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Dune #3
Children of Dune
Book three in Frank Herbert's magnificent Dune Chronicles--one of the most significant sagas in the history of literary science fiction.
The Children of Dune are twin siblings Leto and Ghanima Atreides, whose father, the Emperor Paul Muad'Dib, disappeared in the desert wastelands of Arrakis nine years ago. Like their father, the twins possess supernormal abilities--making them valuable to their manipulative aunt Alia, who rules the Empire in the name of House Atreides.
Facing treason and rebellion on two fronts, Alia's rule is not absolute. The displaced House Corrino is plotting to regain the throne while the fanatical Fremen are being provoked into open revolt by the enigmatic figure known only as The Preacher. Alia believes that by obtaining the secrets of the twins' prophetic visions, she can maintain control over her dynasty.
But Leto and Ghanima have their own plans for their visions--and their destinies....
Includes an introduction by Brian Herbert
The Children of Dune are twin siblings Leto and Ghanima Atreides, whose father, the Emperor Paul Muad'Dib, disappeared in the desert wastelands of Arrakis nine years ago. Like their father, the twins possess supernormal abilities--making them valuable to their manipulative aunt Alia, who rules the Empire in the name of House Atreides.
Facing treason and rebellion on two fronts, Alia's rule is not absolute. The displaced House Corrino is plotting to regain the throne while the fanatical Fremen are being provoked into open revolt by the enigmatic figure known only as The Preacher. Alia believes that by obtaining the secrets of the twins' prophetic visions, she can maintain control over her dynasty.
But Leto and Ghanima have their own plans for their visions--and their destinies....
Includes an introduction by Brian Herbert
609 pages, Paperback
First published April 1, 1976
About the author
Frank Herbert
506 books15.4k followersFranklin Patrick Herbert Jr. was an American science fiction author best known for the 1965 novel Dune and its five sequels. Though he became famous for his novels, he also wrote short stories and worked as a newspaper journalist, photographer, book reviewer, ecological consultant, and lecturer.
The Dune saga, set in the distant future, and taking place over millennia, explores complex themes, such as the long-term survival of the human species, human evolution, planetary science and ecology, and the intersection of religion, politics, economics and power in a future where humanity has long since developed interstellar travel and settled many thousands of worlds. Dune is the best-selling science fiction novel of all time, and the entire series is considered to be among the classics of the genre.
The Dune saga, set in the distant future, and taking place over millennia, explores complex themes, such as the long-term survival of the human species, human evolution, planetary science and ecology, and the intersection of religion, politics, economics and power in a future where humanity has long since developed interstellar travel and settled many thousands of worlds. Dune is the best-selling science fiction novel of all time, and the entire series is considered to be among the classics of the genre.
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Displaying 1 - 30 of 10,626 reviews
May 6, 2008
The Dune series is remarkable in that each sequel gets progressively worse until it's unreadable.
The first book is truly excellent. It's mantra on fear alone makes it great.
The second book a very good sci-fi novel.
The third book is merely okay.
The fourth book is sub-par, but still interesting.
The fifth book is a pain in the ass to read.
The sixth book will leave you concerned about the author's health, so terribad is the writing.
But hey, the first book kicks ass!
The first book is truly excellent. It's mantra on fear alone makes it great.
The second book a very good sci-fi novel.
The third book is merely okay.
The fourth book is sub-par, but still interesting.
The fifth book is a pain in the ass to read.
The sixth book will leave you concerned about the author's health, so terribad is the writing.
But hey, the first book kicks ass!
October 26, 2020
There are two opinions one could have about this series and they both are true because it´s so highly individual and polarizing:
If it could have been a bit less complicated and confusing it would have had the potential to be as good as the first two parts, but the characters are talking so much over the top complicated philosophical, religious, Dune specific stuff that it´s truly hard to follow. It just doesn´t work as well as in the first two parts. There was much potential, but it didn´t feel right.
Another one could say that what is said is deep, full of innuendos, pretty many plot twists are interwoven and Herbert is trying to make it bombastic, which works great. But I am more on the critics' side.
There´s a bit of a problem with characters´ motivation, credibility, and authenticity too, as they don´t seem to follow completely logical reasoning and don´t really know what they want. Possibly I am overlooking some of the subtility and it´s part of a perfectly orchestrated subtility, but subjectively it felt as if their premises switched drastically between one and three times without understandable reasons.
I´ve heard some people say that one should just read the trilogy and don´t read further because the other parts are average and worse and I don´t know what to do now. I see what Herberts´ problem is, writing so complicated and arcane that it can be a pain to follow the plot, but on the other hand it´s great, complex storytelling and the audience is very divided about it. I fear that it could get in the direction of pseudo-philosophical and unsatisfying, but some say that the elements that made the series great are even deepening and becoming more grandiose with each part because there are more and more innuendos and connotations to the other parts before.
Tropes show how literature is conceptualized and created and which mixture of elements makes works and genres unique:
https://tvtropes.org/pmwiki/pmwiki.ph...
https://tvtropes.org/pmwiki/pmwiki.ph...
If it could have been a bit less complicated and confusing it would have had the potential to be as good as the first two parts, but the characters are talking so much over the top complicated philosophical, religious, Dune specific stuff that it´s truly hard to follow. It just doesn´t work as well as in the first two parts. There was much potential, but it didn´t feel right.
Another one could say that what is said is deep, full of innuendos, pretty many plot twists are interwoven and Herbert is trying to make it bombastic, which works great. But I am more on the critics' side.
There´s a bit of a problem with characters´ motivation, credibility, and authenticity too, as they don´t seem to follow completely logical reasoning and don´t really know what they want. Possibly I am overlooking some of the subtility and it´s part of a perfectly orchestrated subtility, but subjectively it felt as if their premises switched drastically between one and three times without understandable reasons.
I´ve heard some people say that one should just read the trilogy and don´t read further because the other parts are average and worse and I don´t know what to do now. I see what Herberts´ problem is, writing so complicated and arcane that it can be a pain to follow the plot, but on the other hand it´s great, complex storytelling and the audience is very divided about it. I fear that it could get in the direction of pseudo-philosophical and unsatisfying, but some say that the elements that made the series great are even deepening and becoming more grandiose with each part because there are more and more innuendos and connotations to the other parts before.
Tropes show how literature is conceptualized and created and which mixture of elements makes works and genres unique:
https://tvtropes.org/pmwiki/pmwiki.ph...
https://tvtropes.org/pmwiki/pmwiki.ph...
July 30, 2022
Uuuu podobało mi się 😌
December 7, 2024
“Too much knowledge never makes for simple decisions.”
This review is another proof that things should be done at their proper time. Like writing a review for this book right after I finished it not 2 months later. I could have expressed more the reasons I decided to give it 5* more eloquently, although the novel is deeply flawed and many times nonsensical. Alas, it’s too late now but I will do my best.
Let’s start with the plot. The twins are now 9 and way too developed for their years. To be expected since they both have all the memories of their ancestors. They live on Arakis with their aunt, Alia. She finally turns bat shit crazy and becomes possessed. Lady Jessica is back to the Bene Gesserit ways an returns to Arakis with plans for her grandchildren. The remaining relatives of the Emperor plan their revenge and return to power. A blind Prophet appears and speaks against Muad’Dib religion. He might be or might not be Paul Atreides.
As in the previous volume, there are schemes over conspiracies, each character has their own agenda, which usually clashed with the other goals. There isn’t a lot of action in this novel but there is an abundance of philosophic talk. It will be a treat for the readers who read Herbert for the quotable ideas. Not much for those who want so see many battles in their Sci Fi.
I had a few problems with the novel. Firstly, it only took 20% for the 1st talk of incest to appear. Oh, and Alia married Duncan right away at 15 going on 16. I thought we were going to continue with the cringyness but it was at manageable levels from then on. Secondly, many parts of the plot made no sense. I could not understand why some characters chose one path instead of the other. I could have explained exactly what those problems were but I cannot remember now. Thirdly, the problem of women in classic SF . Lady Jessica was probably the only exception in this book. The other women were either cardboard characters or they were cut throat bitches/crazy.
Some quotes:
Despite the lack of a coherent plot and other issues, I could not stop reading. I was constantly thinking about the novel even when I was doing something else. I cannot give less than 5* to a novel that absorbed me so completely.
“A large populace held in check by a small but powerful force is quite a common situation in our universe. And we know the major conditions wherein this large populace may turn upon its keepers— “One: When they find a leader. This is the most volatile threat to the powerful; they must retain control of leaders.
“Two: When the populace recognizes its chains. Keep the populace blind and unquestioning. “Three: When the populace perceives a hope of escape from bondage. They must never even believe that escape is possible!”
“To suspect your own mortality is to know the beginning of terror; to learn irrefutably that you are mortal is to know the end of terror.”
“Abandon certainty! That’s life’s deepest command. That’s what life’s all about. We’re a probe into the unknown, into the uncertain. Why can’t you hear Muad’Dib? If certainty is knowing absolutely an absolute future, then that’s only death disguised! Such a future becomes now He showed you this!”
“To exist is to stand out, away from the background,” The Preacher said. “You aren’t thinking or really existing unless you’re willing to risk even your own sanity in the judgment of your existence.”
“Religion is the emulation of the adult by the child. Religion is the encystment of past beliefs: mythology, which is guesswork, the hidden assumptions of trust in the universe, those pronouncements which men have made in search of personal power, all of it mingled with shreds of enlightenment. And always the ultimate unspoken commandment is ‘Thou shalt not question!’ But we question. We break that commandment as a matter of course. The work to which we have set ourselves is the liberating of the imagination, the harnessing of imagination to humankind’s deepest sense of creativity.”
This review is another proof that things should be done at their proper time. Like writing a review for this book right after I finished it not 2 months later. I could have expressed more the reasons I decided to give it 5* more eloquently, although the novel is deeply flawed and many times nonsensical. Alas, it’s too late now but I will do my best.
Let’s start with the plot. The twins are now 9 and way too developed for their years. To be expected since they both have all the memories of their ancestors. They live on Arakis with their aunt, Alia. She finally turns bat shit crazy and becomes possessed. Lady Jessica is back to the Bene Gesserit ways an returns to Arakis with plans for her grandchildren. The remaining relatives of the Emperor plan their revenge and return to power. A blind Prophet appears and speaks against Muad’Dib religion. He might be or might not be Paul Atreides.
As in the previous volume, there are schemes over conspiracies, each character has their own agenda, which usually clashed with the other goals. There isn’t a lot of action in this novel but there is an abundance of philosophic talk. It will be a treat for the readers who read Herbert for the quotable ideas. Not much for those who want so see many battles in their Sci Fi.
I had a few problems with the novel. Firstly, it only took 20% for the 1st talk of incest to appear. Oh, and Alia married Duncan right away at 15 going on 16. I thought we were going to continue with the cringyness but it was at manageable levels from then on. Secondly, many parts of the plot made no sense. I could not understand why some characters chose one path instead of the other. I could have explained exactly what those problems were but I cannot remember now. Thirdly, the problem of women in classic SF . Lady Jessica was probably the only exception in this book. The other women were either cardboard characters or they were cut throat bitches/crazy.
Some quotes:
Despite the lack of a coherent plot and other issues, I could not stop reading. I was constantly thinking about the novel even when I was doing something else. I cannot give less than 5* to a novel that absorbed me so completely.
“A large populace held in check by a small but powerful force is quite a common situation in our universe. And we know the major conditions wherein this large populace may turn upon its keepers— “One: When they find a leader. This is the most volatile threat to the powerful; they must retain control of leaders.
“Two: When the populace recognizes its chains. Keep the populace blind and unquestioning. “Three: When the populace perceives a hope of escape from bondage. They must never even believe that escape is possible!”
“To suspect your own mortality is to know the beginning of terror; to learn irrefutably that you are mortal is to know the end of terror.”
“Abandon certainty! That’s life’s deepest command. That’s what life’s all about. We’re a probe into the unknown, into the uncertain. Why can’t you hear Muad’Dib? If certainty is knowing absolutely an absolute future, then that’s only death disguised! Such a future becomes now He showed you this!”
“To exist is to stand out, away from the background,” The Preacher said. “You aren’t thinking or really existing unless you’re willing to risk even your own sanity in the judgment of your existence.”
“Religion is the emulation of the adult by the child. Religion is the encystment of past beliefs: mythology, which is guesswork, the hidden assumptions of trust in the universe, those pronouncements which men have made in search of personal power, all of it mingled with shreds of enlightenment. And always the ultimate unspoken commandment is ‘Thou shalt not question!’ But we question. We break that commandment as a matter of course. The work to which we have set ourselves is the liberating of the imagination, the harnessing of imagination to humankind’s deepest sense of creativity.”
August 23, 2024
What's the hand signal for terrible?
Children of Dune is missing the elements that worked so well in Dune: no heroes, no unexpected, shocking deaths, no common goals, no building up of characters.
This book is so dreadfully boring. When I was at the 80% mark, I could have DNFed the book--I just didn't care how it ended. That is how little I was invested in the characters and in the story.
Herbert over relies on fan favorite characters, and the characters have the same discussion over and over and over again. Perhaps Herbert thought the reader fell asleep during sections of the book?
Ugh, and why do you name to different characters the same name? Did the author have a lot of Leto merch that he needed to get rid of?
2025 Reading Schedule
Jan A Town Like Alice
Feb Birdsong
Mar Captain Corelli's Mandolin - Louis De Berniere
Apr War and Peace
May The Woman in White
Jun Atonement
Jul The Shadow of the Wind
Aug Jude the Obscure
Sep Ulysses
Oct Vanity Fair
Nov A Fine Balance
Dec Germinal
Connect With Me!
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Children of Dune is missing the elements that worked so well in Dune: no heroes, no unexpected, shocking deaths, no common goals, no building up of characters.
This book is so dreadfully boring. When I was at the 80% mark, I could have DNFed the book--I just didn't care how it ended. That is how little I was invested in the characters and in the story.
