Review: Swords of the Crags - Fred Blosser

After reading Fred Blosser’s sword and sorcery novella SWORDS OF PLUNDER recently, I was in the mood to dive back into more of his work. I picked his collection SWORDS OF THE CRAGS.

This volume collects six stories that might have been the sort of thing Robert E. Howard wrote for the Spicy pulps in the mid-Thirties. The title story, “Swords of the Crags”, is set in Peshawar, India, and in the Khyber Hills. The protagonist is Pike Braxton, an American adventurer and former gunfighter from Texas who functions as a sort of unofficial secret agent for the British. When a beautiful young American heiress gets caught up in the schemes of a sinister Russian agent, Pike has to rescue her and recover some vital information. Seems fairly straightforward, if dangerous, but then Pike and the beautiful blonde find themselves confronting an otherworldly menace. This fast-moving tale is like placing Howard’s El Borak in a SPICY ADVENTURE STORIES plot, with a dash of Lovecraft thrown in. It’s well-written, works very well, and races along to a satisfactory conclusion. I really enjoyed it. (And it puts me in mind of Howard’s comments in a letter to Lovecraft where he suggested that Lovecraft should try to crack the Spicy market. He could use a pseudonym, Howard says, and just write up a fictionalization of one of his own “sex adventures”. Just the thought of Lovecraft’s reaction when he read that suggestion always makes me chuckle.)

In “Alleys of Terror”, the scene shifts to Shanghai and the protagonist is Ridge Braxton, Pike’s younger brother who’s just as fast with his guns and fists. The beautiful Eurasian pirate and smuggler Olga Zukor is framed for murder. The victim held the key to a deadly conspiracy Ridge is investigating, so he and Olga have to team up to untangle the mess even though they dislike and distrust each other at first.

Ridge Braxton returns to his West Texas stomping grounds in “Witch of Snakebit Creek”, a creepy contemporary Western that reminds me a bit of Howard’s “Old Garfield’s Heart” and “For the Love of Barbara Allen” although it turns out to be a very different kind of story. This is actually more of a mystery yarn with a nice late twist.

“The Girl From Hell’s Half Acre” finds another two-fisted, fast-shooting Texan adventurer, Esau Reynolds (a very Howardian name) turning detective as he tries to find a wealthy man’s missing daughter, who’s a beautiful blonde, of course. The trail leads Reynolds to the waterfront area of an unnamed city, where he clashes with—and beds—the beautiful queenpin of the area’s criminal underworld. This story, reminiscent of some of Howard’s Steve Harrison yarns, moves like the proverbial wind and is very entertaining.

“Sin’s Sanctuary” is another El Borak-like tale, with a heaping helping of Talbot Mundy influence, as an American adventurer infiltrates a hidden monastery in Tibet in search of a missing Englishman. He’s helped by a beautiful woman, of course, and they encounter unexpected danger inside the walls of the monastery. This is a really well-written and exciting story.

“Scarlet Lust” is a direct sequel to SWORDS OF PLUNDER and finds Cronn, the northern barbarian, out to steal a fabulous gem which he hopes will help him win the throne of one of the countries in his world. He gets some help, of course, from a beautiful woman. These are Conan pastiches, in a way, there’s no denying that, and they’re also better than most of the official Conan pastiches that have been published in the past few years. Like John C. Hocking, Scott Oden, and Chuck Dixon, Blosser understands the character and the setting. I don’t know if there are more of these Cronn stories, but if there are, I definitely want to read them. And if there aren’t, well, maybe Blosser will write some.

Blosser rounds out this collection with five articles about Howard’s efforts to crack the Spicy and Weird Menace markets, the spicier Conan yarns, and the influence of Harold Lamb and Talbot Mundy on Howard’s work. As always with Blosser’s work, these essays are informative, entertaining, and well worth a Howard fan’s time.

