
-frJ L--J

(Mimi:) Roger: Collins: Angel:

107 nB 109

-J-

bad cham-pagne do?- That's sha-ken, not stirred. Pus+y, the bolts. Just say the word.

-3-
aJ l--l-- l)-) I
fr4

- ua ,-3Tt -37- ?

tt
 ( Piano-Conductor Score -13- #25- "Happy New Year A"
(
(
Mimi: Collins Roger: Mark:
(
11.0 111

(
( Two min-utes left to cute our plan. Wl-rere's
ex e- ev - 'ry-one else? Play-ing Spi-derrnan. I
(

(
(
a

( e
frt tb e u
b b
a

(Mark:)
112 113
(

ron - ic close up: tight on the phone ma - chine's- red light. Once the
(

(
a) lta . ---/

114 ,ru rit.

(

( Bo - Ho boys are gone,- the power mysteriously comes on.

I
6
3
(whole tone scale)

a)"e n+ -------.-.-...-.-- fiJ ++

a TI

frv 3

6 rit'
r, l- ? ? F
L
Piano-Conductor Score
26
Voice Mail #3 URENTU

Music and Lyrics by

fonathan Larson

Mrs. Cohen:
2

-J-

Mark, it's the wick - ed witcl-r of the west, your mo - ther Hap - py new year from

3 4

Scars - dale.- We're all im - pressed tl'rat the ot foot - age

5 6

-J- -3-
made the night - ly news. E - ven your fa - ther says Ma - zel - tov, Hon - ey

I TBEEP]
7

Call him. Love, Mom.

 Piano-Conductor Score
r' 27
('
('
Yoice Mail#A URENT''
Music anil Lyrics by
(' fonathan Larson

('
(' Mark: Oh, that
{" Alexi Darling: ,
show's so sleazy

(- 2 A (Alexi Darling:)

(' -J-
(' Mark Co-hen, A-lex-i Dar-ling, from Buzz - line Your

('
(' 3 4

('
(' foot - age of the ri - ots: a one fea - ture seg - ment, net - work,
(
(
-
(
5 6
(
(

(
deal - time. I'm send-ing you a con - tract. Ker - chir-rg, ker - ching!-
(
(
7 8

(
-3-
( Mark - y, give us a call. Nir-re sev - en oh four tl-ree oh one/
(
-
\.
o
( 10

( -J- -3-
( or at home, try eight six three six sev - en five four, or my cell phor-re at
(
(_
(.
11 r-J.- 12

(
-J- -3-
I

nine one nine sev - en six three oh oh nine oh, or you can e - mail me at

13 14 1s tBEEPI
L,,
-J-

Dar-ling A - lex - i news com dot net, or you can page me at...

("-
Piano-Conductor Score
28
Happy New Year B ''RENTU
Music and Lyrics by
lonathan Larcon

I
Maureen: Mark: .Ioanne
2

I think we need an a gent. We? That's sel - ling out.

Guitars

aJ
lt
Dntms mf
G Em
tr C
F
F

Bass

Mark: Maureen
4 5

But it's nice to dream. Yealr, it's net-work t. v., and it's all-

a)

C G sb c G
F Fr

Mark: I Joanne:
6

thanks to me. Some how, I tHnk I smell the whiff of a scheme. Me too.

7 7
aJ

Em F C G sb
F
 f- Piano-Conductor Score -2- #28 - "Happy New Year B"
('
('
Maureen Joanne: Maureen
( 9 10 't'1

('
(' We can plar-r a-r-roth-er pro - test! We? This time you call shoot- from the start: you'Il dir -
('
(Gtrs. / Drums)

nup
( D F D
I

Ail:
12 1.3 L4

!-

ect, star-ring me! Five four tl-ree o- pen se -sa-me. HaP - py llew vear.

a)

F Ab Bb G

t5
17
16

Hap-py new year

a)

fc G Em F C G Bb

F F
t
(
Piano-Conductor Score -J- #28 - "Happy New Year B"

(All:) Benny:
18 19 20

Hap - py new...- I

PIANO

AJ

IPLAY] C
Ablrc Bb/c

(+ Bass)

Roger: 22
Benny:
21

see that you've beat-en me to tl'Le punch. How did you know we'd be l'rere? I had a hunch.

b"t bz.
C
-4 a 1
Ab/C Bb/C

---/

,, Mark: Benny:

You're not mad? I'm here to end this war. It's a shame you went and de+troyed the door

-------+- I

c Ab/c Bb/c
 Piano-Conductor Score -4- #28 - "Happy Neut Year B"

2r Mimi Benny: ,u

a) biJJJJ+JJ J',' + bi e i+_C J i ri J

Why all a sud-derl the big- a-bout face? The cre -dit is yours. You made a good case-

A
- Roger:

What

c Ab/c sbtrc

(Benny:) Mimi: Benny:

27 ao

-J-
-J---
O J J J J J J J J'- ' J J )+' x )< )< x)<)<)< )< )+ )<' bz})
Mi - mi came to see me, and she had mucll to say That's r-rot how you put it at all yes-ter-day I

6 (Ro8er:)

case?

T-- I

t(ft r 6t ' | =j' | | J

-
c Ab/c Bb/c

(
Piano-Conductor Score -5- #28 - "Happy Neu) Yeflr B"

(BennV:)
,o 30

-3-
aJbJr ,J1 J tt +J J
could-n't stop tlrhk-ing a- bout- the whole mess. Mark, you'Il want to get this on film.

Mark:
A

I guess.

AJ

3t
(Benny:) Roger:
32

I re - gret the un - luck -y cir-cum-stan-ces of the past sev - en days. Cir-cum -

a) a
U 4
sttb np

<>

Benny:
33 34

stance? You pad - locked our door And it's

ra1-l ll
* ill
-5I: t--
'
 Piano-Conductor Score -6- #28 - "Happy New Year B"

(Benny:) Mark:
,u 36

-J-

with great plea - sure, on be - half or Cy - ber Arts, tl-rat I hand you tl-ris key I

Angel:

/'\ Golf claps.

{E>

s
a

{E}

Benny: Roger:
38

had no juice in my bat - ter - y. Re - shoot! I see; this lSa pho-to op-por-tu - ni - ty

39
Maureen:
40

The be - ne - vo - lent God ush - ers the poor art ists back to their

-4 d bt + t lbt l
f
t.
€>
]U
Piano-Conductor Score -7- #28 - "Happy Neu) Year B"

(Maureen:) Roger:
41, 42

-.1- -J-
flat. Were you plan-ning to take down the barbed wire from the lot too? A - ny-thing but that!

;J -
-4 a

13
Benny: 44
-J-
-3-

Clear-ing the lot was a safe ty con-cern. We break ground this month, but you can re-tum.

-71*6,sr.9 d J+ lJJ +: b"t bti J

J
d 1' 1
C Ab Bb

Maureen: Hj Benny:
45 46

That's why you're here with peo-ple you hate, ir-r stead of with Muf-fy at Muf-fy's es - tate.
rd

a) 4
i V
a- + b"ar J a.bt
11 I
c Ab Bb
 [' Piano-Conductor Score -8- #28 - "Happy Neu Year B"
(
(
(Benny:) Roger:
( 47 48

( -3-
(-
(
hon-est-ly rath-er be with- you to-night, thar-r in West-port. Spare us, Old Sport, the sourld bite.

t bi
\

(' dJJ- 1 -+ J-+

iii Jb"t J
(- C Ab Bb

:
\

(
19
Mimi: Roger:
50

-J-
a)
You came on to me! Liar!
1

A Benny:

Mi-mi, since your ways are so- se-duc-tive, per - suade him not to be so coun-ter-pro-duc tive.

a) e
i -'--/
f
V
IJ - t

c Ab Bb

!
Piano-Conductor Score -9- #28 - "Happy New Year B"

Mimi:
51 52

a)
I was on my way to work.

(Benny:)
A
-J---

Wlry not tell them wl-rat you wore to my place? Black lea-ther and lace. My

a) J + 4J I -+-+ J -+4 b"rl lbti I

i - -i i- 11' 1
c Ab Bh

53 54

a)
'Cause I kicked him and I told him I was - n't his whore!-

A
-J--

desk was a mess. I think I'm still sore Does your

ai q e' J' _l
bti _l
T-t_ -e -T JJ.
-J --.
Jb"*' I
1 -l
1
c Ab Bb

'-/
 (- Piano-Conductor Score -10- #28 - "Happy New Year B"
f'
(
(Benny:) Roger:
( 55 56

(' -J- -J--"-

("
(' boy-friend know who your last boy-friend was? I'm not her boy - friend; I dor{t care what she does!

;-

57
Angel:
a6 59

Peo-plel Is this an-y way to start a new- year? Have com - pas-sion, Ben-ny just lost his cat.
-

ntp f
sub

Am

€> o

Bennv Angel: Benny:

6I) u,
I

My dog,- but I ap-pre-ci-ate that. My cat had a fall and I went through hell. It's like

a-rl
s

€>
Piano-Conductor Score -11- #28 - "Happy New Year B"

(Benny:) Collins: Bennv:

oz 63 "

-J-
-J- -3-
los-ing a... How did you know that she fell? Cham - pagne?
Don t mind 1f I do. To

€>
s €>

65
Angel: Mimi:
64 Alt: 66

dogs! No Ben-ny, to you! Let's make a res - o lu - tior-r.

T'll drink to that.

Guitars
-

a)
a frt t f

--- fD A F#'" G
F
Bass

Collins: 68 .Ioanne: Maureen:

67 69

Let's al-waysstay friends. Though,ve may have our diryutes... This {arrt.Jly

7
a)

D A c D A
,F r----1 F
a na a a a a a a
 (' Piano-Conductor Score -12- #28 - "Happy Neu) Year B"
(
(
(Maureen:) Mark: Roger:
(' 70 72

(-
('
I
tree's got deep roots.- Friend-ship is thick-er than blood. That de-pends.

a) r f

(^ F#* G D A c
F |_l_l-1

(- 4 a 4a a - I I \

Mimi: Roger: Joanne: Mark:

/J 75

\
\

{
De-pends on trust. De-pends on true de vo tion. De - pends on love. De-pends on

submf
E G E

77
(Mark:) Roger: AII
76 1a
(

( a
r-rot de-rry - ing e-mo-tion. Per-haps It's gon-na be a hap-py new year.-

a)

G
f f

Bb C D A F#'" G
L F
(,
Piano-Conductor Score -13- #28 - "Happy Neu) Year B"

(Arh) Roger: AII

80
-----a

I guess it's go11 - na be a hap - py new-

7
a)

D A c
F t-r._l_l
t 'TL ( r

Roger: Angel:
8L a)

year You're rigl-rt. It's gon-r-ra be a hap - py l1ew year.-

D A F#,n G

8.t Slower
adlib,-- Roger & Mimi:
84-- 86

I'm sor-ry

STRINGS

Lt-----
#
a) f
IJ-J ft

D A C TPLAY]

l_,'-|-1
 r' Piano-Conductor Score -1.4- #28 - "Happy Neu Year B"
('
('
87 Mimi:
(- Roger: 88 89 90 o1

('
('
Com-ing? In a min-ute. I'm fir-re, go.
(-
(' -
{'
a) - J I
-J E6
rTt
II
{E> qe
('
('
('
('
('
(- -
The Man: Well, well, well,
(
wl'rat have we here?
( (The Man:) (8ub)
92 s3 /i s4 95

(
(
(
It's gon-r-ra be a hap-py new- year

( .i
( ,e --
l-€-
l-lJ:-
(
(Dr. Roll)

ri I
(
(
{E}
( (t
(
(
(.
( 96 97 98 99 700
(.
(
There, tl-rere....etc.
\.