Herbert over relies on fan favorite characters, and the characters have the same discussion over and over and over again. Perhaps Herbert thought the reader fell asleep during sections of the book?
Ugh, and why do you name to different characters the same name? Did the author have a lot of Leto merch that he needed to get rid of?
2025 Reading Schedule
Jan A Town Like Alice
Feb Birdsong
Mar Captain Corelli's Mandolin - Louis De Berniere
Apr War and Peace
May The Woman in White
Jun Atonement
Jul The Shadow of the Wind
Aug Jude the Obscure
Sep Ulysses
Oct Vanity Fair
Nov A Fine Balance
Dec Germinal
Connect With Me!
Blog Twitter BookTube Facebook Insta My Bookstore at Pango
November 16, 2021
I kept getting these telephone calls from people asking me if I were starting a cult.
The answer: “God no!” - Frank Herbert.
I originally read the ‘Dune’ sequence in my teens when I discovered SF for the first time. Among my own Golden Age pantheon of seminal writers such as Asimov, Clarke, Heinlein, Zelazny, Farmer, Simak and Smith, Herbert exerted a certain exotic allure.
I recently reread ‘Dune’ and ‘Dune Messiah’ again, inspired by Denis Villeneuve’s superlative Part 1 movie adaptation. Now in my early 50s, I was surprised at how well the diptych stands up against the test of time and memory.
I do believe that ‘Dune Messiah’ is superior in how much layered texture it adds to its age-old monomyth, and how cleverly it subverts the narrative arc that seemed so inevitable in ‘Dune’. Yes, it is a total bummer of an ending, but it is an ending that is both psychologically and thematically astute.
(Editor John W. Campbell certainly didn’t think so, and rejected ‘Dune Messiah’ due to it being ‘anti-heroic’ – which is kind of ironic when you think how large the ideal of the anti-heroic figure looms in so much of modern SF and fantasy, especially the Hollywood superhero factory.)
Which brings me to ‘Children of Dune’, which can only be described as a gibbering hot mess of a novel. Actually, it foreshadows another trend in much modern SF – here’s looking at you, Star Wars – to not only reveal too much detail, but to focus on so much extraneous minutiae that the overall story is completely lost in a maelstrom of granularity.
A tiny example is the mythical sietch of Jacurutu, and the inordinate number of pages that Leto agonises over whether it even exists or not. When he actually arrives on its dusty, forgotten doorstep, he spends even more pages agonising over the actual reality of what he is seeing…
Well, of course ‘real’ Jacurutu turns out to be a sand-screen for the ‘mythical’ Jacurutu, which does exist, in fact, but is shrouded in even deeper mystery and obfuscation by yet another (mythical) name. It is this kind of unnecessary navel-gazing that turns ‘Children of Dune’ into an exceptionally tedious rabbit-hole of a novel that wallows in its own inflated sense of self-importance.
In a short but revealing note at the end of the book, Herbert weirdly states that portions of ‘Children of Dune’ were completed before the first two novels. And it does, indeed, read like a series of outtakes or discarded ideas strung together to make up a semblance of a plot.
‘Dune’ itself is by no means perfect, but it has a certain logic and narrative drive, not to mention pacing and attention to relevant detail (leaving much to the reader’s imagination), that makes it a much greater whole than the sum of its parts.
Sadly, ‘Children of Dune’ struggles with way too many moving parts to gain any coherence, let alone narrative urgency. For example, the culmination of Leto’s conversion process, which drives perhaps the last third of the novel, is completely botched and butchered by Herbert.
He is way too busy keeping his characters speechifying preposterously and sententiously than to pay attention to the specific narrative mechanics of such a crucial and deeply weird scene. It is one of many such missed opportunities in the book, which rattles along as mindlessly as a sandworm in the great bled.
Herbert has always been thought of as representing a ‘colonial’ approach to SF in that he portrays the terraforming of Arrakis as the end result of a just process of civilising the natives and uplifting them (more like bringing them to their senses from their barbaric ways.)
In this dialectic, a contemporary writer like Kim Stanley Robinson is perceived as the spiritual heir of Frank Herbert, tackling similar ideas of colonisation and politics, but with a much more modern approach that accounts for key, but often subtextual, influences such as cultural appropriation and authorial bias.
In ‘Children of Dune’, however, Herbert completely subverts his colonial label by introducing the jaw-dropping idea that the sand trout are not endemic to Arrakis, but are essentially an alien lifeform (where they came from and who introduced them is another story.)
Which makes the Fremen themselves a parasitic entity feeding off the lifecycle of Shai Hulud, instead of the noble oppressed savages and ‘desert power’ they were always thought to be. This plot strand is supposed to culminate in the transformation of Leto, but it peters out quite frustratingly rather than achieve the narrative crescendo it deserves.
Seeing that so much of the book is about the consequences, shortfalls and perceived pitfalls of prescience, it is perhaps fitting that chunks were completed even before the first opening salvos of the trilogy (well, it started out as a trilogy.) And while on that subject, the whole bloody Golden Path gibberish makes no sense whatsoever.
Leto is determined to remove Paul’s stranglehold on humanity by effectively un-deifying his own father. But ends up following the very ‘path’ that Paul expressly chose not to follow, thereby promising to become an even bigger monster (literally) than Paul had ever been!?
Just as Paul felt himself increasingly trapped by his own prescient visions, so does Herbert seem unable to break free from the plot cycle of the first two books. You thought Paul walked off bravely into the sunset at the end of ‘Dune Messiah’? Up pops the mysterious Preacher, decrying the empty religion of Alia. And where is a good villain when you need one … up pops the Baron (literally) in Alia’s mind to pollute her consciousness with his conniving perversity.
And forget about any tender Paul/Chani moments here either. Herbert is all matter-of-fact business, describing Leto’s attraction to Sabiha (which does indeed mirror the Paul/Chani relationship) in the following totally romantic manner: ‘There was an adult beefswelling in his loins …’ Okay, time to move along.
There was a seven-year gap between the publication of ‘Dune Messiah’ (1969) and ‘Children of Dune’ (1976), which is notable for being the first hardcover bestseller in the genre. Either readers did not know what they were in for, or they were much weirder than they are today. Probably the latter, lest we forget that ‘Dhalgren’ by Samuel R. Delany (1975) would go on to sell a million copies.
Another problem is that ‘Children of Dune’ veers rather determinedly away from SF into much choppier and murkier waters. The long (and I mean long) digressions on politics, governance and the philosophy of morality (or is it the morality of philosophy?) are simply stuffed into the mouths of characters who, ironically, increasingly come across as robotic in a universe where the very notion of AI is anathema and deemed to be anti-human.
As with ‘Dune Messiah’, there are some passages of nature writing where Herbert’s singular passion for the raw environment, and his technical proficiency as a writer, combine to create such haunting passages as the below:
It was difficult to take his gaze away from the sands, the dunes—the great emptiness. Here at the edge of the sand lay a few rocks, but they led the imagination outward into the winds, the dust, the sparse and lonely plants and animals, dune merging into dune, desert into desert.
But it is too little, too late. The worm has, indeed, turned for this ambitious saga, which cannot escape its own Golden Path into repetitive dissolution.
The answer: “God no!” - Frank Herbert.
I originally read the ‘Dune’ sequence in my teens when I discovered SF for the first time. Among my own Golden Age pantheon of seminal writers such as Asimov, Clarke, Heinlein, Zelazny, Farmer, Simak and Smith, Herbert exerted a certain exotic allure.
I recently reread ‘Dune’ and ‘Dune Messiah’ again, inspired by Denis Villeneuve’s superlative Part 1 movie adaptation. Now in my early 50s, I was surprised at how well the diptych stands up against the test of time and memory.
I do believe that ‘Dune Messiah’ is superior in how much layered texture it adds to its age-old monomyth, and how cleverly it subverts the narrative arc that seemed so inevitable in ‘Dune’. Yes, it is a total bummer of an ending, but it is an ending that is both psychologically and thematically astute.
(Editor John W. Campbell certainly didn’t think so, and rejected ‘Dune Messiah’ due to it being ‘anti-heroic’ – which is kind of ironic when you think how large the ideal of the anti-heroic figure looms in so much of modern SF and fantasy, especially the Hollywood superhero factory.)
Which brings me to ‘Children of Dune’, which can only be described as a gibbering hot mess of a novel. Actually, it foreshadows another trend in much modern SF – here’s looking at you, Star Wars – to not only reveal too much detail, but to focus on so much extraneous minutiae that the overall story is completely lost in a maelstrom of granularity.
A tiny example is the mythical sietch of Jacurutu, and the inordinate number of pages that Leto agonises over whether it even exists or not. When he actually arrives on its dusty, forgotten doorstep, he spends even more pages agonising over the actual reality of what he is seeing…
Well, of course ‘real’ Jacurutu turns out to be a sand-screen for the ‘mythical’ Jacurutu, which does exist, in fact, but is shrouded in even deeper mystery and obfuscation by yet another (mythical) name. It is this kind of unnecessary navel-gazing that turns ‘Children of Dune’ into an exceptionally tedious rabbit-hole of a novel that wallows in its own inflated sense of self-importance.
In a short but revealing note at the end of the book, Herbert weirdly states that portions of ‘Children of Dune’ were completed before the first two novels. And it does, indeed, read like a series of outtakes or discarded ideas strung together to make up a semblance of a plot.
‘Dune’ itself is by no means perfect, but it has a certain logic and narrative drive, not to mention pacing and attention to relevant detail (leaving much to the reader’s imagination), that makes it a much greater whole than the sum of its parts.
Sadly, ‘Children of Dune’ struggles with way too many moving parts to gain any coherence, let alone narrative urgency. For example, the culmination of Leto’s conversion process, which drives perhaps the last third of the novel, is completely botched and butchered by Herbert.
He is way too busy keeping his characters speechifying preposterously and sententiously than to pay attention to the specific narrative mechanics of such a crucial and deeply weird scene. It is one of many such missed opportunities in the book, which rattles along as mindlessly as a sandworm in the great bled.
Herbert has always been thought of as representing a ‘colonial’ approach to SF in that he portrays the terraforming of Arrakis as the end result of a just process of civilising the natives and uplifting them (more like bringing them to their senses from their barbaric ways.)
In this dialectic, a contemporary writer like Kim Stanley Robinson is perceived as the spiritual heir of Frank Herbert, tackling similar ideas of colonisation and politics, but with a much more modern approach that accounts for key, but often subtextual, influences such as cultural appropriation and authorial bias.
In ‘Children of Dune’, however, Herbert completely subverts his colonial label by introducing the jaw-dropping idea that the sand trout are not endemic to Arrakis, but are essentially an alien lifeform (where they came from and who introduced them is another story.)
Which makes the Fremen themselves a parasitic entity feeding off the lifecycle of Shai Hulud, instead of the noble oppressed savages and ‘desert power’ they were always thought to be. This plot strand is supposed to culminate in the transformation of Leto, but it peters out quite frustratingly rather than achieve the narrative crescendo it deserves.
Seeing that so much of the book is about the consequences, shortfalls and perceived pitfalls of prescience, it is perhaps fitting that chunks were completed even before the first opening salvos of the trilogy (well, it started out as a trilogy.) And while on that subject, the whole bloody Golden Path gibberish makes no sense whatsoever.
Leto is determined to remove Paul’s stranglehold on humanity by effectively un-deifying his own father. But ends up following the very ‘path’ that Paul expressly chose not to follow, thereby promising to become an even bigger monster (literally) than Paul had ever been!?
Just as Paul felt himself increasingly trapped by his own prescient visions, so does Herbert seem unable to break free from the plot cycle of the first two books. You thought Paul walked off bravely into the sunset at the end of ‘Dune Messiah’? Up pops the mysterious Preacher, decrying the empty religion of Alia. And where is a good villain when you need one … up pops the Baron (literally) in Alia’s mind to pollute her consciousness with his conniving perversity.
And forget about any tender Paul/Chani moments here either. Herbert is all matter-of-fact business, describing Leto’s attraction to Sabiha (which does indeed mirror the Paul/Chani relationship) in the following totally romantic manner: ‘There was an adult beefswelling in his loins …’ Okay, time to move along.
There was a seven-year gap between the publication of ‘Dune Messiah’ (1969) and ‘Children of Dune’ (1976), which is notable for being the first hardcover bestseller in the genre. Either readers did not know what they were in for, or they were much weirder than they are today. Probably the latter, lest we forget that ‘Dhalgren’ by Samuel R. Delany (1975) would go on to sell a million copies.
Another problem is that ‘Children of Dune’ veers rather determinedly away from SF into much choppier and murkier waters. The long (and I mean long) digressions on politics, governance and the philosophy of morality (or is it the morality of philosophy?) are simply stuffed into the mouths of characters who, ironically, increasingly come across as robotic in a universe where the very notion of AI is anathema and deemed to be anti-human.
As with ‘Dune Messiah’, there are some passages of nature writing where Herbert’s singular passion for the raw environment, and his technical proficiency as a writer, combine to create such haunting passages as the below:
It was difficult to take his gaze away from the sands, the dunes—the great emptiness. Here at the edge of the sand lay a few rocks, but they led the imagination outward into the winds, the dust, the sparse and lonely plants and animals, dune merging into dune, desert into desert.
But it is too little, too late. The worm has, indeed, turned for this ambitious saga, which cannot escape its own Golden Path into repetitive dissolution.
October 20, 2020
There are two schools of thought on the Dune series. One is that they are epic, revelatory scifi all the way through, one is that after the glorious first book you traverse a lonely, winding path of diminishing returns in the sequels. I'm going to throw in with the latter group. Herbert created a fascinating, fully realized universe with Dune, and it was a joy to dive back into it: the Fremen, the litany against fear, the melange, the Atreides Battle Language. The point of Herbert's whole series is the inevitable corruption of power in the institutions of government and faith. There's never a happy ending, or never one that lasts from one book to the next.