Overall, SWORDS OF THE CRAGS is an excellent volume and a lot of fun to read. While it’s true that the main influence on these stories is Robert E.Howard, I found them reminiscent of E. Hoffmann Price, Edgar Rice Burroughs, and Talbot Mundy, as well. Also, in Blosser’s stories the spicy bits are considerably spicier than what authors could get away with in the Thirties. They’re not overly graphic, but those scenes don’t fade out as quickly as the ones in the pulps did. So while they’re definitely Howardian, don’t mistake these tales for pale imitations. They stand on their own, and they’re well worth reading. SWORDS OF THE CRAGS is available on Amazon in a paperback edition, and an e-book edition containing the first three stories and the first two articles is available as well.

Review: Swords of Plunder - Fred Blosser

Fred Blosser is one of my favorite scholars of Robert E. Howard’s life and work. I’ve been enjoying his informative and entertaining articles about REH for decades. As it turns out, when it comes to writing fiction, he’s pretty darned good at spinning yarns himself. The latest thing I’ve read by him is a sword and sorcery novella called SWORDS OF PLUNDER, which is available on Amazon in paperback and e-book editions.

This story finds a barbarian warrior from the north, who’s in command of a pirate ship, coming across two old rivals, a beautiful blond female pirate and a red-bearded brigand who has come close to crossing swords with our hero several times in the past. The barbarian pulls the two of them from the sea, where they’re clinging to some wreckage from a sunken ship. They have an intriguing tale to tell, too, about a fabulous treasure hidden on a lost island, and only the blonde knows how to get there. So the three of them form an uneasy partnership to go after the loot, but of course, when they reach their destination they find more danger waiting for them than they expected.

The barbarian’s name is Cronn, by the way, and I know what you’re thinking. I would have been, too, if I hadn’t happened to know that SWORDS OF PLUNDER is based on unused parts of an outline Blosser wrote for THE SAVAGE SWORD OF CONAN many years ago, during the era in which I first encountered his work. As he explains in a very entertaining and informative afterword to this story, he was writing articles about Robert E. Howard for SSOC when editor Roy Thomas asked him to plot some of the new stories featuring the Cimmerian. This story grew out of one of those outlines, with the serial numbers filed off, as they say.

And it’s a really good yarn, too, no matter what the protagonist is called. Well-written, fast-moving, with plenty of action and some genuinely creepy scenes where our heroes have to face deadly perils in a cave on a lost island. This is pure pulp done the way I like it. I give SWORDS OF PLUNDER a high recommendation and plan to read more by Fred Blosser very soon.

Review: The Hanuvar Chronicles, Book 2: The City of Marble and Blood - Howard Andrew Jones

Honestly, I don’t know what’s wrong with me. A while back, I read Howard Andrew Jones’ novel LORD OF A SHATTERED LAND, the first book in his Hanuvar Chronicles, and thought it was one of the best novels I’d read in years. I bought the sequel, THE CITY OF MARBLE AND BLOOD, as soon as it came out. And there it sat, unread, for some reason that I can’t fathom.

But no longer. I’ve read it now, and there’s no second-book-in-a-series slump in this one. Not hardly. THE CITY OF MARBLE AND BLOOD is absolutely fantastic.

For those of you unfamiliar with Hanuvar, he’s the former military commander of the nation of Volanus, which has fought a series of disastrous wars against the Dervan Empire. This conflict finally ends with the destruction of Volanus and the dispersion of the surviving Volani, most of them as slaves, across the empire. Hanuvar is thought to be dead—but he’s not. He’s still alive, and he has a plan. He’s going to find all of his countrymen who still live, free them one way or another, and take them to the colony he’s established called New Volanus. This campaign of freedom, waged mostly by stealth and subterfuge, gets underway in LORD OF A SHATTERED LAND and continues in THE CITY OF MARBLE AND BLOOD.

That name refers to Derva itself, the center of the empire, and Hanuvar will be in more danger there than ever as he tries to carry out his epic plan.