(,

(,.'

-
(-, ,---/ <C}--
Piano-Conductor Score
29
Yalentine's Day Crossover ''RENT''
Music anil Lyrics by
lonathan Larson

ELECTRIC PIANO
2 4

mp

--*'tt)F\lJ

5 Guitar I 6 7 8 I

I I I I ,-1 I l_t

10 11 12 13 14

I .l tl t-1 I I l J JI ,J:-r {
,
-
 {-
(' 30
('
('
Take Me Or Leave Me ''RENTU
Music and Lyrics by
(' lonathan Larcon
DIALOGUE: "You were flirting with a woman...."
('
(' Medium Shuffle
(' 2 .) 4

('
(-

(
a) + J J J -+ d. a.
(
F Bb F nb sb
(

...''give me a break."
5 6 7 8

a) + - - J' JJ
a 6
+ Drunts F sb F sb F

+ Bdss
i

9
Maureen:
10

I
Eu'-ry sin-gle duy I walk down the street,
-

a) J J e

F sb
i

i
Piano-Conductor Score -2- #30 - "Take Me Or Leazte Me"

(Maureen:)
11 12 13

,,Ba
I hear peo-ple say, by'" so sweet." Ev - er since pu-ber - ty,
-

dJ' JJ a t6: J' -

F Eb Bb F

1.4 75 16

ev-'ry-bo-dy stares at me Boys. Girls. I can't help it, Ba by,- so be

t a. I

a)
J J J J a 8l
Bb F Eb F

-17 19
10

kind.- And don't lose your mind.- Just re mem-ber that I'm your

a)

Dm
T
1 t
1
Am7
.f+
i- I1
Bb
t1 ,t Gm7
t*
11 tl
 r- Piano-Conductor Score -J- #30 - "Take Me Or Leaue Me"
('
(' 2t
(' 20 22

('
( ba by Take me for what I am,
('
('
(' ++ t
+ Gtr.I
a , , *1 tI
FlC C F Eb Bb B btc

1.

23 25

wl-ro I was meant to be. And it you

a) J J a a r.
1J I -
**
ii
F Eb Bb
Dm Am7

26 27 28

t
elve a damn,- take me ba -by,- or leave me.

a) TI
11
Bb
1t ftft
11
Gm7
+
F
-t

I
l-/
Piano-Conductor Score -4- #30 - "Take Me Or Leazte Me"

32

29 30 31

_-.-
Take me, ba-by, or leave me. A ti - ger in a cage-

AJ
t J' ,J .4. t. J' t

Bb F Eb Bb F

34

can nev - er see the sun.- This di - va needs her stage.-

d - J' t 4
Bb F

35 ,)o 37

Ba by, le/s have ful! You are the one I choose.- Folks would kill to fill your shoes.

a) "4. 8i J' - -
Eb Bb F sb
 ( Piano-Conductor Score -5- #30 - "Take Me Or Lefloe Me"
(
(
38 39 40

--a+
(
You love the limeJight too, ba by So be mine, or don't waste my
( -
(

J a J a -r- -r- i} *
a)
8: 11 tt
F Eb F Dm Am7

:
I

'/

41 42 43

time cry - irl "Hon-ey Bear, are you still my ba bv?'-

a) tl41
Bb
,# Gm7
t
1 Z.
1 t, a
Flc
a'
d.
c
\ I

1l 45
46

Take me for what I -\-/

am, wl-ro I was neant to be.-

a) J + a a ,, tt +J a I
11
F Eb Bb F Eb
Bb/C

I
Piano-Conductor Score -6- #30 - "Take Me Or Leazte Me"

47 48 49

And if you give a damn,

a) t*.
14
Dm
*i}
it
Am7
t*
11
Bb
,n
Bb

52

50 51

take me ba-by, or leave me No way-

*. -e e
*.* 11 I -- -
a)
11
F7 sbg
Gm7 Bb/C
+ Organ
,€:

JJ 54

can I be what I'm not, but h"y, dont you

tutrtlrt
a) I iJ J J ut , -
F7 sbs
b-e: (cont.)
L
 Piano-Conductor Score -7- #30 - "Take Me Or Leaoe Me"
('
(
( 55 56 57

(
(
want your girl- hot? Dorit fight. Dor-r't lose your head.

\
a) tt rla tt
- - e- ,-
F7 sbs Dm7

58 59

'Cause ev -'ry r'rigl'rt, who's- in- your bed?

R.H g/is-s.

G7 C7

61 bl 63

Who, who's in your bed?- Kiss, Poo-kie

a) J' J 1- t J - J
F Bb F

(
Piano-Conductor Score -8- #30 - "Take Me Or Leaue Me"

65
Joanne:
64

It won't work! I look be - fore I leap

Eb Bh F

66 67 68

I love mar-gins and dis-ci-pline.- I make lists in my sleep. Ba by, what's my

a) J J - J a a
Bb F Eb Bb

-rltd'tt'l

69 70

sir-r? Nev - er quit. I fol - low through. I hate mess, but I love you.

AJ J' - -
F Bb
 r Piano-Conductor Score -9- #30 - "Take Me Or Leaae Me"
(
(
(Joanne:)
( 71 72

{ ----{
( What to do with my im-promp - tu ba by? So be

dJ' a 1 a Ei
F Eb F

73

/
\
wlse 'cause this girl sat - is fies. You've got a

I
a) .f,-
I
Dm
_r-
4 +
i
Am7
+
i Z.
1
Bb
1
1 ,i

77
75 76
I

( prize who don't comp-ro-mise. You're one luc - ky ba - by Take me for what I am,-
(

a) r.
14 I
Gm7
t3 gi
Flc
a'
d.
C
J

F
J a -
Eb
I

i
Piano-Conductor Score -10- #30 - "Take Me Or Leaoe Me"

(Joanne:)
78 79 80

AJ I

who I was meant to be.

A Maureen:

A con-trol freak A snob, yet o-ver at-ten-tive.

AJ tt IZ
11
J J a 7 Z.
1 I1
Bb F Eb Bb
Bb/C

81 82 83

7 J'. J
And if you give a damn, take me ba-by, or

A lov-a-ble droll geek.

a)

Dm
*.]
ii IZ
11 it T.Z
11 tfi
11
Am7 Bb Gm7 Bb/C
 ( Piano-Conductor Score -1'1.- #30 - "Take Me Or Leaoe Me"
(
(
(Joanne:) 8i
Both:
( 84

(
( leave me. That's it!
( (Maureen:)

(
An an - al re - ten - tive.

sbs

(
(

g5 Joanne: aa Both:

The straw that breaks my back. I quit!-

-

'
a) J J + z t- t t
F7 r,bs

Joanne: Both Maureen:

88 89 90

#
Un-less you take it back.- Wo - merl! What is it a-bout them?-
-

a) JJ I J J' a2-
-e , ,
I
F7 r,bs F

(
Piano-Conductor Score -12- #30 - "Take Me Or Leaoe Me"

Both: 92
91

Can't live with them or with - out them.

AJ
tr? , ,
CI
G7

91
93

Take me for what I am,

a) f J - ta, J
G F

- -
I L

(Both:)
95 .loanne:
96 97

a) J r'7
who I was meant to be.
-
Maureen:
Att

Who I was meant to be.

d +J +
i
ia - - tee + ;J
-
c clD G F c
 Piano-Conductor Score -13- #30 - "Take Me Or Leazte Me"
{
(
(Joanne:)
{ 98 ss 100

{
( a) J -
And if you give a damn, you bet-ter take me ba - by
(
(Maureen:) -
Au \
(
(
( And iI you give a damn,-
(
(

a) .J_
11 .J_ ++
ii ,, 1+ + +
i
( Ern
ii -
(
Bm7 c Am7 clD
\ \
(
(
(
(
(

101 1.02 L03 Both:

I
( -
or leave me. Take me ba --
by
(
(

take me ba - by or leave me

\
dat ta -+
ii t, ++
-- t,
\
Em C Am7
(
\ \
(
(

[.,
Piano-Conductor Score -1.4- #30 - "Take Me Or Leaoe Me"

(Both:)
1.04 1.05 106 107
&-
&-

or leave me.

a) i}
ii
ia
J' '------
-;J--
.f
i
mf
a

G
c Am7 clD
\

&b- -,

108 109 110

Guess Im leav - in I'm gone!

d - - te.

C G f F trc
 Piano-Conductor Score
31
Seasons of Love B ''RENTU
Music and Lyrics by
fonathan Larson

aJ

Group I

Lr

a) 4 t t-t l-l tJ t J
gbz Am7
Gm7 Cm7 Dm CDmAm
Drums (H.H,)

------- l-!

3 Group 2:

Oolr.

(Group 1:)

dia - pers, re - port cards, in spoked wheels, in speed i.g tick ets,

a) 4 i. t_t J_J r+ t +
sbz Am7 (cont.)
tt
rr (Drun*)
Gm7 Cm7 F CDmAm
I

+ Bass
L;
Piano-Conductor Score -2- #31- - "seasons of Lozte B"

(Group 2:)
5 6

(Group 1:)

in con - tracts, dol - lars, in fuir'- rals, in- birtlrs, 111

AJ e t. I J JJ
11 J
1 =_
I _l J

nbz Am7 Gm7 Cm7 Dm C Dm Am

4 --...4 -

7 I

a) l--+ tJa a J
five hun - dred twen - ty five thous - and six hun dred min utes? How

?ot ?

five hun - dred twen-ty five thous - and six hun - dred min utes? How

d 4 t. l-l l-J tJ J +
+ Organ
-
nbz ArnT Gm7 CmTFCDmA
I
 r-' -3-
('
(
(Group 2:)
( 9 10

('
(' a) 1 J - .J J J - -+Ja
a
do you fig ure a last yeat _ o11 Earth?- Fig - ure in
(' (Group l:)
(' 2 t J?
('
(' do you fig ure a last year on Earth? Fig - ure in
(' -

1.

a) e t.tt 1 -f-
J1
_l J
sbz Am7 G m7 Cm7
- Dm C Dm Am
( ----- r41

12
I 13

love
V-V Fig-ure in 1ove.

l_|b_

love. Fig-ure in love.

(
f Eb/sb Bb

( + Tamb.
(cont.)
Bb/F F FmaT Eb/sb Bb

(
Piano-Conductor Score -4- #31 - "Seasons of Love B"

(Group 2:) 16
15

?'r?1>
d
LJ LJ-P+
lJC
e
Fig-ure in love Mea-sure in

l:)
(Group
^)+
Fig-ure in love. Mea-sure in

a) lv

Dm/C C Eb/sb Bb G.A F

l'

17 18 19

a) o J - t-
love. Sea sons of love.

J?t

love Sea - sons of love.

AJ l--l-#
lo e
Bb/C sbz Am7
)
Piano-Conductor Score -5- #31 - "Seasons of Lot)e B"

(Group 2:)
21 ri
a) J Jt
Sea-sons of love.