While I loved the immersive nature of Herbert's world, and appreciated the thoughts behind it, this book is a bit of a grind. There are chapters full of conversations that are so difficult to follow. The two main characters are Paul Atreides' deeply weird young twins who are pre-born, thus they have the memories of hundreds or thousands of ancestors (one accepts a large amount of mystical shenanigans when reading Dune.) They are not very likable, or dislikable. They are just. There. Talking. So. Much. Many characters from the first book show up, and I was glad to see them as a reader, but I just wasn't invested in much of anything. I loved the atmosphere, but if a giant sandworm would have eaten the Atreides twins 100 pages in, I would have been very much not sad.
The plot picks up a few years after the last book. Paul's sister Alia is running a corrupted version of the cult of Muad'Dib on Arrakis. She's also been possessed by the inner ghost of Baron Harkonnen (there's those mystical shenanigans again!), and as a result is also in the only storyline I found very interesting. Jessica has been living off-world for some time, but returns to Arrakis on a mysterious mission from the Bene Gesserit. The twins are weird and make everyone uncomfortable, and Leto II has this plan for the future called The Golden Path which he will simultaneously not shut up about while never explaining what in the Hell it is. And there is a plot by the Corrino's to get back in power. So much plotting in this book, and so many conversations about plotting and thinking about plotting and counter-plotting. It was hard at times to figure out exactly what the purpose of some of the schemes were, other than to exist. Honestly, it probably didn't help that I would occasionally find myself zoned out mid-paragraph.
Am I too stupid to get this book? Yes, that is completely possible. The philosophical ideas are sometimes interesting and Herbert's world is so immersive I don't feel right giving this less than 3 stars. In between the inner and outer monologues, I really enjoyed the further world-building. I can't even say whether I recommend it or not. If you can't get enough Dune (and I wouldn't blame you if you couldn't), you can continue with this book, but you may not feel the magic of the original.
Having read a synopsis of God Emperor, I'm not sure I'll ever tackle that one. Leto babbling about his stupid Golden Path for several millenia. I think the point of this series' later volumes may be that Gods are boring af.
ETA: Got a shouty complaint that there were spoilers in this review with no specifics. I don't see any except a throwaway comment about book #4 and anyone who is trifling gets deleted. Come correct or don't bother.
While I loved the immersive nature of Herbert's world, and appreciated the thoughts behind it, this book is a bit of a grind. There are chapters full of conversations that are so difficult to follow. The two main characters are Paul Atreides' deeply weird young twins who are pre-born, thus they have the memories of hundreds or thousands of ancestors (one accepts a large amount of mystical shenanigans when reading Dune.) They are not very likable, or dislikable. They are just. There. Talking. So. Much. Many characters from the first book show up, and I was glad to see them as a reader, but I just wasn't invested in much of anything. I loved the atmosphere, but if a giant sandworm would have eaten the Atreides twins 100 pages in, I would have been very much not sad.
The plot picks up a few years after the last book. Paul's sister Alia is running a corrupted version of the cult of Muad'Dib on Arrakis. She's also been possessed by the inner ghost of Baron Harkonnen (there's those mystical shenanigans again!), and as a result is also in the only storyline I found very interesting. Jessica has been living off-world for some time, but returns to Arrakis on a mysterious mission from the Bene Gesserit. The twins are weird and make everyone uncomfortable, and Leto II has this plan for the future called The Golden Path which he will simultaneously not shut up about while never explaining what in the Hell it is. And there is a plot by the Corrino's to get back in power. So much plotting in this book, and so many conversations about plotting and thinking about plotting and counter-plotting. It was hard at times to figure out exactly what the purpose of some of the schemes were, other than to exist. Honestly, it probably didn't help that I would occasionally find myself zoned out mid-paragraph.
Am I too stupid to get this book? Yes, that is completely possible. The philosophical ideas are sometimes interesting and Herbert's world is so immersive I don't feel right giving this less than 3 stars. In between the inner and outer monologues, I really enjoyed the further world-building. I can't even say whether I recommend it or not. If you can't get enough Dune (and I wouldn't blame you if you couldn't), you can continue with this book, but you may not feel the magic of the original.
Having read a synopsis of God Emperor, I'm not sure I'll ever tackle that one. Leto babbling about his stupid Golden Path for several millenia. I think the point of this series' later volumes may be that Gods are boring af.
ETA: Got a shouty complaint that there were spoilers in this review with no specifics. I don't see any except a throwaway comment about book #4 and anyone who is trifling gets deleted. Come correct or don't bother.
August 9, 2021
*** 2021 reread -
I posted the review below ten years ago after first reading Frank Herbert's Children of Dune, the third in the series, this one published in 1976 which followed Dune Messiah in 1969 and Dune in 1965. I liked it but didn't love it.
There is an old saying that you can never step into the same river twice, meaning that the water is always different. And also, you have have changed as well.
Ten years later and I have read all of Herbert's original six and many of the books about the Dune universe written by Brian Herbert and Kevin J. Anderson. I've seen the 1984 film and the 2003 Children of Dune mini-series and am an overall fan of Dune.
I'm not sure why I didn't like it more back then but I sure do now.
Herbert's intricate attention to detail and his brilliantly complex characterization and dialogue, as well as his internal monologues are science fiction gold.
The interactions between The Preacher and the rest of the cast and Leto's beginning transformation, providing a foreshadowing of the next book, God Emperor of Dune, was a pleasure to read.
******
The third of the Dune and the slide away from the quality of the original masterpiece has begun in earnest.
Better than Dune Messiah, but only in that it is more ambitious and with a more cohesive plot. Herbert takes a more introspective narrative to prepare the way for Leto II. The concepts of shared DNA, collective memories and possession run astride a vehicle of rapid autocratic decline.
Some cool scenes, a few interesting new concepts, but ultimately Herbert's vision is starting to fray and the great bulk of his masterwork is becoming as cumbersome as the Baron's ghost.
A cautionary tale for creators of series - go back to the well too often and the water gets stale.
I posted the review below ten years ago after first reading Frank Herbert's Children of Dune, the third in the series, this one published in 1976 which followed Dune Messiah in 1969 and Dune in 1965. I liked it but didn't love it.
There is an old saying that you can never step into the same river twice, meaning that the water is always different. And also, you have have changed as well.
Ten years later and I have read all of Herbert's original six and many of the books about the Dune universe written by Brian Herbert and Kevin J. Anderson. I've seen the 1984 film and the 2003 Children of Dune mini-series and am an overall fan of Dune.
I'm not sure why I didn't like it more back then but I sure do now.
Herbert's intricate attention to detail and his brilliantly complex characterization and dialogue, as well as his internal monologues are science fiction gold.
The interactions between The Preacher and the rest of the cast and Leto's beginning transformation, providing a foreshadowing of the next book, God Emperor of Dune, was a pleasure to read.
******
The third of the Dune and the slide away from the quality of the original masterpiece has begun in earnest.
Better than Dune Messiah, but only in that it is more ambitious and with a more cohesive plot. Herbert takes a more introspective narrative to prepare the way for Leto II. The concepts of shared DNA, collective memories and possession run astride a vehicle of rapid autocratic decline.
Some cool scenes, a few interesting new concepts, but ultimately Herbert's vision is starting to fray and the great bulk of his masterwork is becoming as cumbersome as the Baron's ghost.
A cautionary tale for creators of series - go back to the well too often and the water gets stale.
September 17, 2012
Might work better as a version of Monopoly. Here are some suggestions for the Chance and Community Chest cards:
SOMEONE YOU THOUGHT WAS DEAD IS ACTUALLY ALIVE. ADVANCE 5 SPACES.
THE MYSTERIOUS STRANGER IS SOMEONE YOU KNEW IN THE FIRST VOLUME. GO BACK 10 SPACES.
EVERYONE ELSE IS INVOLVED IN A CONSPIRACY AGAINST YOU. MISS A THROW.
PAY A ONE TRILLION CREDIT FINE OR HAVE A MYSTICAL INSIGHT.
TURN INTO A GIANT SANDWORM AND EAT ALL THE OTHER PLAYERS.
etc etc...
SOMEONE YOU THOUGHT WAS DEAD IS ACTUALLY ALIVE. ADVANCE 5 SPACES.
THE MYSTERIOUS STRANGER IS SOMEONE YOU KNEW IN THE FIRST VOLUME. GO BACK 10 SPACES.
EVERYONE ELSE IS INVOLVED IN A CONSPIRACY AGAINST YOU. MISS A THROW.
PAY A ONE TRILLION CREDIT FINE OR HAVE A MYSTICAL INSIGHT.
TURN INTO A GIANT SANDWORM AND EAT ALL THE OTHER PLAYERS.
etc etc...
This entire review has been hidden because of spoilers.
December 19, 2024
With all the complex political struggles for power, betrayals, and everyone either wanting to worship you as a god or put a knife in your back, it makes sense that Paul Atredis decided to fuck off into the desert instead of raise his superhuman twins as they struggle with thousands of years of knowledge uploaded into their brains and the fate of a planet at stake. And not just any planet, but one filled with monstrous worms and religious fanatics and while the environmental climate is getting less hostile, the political climate is ready to boil over into violence. Again. Children of Dune, the third installment of Frank Herbert’s space epic is a mind-blowing ride of political scheming, possession, murder, fake deaths and even a marriage plot to spice things up. The first hardcover sci-fi novel to top the bestseller list when it was released in 1976, Children of Dune shows the series continuously hit new highs of thrilling plot, character development and impressively constructed political landscapes that keep you on your toes the whole way while diving into some rather fascinating philosophical musings on government and the nature of power as a corrupting force.
‘One uses power by grasping it lightly. To grasp too strongly is to be taken over by power, and thus to become its victim.’
Something I’ve always loved about the Dune series is the way the novels probe ideas of power and control. Here we have Leto II and Ghanima with the ability to see the future, like their dad, but questioning their abilities to change things. There is as much grappling with moral ambiguity as there is grappling for power and in a world where religion has been weaponized for social coercion and rallying an army of fanatics ready to die for a cause, every event is primed to explode in mass violence. Herbert uses the themes to craft a very dynamic universe and add a rather epic weight to every decision, especially as we see power valued over people. It makes for a stern warning, such as the texts of the Bene Gesserit’s warn that all power spirals towards abuse and oppression:
Chilling. Especially in a novel where fate seems to rule the day and attempts of evasion prove to only walk directly into its grasp. There is a rather Amor fati nature to the novel, particularly in a Nietzschean way around Leto accepting the Golden Path. ‘ You saw this, father, and rejected it,’ Leto thinks of his father, ‘it was a thing too terrible to face’ but was Paul able to sidestep the intentions of fate or was it that the path was never for Paul but Leto instead. Leto strength and his prescience, which goes one step further than Paul since he was granted genetic memory as well, is also rather Nietzschean with regards to the concept of the Übermensch, or super human. Nietzche’s idea of ‘beyond good and evil’ are also present in Leto’s morally grey attitude with decisions made to shape the whole of humanity itself that have him feeling his choices are above standard morality of everyone else. It makes for a fascinating dichotomy with the mysterious Preacher.
‘ Seeking the absolute of orderly prediction, he amplified disorder, distorted prediction.’
Fate is also interesting with regard to Alia. A rather tragic figure here in Children of Dune, we see how Alia’s fate is one that is a rather self-fulfilling prophecy.
Much of the novel juxtaposes those who try to assert agency over fate and those who fall in line with it. Ultimately we see how freedom isn’t found in trying to avoid or subvert fate, but by accepting it and allowing it to shape you as you shape it in tandem.
‘Abandon certainty! That’s life’s deepest command. That’s what life’s all about. We’re a probe into the unknown, into the uncertain. Why can’t you hear Muad’Dib? If certainty is knowing absolutely an absolute future, then that’s only death disguised!’
Children of Dune is a wonderful continuation of the series and, honestly, each book just gets better and adds such texture to the world that it makes you love the series as a whole all the more. Just when you think things can’t get more epic, they do. Long, but well worth the journey.
4.5/5
‘One uses power by grasping it lightly. To grasp too strongly is to be taken over by power, and thus to become its victim.’
Something I’ve always loved about the Dune series is the way the novels probe ideas of power and control. Here we have Leto II and Ghanima with the ability to see the future, like their dad, but questioning their abilities to change things. There is as much grappling with moral ambiguity as there is grappling for power and in a world where religion has been weaponized for social coercion and rallying an army of fanatics ready to die for a cause, every event is primed to explode in mass violence. Herbert uses the themes to craft a very dynamic universe and add a rather epic weight to every decision, especially as we see power valued over people. It makes for a stern warning, such as the texts of the Bene Gesserit’s warn that all power spirals towards abuse and oppression:
‘Governments, if they endure, always tend increasingly toward aristocratic forms. No government in history has been known to evade this pattern. And as the aristocracy develops, government tends more and more to act exclusively in the interests of the ruling class - whether that class be hereditary royalty, oligarchs of financial empires, or entrenched bureaucracy.’
Chilling. Especially in a novel where fate seems to rule the day and attempts of evasion prove to only walk directly into its grasp. There is a rather Amor fati nature to the novel, particularly in a Nietzschean way around Leto accepting the Golden Path. ‘ You saw this, father, and rejected it,’ Leto thinks of his father, ‘it was a thing too terrible to face’ but was Paul able to sidestep the intentions of fate or was it that the path was never for Paul but Leto instead. Leto strength and his prescience, which goes one step further than Paul since he was granted genetic memory as well, is also rather Nietzschean with regards to the concept of the Übermensch, or super human. Nietzche’s idea of ‘beyond good and evil’ are also present in Leto’s morally grey attitude with decisions made to shape the whole of humanity itself that have him feeling his choices are above standard morality of everyone else. It makes for a fascinating dichotomy with the mysterious Preacher.
‘ Seeking the absolute of orderly prediction, he amplified disorder, distorted prediction.’
Fate is also interesting with regard to Alia. A rather tragic figure here in Children of Dune, we see how Alia’s fate is one that is a rather self-fulfilling prophecy.
‘The habits of generations had imprinted the fate of Abomination upon her. Alia had known no hope. Of course she’d succumbed. Her fate made the accomplishment of Leto and Ghanima even more difficult to face. Not one way out of the trap, but two.’
