Mostrando entradas con la etiqueta Tool. Mostrar todas las entradas
Mostrando entradas con la etiqueta Tool. Mostrar todas las entradas

miércoles, 16 de diciembre de 2020

Tool "Lateralus"

Lateralus (/ˌlætəˈræləs/) is the third studio album by American rock band Tool. It was released on May 15, 2001 through Volcano Entertainment. The album was recorded at Cello Studios in Hollywood and The Hook, Big Empty Space, and The Lodge, in North Hollywood, between October 2000 and January 2001. David Bottrill, who had produced the band's two previous releases Ænima and Salival, produced the album along with the band. On August 23, 2005, Lateralus was released as a limited edition two-picture-disc vinyl LP in a holographic gatefold package.

The album debuted at No. 1 on the Billboard 200 chart, selling more than 555,200 copies in its first week of release. It was certified double platinum by the RIAA on August 5, 2003. On August 30, 2004, the album was certified silver by the BPI. It was also certified platinum in Australia, and double platinum in Canada. The band won the Grammy Award for Best Metal Performance for the song "Schism" in 2002. Lateralus was ranked No. 123 on the Rock and Roll Hall of Fame's "Definitive 200" list.

Lateralus emerged after a four-year legal dispute with Tool's label, Volcano Entertainment. In January 2001, the band announced that their new album's title would be Systema Encéphale and provided a 12-song track list with titles such as "Riverchrist", "Numbereft", "Encephatalis", "Musick", and "Coeliacus". File sharing networks such as Napster were flooded with bogus files bearing the titles' names. At the time, Tool members were outspokenly critical of file-sharing networks in general due to the negative impact on artists that are dependent on success in record sales to continue their career. During an interview with NY Rock in 2000, Keenan stated:
"I think there are a lot of other industries out there that might deserve being destroyed. The ones who get hurt by MP3s are not so much companies or the business, but the artists, people who are trying to write songs."
A month later, the band revealed that the new album was actually titled Lateralus (supposedly a portmanteau of the leg muscle Vastus lateralis and the term lateral thinking) and that the name Systema Encéphale and the track list had been a ruse.

Lateralus and the corresponding tours would take Tool a step further toward art rock, and progressive rock territory, in contrast to the band's earlier material, which has often been labeled as alternative metal. Rolling Stone wrote in an attempt to summarize the album that "Drums, bass and guitars move in jarring cycles of hyperhowl and near-silent death march ... The prolonged running times of most of Lateralus thirteen tracks are misleading; the entire album rolls and stomps with suitelike purpose." Joshua Klein of The A.V. Club in turn expressed his opinion that Lateralus, with its 79-minute running time and relatively complex and long songs—topped by the ten-and-a-half minute music video for "Parabola"—posed a challenge to fans and music programming alike. Drummer Danny Carey said, "The manufacturer would only guarantee us up to 79 minutes ... We thought we'd give them two seconds of breathing room." Carey aspired to create longer songs like those by artists he grew up listening to. The band had segues to place between songs, but had to cut out a lot during the mastering phase. The CD itself was mastered using HDCD technology.

Just as Salival was initially released with several errors on the track listing, early pressings of Lateralus had the ninth track incorrectly spelled as "Lateralis". The original title of "Reflection" was "Resolution" before being changed three months prior to the album's release.

The track listing is altered on the vinyl edition, with "Disposition" appearing at track 8. Because of the long running time, the double vinyl edition could not be released like the disc since the songs would not fit on each disc side in that order. By moving "Disposition" to an earlier point, the sides were balanced and could fit the material. However, this edit breaks the segue that occurs between "Disposition" and "Reflection", which, along with "Triad", are often grouped together.

Two of the singles from the album, "Parabola" and "Schism", are featured in the video game Guitar Hero World Tour.

The insert is translucent and flips open to reveal the different layers of the human body. Disguised in the brain matter on the final layer is the word "God". The artwork was done by artist Alex Grey, who would later design the 3D edition cover for the followup to Lateralus, 10,000 Days.

Track listing
All lyrics are written by Maynard James Keenan; all music is composed by Adam Jones, Danny Carey, Maynard James Keenan, and Justin Chancellor.
  1. "The Grudge" 8:36
  2. "Eon Blue Apocalypse" (instrumental) 1:04
  3. "The Patient" 7:13
  4. "Mantra" (instrumental) 1:12
  5. "Schism" 6:47
  6. "Parabol" 3:04
  7. "Parabola" 6:03
  8. "Ticks & Leeches" 8:10
  9. "Lateralus" 9:24
  10. "Disposition" 4:46
  11. "Reflection" 11:07
  12. "Triad" (instrumental – song ends at 6:32, before 2:14 of silence) 8:46
  13. "Faaip de Oiad" 2:39
Total length: 78:51

Notes
  • On the vinyl version of the album, "Disposition" follows "Parabola".
  • On the first presses of US CD, "Lateralus" is misspelled "Lateralis" on the tracklist of the outer packaging.
  • On the digital version, "Triad" omits the two minutes of silence at the track's end.
Lateralus sold 555,000 copies in its first week, debuting at number one on the Billboard 200. As of July 7, 2010, Lateralus has sold 2,609,000 copies in the US. It is ranked number 123 on the Rock and Roll Hall of Fame's "Definitive 200" list.



