(Group 1:)
----- C?t

Sea-sons of love.

ri
+
a) t r-r l_l.'1 j J 4
Gm7 Cm7 F C DmAm nbz Am7 Gm7 Cm7 Dm
11 A
Piano-Conductor Score
32
Without You .'RENT''
Music and Lyrics by
lonathan Larson

2 3 4

(music under dialogre)

.>

a) Guitar

p D2(no3) D

5 6 7 I

D2(no3) D

(sounds 8ab) Mimi:

s (vamp) 10

fttocal last X)
With -

D2(no3) D
Bas"-
 Piano-Conductor Score -2- #32- "Withottt You"

11 (Mimi:)
12
1.3

out yott the ground thaws, the

a,

D2(no3) D
a
-q /

16
L7

raln falls, the grass grows. Witlr-

-o

D2(no3) D
a

19 21.

out you, the seeds root, the

SMOOTH PAD

TPLAY]
D2(no3) D D2(no3) D
(Guitar,
Bass cont.) (t -o.
(

t,
(-
\,i
Piano-Conductor Score
a
-J- #32- "WithoutYott"

26
23 25
a-
-_-------

flow - ers bloom, the chil - drerr play, the

D2(no3) D D2(no3) D
(r _o.

27
---\ 29

stars gleam, the po - ets dream. The

t, .lt O
a) €> €>

Bm7 G2 Bm7 G2

31 ,t.t

ea - gles fly with - out you. The

Fil'n G D2(no3)
 Piano-Conductor Score -4- #32- "Without You"

35 37

Earth turns, the Sun burr-u,

Bm7 Bm7

38,_- 39
40

but I die with - out

a) JI.
€> -
G2 Film G

JI
43 44

vou. _ With-
Guitar

[PIay again at m.94]

D2(no3) D D2(no3) D oto

L
-o. Bas-s a
rT- a,
FFF
(
Piano'Conductor Score -5- #32- "WithotttYou"

J5
46 48
47

out you, the breeze wafins/ the

d
D2(no3) D
a a. ao a
rT- rr I

50 5l
49 51

girl smiles, the cloud moves. Witlr-

ai
D2(no3) D
O O. aa a a aa
t- T- T_ T_ t- t- I I a-

53 55

out You, the tides change, the

a,

+ Strings

D2(no3) D
Piano-Conductor Score -6- #32- "WithoutYott"

60
58
57 59

boys rul]/ the o- ceans crash, the

a)

D2(no3) D
aa
r- ao aa P+
f-r T-r t-lt

61

63

crowds toal/ tl"re days soar. The

a)

Bm7 GZ
'A
'-c? '-cP'4

65 67 68

bab - ies cry with - out you. The

a)

F#'" G D2(no3) D
a a a
T_ T- T-
Piano-Conductor Score -7- #32- "Withottt Yott"

(Mimi:)
69 71

moon glows, tl-re riv-er flows,- but

a,

AJ

Bm7 G2
'4
++
LL (
'-p? ab
T-\/ r

74 76
73

I die without you.

a)

Ffr* G D2(no3) D
aa ao
T- t- rT-

77
Mimi:
78 79 80

a)
Col-ors re l1ew/-
-
Au Roger:

The world re vlves/

-o
a.)

nbz/D D2
a a. a a
.l_
a
T_T- t-
 f- Piano-Conductor Score -8- #32- "Withottt You"
f-
(
( ut (Mimi:) 82 83

(
a)
( but I- know blue, o11 ly

Au (Roger:)
('

but I know blue, o11 ly

a)

sbz/D Ar/C
^/cil

84 85 86

a)
blue, lone ly blue,

Au

blue, lone ly blue,

AJ t4J t+J t+J

Gls Gm/B,b D/L

t
Piano-Conductor Score -9- #32- "WithotttYou"

(Mimi:)
rit.
87 88 89

with - in- fl€, blue,

(Roger:)

a)
Cymb. rit.
DlA A

90
a tempo Mimi:
97 92

with - out you. With-

a)

D2(no3) D

9l
95
96

out you, the hand gropes/ the

SMOOTH PAD

IPLAY] D2(no3) D D2(no3) D

(Guitar,
Bass cont.)

-5Le#
 f Piano-Conductor Score -10- #32- "Without You"
(
(
(Mimi:) 99 101.
Roger:
( 98 100

(
(
ear hears, the pulse beats. With -
(
(

D2(no3) D D2(no3) D
rO- _o. (t
i

I
103 105
104

out you the eyes gaze, the

D2(no3) D D2(no3) D

109
107
106 108

loco
legs walk, the lungs breathe, The
I

D2(no3) D D2(no3) D

^ cle' (! (P'

a
Piano-Conductor Score -11- #32- "WithotttYott"

1t0 Mimi:
111

the mind churns, the heart-

(Roger:)
A ts

mind churns, the heart yearns.

Bm7 GZ Bm7

-o. -o
TT

z--\ 115
1.13 114

a) f
yearns. The tears dry witl'r -

At)

The tears dry witl'r -

G2
^l a_ J ) )
Ffm
o. e
 r- -12- #32- "Without You"
(-
(-
(' 1.L7 loco 118 11.9

r' - J
(' out you. Life goes o11/ but
(
(Roger:)
-

a'
(^ out you. Life goes o11/ but

1
D2(no3) Bm7
(' (t -o.

120 122 123

J e
I'm gone, cause I die

I'm gone, 'cause I die witl-r - out

Bm7 G2 Fil. G

(
.o. a ? -------.--
-o.

L.

{
Piano-Conductor Score -13- #32- "Withottt Yott"

t2J
(Mimi:)
125 126 127

AJ + -,-
with-out- you.

(Roger:)
Au

you. With-out-

Guitar

D2(no3) D D2(no3) D
-o. Bas-s _q
"f

rall.
128 L29 130 ttt tj

J J

Without you.

/i

you. With-out you.

(
D2(no3) D rall. D2(no3)
o
 r- Piano-Conductor Score
f' 33
('
(-
Voice Mait #5 'RENTU
Music anil Lyrics by
r' lonathan Larson

f-
{' Alexi Darling:
{- 1. 2

(- -J- -J-

r- Mark Co-hen, A-lex - i Dar-ling, La-bor Day week-end in East Hamp-ton, on the
r-
(-
('
(' 3 4

('
('
beach. |ustsawA-lec Bald - wir-r, told llim you said
('
('
(
(, 5 6
( -3- -J-
(
Hi. Just kid - ding. We still need di - rec - tors, you still need mon - ey,
(
(
(
( 7 I
-3- -J- -J-
(
you know you need mon - ey Pick up tl-re phone, don't be a - fraid of ker
( -

(,
(- I 1-0 11
IBEEP]

(._ -J-
t_
( ching, ker - ching! Mark-y, sell us your soul. fust kid-ding. We're wait-ing.-
-
(
t,
(,
t,
.L;
\,
L-
(.,
Piano-Conductor Score
34
Contact ''RENTU
Music anil Lyrics by
(Pre-Record) lonathan Larcon

1 2 3 4

a) Ei tri tl-J tri Y EJ tri EI.J V

-

5 6 7 I

4 4
t I ?l 7, ?l 7 ' 7l
FF =rJ F SS =r-J a

9
Mimi, Collins, Maureen, Angel:
10 11

Hot. Hot. Hot. Sweat. Sweet. Wet. Wet.

a-)
g trJ FI =t /
=-J
-
 Piano-Conductor Score -2- #34 - "Contact (Pre-Record)"

(Mimi, Collins, Maureen, Angel:)

Collins: Maureen Mimi: Collins:
tl ,14

Wet. Red. Heat. Touch. Taste. Deep. Dark.

Roger, Mark, Joanne, Benny

Ar

Hot. Hot Hot. Sweat. Sweet.

a)
=t st =-J =

):' -t )

Mimi, Mimi,
Maureen, Maureen,
Maureen Collins Mimi: & Collins: Collins: & Collins:
15 to 17 18

a)
Kiss. B"g. (Slap) Slap. Fear. Tl-rick. Red. Red.

(Roger, Mark, Joanne, Benny:)

A

Wet. Wet. Wet. Red. Heat. Please don't stop. Please, please don't stop, stop,

(1/2 X Feel)

a)
ll /l
Eb Ab

rRt

€>

t
Piano-Conductor Score -J- #34 - "Contact (Pre-Record)"

(Mimi, Maureen, Collins:) Maureen: Angel: Maureen:

19 20 2L

a)
Red. Red Red. Red. Please Har-der Fas - ter Wet - ter

(Roger, Mark, Joanne, Benny:)

Ar

stop, stop, stop. Don t. Please, please, please, please. Hot. Hot.

a) I V

Db cb Fm Eb

Mimi,
M aureen,
Mimi: Collins: Maureen: Angel: Maureen: & Collins:
22 IJ 24 25

AJ
Bas-tard! You whore! You can-ni-bal! More! You a-ni-mal! Flu-id, no. Flu-id, no.

(Roger, Mark, Joanne, Benny:)

A

Hot. Sweat. Sweet. Wet. Wet. Wet. Red. Heat. Stick - y. Lick - y

a) V VI VI
Ab Db cb Fm Eb
 Piano-Conductor Score -4- #34 - "Contact (Pre-Record)"

(Mimi, Maureen, Collins:)

26 27 28 2s All

a)
Con-tact, yes. No con-tact. Fi - re. Fi re Burn. Burn. Yes. No la - tex.

(Roger, Mark, Joanne, Benny:)

A

Trick le. Tick - le Steam-y. Cream - y. Strok-ing. Soak - ing.

a)
VI VI VI
Ab Db cb Fm Eb

u
=

(All:)
30 31 3Z

Rub-ber Rub-ber. Fi - re. La - tex. Rub-ber. La - tex. Bum-mer. [,o - ver. Bum-mer

a)
V ll
Ab Db cb Fm

=c

L
(.
Piano-Conductor Score -5- #34 - "Contact (Pre-Record)"

34 35

(8ab throughout - to cnd)

Angel:
,)/ 38
36

Take me! Take me! Tale me!

-

39 40 41

Ahh! Take me!

-

gb1no3)
 -6-

42 43

Take me! Oh! To-

(' pb1no3) gb1no3) pb1no3)

1'

46
45 47

( day for you.- To-mor-row- me/-

for me. To duy to-mor-row-

I pb1no3) pb1no3) pb1no3)

48 to 50

you. To - mor - row yol1 Love You, Love.-

pb1no3) gb1no3) pb1no3)

(,
Piano-Conductor Score -7- #34 - "Contact (Pre-Record)"

51 52 53
1

Yow Love,- I love you. I love you.- Ah.

6h1no3) pb1no3) gb1no3)

54 55

Take me. Take- me. I love you.

pb1no3) pb1no3) pb1no3)

57
Roger: Joanne: Mimi: Collins Joanne: Roger: Mimi: Maureen:
58
9-

Um. Wait. Slipped. Shit. Ow! Where'd it Eo? Safe. Damn. I think I missed.

a)
tnf
 -8-
('
('
(Maureen:) Alr Joanne:
(- 60 61 62

('
(' Don t get pissed. It was bad for me Was it bad for you? It's
(-
('
{= a)

('
('
(-
('
(
(-
(
(Joanne:) Maureen: Roger: Mimi: Collins:
(' 63 b+ 65

(
( o - ver. It's o - ver It's o- ver. It's o - ver It's o - ver
(
(: A
(
(
a)
\?
(
A
(
(

( SEGUE
(
(_
(_
(,
(,
(.
(.
t
(.