Much of the novel juxtaposes those who try to assert agency over fate and those who fall in line with it. Ultimately we see how freedom isn’t found in trying to avoid or subvert fate, but by accepting it and allowing it to shape you as you shape it in tandem.
‘Abandon certainty! That’s life’s deepest command. That’s what life’s all about. We’re a probe into the unknown, into the uncertain. Why can’t you hear Muad’Dib? If certainty is knowing absolutely an absolute future, then that’s only death disguised!’
Children of Dune is a wonderful continuation of the series and, honestly, each book just gets better and adds such texture to the world that it makes you love the series as a whole all the more. Just when you think things can’t get more epic, they do. Long, but well worth the journey.
4.5/5
March 9, 2011
The conventional wisdom seems to be that only the first Dune book is good and that the rest of them are awful, but I've found this to definitely not be the case. This 3rd book in the series was gripping and exciting...I literally couldn't put it down! Don't listen to what everyone else says, read these books for yourself and make your own decision...you won't be disappointed! This one focuses on the children of Muad'Dib, as well as his sister Alia, wife-in-name-only Irulan, and the return of his mother Jessica to the political goings-on of Arrakis and the struggles with the almost cult-like religion that has sprung up around his supposed death and his sister as its new figurehead. Behind the scenes there is all sorts of plotting and double-dealing between a whole host of characters and factions, and the shocking revelations from the middle of the book on make this book one of the best in the series, and it wraps-up the first trilogy of books and this time period with a bang!
September 11, 2015
Buddy read with Athena!
”This rocky shrine to the skull of a ruler grants no prayers. It has become the grave of lamentations. Only the wind hears the voice of this place. The cries of night creatures and the passing wonder of two moons, all say his day has ended. No more supplicants come. The visitors have gone from the feast. How bare the pathway down this mountain.
Paul Muad’dib, god and emperor of a universe divided, is gone. The religiously pantocratic Imperium has been left with his two nine-year old children, Leto and Ghanima. But despite being born with the knowledge and memories of a thousand generations, the two Children of Dune will not be allowed to take their father’s throne at such a young age. Instead the Atreides empire is ruled by a council of advisors, among them Stilgar and Irulan. But true power rests in the hands of Muad’dib’s sister, Alia Atreides, who clings to control of the regency.
But in Alia’s mind there are voices whispering. The voices of evils long gone, who intend to forge the woman worshipped as the Womb of Heaven into a dangerous weapon to be unleashed. And while Alia descends into madness, House Corrino sees its chance to take back all that the Atreides have stolen from it. And a mysterious old Preacher walks out of the sands to publicly denounce the religion of Muad’dib. Meanwhile, Leto and Ghanima journey together into the desert, chasing old myths and desperately trying to understand why the legendary sandworms are slowly disappearing from the surface of Dune…
”This is the fallacy of power: ultimately it is effective only in an absolute, a limited universe. But the basic lesson of our relativistic universe is that things change. Any power must always meet a greater power. Paul Muad'Dib taught this lesson to the Sardaukar on the Plains of Arrakeen. His descendants have yet to learn the lesson for themselves.”
One very interesting aspect about the book, is the fact that it’s filled to the brim with quotes about politics, religion and power. Just as is it a science fiction classic and an epic adventure, Children of Dune is something of a guidebook to the very meaning of power. Of how one struggles for it, how one gains it, and what absolute power can do to the person wielding it. And some of these lines would be worth quoting over and over.
”"There were in olden times certain tribes which were known to be water hunters. They were called Iduali, which meant 'water insects,' because those people wouldn't hesitate to steal the water of another Fremen. If they caught you alone in the desert they would not even leave you the water of your flesh. There was this place where they lived: Sietch Jacurutu. That's where the other tribes banded and wiped out the Iduali. That was a long time ago, before Kynes even - in my great-great-grandfather's days. And from that day to this, no Fremen has gone to Jacurutu. It is tabu."
While not as outright astonishing as the first two books in the series, this is definitely a great addition to the wonderful universe of Dune. Frank Herbert’s writing is better than ever, which is the reason for all the quotes in this review. And while certain characters are absent from this book, other character who were absent in Dune Messiah are brought back onto the scene.
The part of the book that fascinated me the most was definitely the character development of Alia Atreides. When reading Dune, it's quite easy to notice that elements of it have directly inspired a lot of later fantasy authors, including Robert Jordan and George R.R. Martin. And there are many things of Alia, her rule as regent and her descent into madness that are particularly reminiscent of a certain queen named Cersei. But in my eyes, Alia is a more fascinating character still.
Thus ends the final book of the Great Dune Trilogy, one of the absolute greatest series every written within the genres of speculative fiction. But the tale goes on; a tale of spice and sandworms, of assassins and great houses, of the calculating Mentats and the devious plans of the Bene Gesserit; a tale of the planet Dune.
”The desert is my home.”
”This rocky shrine to the skull of a ruler grants no prayers. It has become the grave of lamentations. Only the wind hears the voice of this place. The cries of night creatures and the passing wonder of two moons, all say his day has ended. No more supplicants come. The visitors have gone from the feast. How bare the pathway down this mountain.
Paul Muad’dib, god and emperor of a universe divided, is gone. The religiously pantocratic Imperium has been left with his two nine-year old children, Leto and Ghanima. But despite being born with the knowledge and memories of a thousand generations, the two Children of Dune will not be allowed to take their father’s throne at such a young age. Instead the Atreides empire is ruled by a council of advisors, among them Stilgar and Irulan. But true power rests in the hands of Muad’dib’s sister, Alia Atreides, who clings to control of the regency.
But in Alia’s mind there are voices whispering. The voices of evils long gone, who intend to forge the woman worshipped as the Womb of Heaven into a dangerous weapon to be unleashed. And while Alia descends into madness, House Corrino sees its chance to take back all that the Atreides have stolen from it. And a mysterious old Preacher walks out of the sands to publicly denounce the religion of Muad’dib. Meanwhile, Leto and Ghanima journey together into the desert, chasing old myths and desperately trying to understand why the legendary sandworms are slowly disappearing from the surface of Dune…
”This is the fallacy of power: ultimately it is effective only in an absolute, a limited universe. But the basic lesson of our relativistic universe is that things change. Any power must always meet a greater power. Paul Muad'Dib taught this lesson to the Sardaukar on the Plains of Arrakeen. His descendants have yet to learn the lesson for themselves.”
One very interesting aspect about the book, is the fact that it’s filled to the brim with quotes about politics, religion and power. Just as is it a science fiction classic and an epic adventure, Children of Dune is something of a guidebook to the very meaning of power. Of how one struggles for it, how one gains it, and what absolute power can do to the person wielding it. And some of these lines would be worth quoting over and over.
”"There were in olden times certain tribes which were known to be water hunters. They were called Iduali, which meant 'water insects,' because those people wouldn't hesitate to steal the water of another Fremen. If they caught you alone in the desert they would not even leave you the water of your flesh. There was this place where they lived: Sietch Jacurutu. That's where the other tribes banded and wiped out the Iduali. That was a long time ago, before Kynes even - in my great-great-grandfather's days. And from that day to this, no Fremen has gone to Jacurutu. It is tabu."
While not as outright astonishing as the first two books in the series, this is definitely a great addition to the wonderful universe of Dune. Frank Herbert’s writing is better than ever, which is the reason for all the quotes in this review. And while certain characters are absent from this book, other character who were absent in Dune Messiah are brought back onto the scene.
The part of the book that fascinated me the most was definitely the character development of Alia Atreides. When reading Dune, it's quite easy to notice that elements of it have directly inspired a lot of later fantasy authors, including Robert Jordan and George R.R. Martin. And there are many things of Alia, her rule as regent and her descent into madness that are particularly reminiscent of a certain queen named Cersei. But in my eyes, Alia is a more fascinating character still.
Thus ends the final book of the Great Dune Trilogy, one of the absolute greatest series every written within the genres of speculative fiction. But the tale goes on; a tale of spice and sandworms, of assassins and great houses, of the calculating Mentats and the devious plans of the Bene Gesserit; a tale of the planet Dune.
”The desert is my home.”
July 23, 2021
In Children of Dune, we learn of the destinies of Paul Atreides-Muad'dib's two children, the two pre-born Ghanima and Leto and the tyranny of their Aunt Alia. I found the story to be beautifully written and the action kept the pace throughout. The appearance of the Preacher was interesting (if the identity was somewhat predictable) and I liked all the intrigue with the would-be usurper and his particularly out of control mother and their plots against the Atreides twins. The Golden Path which will drive the last three official Dune books is introduced here but only explained in God Emperor as we see the bizarre fate to which Leto II voluntarily succumbs.
There is quite a bit of philosophy here (and even more in the next books it seems) and lots of reflections about religious fanaticism as most everybody detests Alia and she loses this reader's sympathies when the extent of her Abomination is revealed. Against this backdrop is the loss of tradition for the Fremen as Dune is terraformed and the old ways of life pass away. This is even more intense in God Emperor, but it is touching here as well.
The thing that many take exception to is the ghola of Duncan Idaho. I think he is a fun character and obviously Frank Herbert, having killed off his Ned Stark early in Dune as well as his Robb Stark in Dune Messiah, wanted to keep his Jorah Mormont alive throughout the series if you allow me to abuse the Game of Thrones analogies. Actually, there are more similarities than that: the span of time that Dune's alternative history covers is as long and complex as that of RR Martin. The male-centric point of view, disdain for homosexual relationships, and fascination with incest is also a commonality. Lastly, although Frank had the excuse of dying before writing #7, Martin apparently may never get around to writing #6 Winds of War or #7 A Dream of Spring leaving us (and the Targaryans, Lannisters and remaining Starks eternally hanging!)
The ending was spectacular - perhaps the best ending in a Dune book as far as I have read them (reading Heretics of Dune now) with the palace scene and the Leto II cliffhanger. I am definitely glad that I persevered this far in the Dune series and found this was a particularly strong entry.
[UPDATE] I am looking forward to Denis Villeneuve's Dune in October 2021. The previews I have seen so far seem to be quite coherent with respect to the book. I was a fan of Lynch's Dune and am curious to see what Villeneuve does with this one. Feel free to comment below.
Fino's Dune Reviews
Dune
Dune Messiah
Children of Dune
God Emperor of Dune
Heretics of Dune
Chapterhouse: Dune
There is quite a bit of philosophy here (and even more in the next books it seems) and lots of reflections about religious fanaticism as most everybody detests Alia and she loses this reader's sympathies when the extent of her Abomination is revealed. Against this backdrop is the loss of tradition for the Fremen as Dune is terraformed and the old ways of life pass away. This is even more intense in God Emperor, but it is touching here as well.
The thing that many take exception to is the ghola of Duncan Idaho. I think he is a fun character and obviously Frank Herbert, having killed off his Ned Stark early in Dune as well as his Robb Stark in Dune Messiah, wanted to keep his Jorah Mormont alive throughout the series if you allow me to abuse the Game of Thrones analogies. Actually, there are more similarities than that: the span of time that Dune's alternative history covers is as long and complex as that of RR Martin. The male-centric point of view, disdain for homosexual relationships, and fascination with incest is also a commonality. Lastly, although Frank had the excuse of dying before writing #7, Martin apparently may never get around to writing #6 Winds of War or #7 A Dream of Spring leaving us (and the Targaryans, Lannisters and remaining Starks eternally hanging!)
The ending was spectacular - perhaps the best ending in a Dune book as far as I have read them (reading Heretics of Dune now) with the palace scene and the Leto II cliffhanger. I am definitely glad that I persevered this far in the Dune series and found this was a particularly strong entry.
[UPDATE] I am looking forward to Denis Villeneuve's Dune in October 2021. The previews I have seen so far seem to be quite coherent with respect to the book. I was a fan of Lynch's Dune and am curious to see what Villeneuve does with this one. Feel free to comment below.
Fino's Dune Reviews
Dune
Dune Messiah
Children of Dune
God Emperor of Dune
Heretics of Dune
Chapterhouse: Dune
February 4, 2022
Do I have a spice addiction? Well, I have blue eyes so I'm halfway there.
May 20, 2021
"I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain."
- Bene Gesserit Litany Against Fear
"I do not have to be what my father was. I do not have to obey my father's rules or even believe everything he believed. It is my strength as a human that I can make my own choices of what to believe and what not to believe, of what to be and what not to be."
- Leto Atreides II
The Harq al-Ada Biography
In Children of Dune, the third entry in Frank Herbert's infamous Dune Chronicles, Emperor Paul Atreides (a.k.a. Muad'Dib) has walked off into the desert after achieving prescience; he is presumed dead. His sister Alia now rules the Imperium. Waiting in the wings to become the next Emperor is the young Leto II, Paul's son. Young Leto II and his sister Ghanima are "pre-born", meaning their personalities were fully formed in the womb. They carry the memories, and, it seems, the personalities, of their entire ancestral line in their minds. This gives them the wisdom and knowledge of many lives and countless centuries, so they are effectively mature adults in the bodies of children.
In this new post-Paul Imperium, Alia's grasp on power is tenuous at best. The mysterious Bene Gesserit continue to plot in the shadows, attempting to maintain their long-developed breeding program, which had seemingly already met its goal of producing a Kwisatz Haderach with Paul Atreides. Can Alia hold on to power? Will Leto II rise to become Emperor? What really happened to Paul Atreides? And who is The Preacher, the mysterious man who has been speaking heresy against Alia's empire and spreading dissent across the galaxy?
There is a lot to like in Children of Dune. It's beautifully, at times lyrically written. It's like reading a work of art in prose. Some of the best Dune characters return in Duncan Idaho, Gurney Halleck, and Stilgar, but there is also an interesting cast of new characters, like Prince Farad'n Corrino, Leto II, and Ghanima. I also really liked the exploration of the ecological transformation of the planet Arrakis (Dune), which in this book is rapidly transforming from an arid desert world into one with rain and vegetation, a transformation that comes with powerful economic and sociological consequences. The ending was also enjoyable, though it left much unanswered.