Tool "Undertow"

Undertow is the debut studio album by American rock band Tool, released on April 6, 1993 by Zoo Entertainment. Produced by the band and Sylvia Massy, it was recorded from October to December 1992 at Sound City Studios in Van Nuys and Grandmaster Recorders in Hollywood. The album includes some tracks the band decided to not release on their debut EP Opiate.

According to AllMusic, Undertow helped heavy metal music remain prominent as a mainstream musical style, and allowed several later bands to break through to the mainstream. It was released at a time when grunge was at the height of its popularity, and pop punk was slowly beginning to gather mainstream attention. AllMusic saw the album's success in the "striking, haunting visuals that complemented the album's nihilistic yet wistful mood."

As of 2010, Undertow has sold over 2.9 million copies in the United States, and is certified double platinum by the Recording Industry Association of America.

Undertow was Tool's only full album release with original bassist Paul D'Amour.

Comedian Bill Hicks is noted as "inspiration" in the liner notes, and Undertow is the only Tool album released while he was still alive. His presence would feature again on Tool's next album, Ænima.

Chris Haskett, then with the Rollins Band, is credited in the liner notes with "sledge hammer", probably relating to the "three pianos and shotguns smashed with sledgehammers" on "Disgustipated". Adam Jones recalls a story in which the band purchased two second-hand pianos with the intention of blasting them with shotguns in the indoor parking lot of Grand Master Studio and putting the resulting sounds to tape. Apparently the woman running the studio was happy as long as they cleaned up the mess afterwards. Since the incident, Tool has been approached by other bands claiming to have seen the shotgun holes left by them in the carpark wall.

The album art was designed by Adam Jones. Photos in the liner notes of a nude obese woman, a nude thin man, and the band members with pins in the sides of their heads generated controversy, resulting in the album being removed from stores such as Kmart and Walmart. The band reacted by releasing another version, which depicted a giant barcode on a white background. This version of the album included a note from the band:
It came to our attention recently that many stores across our fine and open minded nation would not stock Undertow because of our explicit artwork. Although we loathe being censored, we want your money we still want you to hear our music, so we took it out. However, it is available to you at no extra cost. Fill out the form, stick it in an envelope, mail it in, and we will send you the original artwork. Love, Tool
The message on the photographs of the band members reads "Trust me trust me trust me trust me trust me I just want to start this over say you won't go this is love I'll make weapons out of my imperfections lay back and let me show you another way only this one holy medium brings me peace of mind cleanse and purge me in the water twice as loud as reason euphoria I've been far too sympathetic no one told you to come I hope it sucks you down life feeds on life this is necessary." The songs the lyrics contained in the passage are from appear in this order: "Sober", "Crawl Away", "4°", "Prison Sex", "Flood", "Undertow", "Intolerance", "Swamp Song", "Disgustipated". The only quote missing from the album is "I'll make weapons out of my imperfections", a line from Maynard's original lyrics for "Bottom" before they were modified by guest Henry Rollins.

In some versions of the album, when the black CD tray is removed from the case, a picture of a cow licking what appears to be its genital region is revealed. In other versions of the album, released internationally, the picture of the cow licking the genital region is viewable without problems under the transparent backing of the disc case. The photo of the cow is accredited in the album's liner notes to have been taken by Danielle Bregman. The ribcage is also on the front cover of the album, but the obese woman is absent from the booklet; only the members of the band are depicted.

Adam Jones' pet pig, Moe, appears on the back cover amid an array of forks standing on end.

Track listing
All lyrics are written by Maynard James Keenan, unless otherwise noted; all music is composed by Adam Jones, Danny Carey and Paul D'Amour.
  1. "Intolerance" 4:53
  2. "Prison Sex" 4:56
  3. "Sober" 5:06
  4. "Bottom" Keenan/Henry Rollins   7:14
  5. "Crawl Away" 5:30
  6. "Swamp Song" 5:31
  7. "Undertow" 5:22
  8. "4°" 6:03
  9. "Flood" 7:46
  10. "Disgustipated" (Song ends at 6:45. Sounds of crickets chirping can be heard for 7 minutes and 5 seconds at 13:50 a hidden message plays while the crickets continue until the end.) 15:47
Total length: 69:13

"Disgustipated" is track 69 on most pressings in North America (tracks 10–68 are silent; tracks 10–67 are one second each in length, and track 68 is two seconds). It also appears as track 39, track 10 (mostly in Europe and Australia) or as a hidden track following "Flood" on track nine. On certain Japanese imports, "Disgustipated" is track 70. In all cases, however, it is listed as track 10 on the album itself.