("
(.
U
(,,
L-
(_,
Piano-Conductor Score
3s
I'll Cover You r Reprise ''RENTU
Music anil Lyrics by
lonathan Larson

(vamp)
2 4

underscoring

a) e i. t_i 4_.J"J i - 4 J. t_t lJnJ J r

1 I I I I z
-
-l

colla voce
IOn Cuel Collins:
S molto rtl. 6 7 rJ- 8
-J-
-J- -3- -3-

Live in my house, fil be your shel-ter. Just pay me back witl-r

a) t l)
1 tt
€} Al \t a \#
molto rit nyp

9 10-J- 11

-3- -J-
-3
one thou - sand kis - ses. Be my lov - er.- I'll cov - er

AJ ft g :r-
rl? -t. a
d lrl
t-J l-
I r
{€}
Bub---r
 Piano-Conductor Score -2- #35 - "I'll Cooer You - Reprise"

12 Slow Gospel Feel

,.1 1.4

you. O - pen your door,

o) Z
1
B
liri +
simile

15 to

fil be your ten ant. Don t got much bug - gage to

a)

F#/B F#m7D# E Fm7(bs)

I

17 7a

luy at your feet. But sweet kis ses l've got to

a)

B/r# Ffl E

/
Piano-Conductor Score
a
-J- #35 - "I'll Cozter You - Reprise"

19 20 21

spare. fil be there, I'll cov er- you.

-
a) -
Ffr A#mz(bs) Dill(bs)
F# E
Drums
---
t

22
23 24

---+
I think they meant it when they said you car{t buy love. Now I know you can rent it, a new

a)
*f
+ Guitar, Drunts Gfimz Emaj F#mz

I
BassV

25 26 27
4t-

lease, you are, my love, on life. A1l my

d + Organ

Dma7 G Em C#mz(bs) r#z0sl

IL
?.
T- t- tu
 (' Piano-Conductor Score -4- #35 - "l'll Cooer You - Reprise"

(Collins:)
( 28 30

t7l
I've longed to dis - cov - er-
Choir:

o.
Ooh
(-

(' a)
( Bm D/A E

I \+.1 ?, f

I
(Collins:) 33
I
31 32

a)
L'rl
r t+J
some-thing as true as this 1S_

A vll Soloist:

a) t7
So- with a

(Choir:)
A u ll

a)

Bln Aln B/n

i

i.
Piano-Conductor Score -5- #35 - "I'll Cooer You - Reprise"

,n(Collins:) 35

AJ
If you re cold and you're lone - ly,
(Soloist:) @dd soloist)
A t ll

thou - sand sweet kis ses/ I11 cov - er you with a

(Choir:)
)- )-

Five- hun-dred twe11 -ty five thou - sand six hun - dred mir-r - utes,

d cresc.
Amaj G#mz Filnt E

36 37

you ve got one nick - el on - ly,

(add soloist)

thou - sand sweet kis SES. 111 cov - er you with a

Five hun - dred twen - ty five thou - sar-rd mo - ments so dear,

a)
AmaT Gfimr F#m7 Cfnt
L ?
 Piano-Conductor Score -6- #35 - "I'll Cozser You - Repfise"

(Collins:)
38 39

When you're worn out- and- tir - ed,

(Soloists:)

'--/
thou-sand sweet kis ses/ I'll cov-er you with a

(Choir:)

t- )- --a <

five- hun-dred twen-ty five thou - sand six hun - dred min - utes,

a)

AmaT Gilmz F#mz E

rl

40 41

a)
wllen your heart has ex - pir - ed

A uh. l\

a) tt
tl-rou - sarrd sweet kis ses.

A ull. ta ta ta ta I

five- hun-dred twen-ty five thou sald

a)
Drums

(
Ama]. Gilmz AlB
(
Piano-Conductor Score -7- #35 - "I'll Coaer You - Repfise"

t2
(Collins:)
43 44

f
a)
Ol-r Lov QT, ril cov - er you. Yeal-r.

Au* (Soloists:)
\ l-1-] loco | - |

a)
oh Lov Qt' f11- cov - er you.

A LL++
, (Choir:)
\ l-l-1
o
oh Lov Pt' rI cov - er you.

AJ

D C E

IL a

(Collins:)
45 no 47

7l
a)
Ol-r, lov - €t, fil- cov-er

Au* I I rT"'l Company:

AJ lr''' I J'e
Oh, lov - er

A uk

AJ

D c -
-l'tllt''E"
hF
Fq* r ?, L L

' ' ' I I I I l'hrr l hJ tJ

 Piano-Conductor Score -8- #35 - "I'll Cozter You - Reprise"

(Collins:) 49
48

you.

(Company:)

five hun - dred twen - ty five thou - sand six hun - dred min utes,

a)

nW AmaT Gflmz F#mz E

51 52
50

five hun-dred twen-ty five thou-sand

sea SO11S of
-

a)
ht' t a
hq+ : ;J

AmaT G#m F#'n tilntbs)lB

\--
Piano-Conductor Score -9- #35 - "l'll Cozter You - Reprise"

rit. Collins:. ad lib

),1 54 55 56

a) I

"I'11 cover you"

(Company:)
Aull

c c.
love.

rit.

a)

f Esus
tr E Drums
-\^
L
t
i i
 Piano-Conductor Score
36
Halloween URENT''
Music and Lyrics by
fonathan Larson

, (vamp) 2 3 [On CueI 4

+---1

Guitar II Guitar I

Fn7/C

j
Mark: 6 7 I r-3 I

How did we get here? How the l-rell? Pan left. Close on the

a) Guitar II 4' 4

Fn7/C

(
I 10 11 12

stee ple of the church.

a) IJ. Ja 1 +J1 1'

t B'bnT/F Fm7/C
(
Piano-Conductor Score -2- #36 - "Hallou)een"

13

1.4 15 16

How did I get here? How the l-rell?- Christ-mas!

STRINGS

tPLAvl Db/F Eb/G Absus Ab

ry
+ Bass

17 18 19 20

Christ - mas Eve last vear. How could a

-
AJ

Db/F Eb/G Abrr. Ab

) Jt^t

21 22 23 24

night so fro - zen be so scald - ir"rg hot? How can a

Db/r Eb/G Abru. Ab

r' Piano-Conductor Score -J- #36 - "Hallou)een"
{-
('
(' 25 26 27 aa

('-
(' morn iug this mild be so taw?
('
('
('
(-'
Db/r nb/G Fm7/C
('
(-
('
('
( -
('
( 29

( 30 JI

(
(
Why are en - ti - re years strewn on the cut - ting room floor of me - mo - ry,
(
Guitar II
(
(
I
€>
(

( + B,D. pp Fn7/C

(
(

(
(

(,
(. JI JJ

( -J-----
(_ -l
when s11-I gle frames from one mag - ic night for
(

(.
a) d

(.,
I
t_,'

f,
L-
Piano-Conductor Score -4- #36 - "Hallou)een"

35 36 37 38

ev - er flick er ln close up o11 the 3 D I-MAX of my

a) 4 a
L 1' ll
aa 1
J
vbnTF

39 40 41 4/

mind? That's po - et - ic. That's pa thet - ic. Why did

AJ 4 4'

Fn7/C

J3
44 45 46

Mi - n"Li knock on Ro-ger's door?- And Col-lir-rs choose tl-rat phorle booth back where

+ H.H.

Db/F Eb/G Absus Ab

+ Bass
 Piano-Conductor Score -5- #36 - "Hallou)een"

48 49 50

-J-

Arl - gel set up his drums? Why did Mau - reen's e-quip - ment break down? Wlry am I-

Db/F Eb/G Absus Ab

51 52 53 54

the wit ness? Ar-rd when I cap - ture it- on film, will it

AJ

Db/F ClE cbtrb Bb/D

55 56 57 58

mean that it's- tl're end, and I'm a lone?

€> _o.
-€'
a)

AlDb Ab/C C2sus

\.,
Piano-Conductor Score
37
Goodbye Love ''RENT''
Music and Lyrics by
fonathan Larson

1 2 3 4

RHODES

€- Ue
o o F'
ry CZ cln F2 G2

€>
€>

j
Mimi: Roger:
6 7

It's true you sold your gui - tar and bought a car? It's true

-
{E>-
U o p G
CZ c/a F2 GZ

{€>
e

I 1.0 11 12

I'm leav - ing rlow for San - ta Fe. It's true you're with this yuP - Pie

<)- f
U U F
C2 cln F2 GZ

{E>
€>
 Piano-Conductor Score 1 #37 - "Goodbye Lozte"
(Roger:)
Benny: Mimi:
IJ 14 15 It)

scum? You said you'd nev - er speak to him a gain. Not now

o U
€)-
@ @
C2 c2/E F2 G2

{€}
e

Maureen:
17 1,8 19 20

Who said tl-rat you have all - y say in who she says things to at all?

g *d a-
a)
d #
& a
CZ C4E F2 F2/G

€> €>

Roger: Joanne:
21 22 23 24

a) I

Yeah! Who said that you should stick your nose in oth - er peo - ple's

A Maureen:
-3-

Who said I was talk-ing to you?

cresc. poco a poco

a) *d * 4- +
d & &
C2 c4E F2 F2/G +Drums
-T]
(",
(

e <>
Piano-Conductor Score -J- #37 - "Goodbye Loae"

25
.Ioanne: 26 27

f
We used to have this fight- each night. She'd nev - er ad - mit

Mark:

Calm down!

PIANO

AJ .i6
o b"z Jtl b"aii
I
I
f C
+ Guitar II Eb Ab

+ Bass 6

(Joanne:)
Mimi: 31
28 29 30

ll-Jl
d
I ex - ist ed. He was the same way He was al-ways, "Run a-way, hit the road,

(Mark)
A

Ev-ery-one, please!

a.)
a +*
G
a
d
c
I
J

Em
#i J
-J
g.
F
_l
J
1

\ \t\
 -4- #37 - "Goodbye Looe"

(Mimi:) .loanne: Mimi:

32 JJ 34

\
a) L- L-1
dorLt com - mit." You re full of shit! She's in de - ni al. He's in de-ni-
\
Benny
A

Mi - mi!
('
(-
a J
b8 I
JIJ
1

a) I d JbT b
4
(,- F
(
Ab B c Eb
I \ t \
(

(Mimi:)
.loanne:
35 b 37

al. Did - n't give afI ir-rch,- wher"r I- gave a mi - le.

Mimi:
A

a) L-A
I gave a nri

Mark:
A

Guys! Come on.

a) -J E*
JJ
JI
}
JI
12_

a JI
-I
11 b'a d d -

F Ab GlB C
\

I
Piano-Conductor Score -5- #37 - "Goodbye Looe"

(Mimi:) Roger: Mark:

38 40

le. Gave a mile to who? Come on/ guys/ chill!

__l _t J.
AJ
8i
-J
J -+-+1
lel , JJIT. -J
a v

Em7 F G

1l Mimi &.Ioanne:
42 43

fd be hap - py to die- for a taste of what An - gel had.

a) btr
Ab + Guitar I pb

L. L

Bass

44 46
45

Some one to live for, un-a-fraid- to say

-4+ =--+
d
F
 (' Piano-Conductor Score -6- #37 - "Goodbye Looe"
(
( (Mimi & Joanne:)
Roger:
( 48 49
1

('
( I love you. Al1 your words are
(
gllss-.

i' a) JJJJ btttt

G C Eb
Bt'v-

i.