That being said, I think the Dune Chronicles are starting to wear on me a bit. The books are all basically the same, and it's becoming a bit tiring. Each book is built using a predictable formula of palace intrigue, a confusing plot that raises more questions than it ever answers (even by its conclusion) and that frustratingly keeps the reader always in the dark, the bizarre and futile plotting of the Bene Gesserit witches, which begins to appear more pathetic every book that goes by, power struggles, doubletalk thoughts and ruminations that add no value to the story and are just plain boring, etc.
This particular entry was absolutely filled with doubletalk, or what I call "word soup". Probably about half of this book was made up of these boring, confusing, and seemingly meaningless thoughts and reflections about time, life, consciousness, and other such topics. I normally love a good dialogue about such thought-provoking subjects, but it just didn't work here. Even the characters were confused in this book! There were numerous scenes in the book where a character openly admitted they had no idea what was going on.
As a character in a Dune book, anyone could be your enemy, even your own family members. Everything must be questioned, every assertion doubted. Secret plots abound everywhere, most of which are never explained to the reader, or even understood by the other characters. Sound like fun? Maybe for a few books, but there are six books in the Dune Chronicles, and after a while it becomes a bit tedious. This feels like a classic case of an author stretching something that would have worked really well as one or two books into something that doesn't really work very well as six longer books.
I can't say I'm excited to read the next book in the series at this point, which makes me really sad, because I loved Dune and Dune Messiah. I'll probably put the Dune Chronicles down for a little while, or, perhaps more likely, for a longer while...
3.5 stars
- Bene Gesserit Litany Against Fear
"I do not have to be what my father was. I do not have to obey my father's rules or even believe everything he believed. It is my strength as a human that I can make my own choices of what to believe and what not to believe, of what to be and what not to be."
- Leto Atreides II
The Harq al-Ada Biography
In Children of Dune, the third entry in Frank Herbert's infamous Dune Chronicles, Emperor Paul Atreides (a.k.a. Muad'Dib) has walked off into the desert after achieving prescience; he is presumed dead. His sister Alia now rules the Imperium. Waiting in the wings to become the next Emperor is the young Leto II, Paul's son. Young Leto II and his sister Ghanima are "pre-born", meaning their personalities were fully formed in the womb. They carry the memories, and, it seems, the personalities, of their entire ancestral line in their minds. This gives them the wisdom and knowledge of many lives and countless centuries, so they are effectively mature adults in the bodies of children.
In this new post-Paul Imperium, Alia's grasp on power is tenuous at best. The mysterious Bene Gesserit continue to plot in the shadows, attempting to maintain their long-developed breeding program, which had seemingly already met its goal of producing a Kwisatz Haderach with Paul Atreides. Can Alia hold on to power? Will Leto II rise to become Emperor? What really happened to Paul Atreides? And who is The Preacher, the mysterious man who has been speaking heresy against Alia's empire and spreading dissent across the galaxy?
There is a lot to like in Children of Dune. It's beautifully, at times lyrically written. It's like reading a work of art in prose. Some of the best Dune characters return in Duncan Idaho, Gurney Halleck, and Stilgar, but there is also an interesting cast of new characters, like Prince Farad'n Corrino, Leto II, and Ghanima. I also really liked the exploration of the ecological transformation of the planet Arrakis (Dune), which in this book is rapidly transforming from an arid desert world into one with rain and vegetation, a transformation that comes with powerful economic and sociological consequences. The ending was also enjoyable, though it left much unanswered.
That being said, I think the Dune Chronicles are starting to wear on me a bit. The books are all basically the same, and it's becoming a bit tiring. Each book is built using a predictable formula of palace intrigue, a confusing plot that raises more questions than it ever answers (even by its conclusion) and that frustratingly keeps the reader always in the dark, the bizarre and futile plotting of the Bene Gesserit witches, which begins to appear more pathetic every book that goes by, power struggles, doubletalk thoughts and ruminations that add no value to the story and are just plain boring, etc.
This particular entry was absolutely filled with doubletalk, or what I call "word soup". Probably about half of this book was made up of these boring, confusing, and seemingly meaningless thoughts and reflections about time, life, consciousness, and other such topics. I normally love a good dialogue about such thought-provoking subjects, but it just didn't work here. Even the characters were confused in this book! There were numerous scenes in the book where a character openly admitted they had no idea what was going on.
As a character in a Dune book, anyone could be your enemy, even your own family members. Everything must be questioned, every assertion doubted. Secret plots abound everywhere, most of which are never explained to the reader, or even understood by the other characters. Sound like fun? Maybe for a few books, but there are six books in the Dune Chronicles, and after a while it becomes a bit tedious. This feels like a classic case of an author stretching something that would have worked really well as one or two books into something that doesn't really work very well as six longer books.
I can't say I'm excited to read the next book in the series at this point, which makes me really sad, because I loved Dune and Dune Messiah. I'll probably put the Dune Chronicles down for a little while, or, perhaps more likely, for a longer while...
3.5 stars
May 18, 2021
Acho que 3.5
June 5, 2022
4.5 Stars
Mel 🖤🐶🐺🐾
Mel 🖤🐶🐺🐾
July 29, 2021
I've always held that it's impossible to compare the Dune sequels to the first book but it would be insane to say that they're anything less than excellent in their own right.
It doesn't even matter to me that this particular book was nommed for the Hugo in '77. The fact that we get much more of a look into the hearts and minds of the Fremen, watch the tragedy of Alia unfold with the help of her maternal grandfather, and uncover the secret of the wandering Preacher shouldn't make much of a difference, but it does.
Jessica's transformation is something else. I particularly liked when she became a teacher and when she toyed with her own Gom Jabbar.
But the true stars of this book have got to be the twins. Leto and Ghanima are something special. Almost abominations like their aunt, they both walk a knife's edge and Leto leads the way. She's his rock, but Leto's ultimate choice to follow the Golden Path is ultimately only his to walk.
Mirroring Leto with Paul was amazing in the story. The focus on timelines either forking or narrowing down as more and more choices are made really illustrated how prescience is the ultimate trap. Paul absolutely fell into it, but one could make the argument that Leto's choice is the true tragedy.
A TOTALLY awesome tragedy, mind you, with tons of benefits and an even more explosive benefit for the human race to come -- (this is COMPLETELY debatable) -- but it's still a mind experiment and worldbuilding masterpiece that has continued to haunt me since the first time I read it in the late '80s to this very day.
An excellent SF? Well, to me, it's something of a BENCHMARK.
It doesn't even matter to me that this particular book was nommed for the Hugo in '77. The fact that we get much more of a look into the hearts and minds of the Fremen, watch the tragedy of Alia unfold with the help of her maternal grandfather, and uncover the secret of the wandering Preacher shouldn't make much of a difference, but it does.
Jessica's transformation is something else. I particularly liked when she became a teacher and when she toyed with her own Gom Jabbar.
But the true stars of this book have got to be the twins. Leto and Ghanima are something special. Almost abominations like their aunt, they both walk a knife's edge and Leto leads the way. She's his rock, but Leto's ultimate choice to follow the Golden Path is ultimately only his to walk.
Mirroring Leto with Paul was amazing in the story. The focus on timelines either forking or narrowing down as more and more choices are made really illustrated how prescience is the ultimate trap. Paul absolutely fell into it, but one could make the argument that Leto's choice is the true tragedy.
A TOTALLY awesome tragedy, mind you, with tons of benefits and an even more explosive benefit for the human race to come -- (this is COMPLETELY debatable) -- but it's still a mind experiment and worldbuilding masterpiece that has continued to haunt me since the first time I read it in the late '80s to this very day.
An excellent SF? Well, to me, it's something of a BENCHMARK.
April 4, 2024
4 ⭐
***SPOILERS AHEAD***
Alia Abomination – Dune FanArt by Strega.Azure
A 500-page Spice Trip!
At best, you'll come away with an adult beefswelling in [your] loins pleading for, "More Herbie! For the love of Shai-Hulud, give me more!"
At worst, you'll feel as though you've just emerged from a private rendezvous in the Baron's chambers and wish for nothing more than your flesh to be enveloped in sandtrout membrane so you never have to experience anything like it again.
This is not just my personal opinion, it’s been proven. Proven by the broad range of community ratings and reviews; proven, in practice, to me through the wildly varying results of my buddy-read with the always lovely Sister Adina and Nastya-Hulud. A DNF 1-star, a 4 star and another yet to be seen.
If you’re to have a good time with this entry, it seems to me you’ll have to approach it with a healthy reserve of good grace for ol’ Herb, likely accrued from the first book! Luckily, I still had an abundance of this, even after the slightly sketchy ‘Messiah’ left me with a few concerning scruples.
Fact is, there are big areas of this that don't check out . Puzzling character motives, inconsistent personal morals/characteristics and seemingly important character arcs/story elements that never eventuate to anything largely due to the dominating nature of Leto2’s path. The characters are, across the board, unrelatable. In some cases, intellectually superior to the point that they are hardly human and, in others, no longer human at all and with a level of prescience that our puny minds could never fathom. It can also be difficult to correlate the Galactic-scale implications of the decisions being made by these now God-like characters with the rather small setting in which it all plays out; The Dune Universe (our Universe) never quite feels as big as we are told it is.
Despite all that , in almost all cases, somehow, I was able to unabashedly, and unapologetically put on my critical blindfold, hold my white cane out in faux ignorance and conjure up some meagre but plausible reason why this non-sensical thing occurred or why this person made such an uncharacteristic decision… Almost.Every.Time!! It was as though I, myself, had become abomination and the inner voice of Frank Herbert had conquered, possessed, and convinced me that this was the greatest thing ever! Hell, it just occurred to me that I might not even be the author of this review!
It wasn’t all just about turning a blind eye though! I loved most of this. For one thing, it is weird, man! Herbs is not afraid to let his freak flag fly and my enjoyment may partly be attributed to this freak show factor. Be it Alia the abomination with a sublimely grotesque selection of inner-voice in the Baron Harkonnen; Leto2’s transformation from Ancient boy-man to Sand trout (controlled-state Abomination) Demi-God; the still unshakeable eeriness of Ghola Idaho… The list of bizarro elements goes on and on and, frankly, I could not get enough of the slightly sinister and off-putting wrongness of it all.
I loved everything related to the pre-borns: The totality of genetic memory and the battle against these inner voices; the threat of abomination. Leto2’s arc to the ‘Golden Path’ and how his trajectory crossed that of his father, “the Preacher”! And how about that crystal-clear depiction of his forced Spice trance. The manageable but progressively more elusive blend of Metaphysics, philosophy, theology, and ecology that it all entailed, staggering! Character dialogue: the way Herbert consistently creates tension between characters through both their internal processes and the perpetual suspicion that one or more characters, at any time, are being subliminally maneuvered, sublime!
If I didn’t have other priorities, I’d open up the next one right away but, regardless, I’ll be back to finish off the final 3 at some point!
Many thanks to Nastya and Adina of the Buddy-Gesserit for joining me and consolidating some of my own thoughts while offering some welcome alternatives along the way.
Leto II Evolution – Artwork by ErikShoemaker at Deviant Art
***SPOILERS AHEAD***
Alia Abomination – Dune FanArt by Strega.Azure
A 500-page Spice Trip!
At best, you'll come away with an adult beefswelling in [your] loins pleading for, "More Herbie! For the love of Shai-Hulud, give me more!"
At worst, you'll feel as though you've just emerged from a private rendezvous in the Baron's chambers and wish for nothing more than your flesh to be enveloped in sandtrout membrane so you never have to experience anything like it again.
This is not just my personal opinion, it’s been proven. Proven by the broad range of community ratings and reviews; proven, in practice, to me through the wildly varying results of my buddy-read with the always lovely Sister Adina and Nastya-Hulud. A DNF 1-star, a 4 star and another yet to be seen.
If you’re to have a good time with this entry, it seems to me you’ll have to approach it with a healthy reserve of good grace for ol’ Herb, likely accrued from the first book! Luckily, I still had an abundance of this, even after the slightly sketchy ‘Messiah’ left me with a few concerning scruples.
Fact is, there are big areas of this that don't check out . Puzzling character motives, inconsistent personal morals/characteristics and seemingly important character arcs/story elements that never eventuate to anything largely due to the dominating nature of Leto2’s path. The characters are, across the board, unrelatable. In some cases, intellectually superior to the point that they are hardly human and, in others, no longer human at all and with a level of prescience that our puny minds could never fathom. It can also be difficult to correlate the Galactic-scale implications of the decisions being made by these now God-like characters with the rather small setting in which it all plays out; The Dune Universe (our Universe) never quite feels as big as we are told it is.
Despite all that , in almost all cases, somehow, I was able to unabashedly, and unapologetically put on my critical blindfold, hold my white cane out in faux ignorance and conjure up some meagre but plausible reason why this non-sensical thing occurred or why this person made such an uncharacteristic decision… Almost.Every.Time!! It was as though I, myself, had become abomination and the inner voice of Frank Herbert had conquered, possessed, and convinced me that this was the greatest thing ever! Hell, it just occurred to me that I might not even be the author of this review!
It wasn’t all just about turning a blind eye though! I loved most of this. For one thing, it is weird, man! Herbs is not afraid to let his freak flag fly and my enjoyment may partly be attributed to this freak show factor. Be it Alia the abomination with a sublimely grotesque selection of inner-voice in the Baron Harkonnen; Leto2’s transformation from Ancient boy-man to Sand trout (controlled-state Abomination) Demi-God; the still unshakeable eeriness of Ghola Idaho… The list of bizarro elements goes on and on and, frankly, I could not get enough of the slightly sinister and off-putting wrongness of it all.