51 52 53

nice, Mi - mi,- but love's not a three way street. You Il nev er share
-

a) + + + J + JJi - t 1-J J J J

F Ab GlB c
.
L h-

{}

54
55 56

real love u11 til you love your self, I should krrow
-

a) - t - t a t a J e e J + - t - i - t -
Em7 F GlB
h..
-
t €>
I
Piano-Conductor Score -7- #37 - "Goodbye Loae"

Collins: rall.
57 58 59 61

You all said you'd be cool to-day, so please,- for mv sake.

RHODES

d4 *d # €t-
p €>
d
sub cnp
&
rall.
C2 C4E F2 F2/G

{€>
€>

62 a tempo
63 64 65

can't be - lieve- he's gone. can't be - lieve- you're go-ing.

solo s s $ t
Em F2 Em F2

{E> {€}

66 67 68 69

can't be - lieve this fan:. - ly- must die. An - gel

a) a -- ot
d
s 4
Em FUG Am G

€>
 ( Piano-Conductor Score -8- #37 - "Goodbye Looe"
(
(
(Collins:) Alt:
( 70 71 72

helped us be - lieve in love. I carit be - lieve- you dis - a gree. I

(

s s s s
Em F2 Em E2

I €} €>

(
(

Slower
74
.i )
76
75 77

can't be - lieve- this 1S good - bye

music under dialogue

L

PIANO
ri
a) -.-J' - +
Drums
G2
,

t --
\y

78 79 80 81 82

d -. a+a -r-.
I
1' t a.aJ' a + -. ar-
t-t-1
L,
t_
Piano-Conductor Score -9- #37 - "Goodbye Loae"

83 84 85 86 87

a)
J JT.=.
.4.
_l a. aJ' - + 7. ara I'
-l
1' t:

t-

88 Faster CUE: "comilg."

(vamp) 89 90 % (VocallastX) Mark:

_l -J -J/
I I 1 1
-v

92
(Mark) Roger:
93 94

hear there are- great res tau - rants- out west. Some of the best.

_J _t -J -J
a) 11 1 4 a
 Piano-Conductor Score -10- #37 - "Goodbye Loae"

(Roger:) Mark:
ss 96 97

How could sl-re? How could you let l-rer go?

a) 1
-l -J
1 I
<l
7 7a)

Roger:
98 99 1.00

You just don't know How could we- lose

-J -J _l
a) 1 1 1 a

Mark:
101 102 103
9-

Ar-r ger? Muy be you'll see why when you

_Jl
a) 1
-J
11
-Jt -
nbz/F Eb/G

,1
il-]
I,

(
Piano-Conductor Score -11.- #37 - "Goodbye Lozte"

(Mark)
104 L05 1.06

stop es - cap - mg your pain. At least now if you

Ab Db2lF

Roger:
107 108 109

try, An gel's death worr't be ir-r valn, His

-

nb/G Ab

110 1.11 L12

death 1S 1n valn.

.) _l
4 I
1
J
1
 (^ Piano-Conductor Score -12- #37 - "Goodbye Looe"
\

Mark:
{ 113 114 1-15

Are you- in sane? There's

(-

(
(Mark)
( 116 117 118

(
so much to care a - bout. There's fl€, tl-rere's Mi fill.
(

-..ilt to+l']

(
a) -J
11 -J _t
1 J7 J
I 1
-Jl I

Roger:
119
Mark:
( 120 L21

Mi - mi's got her bag - gage too So do you.

(

t.
I
7 ra J
1 J
1 J
1 7 -J
4 _l
1 _t
I
1

L"
(
Piano-Conductor Score -13- #37 - "Goodbye Looe"

122
Roger:
123 124

Who are you to tell me what I know what to do?

d J _l _r J
J 1 I -J
4 4
--Jl
4

Mark: Roger:
127
12s 126

A friend. But who, Mark, are you?

d I
1 ___r
1
L I
7 7v

128 129 130

Mark has got his

/n'.f b" ? I I I l\ r re
_l J
a) _l
1 J
1 J
I 7
1 1
-J
1
obz/F

1 il1
+ Bdss
 Piano-Conductor Score -14- #37 - "Goodbye Loae"

(Roger:)
131 132 L33

work, they say Mark lives for his work, and

Eb/G Ab

134 13s 136

Mark's in love- with his work. Mark hides in his work.

I

I Db4F Eb/G Ab
i

(
137 Mark: Roger:
1.38 139

I From what? From fac mg your fail ure/ _

a) J J J + J J
----i_--u

i
frTl j-J-r Db2/F C4E

(.,
Piano-Conductor Score -15- #37 - "Goodbye Loae"

141 142

fac m8- your lone li-ness, Iac ir-rg the

a) DJ J J t t t 1 r-l
ql 1
-J J
I
cbygb Bbz-/D A{Db

143 1.44 r45

fact you live a lie.

q.J
a) rl
D1
_l
1 -J
I ,t
Q'J + _l
I J- -J
J 't I _l
I Jt- _l
)
tbz/c C2

116
'147 148

Yes, you live a lie. Tell you- why.-

+ 11-
I I _l J _l Q'J a _l J- I _-r J -J
a) I
1 J
I J 't J J +
F4L GE c
 t' Piano-Conductor Score -1.6- #37 - "Goodbye Loae"
('
(' (Roger:)
(' J- ls0

(-
(' You're al - ways preacl-r - ing 11c) to be
('
('
('
a) + J
J J1' 1c -J J _t" J _t
J
1 J
1 J
FUA

151 152 3
---E ---+
\
-J-
numb, when that's how you- thrive. You pre - tend to cre -
(
I

(
(
a) l' _l
J
a _l
J J. I
J J1- _l
J J -J
) J
I
J +1- 1-
\ Gls c

l-
154 J--------: 3 155 156

i
-J-
(
ate and ob - serve when you real ly- de tatch from feel - ing a

a) J
I
1
J I
I
1
J
J
-.I l' _t
J
J _l
J J. J
J J1-
I
-J J
J
--l

FzlA G/v c

(
Piano-Conductor Score -17- #37 - "Goodbye Loae"

(Roger:) Mark:
157 J 158 159
____E
-1
live Per-haps i{s be cause Im- the one of us to

d I _l
I J1- l' -t
J
1
J J
J
1
J J
J r-J - I
J J

F4A Gls

160
(Mark)
ltt I 162
Roger: rc3

sur - v1ve. Poor Ba-by!

d __t- - _l I J J
1J -J
1 1 1 1 14J

Mark:
164 165 166

Mi fill still loves

JI _l J J
a-)
41 1 1
-I 7 1
-J
1 1
obz/F

tl il-l
 r- -18-

r'
f' (Mark:)
(' 1.67 168 L69

F
J-

r' Ro ger. Is Ro ger real 1y jeal-ous ora

{' -
t-
r' Eb/G Ab
(-
('

f'
('
('
(

(
Roger:
( 170 171 172

( fraid that Mi-mi's weak? Mi-mi did look pale.

(
(
(
( Db/F Eb/G Ab

(
(
(
(
("

(
(
Mark:
( 173 174 175

(
( Mi - mi's got - ten tl-rir-r. Mi-mi's run r-rir-rg out of
I
(

(. Db2/F Eb/G

(.
(.
L"
(
L.
Piano-Conductor Score -19- #37 - "Goodbye Looe"

(Mark:) Roger:
L76 1.77 178

time. Ro - ger's run-ning out the door. No more!

Ab Db2/F

Mark: Hey, for somebody

who's always been let down,
who's heading out of town?
(Roger:)
179 180 181 L82 /i

ob 110 I've- got - ta go.-

ri

nb/G

.l I lJ^J
-€ I )-
_o.
a
/:\
<>

o
\y

Roger: For someone who lor-rgs

for a community of his ow11.... ...who's with his camera, alone?
(Roger:)
183 /i 184 /:\ 18s tB6

fll call.

ri
(t
a) €> €>

€>
-.r r*

e
 Piano-Conductor Score -20- #37 - "Gooilbye Loae"

(Roger:) I hate
188
187
the fall. (Roger:) A us Mimi: ri

/:\ You heard? Ev - 'ry word.

4\ {€}
{€} A
a) (
\y
.A PIANO/STRINGS
he /:\
tc ri €>

190

191, 1.92 1.93

RHODES

a) - - J e - - J J J - J t -

- t' ta ta ? - ?' ) ) ?

(Mimi:)
,on 195 196

You dont want bug 8a8e with - out life time Suar - an

J J t a

-
(,
(
\
Piano-Conductor Scote -21- #37 - "Goodbye Lozte"

(Mimi:)
197 198 199

tees. You dor{t want to watch me- die.

a) J J - a a O t J t -

O /-'- t - C' -- t

200
201 202

I just came to say- good - by",

- a - - J -
a J J _l
AJ O ___r

) 1
-J
G2/S
) ,' :-> J

20s
203 204

Love Good - by", Love Came to say

AJ
_t
1 J -
_l J
1 a
1 -
_l _l
1 - 1 -
-J

D
^/cfr
 Piano-Conductor Score -22- #37 - "Goodbye Lozte"

(Mimi:)
205 207

good - bye, Love. Good - bye.

-
a)
J -
I I
J
t
1
-J
I-J 1 -
_l
1 -
J
1 -
J J
I
GzlB D
^/cil

(Mimi:)
209 210 211.

a)
Just came to say good - byu, Love Good
-
Au Roger:

Glo ry

a) - 1 -
J
J -
-l
J -
-J -J
1 J
1 1 -
J

G2/B
^/cil

(.
Piano-Conductor Score -23- #37 - "Goodbye Loae"

(Mimi:)
212 214

by", [,ove. Came- to say good - by.,

(Roger:)

One blaze of glo

a) 1 -
___l- I
1 J J
1 - 1 -
-J _l
J
O
J
-J J J
1
D G2/B

216 217
215

Love. Good - by"

ry I have to find.

a) -J
I 1
-J J a J J a - -

^/cil O -) t
 ( Piano-Conductor Score -24- #37 - "Goodbye Loae"
(
(
( 218 219 220

(
(
(
(

a) J - - - J
- - - - - -

? )- ?
(

(
(
Mimi:
221 222 223

(
Please don t toucl'r me. Un - der-stand,- I'm
\

J J - t J - J

t )) ?
.

(Mimi:) Mark:
aat 225 226
Benny:

scared. I need to 8o a-way.- I know a place, a cli-nic, A

O '-' - - J - - a - J J

e -- u
I

l,
Piano-Conductor Score -25- #37 - "Goodbye Looe"

(Benny:) Mimi: Bennv: Mimi:

227 228 229

re - hab? May - be could you? I'll pay. Good -

AJ
a t- - a a - - a a -

,' i,-- t ?' ta ta ?

230 (Mimi:)
231 232

byu, Love. Good byu, Love

AJ
_l
1 J
1 i t i t t t
Ab2]rc Bb/D Eb

/,1,1 235

Came to say good - bye, Love. Good - by".

d t _l
I _l
1 t J t
Abyc Bb/D
 (' Piano-Conductor Score -26- #37 - "Goodbye Loae"
r'
(
(' 236
237 238

('
(
Just came to say good-bye,
-

a) t t t t _t
J _t_
1 I
Eb prbz/C

239 240 24L

i Love. Good by", Love.

/

a) t J t t t t
Bb/D nb

242
243 244

Good-bye, Love Hel - lo-

a) _l
1 _t
1 I i t 7 7

AbyC Bb Cm9

(
Piano-Conductor Score -27- #37 - "Goodbye Lozte"

(Mimi:)
24s 246 - 247

dis ease.

a) 7 7 I

?' * ? ? ? * O ?

248 249 250 251

IJ + -L -L+ + IJ -+ -r+
a)

?. {-. ? ? * O ? P' j^r ?

 Piano-Conductor Score
38
What You Own ''RENTU
Music anil Lyrics by
lonathan Larson

2
Pastor: Mark:

Off the prem - is-es now! We give no handouts here. What

a)
Drums (H.H.) + Bs.Dr
tt
mf i FFF r * * r
rl

Pastor: Collins
4 5 6

hap-pened to "Rest In Peace?" Off the prenr-is-es, Queer. That's no way- to send a

* F F F h* ** * F F F

( 7 8 I

boy to meet his mak-er. Th"y had to know we could-nt pay the un-der-tak-er

( F{T
(
Piano-Conductor Score n #38 - "WhatYou Ou)n"

Benny:
10 11

Don t you wor ry 'bout hfun, hey! fil take care of it!

F # F F

All Three: Collins:

13 14

Must be nice to have mon - ey. No shit! I think it on - ly fair to tell you,
-

F t * * F F F * FFFF

Benny:
15 tb

you just paid for the fu - ner - al of the per - son who killed your dog.

L
 Piano-Conductor Score -3- #38 - "What You Ou)n"

18

know I al - ways hat - ed that dog. Let's pay him off, and

# r F F r # F F

Collins
Mark: & Benny:
19 20 21

then get drurk. car{t, I have a.meet-ir-rg! Punk! Let's go!

###* F r * * F F F F

LI

22
(
1a

Mark: Hi. Mark Cohen here for Buzzline.....back to you, Alexi. Coming up next, vampire....

+ Guitst I A2 A2/G

rl
5l!4irlt i ; i :: r :: ,

Bass-
Piano-Conductor Score -4- #38 - "WhatYou O'u)n"

26 27

....welfare queens who are compulsive bowlers

a)

A2

29 30 (vamp)
28

Oh my God, what am I doing?

A2/G A2

3t
(Mark:) (sounds 8ub)
JZ JJ

Don't breatl're too deep. Don't thnk all duy

+ Guitttll Az A2/G
 f- Piano-Conductor Score -5- #38 - "WhatYou Own"
(
( (Mark:)
( 35 36

(
f Dive ilr to work.
(
(
(

A2

(
(
(
!.

\.
38
37 39
(
(
Drive the oth - er way That drip of hurt,
I

t'

A2/G Cil.
u ?'? ?

40 41, 42 43

that pint of shame, goes a-way, just

D Cil. E Cfl-
a. a a
I
IL rT- f- ?? ? ?'? ?
t
Piano-Conductor Score -6- #38 - "WhatYou Ou)n"

44 45 46

play the galne. You're liv - ing in A

D G E

ra. ? |-l-!-1
-I.-TDTIruJlll tl

-t/
48 49

me rl ca, at the end of the mil - le 111 um.-

lr:_ Jr =__ _.ll

+eeeee e-ealt
--
IPLAY] AZ Ffr'" E

50 52
51

You're liv-ing in A me rl ca, leave your con-science at-

/ tl#" t-r I ls I ::

Jr qJ=J.r=.-r
a) J=faJr
1J AA
_lr
11 =L 1+ :l
=. J +eeeee
D ' A2 Film
 r(' -7-

(' 5J 54 55

(
('
the tone. And when you're liv - ing in A me rl Cd,
{' -
(-
('
(' a) qt
z- a?-t t !+ J q{-g}+ _J
11 :t 11 =L
=L
_a
I
(' F
= G A2
(- rl

('

56 57

at the end of the mil - le 111 um/

a) :i-
111_J =- 14
=L =- 1
=-
J]
e-e--
A J/ A J

1a
-J :r
aa
:t:t __lr
a
Fil- E D

(sounds 8ob)Psgs1..
59 60 61 62

a)
The

I Arll (Mark:) J --------

-2

you re what you- own.

J + a
J J J
a) 1
D
/.
Cflm E A2
t

\-,
{E} €>
Piano-Conductor Score -8- #38 - "What You Ou)n"

63
(Roger:)
65

f
film mak-er can-not see/

Mark:

And the song writ - er can - not hear.

-
[PIay again at m.79]

a
A2 A2/G

Bass

68
66 67

f
a)
yet I see Mi lTU ev ry - where.-

Aul{

An-gefs

AJ

A2
 ( -9- #38 - "What You OvDn"
{'
(' (Roger:)
(' 69 70 71

(-
AJ
(' |ust tight en those
(' (Mark:)
(. A UII
(-
(-' volce ls ln mv ear.

(-

a)

A4G Cfl'n
1>' ? t

72 73 74 75

a)
shoulders. fust don t let go or

A v11 I

Just clencl-r your jaw- til you frown- or

(_ a)

( D Cfl* E Cil'"
a. a a
rt T-r T- ? ? ? ?-? ?
(

I
L-,
(
Piano-Conductor Score -10- #38 - "WhatYou Outn"

(Roger:)
76 77 78

you may_ drown. You're liv - ir-rg in A -

(Mark)
\

you may- drown. You're liv - irrg in A

D G E
a. a
''i-i-i-t

+ '1
I

79
80 81

a) ft

me r1 Cd' at the end of tl-re rnil 1e n1 um._

Aul{ 1
L

me rl CA, - the end of

at tl're mil - le n1 um._

_l :r
AJ 11 :L +JJ:L
=.
:r-J:L-fff
+11 JJJ J1 1+1
TPLAY]
A2 Ffi'" E
 r" -11.-

('
(' (Roger:)

(' 83 84

(' -t
a)
r' You're liv-ing in A me rl Cd' where it's like tl-re Twi-light-
(' (Mark:)
(' Arll \

('
l- You're liv-ing in A me rl Cdt where it's like the Twi-light-

a) e t
J---Jr

a8 a
Jr---Jr
11 11 1 :t
1J1-J :t --l/
11 :t -J/
1
D A2 Ffr*

85 86 87

a)
Zone. And when you're liv - ing in A me r1 Cd,

A ull l-l-l

Zone. And when you're liv - ing in A me r1 Cdt

( a) qt
qJ q3-3 J t \, J q!:-{J+ _t
11 =- 11
=- =- 1
=_

F G A2

(_
!
Piano-Conductor Score -12- #38 - "WhatYou Own"

(Ro8er:)
,, ao

lfnrrr\llllll
AJ

at the end of tl-re mil 1e ru um/

A u II (Mark:)

-
LI

- the end of the mil

at 1e t]1 11m/

11 :t
=a t,
f J -=" --tr:t :t
AJ 111
-
J f J
11 J 11 I a
Fil,n E D

5)!f;'rll r r r
' r

92 93
o,
91

-J---
a)
you're wl-rat you

A r.r l{
-2

yotrlre what you owl1. So

t
a-) -J
J J J
1 a.
C#,n D E A2
\

€> {€}
 Piano-Conductor Score -13- #38 - "What You Own"

95 (Roger:)
97

a)
I own not a no - tion. Ies caPe and- ape

A t * (Mark:)

I own not a no tion. Ies caPe and- ape

a) - --- 7 t J
- - t l.-1.l J a
hJ
G GmaT G6 A A2

98 99 100

a) f
con tent. I don t owl1 e mo tiorr, I

A uIl \

con tent. I don t own e mo tion,

a) JJ++e1
-t
:t :J. :J. :r -J ', - - . -r_
qr
O
iJ tJ] J
A G
rt

(
Piano-Conductor Score -'t4- #38 - "What You Ou)n"

(Roger:) 102
103

101

rent
(Mark)

rent. What was it a

c
o
E

104 105 106

a)
What was it a bout that night? Con

A u* I

bout tl-rat night? Con -

a) J J J J J + + J J J J J

C}
 { Piano-Conductor Score -15- #38 - "WhatYou Ou)n"
(
(
(Roger:)
( 107 108 109

(
a) ft L l-l
( nec tion ln an I so-lat - iug a8e
(
(Mark:)
(' A ull
\

( nec tion ln an so - lat mg age.

a) J I J J + J J J e r- + J J

IL

ItI
0
1.12

a) ? f fl

For once, the shad - ows

A ull L11

For once, the shad - ows Save way _ to

a) Jft- I I J t - O - - J J t

cil"/Ffl
I

Gfr'"
IL

(
Piano-Conductor Score -16- #38 - "WhatYou Ou)n"

(Roger:)
11.3 L15

gave way to light. once, I did n't

(Mark)

light. For ollce, I did - n't

d a - J J a a - t a a - O

Ema7 Gfr'"

'r16 117 118

dis efI 848e.

dis en gage.

a - C a a a J J a a J -
cil'/Ffi Dfisut Dfr
 ( Piano-Conductor Score -17- #38 - "What You Own"
(
( (Roger:)
( 119 120 1-21

f -3- -j- -J- -J-

AJ
(
Mi - mi, I see yort I see it, I hear it. I
( (Mark:)
A vll lt

-J-
An - gel, I hear you, I hear it, I see it. I see it my film!
(
(

a) J J - -
E Cilmz Gil^/Dl
rL

I
\
o

122 123 124

-3'--
a)
hear it my song! One song glo ry

A r*
-.1-
A lex - i, Mark. Call me a hyp-o<rite, I

{ Dfr E Cilnt

e
U

t
Piano-Conductor Score -18- #38 - "WhatYou Own"

(Roger:)
126
1.2s
_+t-

Mi ml/ your eyes dy - ing ir-r A

(Mark)
--4-

need to fir-r - ish my ow1l film. I quit! Dy - ing in A

a.)
a J - J a

cfrrnfufl Dil F
L

127
128 129

a)
me r1 Cdt at the end of the mil

Ar

me rl Cd' at the end of the mil - le n1 um._

--1
tti tt t t' J, t' Jt t
Gm F
 {' Piano-Conductor Score -19- #38 - "What You Own"
(
{ lRoger:;
1-30
( 131 132

(
(
a) r 4.) '-
We're dy - ing in A me rl ca to come in - to our
(Mark:)
I
Ar
il l/ l l l l

We're dy - ing in A me rl ca to come in - to our

(
a)
J t +t +' t jtt t't t'
Eb Gm

-a

1JJ 134 13s

a)
ow11. But wlrerr you're dy - ing in A me rl Cd,

Ar
-

own. But when you're dy - ing in A me rl CA,

llTl - r I l- I I I | ---<
'
a) ", bJ b7_? J' bt t "7-JJ,
cb Ab
I

-----1

(_,
1
Piano-Conductor Score -20- #38 - "WhatYou Ou)n"

(Roger:)
Lth 137

ItRr I I I | | | | -
d
at the end of the mil le ru um/

A , (Mark)

at the end of the mil - le n1 ofl,

-
ltt Jt i t' Jr l' l, Jb Jt +t t
Gm F Eb

139 140 141,

-J-_---I
you're not a lone.