I loved everything related to the pre-borns: The totality of genetic memory and the battle against these inner voices; the threat of abomination. Leto2’s arc to the ‘Golden Path’ and how his trajectory crossed that of his father, “the Preacher”! And how about that crystal-clear depiction of his forced Spice trance. The manageable but progressively more elusive blend of Metaphysics, philosophy, theology, and ecology that it all entailed, staggering! Character dialogue: the way Herbert consistently creates tension between characters through both their internal processes and the perpetual suspicion that one or more characters, at any time, are being subliminally maneuvered, sublime!
If I didn’t have other priorities, I’d open up the next one right away but, regardless, I’ll be back to finish off the final 3 at some point!
Many thanks to Nastya and Adina of the Buddy-Gesserit for joining me and consolidating some of my own thoughts while offering some welcome alternatives along the way.
Leto II Evolution – Artwork by ErikShoemaker at Deviant Art
May 24, 2023
Takie książki są niezwykle potrzebne, bo po ich przeczytaniu orientujecie się, że wasze życia są całkiem normalne, a kartkówka z trygonometrii, która facetka zapowiedziała na następny tydzień, nie wydaje się już taka straszna.
Dobrze, że jestem z małopolski, a nie Arrakis.
O, a to film o Diunie:
https://www.youtube.com/watch?v=I0sPw...
Dobrze, że jestem z małopolski, a nie Arrakis.
O, a to film o Diunie:
https://www.youtube.com/watch?v=I0sPw...
March 29, 2024
Bez zmian, uwielbiam tę serię.
December 20, 2023
"فرزندان تلماسه" سومین کتاب از مجموعه حماسی تلماسه، داستان پل آتریدیز (مهدیر نجات بخش) را دنبال می کند؛ رهبر سیاسی_مذهبی که در دو کتاب "تلماسه" و "مسیحای تلماسه " با چگونگی ظهور و قدرت گرفتن او در سیاره آراکیس (سرزمین تلماسه) آشنا شدیم. [توی ریویوی صوتی از اول همرو تعریف میکنم]
شخصیت های کلیدی کتاب سوم، غنیمه و لیتو دوم، فرزندان خارق العاده پل مؤدِب (به معنی پیشگو و آموزگار) و چانی حره مرد می باشند، کودکانی که دارای ویژگی های خاصی هستند که آن ها را از تمام افراد جهان متمایز می کند.
خصوصیت خاص این دو کودک این است که آنها حتی از داخل رحم مادرشان نیز هوشیار بودند و پس از تولد خاطرات هزاران نفر از نسل گذشته خود از جمله مادرشان چانی، پدرشان پل، پدربزرگ شان دوک لیتو و مادربزرگ خود جسیکا را با خود دارند. راز این هوشیاری در ترکیبی از دستکاری های ژنتیکی در طول هزاران سال برنامه های اصلاح نژاد بنه جسریتی (اتحادیه خواهران)، و همچنین مصرف دوز بالای ملانژ (ادویه ملغما) توسط مادرشان در دوران بارداری می باشد. ملغما یا ملانژ ماده اعتیادآوری است که در صورت استفاده از دوز بالا و خطرناکش می تواند راز پیش آگاهی و اسرار حرکت در زمان و طی الارض را برای مصرف کننده اش افشا کند (البته در صورتی که او بتواند از عوارض مصرف ملغما جان سالم به در ببرد).
این دو کودک وارثان امپراتوری ای هستند که پدرشان پل آتریدیز از خود به جای گذاشت، اما هم اکنون از سرنوشت خود او اطلاعی در دست نیست. زیرا پس از اینکه او در یک سوءقصد بینایی خود را از دست داد و طبق سنت حره مردان به بیابان رفت، کسی نمیداند که مرده است یا زنده.
غنیمه و لیتو برای تصاحب تاج و تخت موروثی خود با موانعی روبرو هستند. مهمترین مانع عمه آنها عالیه یا آلیا (زهدان مقدس)، نایب السلطنه امپراتوری است که پس از ناپدید شدن پل مؤدب، به علت نوزاد بودن وارثان، جانشین موقت او شد اما اکنون نمی خواهد جایگاه خود را رها کند. (عالیه همچون فرزندان پل دچار پیشاگاهی مادرزادی است).
دومین مانع سن و سال ظاهری غنیمه و لیتو است. این دو با وجود اینکه از نظر ظاهری و سن تقویمی فقط ۹ سال دارند، اما وارث آگاهی هزاران سال زندگی و تجربه نسل های گذشته خود هستند، میراثی که خرد و دانشی بسیار فراتر از هر انسانی در جهان به آنها بخشیده است. این دو وارث کودک_کهنسال باید با این طرز فکر اهالی آراکیس و اتحادیه ف��ایی که آنها را کودک می پندارند مبارزه کرده و خود را اثبات کنند تا مردم نیز آنها را بعنوان رهبر بپذیرند.
مانع مهم دیگر، توطئه خانوادان کورینو برای سرنگونی عالیه و تصاحب سلطنت آراکیس است؛ نقشه ای که در طول زمان و با نفوذ جاسوسان در حلقه یاران وفادار او صورت میگیرد. این خاندان در کنار آتریدیز ها و هارکانون ها، یکی از سه خاندان قدرتمند کهکشان، خاندان صاحب مقام امپراتوری و مدعی سرزمین تلماسه بودند که می خواستند تجارت ملغما را در دست بگیرند اما توسط پل آتریدیز زمانی که آراکیس را تصاحب کرد آواره شدند.
در همین زمان و در حالی که مبارزه بر سر امپراتوری آراکیس جدی شده، چیز جدیدی سیاره را تهدید می کند: نابودی و مرگ تدریجی کرم های ادویه. این کرم های شنی غولپیکر تنها منبع تولید ملغما یا ملانژ در کل کهکشان هستند و تنها بر روی آراکیس امکان حیات دارند ( ملغما ادویه ای که بعلت خاصیت پیش آگاهی دهنده، در ترابری و ناوبری بین سیارات توسط خلبان استفاده می شود و در صورت نبود آن، تمام سفینه های فضانوردی از کار افتاده و ارتباط بین سیارات مختل خواهد شد. {توضیح اهمیت ملغما خودش یک کتاب حرف داره بخدا}) دشمن اصلی کرم های شنی، آب است؛ ماده حیاتی که پیش از آغاز سلطنت دوک لیتو گنجینه ای کمیاب در سطح آراکیس محسوب میشد اما اکنون پس از گذشت سالها و با همکاری دانشمندان و خاندان آتریدیز، تقریباً همه جای سیاره در دسترس است. اما متاسفانه آب تنها چیزی است که باعث مسمومیت و مرگ کرم های ادویه می شود، به همین علت این کرم ها از محل هایی که آب در آن یافت میشود فاصله گرفته و تعداد شان روز به روز کمتر شده است. این مسله باعث کاهش تولید ملغما و تهدیدی جدی برای اهمیت آراکیس شده است.
در همین بحبوحه، واعظی از صحرا برخاسته و شروع میکند به افشاگری شرارت های عالیه و دیگر کاهنان مذهب کفرآمیز او؛ پس از بازگشت جسیکا به آراکیس، او میفهمد که دخترش تبدیل به رجس (تسخیر) شده است. آلیا سعی می کند مادر و برادرزاده هایش را به قتل برساند. این توطئه جسیکا و لیتو دوم را مجبور به فرار می کند. در حالیکه همه تصور میکنند لیتو دوم در صحرا کشته شده، او فرصتی پیدا میکند تا واعظ را بیابد زیرا تصور میکند او پدرش است. لیتو با واعظ به مقر سلطنت برمی گردد تا آنچه را که حق اوست پس بگیرد...
کتاب فرزندان تلماسه در حالی به پایان خود نزدیک میشود که لیتو دوم به سلطنت سیاره اراکیس رسیده اما انسانیت خود را از دست داده و از شمایل و ویژگی های ابرانسانی خود که از اتحاد با ماسه ماهی های صحرا بدست آورده رنج می برد. با این حال او مشتاقانه سلطنتی ۴۰۰۰ ساله به نام "مسیر طلایی" را بنیان می نهد که در سایه آن برای بشریت کرامت و صلح را باز خواهد گرداند. به منظور تحکیم پایه های سلطنت ، طبق سنت بنه جسریت، خواهر و برادر با هم ازدواج می کنند، اما از آنجایی که لیتو بخاطر تغییر شکل بدنش عقیم شده است، برای بقای نسل، فاراد��ن (امپراتور جدید و جوان خاندان کورینو در سیاره سالوسا) ژن خود را در اختیار خاندان آتریدیز قرار خواهد داد. غنیمه می گوید که یکی از دوقلوها باید عذاب را بپذیرد و لیتو همیشه قوی تر بوده است...
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بررسی و تحلیل:
رمان کودکان تلماسه خط داستانی بسیار قدرتمند، پر پیچ و تاب و هیجان انگیزی را دنبال می کند که پیش از این در دو کتاب قبلی فرانک هربرت، یعنی تلماسه و مسیحای تلماسه نیز با آن برخورد شده بود. این ویژگی سبک هربرت است که با تلفیق استعداد داستان گویی و انواع اطلاعات پژوهشی در زمینه های سیاسی، مذهبی، بوم شناسی و فرهنگی، هنرنمایی کرده تا اثری خلاقانه و چندلایه خ��ق کند. این پیچیدگی و چند لایه بودن در عین جذابیت، دشواری هایی را نیز در خواندن پیش می آورد که اساسا خاصیت رمان هایی ازین دست است.
هربرت موضوعات کلیدی متعددی را در این رمان مطرح می کند که هرکدام به نوعی اهمیت ویژه ای دارند و قابل تعمیم به عصر حاضر هستند. او در این کتاب ارتباط بین سیاست، خانواده، و سنت را در جهانی واکاوی می کند که نیاز به یک کالای گرانبهای حیاتی (ملانژ) روابط درونی آن را هدایت می کند.
یکی از موضوعات مطرح شده در رمان، سیاست است. این داستان حول محور مبارزات سیاسی خونبار برای تصاحب تاج و تخت می گردد. پس از اینکه پل مودب به صحرا رفت، جنگ بزرگی بر سر انتخاب فرمانروای بعدی جهان سرگرفت. دامنه این جنگ نه تنها به آراکیس، بلکه به سیارات دیگر نیز کشیده شد و توطئه های بسیاری را رقم زد که در نهایت به شهادت پل مودب، خودکشی عالیه، و مرگ بسیاری انسان بیگناه منجر شد. هربرت نشان می دهد که ابزارهای سیاسی اگر در دستان نادرست قرار بگیرند، چطور می توانند به طور مهلکی صلح و امنیت را نابود کنند.
موضوع بعدی دین و تعصبات مذهبی است. در این رمان می بینیم که مذهب چه اهمیتی در سلطنت پل مودب و عالیه دارد، آن ها به نام دین خود جنگ های گسترده ای در کهکشان به راه انداختتند و سرزمین های زیادی را نابود کردند. همچنین بانو جسیکا، مادر پل، عمیقاً تحت تأثیر مذهب بنه جسریت است و به دنبال پیاده کردن اهداف آن ها دست به هرکاری می زند. هربرت به خوبی نشان میدهد که نفوذ مذهبی چه سلاح خطرناکی است، بخصوص اگر این نفوذ با قدرت سیاسی توأم باشد چقدر می تواند فاجعه آمیز باشد.
محیط زیست و تغییرات اقلیمی موضوع کلیدی دیگر در سری تلماسه است. علاقه به اکولوژی زیر ژانر اکوفیکشن را در داستان علمی تخیلی ایجاد کرد که آثار بسیاری مهمی از دل آن به جهان عرضه شدند. (از جمله رمان های این زیر ژانر می توان به جاده از کورمک مک کارتی، سه جرم کیهانی از سیکسین لیو، و حکایت های مریخ از ری بردبری اشاره کرد.)
در فرزندان تلماسه، اکولوژی امری پیچیده و حیاتی است. آراکیس شروع به دگرگونی کرده و از سیاره بیابانی تبدیل به یک سیاره سبز با آب های سطحی و زیرزمینی فراوان شده است. اقلیم جدید آراکیس مانند شمشیر دولبه تأثیری متضاد بر زندگی ساکنان سیاره گذاشته و مشکلاتی را ایجاد کرده زیرا باوجود بهبود زندگی حره مردان و دیگر اهالی، باعث مرگ کرم های شنی شده است. کرم های شنی ارگانیسم های مهمی هستند زیرا وجود آن ها تسلط بشر بر پهنه وسیعی از فضا را تضمین میکند. لیتو دوم متوجه این موضوع شد او میدانست که در نتیجه تغییرات اقلیمی با دخالت مستقیم بشر،اگر محیط زیست آراکیس متحول شود، کرمهای شنی منقرض خواهند شد و این نه تنها سرنوشت این سیاره بلکه تمام جهان را به مخاطره خواهد انداخت. هربرت در تلماسه درباره آینده زمین و دخالت های غیرمسولانه در تغییر محیط زیست اخطار می دهد و حساسیت زایی می کند.
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خوشحالم که چالش ۲۰۲۳ گودریدزم رو با کتابی به این مهمی و سختی به پایان میرسونم. حقیقتا خوندن این کتاب و ریویوو جمع کردن براش پدرمو درآورد. اما شاید بخوایید بدونید سختی کار کجاست.
سختی خوندن این رمان، نفهمیدن زبانشه. فرانک هربرت به دشوار نویسی و نثر پیچیده شهرت داره ولی من یادم نمیاد به اندازه این جلد، با هیچکدوم از کتاب های قبلش مشکل داشته باشم. یجوری نمیفهمیدم زبان کتاب رو که انگار یک شعر به زبان اسکیمویی رو میخوندم که یک نفر به ژاپنی ترجمه کرده و با حروف فارسی نوشته.