,- _,--.
,_--------\-

-J-
you're not a lone.

--27 a. 4
c
a a - J

Dm Eb F Gm
f---l l-l-l-'1 __)-
 Piano-Conductor Score -21.- #38 - "WhatYou O'u)n"

(Roger:
r'-.1
144

I'm not a

(Mark:)

-J- -J--

I'm not a

ritl
I l-l-l- ----J .---J-

a) - t J J - O _l
1 - Jt 4
J
d
G'A Dm Eh F

+/

lone.

lone.

a) l-i l-J t-
tr ptbz sbz
( L. -
I

t'
Piano-Conductor Score n.l #38 - "WhatYou Ou)n"

(Roger:)
748
3 149

Im not a lone.

( Mark:)
A '-J-

I'm not a lone.

AJ lJ l-J I
t-i l-J
nbz

- ta ta ta L

-4-+

a) l- r
sbz
- - ta ta - ))tata

I
 tr- Piano-Conductor Score
("' 39
f-
('
Voice Mail #6 Music and Lyrics by
''RENT''

(' lonathan Larson

('
{' Roger's Mother:
1 2 3 4 -J---
-J--
-3-
!
Ro - ger, this is your motl-r-er Ro - ger, Hon-ey, I don't get these post-cards.

('
HJ HJ
5 6 7

(' -J- -J-

Mov-ing to San - ta Fe? Back in New York, start-ing a rock band? Ro - ger, where

(.
(Roger's Mother:)
( I I 10

-J-- -J--- -J-

( .J
(
a) i
are
JJ
Ro-ger, where
t -t+ I
you? are you? Ro-ger, where are you? Ro-ger, where
.
( Rt
H'
Mimi's Mother: J---..-
A rJ- l---
-J-
\
Mi-mi, Chi - ca, don-de es-tas? Tu ma-ma es-ta ya

i.
(Roger's Mother:)
11 12 13
(
-J--- -.1---- -3-
(. a) i -rJ t -r+ t J +
are you,? Ro-ger, where are you? Ro-ger, where are you? Ro-ger, where

(
A , (Mimi's Mother:) -lJ-- -lJ--
{ -3- -3-
t' a) -qv r-rl l- rl
i
man-do.- Don-de es-tas, Mi-mi? Don-de es-tas Mi-mi?

Ar Mr. Jefferson:

I
-J-
(
Kit - ten, wher - e ver are vou?

\-
Piano-Conductor Score -2- #39 - "Voice MaiI #6"

(Roger's Mother:)
14 15

-J'-- -J--
a) J -+ I -J
are you? Ro-ger, where are you? Ro ger, where

(Mimi's Mother:)
At -J--r
-J- -J--
-3-
a)
Don-de es-tas Mi-mi? Don - de es tas Mi - mi?

A , (Mr. Jefferson:)

a)
-3- a d
Kit - ter-r, wher - e ver are you?

Ar Mrs. Cohen:

Mark, are you there? Are you there? I don't know if he's

(Roger's Mother:)
16 17

-3=-- -J---
AJ I
are you?
-J
Roger, where
t
are you?
-+
Ro - ger, where

A , (Mimi'sMother:)
-J--- -J--r
-J- -J-
a) l-tl 1-t I

Donde es - tas Mi,mi? Donde es tas Mi mi?

A r (Mr. Jefferson:)

-3- o
a-) d
Kit ten, wher - e ver are you?

(Mrs. Cohen:)
A I l--!r i-lE r r r r t-= l-l- l-t-

there. We're all here wisldng you were here too. Where are you, Mark? Are you there? Are you? Where are you,
 a
-J- #39 - "Voice Mail #6"
r\
f'
f' (Roger's Mother:)
18 19 /:\
(-
f- a) t -J---1 o.J T'
f' are you? Ro Eer, where Call.

(' A 1
(Mimi's Mother:) ri
(\ -J-----
-J-
[' a)
(- Don - de es tas Mi mi? Call.

(Mr. Jefferson:)
t Ar 3 ri
(-
(' !,,
Kit ten, wher e ver Call.
(-
(Mrs. Cohen:)
( ri /.\
(
(' Mark? Are you there? Are you there? I don't know if... Please call your moth-er.
(
( -
(

(
(
(-
(.
\,
(-
(,
t.
(-
(_
(_
\.,
(,
(,
U
tu
(--
l-
Piano-Conductor Score
40
Finale A URENTU

Music and Lyrics by

fonathan Larson

J 4

Bro

4 t I
d4rl
piano only

Homeless People:
6 7

Christ mas bells are ring 1119. Christ - mas bells are

(B',o)

I 9 10

rmg ing. Christ - mas bells are rm8 lng.

4r I
aJ

A
 (- Piano-Conductor Score n #40 - "Finale A"
('
(Homeless:)
(
11 12 13 14
( F_ )-
(
( How time flies when com pass ion dies.
(

(
a)
(+ Dr. - Elcc. Shal<cr)
\
-
tJ t

A \

15 16

No stock - ings. No can dy calles. No gin - ger - bread.

-
-
L

18 19
20
(
t-

No safe ry net No loose change. No change. No

I

a) f

2 t I t |-l-l-t
[-, -
I I
Piano-Conductor Score -3- #40 - "Finale A"

One Homeless Man: Ail

21 22 23

San ty Claus 1S com - ing, 'cause San ty Claus ain t

(All:)
24 25 26

com 1119. No room at the Hol-i-day

AJ /

u L- J t_

27 29

hrn a garn. Well may be

a)
V l-J
O L- , L-
 Piano-Conductor Score -4- #40 - "Finale A"

(All:)
30 32

next year or when?-

dl 7
< r I L, I I + I I

e
I

33 Slower
I J+
Mark: 35

I
De - cem-ber twen-ty fourth, ten P. M.-

I
a)

Gtr. I only (on stngc) - quasi tuning up

36 37 38

east-ern stan-dard time. I cant be-lieve a year went by so fast.

i.

\
Piano-Conductor Score -5- #40 - "Finale A"

(Mark:)
39 40 41

Time to see- what we have, time to see. Turn the pro-jec-tor on.

42 43

First shot Ro - ger with the Fen - der gui - tar l-re just got out of l-rock,

(Mark) 45 ,6 Roger:
44

when he sold the car that took him a-way and back. I found my so11g.
Piano-Conductor Score -6- #40 - "Finale A"

Mark: Roger:
+/ 48 49

Found his sor-rg, if he could just find Mi-mi. I tried. You know I tried.

Mark: Roger:
50 51

Fade in on Mark who's still in tl're dark. But he's got great

a)

(Roger:)
Mark: Roger: Mark: Roger:
52 53 54

foot-age... Which he's cut to-getl-r-er To screen to-night. h-r l-ronor of Ber-r-ny's wife, Muf-fy

rn
a)

G
Piano-Conductor Score -7- #40 - "Finale A"

Mark: 56
55

-J-
-j-
Al - li-soru pul-ling Ben-ny out of the East Vil-lage lo - ca - tior-r.

G <>
I o

+ {>

Roger: Then again, maybe Mark: I wonder how Allison Roger: Maybe a Collins: Or an ar-rgel.
we won't screen it tonight. found out about Mimi. little bird told her.
(Collins:)
57 58 59

:\. t

60 A tempo a la 'rSanta Fe,

6L 62 63

had a lit - tle hunch that vou could use a lit - tle flow

a)

+ Drums - Electtic Bongos

l-l-1

-
Bass
 r' Piano-Conductor Score -8- #40 - "Finale A"
('
{'
,o Ro8er: Mark:
( 65 66 67

('
r
(' Tut-or-ing a gair-r? Back at N. Y u.?_
(.
Collins:
ffi
('
Neg-at - ive. No, no, no, I re -

68 69 70 71

(Collins:)
A tt

wired the A-T-M at the Food Em-por - i um to pro

l-l-'1

(
Piano-Conductor Score -9- #40 - "Finale A"

Mark & Roger:

72 /J /4 75

AJ
-
The

(Collins:)
Au

vide an hon-or - ar 1-llm to an - y - one with the code

-
f-t-l

(Mark & Roger:)

76 77 78

-e
co de.

dl
TPLAY]
(Bs, Drums cont.)

-
t -<

80
(Mark & Roger:) Collins:
81 82 83 84

Well? A N G E L.

---a
a)
+ Kbd. lI

& C
 Piano-Conductor Score -10- #40 - "Finale A"

85
(Collins:) 86 87 88 89

Yet, Rob - in Hood-ing is - n't the so - lut-ion. Tl-re

a)

e
t=
M
----4

90 91 92 93

pow - ers tl-rat be must be un - der-mined where they dwell lna

7
-6+:

94 95 96 97

small ex - clu sive gour-met in-sti - tu-tion where we

I
\. -,
"(
Piano-Conductor Score -11.- #40 - "Finale A"

)
,r(Collins: 99 100 101

ov-er-charge- the weal - thy cli - en tele. We'11

____a-
->----r--------l-
O.

(Collins:)
102 103 1.04 105

d
o - PenuP a res tau - rant San ta Fe with a

Mark & Roger:

Au N
4a ---+--------
Aah. San - ta Fe.

-+
a) - O + I J'J41o ir +

fti 8i
 Piano-Conductor Score -1"2- #40 - "Finale A"

(Collins:)
106 107 108 109

L
a) I
7
pri - vate cor ner ban - quette ir-r the back. We'll
(Mark & Roger:)
Att

Ahh. In the back.

a) -

) **2

(Collins:)
110 11.1 112 113 Roger:

a)
g
I
l-4
make it yet, we'll some - how get to- Fe But you'd

Au (Mark & Roger:)

_--H{
-T-1 l\

Ahh. San - ta Fe.

(
Piano-Conductor Score -13- #40 - "Finale A"

(Roger:)
114 115 116 117

miss New York be - fore you- could un pack.

a) f f H-.

a-.
c e L.

Ail:
121
118

I l4J
ohh.

t-
Olrh.

a)

f
t
 Piano-Conductor Score -1.4- #40 - "Finale A"

(Ail:
22 L25

a) +lt--

& t rt^ .e -

126 127 ,r, )

a)

-- *

I
Piano-Conductor Score -15- #40 - "Finnle A"

1.30 131

9rz t

Faster conducted
132
Maureen:
1.33 L34

Mark! Ro - ger!- An-y - one/- help!-

a)

4-1. at

Ba>-s 6

Nlark: Maureen
L35 1.36 137

Mau-reen? It's Mi-mi; I can't get her up the stairs!

Gtt. I

a)

o
 Piano-Conductor Score -'t6- #40 - "Finale A"

Roger: 110
a tempo
138 139 141

No!

a)
a
piano only

-1. t 1

Maureen:
142 143 744

She was hud - dled in the park,

-

-J _l
a) 11 -J 1
-I J V

145
147

I rl1 tl-re dark, and she was

_l-
a 1
-J
I

rl

fi

I
Piano-Conductor Score -17- #40 - "Finale A"

(Maureen:)
Roger:
148 T5I'

fteez ir& and begged to come here. Ov - er here.

t7 l-J 7 7 J
1 _l
1 7

1s2 Mimi: 1s3 1s4

151

Ob God. Got a light? I know you.

z t a a
+ Bass, Kbtl. ll

Joanne:
1.55 L56 1,57

You're shiv - er - ing. She's been liv - ing on- the street.

a) J
1
J
1 7 t-J f 7
 ( Piano-Conductor Score -18- #40 - "Finale A"
(
(
Roger: Mimi: Mark:
1.59 160
( 1.58

(
(
We need some heat. I'm shiv - er - ing. We can buy some
(
(
( l- a) - _l _l
1 1 7
a
(
(

i'

(
(
(

164 Collins:
( 161. 162 163

wood, and some - thing to eat I'm a-fraid she

I

(
I
1 1
-ll- t7

;
'.