نثر بسیار نامفهوم، جمله های درهم، زبانی که حتی نمیتونم هیچ جمله کاملی رو توش دنبال کنم و پیچیدگی کاملا بی ربط ، این ها دلایلی هستن که باعث شدن من حداقل تا نصف کتاب هیچ چیز نفهمم و واقعا زجر بکشم؛ ببینید حوصلم سر نرفت بلکه واقعا عرق ریختم و جون دادم . و دقیقا اینها جاهایی بودن که هربرت سعی داشت دیالوگ های فلسفی عجیبش رو توی دهن کاراکترهاش بذاره. بعد از اونکه داستان وارد ماجرا شد و از دیالوگ گویی پشت هم دست کشید، تازه تونستم نفس راحتی بکشم. این نامفهوم بودن زبان، حتی توی اپیگراف های ابتدای هر فصل هم به طور شدیدتر دیده میشد. خدایا چه عذابی بود! من قسمت زیادی از این دشواری زبان رو به حساب ترجمه گذاشتم چون مترجم این جلد با دو جلد قبلی فرق داشت و خب خودمو آدم کم هوشی هم نمیدونم چون متن های دشوار و پیچیده زیادی رو تاحالا با موفقیت خوندم و با کسایی که بلد نبودن مثل آدم حرف بزنن هم زیاد برخورد داشتم.
یک نکته رو هم دوست دارم اینجا بگم، بنظر من این جلد با ماجراها و اتفاقات و پایان بندی عالی ای که داشت، میتونه پایان شایسته ای برای سه گانه تلماسه باشه. البته خب تا وقتی جلد بعدی یعنی خدا امپراطور رو نخونم نمیتونم کاملا مطمعن باشم ولی تا همینجا هم فکر میکنم این سه جلد به شکل عالی چگونگی شکلگیری اپراتوری آتریدیز ها رو تعریف کرده و بعد از این نمیدونم چی میشه به این شکوه داستانی اضافه کرد.
بنظر من هربرت نابغه و بسیار خلاقه، درسته کلی غر زدم و از زبان کتاب شکایت کردم، اما طرح داستانی، موضوعات لایه به لایه و اساسی و منطق پشت داستان، از اون مهمتر اسطوره شناسی و نمادپردازی بی نظیرش ویژگی های تکرار نشدی و خاص این مجموعه رمان هستش که استانداردهای علمی تخیلی رو برای خواننده اش بالا میبره.
از ترجمه شکایت کردم، اما اگر بخوام منصفانه نظر بدم باید از پینوشت ها و پاورقی های مترجم تشکر کنم که زحمت گوگل کردن رو کامل از دوشم برداشت.
دیگه نمیدونم چی باید اضافه کنم به این ریویوو. فکر میکنم هرچی لازمه گفتم.
فایل غیر مشروع دوتا کتاب اول مجموعه و ریویوو صوتی هم موجوده
مرسی تا اینجا اومدید و خوندید ❤️
شخصیت های کلیدی کتاب سوم، غنیمه و لیتو دوم، فرزندان خارق العاده پل مؤدِب (به معنی پیشگو و آموزگار) و چانی حره مرد می باشند، کودکانی که دارای ویژگی های خاصی هستند که آن ها را از تمام افراد جهان متمایز می کند.
خصوصیت خاص این دو کودک این است که آنها حتی از داخل رحم مادرشان نیز هوشیار بودند و پس از تولد خاطرات هزاران نفر از نسل گذشته خود از جمله مادرشان چانی، پدرشان پل، پدربزرگ شان دوک لیتو و مادربزرگ خود جسیکا را با خود دارند. راز این هوشیاری در ترکیبی از دستکاری های ژنتیکی در طول هزاران سال برنامه های اصلاح نژاد بنه جسریتی (اتحادیه خواهران)، و همچنین مصرف دوز بالای ملانژ (ادویه ملغما) توسط مادرشان در دوران بارداری می باشد. ملغما یا ملانژ ماده اعتیادآوری است که در صورت استفاده از دوز بالا و خطرناکش می تواند راز پیش آگاهی و اسرار حرکت در زمان و طی الارض را برای مصرف کننده اش افشا کند (البته در صورتی که او بتواند از عوارض مصرف ملغما جان سالم به در ببرد).
این دو کودک وارثان امپراتوری ای هستند که پدرشان پل آتریدیز از خود به جای گذاشت، اما هم اکنون از سرنوشت خود او اطلاعی در دست نیست. زیرا پس از اینکه او در یک سوءقصد بینایی خود را از دست داد و طبق سنت حره مردان به بیابان رفت، کسی نمیداند که مرده است یا زنده.
غنیمه و لیتو برای تصاحب تاج و تخت موروثی خود با موانعی روبرو هستند. مهمترین مانع عمه آنها عالیه یا آلیا (زهدان مقدس)، نایب السلطنه امپراتوری است که پس از ناپدید شدن پل مؤدب، به علت نوزاد بودن وارثان، جانشین موقت او شد اما اکنون نمی خواهد جایگاه خود را رها کند. (عالیه همچون فرزندان پل دچار پیشاگاهی مادرزادی است).
دومین مانع سن و سال ظاهری غنیمه و لیتو است. این دو با وجود اینکه از نظر ظاهری و سن تقویمی فقط ۹ سال دارند، اما وارث آگاهی هزاران سال زندگی و تجربه نسل های گذشته خود هستند، میراثی که خرد و دانشی بسیار فراتر از هر انسانی در جهان به آنها بخشیده است. این دو وارث کودک_کهنسال باید با این طرز فکر اهالی آراکیس و اتحادیه ف��ایی که آنها را کودک می پندارند مبارزه کرده و خود را اثبات کنند تا مردم نیز آنها را بعنوان رهبر بپذیرند.
مانع مهم دیگر، توطئه خانوادان کورینو برای سرنگونی عالیه و تصاحب سلطنت آراکیس است؛ نقشه ای که در طول زمان و با نفوذ جاسوسان در حلقه یاران وفادار او صورت میگیرد. این خاندان در کنار آتریدیز ها و هارکانون ها، یکی از سه خاندان قدرتمند کهکشان، خاندان صاحب مقام امپراتوری و مدعی سرزمین تلماسه بودند که می خواستند تجارت ملغما را در دست بگیرند اما توسط پل آتریدیز زمانی که آراکیس را تصاحب کرد آواره شدند.
در همین زمان و در حالی که مبارزه بر سر امپراتوری آراکیس جدی شده، چیز جدیدی سیاره را تهدید می کند: نابودی و مرگ تدریجی کرم های ادویه. این کرم های شنی غولپیکر تنها منبع تولید ملغما یا ملانژ در کل کهکشان هستند و تنها بر روی آراکیس امکان حیات دارند ( ملغما ادویه ای که بعلت خاصیت پیش آگاهی دهنده، در ترابری و ناوبری بین سیارات توسط خلبان استفاده می شود و در صورت نبود آن، تمام سفینه های فضانوردی از کار افتاده و ارتباط بین سیارات مختل خواهد شد. {توضیح اهمیت ملغما خودش یک کتاب حرف داره بخدا}) دشمن اصلی کرم های شنی، آب است؛ ماده حیاتی که پیش از آغاز سلطنت دوک لیتو گنجینه ای کمیاب در سطح آراکیس محسوب میشد اما اکنون پس از گذشت سالها و با همکاری دانشمندان و خاندان آتریدیز، تقریباً همه جای سیاره در دسترس است. اما متاسفانه آب تنها چیزی است که باعث مسمومیت و مرگ کرم های ادویه می شود، به همین علت این کرم ها از محل هایی که آب در آن یافت میشود فاصله گرفته و تعداد شان روز به روز کمتر شده است. این مسله باعث کاهش تولید ملغما و تهدیدی جدی برای اهمیت آراکیس شده است.
در همین بحبوحه، واعظی از صحرا برخاسته و شروع میکند به افشاگری شرارت های عالیه و دیگر کاهنان مذهب کفرآمیز او؛ پس از بازگشت جسیکا به آراکیس، او میفهمد که دخترش تبدیل به رجس (تسخیر) شده است. آلیا سعی می کند مادر و برادرزاده هایش را به قتل برساند. این توطئه جسیکا و لیتو دوم را مجبور به فرار می کند. در حالیکه همه تصور میکنند لیتو دوم در صحرا کشته شده، او فرصتی پیدا میکند تا واعظ را بیابد زیرا تصور میکند او پدرش است. لیتو با واعظ به مقر سلطنت برمی گردد تا آنچه را که حق اوست پس بگیرد...
کتاب فرزندان تلماسه در حالی به پایان خود نزدیک میشود که لیتو دوم به سلطنت سیاره اراکیس رسیده اما انسانیت خود را از دست داده و از شمایل و ویژگی های ابرانسانی خود که از اتحاد با ماسه ماهی های صحرا بدست آورده رنج می برد. با این حال او مشتاقانه سلطنتی ۴۰۰۰ ساله به نام "مسیر طلایی" را بنیان می نهد که در سایه آن برای بشریت کرامت و صلح را باز خواهد گرداند. به منظور تحکیم پایه های سلطنت ، طبق سنت بنه جسریت، خواهر و برادر با هم ازدواج می کنند، اما از آنجایی که لیتو بخاطر تغییر شکل بدنش عقیم شده است، برای بقای نسل، فاراد��ن (امپراتور جدید و جوان خاندان کورینو در سیاره سالوسا) ژن خود را در اختیار خاندان آتریدیز قرار خواهد داد. غنیمه می گوید که یکی از دوقلوها باید عذاب را بپذیرد و لیتو همیشه قوی تر بوده است...
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بررسی و تحلیل:
رمان کودکان تلماسه خط داستانی بسیار قدرتمند، پر پیچ و تاب و هیجان انگیزی را دنبال می کند که پیش از این در دو کتاب قبلی فرانک هربرت، یعنی تلماسه و مسیحای تلماسه نیز با آن برخورد شده بود. این ویژگی سبک هربرت است که با تلفیق استعداد داستان گویی و انواع اطلاعات پژوهشی در زمینه های سیاسی، مذهبی، بوم شناسی و فرهنگی، هنرنمایی کرده تا اثری خلاقانه و چندلایه خ��ق کند. این پیچیدگی و چند لایه بودن در عین جذابیت، دشواری هایی را نیز در خواندن پیش می آورد که اساسا خاصیت رمان هایی ازین دست است.
هربرت موضوعات کلیدی متعددی را در این رمان مطرح می کند که هرکدام به نوعی اهمیت ویژه ای دارند و قابل تعمیم به عصر حاضر هستند. او در این کتاب ارتباط بین سیاست، خانواده، و سنت را در جهانی واکاوی می کند که نیاز به یک کالای گرانبهای حیاتی (ملانژ) روابط درونی آن را هدایت می کند.
یکی از موضوعات مطرح شده در رمان، سیاست است. این داستان حول محور مبارزات سیاسی خونبار برای تصاحب تاج و تخت می گردد. پس از اینکه پل مودب به صحرا رفت، جنگ بزرگی بر سر انتخاب فرمانروای بعدی جهان سرگرفت. دامنه این جنگ نه تنها به آراکیس، بلکه به سیارات دیگر نیز کشیده شد و توطئه های بسیاری را رقم زد که در نهایت به شهادت پل مودب، خودکشی عالیه، و مرگ بسیاری انسان بیگناه منجر شد. هربرت نشان می دهد که ابزارهای سیاسی اگر در دستان نادرست قرار بگیرند، چطور می توانند به طور مهلکی صلح و امنیت را نابود کنند.
موضوع بعدی دین و تعصبات مذهبی است. در این رمان می بینیم که مذهب چه اهمیتی در سلطنت پل مودب و عالیه دارد، آن ها به نام دین خود جنگ های گسترده ای در کهکشان به راه انداختتند و سرزمین های زیادی را نابود کردند. همچنین بانو جسیکا، مادر پل، عمیقاً تحت تأثیر مذهب بنه جسریت است و به دنبال پیاده کردن اهداف آن ها دست به هرکاری می زند. هربرت به خوبی نشان میدهد که نفوذ مذهبی چه سلاح خطرناکی است، بخصوص اگر این نفوذ با قدرت سیاسی توأم باشد چقدر می تواند فاجعه آمیز باشد.
محیط زیست و تغییرات اقلیمی موضوع کلیدی دیگر در سری تلماسه است. علاقه به اکولوژی زیر ژانر اکوفیکشن را در داستان علمی تخیلی ایجاد کرد که آثار بسیاری مهمی از دل آن به جهان عرضه شدند. (از جمله رمان های این زیر ژانر می توان به جاده از کورمک مک کارتی، سه جرم کیهانی از سیکسین لیو، و حکایت های مریخ از ری بردبری اشاره کرد.)
در فرزندان تلماسه، اکولوژی امری پیچیده و حیاتی است. آراکیس شروع به دگرگونی کرده و از سیاره بیابانی تبدیل به یک سیاره سبز با آب های سطحی و زیرزمینی فراوان شده است. اقلیم جدید آراکیس مانند شمشیر دولبه تأثیری متضاد بر زندگی ساکنان سیاره گذاشته و مشکلاتی را ایجاد کرده زیرا باوجود بهبود زندگی حره مردان و دیگر اهالی، باعث مرگ کرم های شنی شده است. کرم های شنی ارگانیسم های مهمی هستند زیرا وجود آن ها تسلط بشر بر پهنه وسیعی از فضا را تضمین میکند. لیتو دوم متوجه این موضوع شد او میدانست که در نتیجه تغییرات اقلیمی با دخالت مستقیم بشر،اگر محیط زیست آراکیس متحول شود، کرمهای شنی منقرض خواهند شد و این نه تنها سرنوشت این سیاره بلکه تمام جهان را به مخاطره خواهد انداخت. هربرت در تلماسه درباره آینده زمین و دخالت های غیرمسولانه در تغییر محیط زیست اخطار می دهد و حساسیت زایی می کند.
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خوشحالم که چالش ۲۰۲۳ گودریدزم رو با کتابی به این مهمی و سختی به پایان میرسونم. حقیقتا خوندن این کتاب و ریویوو جمع کردن براش پدرمو درآورد. اما شاید بخوایید بدونید سختی کار کجاست.
سختی خوندن این رمان، نفهمیدن زبانشه. فرانک هربرت به دشوار نویسی و نثر پیچیده شهرت داره ولی من یادم نمیاد به اندازه این جلد، با هیچکدوم از کتاب های قبلش مشکل داشته باشم. یجوری نمیفهمیدم زبان کتاب رو که انگار یک شعر به زبان اسکیمویی رو میخوندم که یک نفر به ژاپنی ترجمه کرده و با حروف فارسی نوشته.
نثر بسیار نامفهوم، جمله های درهم، زبانی که حتی نمیتونم هیچ جمله کاملی رو توش دنبال کنم و پیچیدگی کاملا بی ربط ، این ها دلایلی هستن که باعث شدن من حداقل تا نصف کتاب هیچ چیز نفهمم و واقعا زجر بکشم؛ ببینید حوصلم سر نرفت بلکه واقعا عرق ریختم و جون دادم . و دقیقا اینها جاهایی بودن که هربرت سعی داشت دیالوگ های فلسفی عجیبش رو توی دهن کاراکترهاش بذاره. بعد از اونکه داستان وارد ماجرا شد و از دیالوگ گویی پشت هم دست کشید، تازه تونستم نفس راحتی بکشم. این نامفهوم بودن زبان، حتی توی اپیگراف های ابتدای هر فصل هم به طور شدیدتر دیده میشد. خدایا چه عذابی بود! من قسمت زیادی از این دشواری زبان رو به حساب ترجمه گذاشتم چون مترجم این جلد با دو جلد قبلی فرق داشت و خب خودمو آدم کم هوشی هم نمیدونم چون متن های دشوار و پیچیده زیادی رو تاحالا با موفقیت خوندم و با کسایی که بلد نبودن مثل آدم حرف بزنن هم زیاد برخورد داشتم.
یک نکته رو هم دوست دارم اینجا بگم، بنظر من این جلد با ماجراها و اتفاقات و پایان بندی عالی ای که داشت، میتونه پایان شایسته ای برای سه گانه تلماسه باشه. البته خب تا وقتی جلد بعدی یعنی خدا امپراطور رو نخونم نمیتونم کاملا مطمعن باشم ولی تا همینجا هم فکر میکنم این سه جلد به شکل عالی چگونگی شکلگیری اپراتوری آتریدیز ها رو تعریف کرده و بعد از این نمیدونم چی میشه به این شکوه داستانی اضافه کرد.
بنظر من هربرت نابغه و بسیار خلاقه، درسته کلی غر زدم و از زبان کتاب شکایت کردم، اما طرح داستانی، موضوعات لایه به لایه و اساسی و منطق پشت داستان، از اون مهمتر اسطوره شناسی و نمادپردازی بی نظیرش ویژگی های تکرار نشدی و خاص این مجموعه رمان هستش که استانداردهای علمی تخیلی رو برای خواننده اش بالا میبره.
از ترجمه شکایت کردم، اما اگر بخوام منصفانه نظر بدم باید از پینوشت ها و پاورقی های مترجم تشکر کنم که زحمت گوگل کردن رو کامل از دوشم برداشت.
دیگه نمیدونم چی باید اضافه کنم به این ریویوو. فکر میکنم هرچی لازمه گفتم.
فایل غیر مشروع دوتا کتاب اول مجموعه و ریویوو صوتی هم موجوده
مرسی تا اینجا اومدید و خوندید ❤️
March 28, 2024
I can’t do it, I have no interest in reading another half of this book beyond the quick summary from the wikipedia. Herbert completely discarded novel writing in favor of writing his philosophical musings about power. Yet his ideas are in the vacuum, completely separated from human nature and believable consequences for people who are ouside of the selected few. For example, we have a great house who wants the power of the emperor back, yet the biggest dilemma of the character in question is does he want to sacrifice his hobbies of reading books and studying to become an emperor. And then it’s just mentioned that at the moment the guy rules the whole planet. How? What do people think about it? Does his planet rules itself somehow while he's chilling in the library?
For such a big empire, and it's huge, only Paul’s jihad killed more than 60 billion humans, the whole empire consists of 100 people, most of them are related through blood or marriages. There’s no consistency in character writing at the point, lady Jessica will behave the way plot wants her to behave, who cares about internal consistency. I just don't care about anyone at this point, so it's time.
And now as I leave this world, my only hope is that my good feeling towards the first book hasn’t suffered, but also knowing where this story goes, will I ever want to re-experience its beginning, even in that better book?
For such a big empire, and it's huge, only Paul’s jihad killed more than 60 billion humans, the whole empire consists of 100 people, most of them are related through blood or marriages. There’s no consistency in character writing at the point, lady Jessica will behave the way plot wants her to behave, who cares about internal consistency. I just don't care about anyone at this point, so it's time.
And now as I leave this world, my only hope is that my good feeling towards the first book hasn’t suffered, but also knowing where this story goes, will I ever want to re-experience its beginning, even in that better book?
July 29, 2021
I'm very much looking forward to Villeneuve's interpretation of Dune that will be shown in theaters this year so I decided to not only read the original book but also the rest of the series.
Nine years have passed since the end of book #2 and the twins have grown, protected by Stilgar and others still loyal to Muad'Dib. Or are they? Every single one of them seems to be unsure.
Liet Kynes, Chani's father and thus the twins' maternal grandfather, always dreamed of Arrakis becoming a green planet full of life ... interesting considering he was an ecologist and should have known the kind of death that would bring. Now, his dream seems to be coming true more and more - with dangerous consequences.
Thanks to the Melange/Spice addiction in the family, the twins have genetic memory so they aren't just children. Consequently, they already sit in the council chamber with their aunt Alia and others, ruling the empire.
Part of the known universe has fallen in with the religious mania about the cult surrounding the Atreidis heir who became the messiah, while the other part of the universe strictly rejects this kind of madness and is still plotting to wrestle power back.
On top of the threats from without (the Corrinos, the Bene Gesserit, the "preacher", …), there is the threat from within. Because interestingly, confusingly, the Atreidis family is kinda falling apart. For example, (I will freely admit that I did NOT enjoy that part and it made me dislike a lot). Jessica was an actual disappointment. I felt almost as if she was no longer the Jessica we knew from the previous book(s) and I really didn’t like her trying to split up the twins, her judgment and that she had gotten so stupid.
"Too much knowledge never makes for simple decisions." - Ghanima is definitely right about that one as her father is proof.
"A universe of surprises is what I pray for." - Leto II
There were quite some big surprises for me, one being that the twins have red hair! *lol* Yes, I'm influenced by the mini series Children of Dune.
But there was also the revelation that the Fremen are NOT native to Arrakis and migrated there (Arrakis, in fact, seems to be the 5th planet they migrated to).
The biggest, however, was that the sandtrouts, the fore-form (larva) of the sandworms, do not originate on Arrakis either! That revelation led to us learning in even greater detail of the ecology and biology of the planet as well as of the process that creates Melange/Spice.
Once again, I enjoyed the exploration of the Spice addiction, that it is indeed called an addiction, and that we see not only the positive effects but also the dark side.
This volume is another coming-of-age story, albeit a bit different from the one describing Paul growing up. The twins are even younger here than Paul was in the first book and just like his father, Let II too, has to grow up too fast and learn to use these crushing powers. How he does it, however, is quite different.
You see, thanks to their powers, both Paul and Leto II see timelines either branching out or narrowing down, which intensifies as more and more choices are made, and that really showed how such god-like powers are nothing but a trap. A trap that Paul coulnd’t escape but Leto II did.
Or is it the other way around? That really IS debatable.
Leto’s early wisdom and willpower also made for some highly entertaining encounters - especially the one with his grandmother. *lol*
What was quite disorienting, however, was how most characters evolved . Heartbreaking in and of itself.
Plans within plans, some caught within the machinations, one intrigue after another, arranged family loyalties / marriages, the return of one of the best literary villains ever. It made for a tense reading experience indeed (not least because of my investment regarding some of the characters).
The final confrontation was ... epic. There is no other word for it. It will be highly interesting to see how the author handles the upcoming, immense time-jump.
Nine years have passed since the end of book #2 and the twins have grown, protected by Stilgar and others still loyal to Muad'Dib. Or are they? Every single one of them seems to be unsure.
Liet Kynes, Chani's father and thus the twins' maternal grandfather, always dreamed of Arrakis becoming a green planet full of life ... interesting considering he was an ecologist and should have known the kind of death that would bring. Now, his dream seems to be coming true more and more - with dangerous consequences.
Thanks to the Melange/Spice addiction in the family, the twins have genetic memory so they aren't just children. Consequently, they already sit in the council chamber with their aunt Alia and others, ruling the empire.
Part of the known universe has fallen in with the religious mania about the cult surrounding the Atreidis heir who became the messiah, while the other part of the universe strictly rejects this kind of madness and is still plotting to wrestle power back.
On top of the threats from without (the Corrinos, the Bene Gesserit, the "preacher", …), there is the threat from within. Because interestingly, confusingly, the Atreidis family is kinda falling apart. For example, (I will freely admit that I did NOT enjoy that part and it made me dislike a lot). Jessica was an actual disappointment. I felt almost as if she was no longer the Jessica we knew from the previous book(s) and I really didn’t like her trying to split up the twins, her judgment and that she had gotten so stupid.
"Too much knowledge never makes for simple decisions." - Ghanima is definitely right about that one as her father is proof.
"A universe of surprises is what I pray for." - Leto II
There were quite some big surprises for me, one being that the twins have red hair! *lol* Yes, I'm influenced by the mini series Children of Dune.
But there was also the revelation that the Fremen are NOT native to Arrakis and migrated there (Arrakis, in fact, seems to be the 5th planet they migrated to).
The biggest, however, was that the sandtrouts, the fore-form (larva) of the sandworms, do not originate on Arrakis either! That revelation led to us learning in even greater detail of the ecology and biology of the planet as well as of the process that creates Melange/Spice.
Once again, I enjoyed the exploration of the Spice addiction, that it is indeed called an addiction, and that we see not only the positive effects but also the dark side.
This volume is another coming-of-age story, albeit a bit different from the one describing Paul growing up. The twins are even younger here than Paul was in the first book and just like his father, Let II too, has to grow up too fast and learn to use these crushing powers. How he does it, however, is quite different.
You see, thanks to their powers, both Paul and Leto II see timelines either branching out or narrowing down, which intensifies as more and more choices are made, and that really showed how such god-like powers are nothing but a trap. A trap that Paul coulnd’t escape but Leto II did.
Or is it the other way around? That really IS debatable.
Leto’s early wisdom and willpower also made for some highly entertaining encounters - especially the one with his grandmother. *lol*
What was quite disorienting, however, was how most characters evolved . Heartbreaking in and of itself.
Plans within plans, some caught within the machinations, one intrigue after another, arranged family loyalties / marriages, the return of one of the best literary villains ever. It made for a tense reading experience indeed (not least because of my investment regarding some of the characters).
The final confrontation was ... epic. There is no other word for it. It will be highly interesting to see how the author handles the upcoming, immense time-jump.
June 24, 2024
I never expected to like this nearly as much as I did. Everyone who has read this series says it just gets crazier and crazier, and it totally does. But because of how much time we have spent in this world leading up to this third installment, I found even the most wild details fairly digestible. Sure, there were moments that I had to re-read because it was daunting, but it wasn’t nearly as intimidating as I expected.
In fact, I would argue that if you read Dune Messiah, then you need to read Children of Dune. Not only is it a story that calls back to the original in absolutely brilliant ways, but it also offers an ending that feels very cathartic for these first three books.
I loved how personal the conflicts were, and watching the world of Arrakis respond to a divide in the Atreides family. I did find the pacing to be rather slow in the first half, it essentially felt like more of what we had in Messiah. But once we got back to the desert in the second half, the dunes of Dune brought this story to life.
In fact, I would argue that if you read Dune Messiah, then you need to read Children of Dune. Not only is it a story that calls back to the original in absolutely brilliant ways, but it also offers an ending that feels very cathartic for these first three books.
I loved how personal the conflicts were, and watching the world of Arrakis respond to a divide in the Atreides family. I did find the pacing to be rather slow in the first half, it essentially felt like more of what we had in Messiah. But once we got back to the desert in the second half, the dunes of Dune brought this story to life.
July 17, 2012
This is when I officially gave up on the Herbertverse. This was awful!!! I really do not care for the children of Mu A'dib, they're both creepy and way too articulate (kind of like Dakota Fanning) I was actually rooting for the assassins the entire book. And when the kid smears worm larvae on himself and becomes a god!?!!?!!?! Sorry folks, I checked out. I don't even care how the rest of the saga works out. No God Emperor of Dune for me, no Heretics, stop this universe, I want to get off!
This entire review has been hidden because of spoilers.
February 14, 2022
that last 40 pages or so was just wild. But a good wild
March 23, 2024
4.5 rounded up.
I really liked "Dune Messiah" but I absolutely loved this. I'm glad I read it immediately after Messiah. The political intrigue was so well done and the characters so well fleshed out.
I do think a re-read will be necessary as there's so much to take in.
Now onto book 4
I really liked "Dune Messiah" but I absolutely loved this. I'm glad I read it immediately after Messiah. The political intrigue was so well done and the characters so well fleshed out.
I do think a re-read will be necessary as there's so much to take in.
Now onto book 4
May 19, 2014
This may be heresy, but I think this is my favourite of the Dune books so far. I found Dune interesting, but oddly opaque. The second book was more accessible, but didn't really grab me.
Note: The rest of this review has been withdrawn due to the changes in Goodreads policy and enforcement. You can read why I came to this decision here.
In the meantime, you can read the entire review at Smorgasbook
Note: The rest of this review has been withdrawn due to the changes in Goodreads policy and enforcement. You can read why I came to this decision here.
In the meantime, you can read the entire review at Smorgasbook
November 23, 2021
I rounded up a little because I didn't like this as much as the first book and it was hard to comprehend sometimes, but it's still a great work. This time I couldn't help thinking how much Star Wars was inspired by Dune, and when I searched on this topic, my suspicions were confirmed. I'm clearly reading a true seminal work.
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