Mimi:
1.65 166 167
\.

I
€>
(
needs more than heat. I heard that.-
( -
'

t-J 7 r L1 v- J
I J
1 7

(
Piano-Conductor Score -19- #40 - "Finale A"
(Mimi:) Maureen

Col - lins will call for a doc tor Hon

{ a

71 Mimi: 1/J
172

ey Don't waste your mon ey on

AJ
_l
1 _l
I f t-J 7 7

,rn(Mimi:) 175 176

AJ

Mi ml. Me. Me.

Collins:
Au ttl

- -3-
-J-
Hel - 1o 9 1-1? I'm on hold.

l-,J _l
1 _l
1 7 _l
1
_l
I
_l
1 J -

o
 Piano-Conductor Score -20- #40 - "Finale A"

Mimi:
177 178 179

Cold. Cold. Would you light my can dle?

a)
trtt L-J-J

€>

Roger:
182

Yes, we'11, oh God.

molto rit.
183 184 185 186

Find a can dle.

a-

a) l-J-J lJ-l-J trtttrtt l-L) -

molto rit.

t
Piano-Conductor Score -21- #40 - "Finale A"
I tt7 Roger:
Mimi
188 189 190

I should tell lou, I should tell you. I should tell you, I should tell you.

RHODES + TOY PIANO

a) t 7a J t7J f t 7a 1 tJl +

Mimi: Roger:
192 101
191

I should tell you, Ben - ny was n't a - ny.... Sl-rh. I know

ar t 7a + t 7J + t +a 7 tlt J
l.

(Roger:)
195 196 197 1.98

a)
I should tell you why I left, it was - n't 'cause I did-n't.

(Mimi:)
Au

I know

a) t J j J t +a J i 7a J r7J ]
l\
-r' tlll l\ d 1 a
l. 1
\-l
 Piano-Conductor Score -22- #40 - "Finale A"

Mimi Roger: Mimi:

L99 200 201 202

I should tell you. I should tell you. I should tell you, I love

a) -- -- --
7r7- --
7 --
tT 7-
.-- !-
t)
I-
t) *t tl Drttms
\t4

203 205 206

you.

PIANO

a) o .l2 /lL
{}

+ Bass, Kbtl.ll
41. t

€> €> {E} {€>

Roger:
207 208 209 210

----+
(
Who do you think you are? Leav-ing me a-lone with my gui-tar?-
-

!l -- -l,l
-a €> -e

iq
I
{E>
Piano'Conductor Score -23- #40 - "Finale A"

(Roger:)
211 212

Hold oh, there's some - thing you should hear

a) o o

213 214 ri

It is - n't much, but it took all year

a) !,r.
-lr- {E}

o
SEGUE
Piano-Conductor Score
4t
Your Eyes ''RENT''
Music anil Lyrics by
lonathan Larson

3
1 2 (sountls 8ob) Roger: 4 .-3-

Your eyes/ AS we said our good -

[Platt at m.L7]
On Stage Guitar

a)

F/A Gls F/A GlB

5 6 7 8

-3-

byes, can't get them out of my mind, and I find I carLt hide-

a)

c ClE Am G

9 10 't1
12

from your eyes.- The ones that took me

Em G E/A Gls
Piano-Conductor Score -2- #47 - "Your Eyes"

1.3 14 1.5 16

bv sur-prise. the night you came in - to my life. Where there's moon light, I

c ClE Am G

l9
l/ 18 20

see your eyes. How d I let you slip a - way- when I'm

STRINGS

TPLAY]
* orums | |

+ Guitars/Bass

21 22 23 24

lor-rg-ing so to hold you? Now I'd die for one more day,- 'cause there's

a' J
J {E}
------ €>
Piano-Conductor Score -J- #41 - "Your Eyes"

26
25 27

some-thingI-slrouldlravetold-you.Yes,there,ssome.tlringI-shouldhavetold_

d{e {J.
a
4 d

28
29 30 31

you when I looked in - to your eyes. Why does dis - tance make us

-
F
ov II
€>

tz .).f 34 .35 I

wise? You were the song all a- long,- and be - fore- the song-

{E> {€}
Piano-Conductor Score -4- #47 - "Your Eyes"

36 37 10 i9

dies, I should tell- you. I slrould tell you, I have

-
7Sto

)-
a)
subp

-€)-

Slow, Majestic
40 41 /i 43

l+
al - ways loved you. - can
You see it in my eyes.

Guitar I

ri

AJ
Drums
f
\y {€> <>

44 Gtr. I 45 46 47

a) 4' I
-J
€>
g gs
o (t
+Svb- - - -'
 -5- #41 - "Your Eyes"

{
(Roger:)
48 49 52

a)
Mi - mi!

ffi

a)
a a +' a -J
J
tr
I

e {E} oo
*

53 54 55 56 57 58 /i

A
]d a - r I

ri
<>

a) .g
a <t
o a a 4
ffi
i
al.

c I
e
e o {€> o \7 SEGUE
Piano-Conductor Score
42
Finale B URENT''
Music anil Lyrics by
lonathan Larson

Conducted [On Cue]

/:\
1 2 /i 4

Mimi: I jumped Roger: Mimi: A leap Joanne: She's back! Mimi: I was in a tunnel, heading for this warm, white light.
over the moon. Wl-rat? of mooo....

+ b

7A tr -\

il
f Kbd.

ri ri

[On Cue]
5 6 7 I I

Maureen: Oh my God! Mimi: And I swear Angel was there......and she looked good!

aJ
nw
/:\

[On Cue] [On Cue]

r: /!\
Maureen: ri
10 nr}. 12

-
Mimi: And sl-re said "turn around, Collins: She's drenched Her fe - vels break - ing.
girlfriend and listen to that boy's song."

a)
o
 Piano-Conductor Score -2- #42 - "Finale B"

1l
Mark: 15 16 17

There is no fu ture; there is no past.

R.H. - TUBULAR BELLS

-
a)
PIANO
<E>
u LrT -o. C>
'*

18
Rogen 20
19

Thank God this mo - ment's not- the last!

+ L.H. PIANO
I
rEJ- -t
a) -AJ
lv
J- +l- r{

IL

22
Mimi & Roger: 24 25

\.

Tl-rere's o11 ly US, there's on ly

a)
Drums
tl \
Piano-Conductor Score -J- #42 - "Finale B"

(Mimi & Roger:)

26 27 28 29

this. For - get re gret, or li{e is yours to

tt
2-- a_- ----4-
---+- + ---+
-a- -
d [-JJ-J LLIJ J

Ail: ,---l
'1
30 31 32

rluss. No oth er road, no oth er

T -
L

35 36 .1/
34

E.

way No day, but to - day

tt
L 2-- ----a-
I

--*
-----+- ---f +,
a.) LL]J LLIJ
 Piano-Conductor Score -4- #42 - "Finale B"

.18
Women:
39 40

a)
I can't con trol

A tll Men:
I

'--
WiII I lose my dig tll ry?

-
I

fD A

+ Gtr. l, Bass OU

42 43 44 45

AJ
-
my des ti 11y

AuIl

will some one care?

F-
---------

AJ 7t7LJ.4)
D A
r-l

oo
U

I
t,
Piano-Conductor Score -5- #42 - "Finale B"

(Women:
4b 47 48 49

d ly
I trust my soul. My o11

(Menr)
A u lt-^.r ,'--

WiII I wake to - mor row from

D A

oo

50 57 52 53

d I
- I

with -
goal is just to be

A r.l *^ ,:.-
,FIIT}fl ? \ gE

this nigl'rt mare?

-
il I I I l"l I
l-J r 5-

B cil
-
-
U €>
 (- Piano-Conductor Score -6- #42 - "Finale B"
('
( 5l (Women:)
55 56 57

out you. The hand SroPes/ the

(Men:)

There's o11 1y l1ow there's o11 ly

a) + tttt
Ffr
(
(

€> {E> <€>

I

58 59 50

ear hears, pulse beats,

here. Give ln to love or live ln

a) J l-) 'J+J J J J-
Dfr'" cfi/nil B Cfr
(
t \

\ €>

(
Piano-Conductor Score -7- #42 - "Finale B"

(Women:)
52 64

goes oh, but Im gone/ cause

(Men:)

fear No oth er path, 110 oth er-

1-
a) J llll ttl
Ffr

66

with - out you.

way No day, but to - day

Itl#"4n1*. f )f
AJ JJ J' J
rnf Dil' c#lEt Fil,,, Fil
-o. <}
(- Piano-Conductor Score -8- #42 - "Einale B"
('
(' 70
(Women:)
('
(
(- I die with - out you.
('
(Men:)

(-
No day,- but to-day

ffi
a) ttt -+- J +J J J J J
BlDil cil/n# Ffru,
t

74

with - out you.

No day,- but to-day

I IT
- I I I I t-T
----ts _r+,
a) t t t1 J J J J
B/Dl cfi/Et Fflsu,

t
Piano-Conductor Score -9- #42 - "Finale B"

(Women:)
78

I die with - out you.

(Men:)

No but to-day

a) tt JJ J + e a.

BlDil Cil/Efr Filsrs

j----

U g
U

82

with - out you.

No day,- but to-day

a) it J J JJ J J

B/D# cVEil Ffisu.

c I
o o
 Piano-Conductor Score -10- #42 - "Einale B"

\
(w omen:
86 88

T die with - out you.

(Men:)

(- No day,- but to - day

('
a' I tt
ffi

(
a) IJ J J J
-
tr
rl

c g
r
i e u

90 91 92

a)
No day, but to

A r ll.. ,, L

No day, but to

h h'- J o

(
(
Piano-Conductor Score -1r- #42 - "Finale B"

(Women:)
93 94 9s

duy
(Men:)

duy

d
ffi

€>

96 97 {e> 98 /:\

/:\

rit
ri

<>
 Piano-Conductor Score
(' 43
(-
('
Exit Music URENT''

(I'll Cover You") Music and Lyrics bV

{- f onathan Larcon

(' 1x - Piano melody

(' 2x - Piano solo
3x - Guitar I solo to 3rd ending; Guitar II solo - mm.21-33
(' At m.33, Piano plays melody out
('
Shuffle
L

Druml; + Guitar
(-
1 2

clc
1

3
C GlC F G F2 G
(
(
4 5 6 7 8

L F G Am FmaT Gm7 EbmaT

I 10 11 12 13 14

t,2.
AbmaT Fm7 Cm nb C

15 16 17 18 19 20

2t
F cp Bb/r c/n p,bz c

22 24 25 26

I
vbz C sbz C sbz c
(
27
( 28 29 30 11

nb ob F rb oh

34 35 36 37 38

F
ri
F

39 40 4L 42 43 44