As you may have figured out, this is all based very loosely on the wars between Rome and Carthage, and Hanuvar is inspired by (you can’t even say based on because they’re too different) Hannibal. And the scope of the story Jones is telling is so vast that he employs a brilliant strategy: each “chapter” in these books is actually a novella, telling a separate story with a beginning, middle, and end, but they all fit together to form a continuing narrative that builds momentum as it goes along. This also allows Jones to tell different kinds of stories as the overall tale progresses. One of the chapters in the first book, for example, was a pure heist story—Donald E. Westlake or Lionel White in a sword-and-sorcery milieu—and in one point in THE CITY OF MARBLE AND BLOOD, Hanuvar is called upon to function as a detective and solve a murder. In another chapter, Hanuvar and some of his friends and allies pull a very neat con job. Jones doesn’t neglect the sorcery, though, as there are plenty of ghosts and demons and zombies and assorted otherworldly threats for Hanuvar to deal with.

All this is told in clean, compelling, fast-moving prose. Hanuvar is a great character, as is his part-time sidekick, a young actor and writer named Antires. The world-building of this alternate Mediterranean world is extensive but handled so skillfully that the storytelling never gets bogged down in it.

If you’re a fan of sword and sorcery, alternate history, epic fantasy, or anything like that, you just can’t do any better than this series by Howard Andrew Jones. This one is available on Amazon in e-book, hardcover, paperback, and audio editions. I've already bought the third book, SHADOW OF THE SMOKING MOUNTAIN, and I promise it won’t take me as long to get around to reading it.

Now, on a personal note, most if not all of you know that Howard Andrew Jones passed away earlier this year, another one taken much too young by cancer. Howard and I weren’t close and never met in person, but I considered us friends. We interacted on Facebook and traded occasional emails, brought together by our shared fondness for Ki-Gor pulp novels and John Benteen Westerns. I can only echo what everyone else who knew him has said: he was a great guy. It’s selfish of me, but I’m glad I have quite a few of his books left to read, including the third Hanuvar novel. I only wish there were going to be a lot more.

Now Available: Lair of the Serpent Queen (Snakehaven #3) - James Reasoner

Jorras Trevayle is back, exploring the sprawling city of Nucarrah, a cesspit of sin and corruption, the hub of a world of danger and sinister sorcery where the giant serpents known as Nloka Maccumba roam. Rescued by the beautiful Llorna Valyasha from an attempt on his life, Trevayle pledges his allegiance to this queen of Nucarrah’s underworld, unaware that he’s sinking deeper and deeper into a war between criminals from which he may not escape! 

LAIR OF THE SERPENT QUEEN is the third exciting entry in the critically acclaimed Snakehaven saga, following the adventures of soldier and swordsman Jorras Trevayle in a world where death may strike from any direction without warning. New York Times bestselling author James Reasoner spins another breathtaking tale of sword and sorcery action in a brilliantly inventive and compelling setting. If you haven’t begun exploring Snakehaven yet, now is the time to start!

(I'm really enjoying writing these stories. This is the longest one yet, not quite long enough to call it a novel, but close. A print edition that will combine the first three stories is in the works and will be available later this fall for those of you who prefer print. I plan to do several more Snakehaven novellas next year, so as I always say at the end of these--Jorras Trevayle will return!)

Review: Conan the Barbarian: Thrice Marked for Death - Jim Zub and Doug Braithwaite

When the latest incarnation of the Conan comic book series began being published, I decided to read the individual issues as they came out, just like I did in the old days—the difference being that I read them digitally instead of on cheap newsprint. (For the record, I prefer cheap newsprint over digital, but I prefer digital over slick paper.) After finishing the first story arc, however, I decided to wait for the collected edition of the next arc. It just seemed simpler that way, plus I get to read the stories one right after the other.

CONAN THE BARBARIAN: THRICE MARKED FOR DEATH reprints issues #5-8 of the series and deepens Conan’s involvement with the mysterious and deadly Black Stone. It’s written by Jim Zub and the art is by Doug Braithwaite. The story begins with Conan in the city of Shadizar, mourning the death of Belit, the pirate queen and great love of his life, who Conan met in Robert E. Howard’s classic story “Queen of the Black Coast”. Short flashbacks to Conan’s time with Belit run throughout these stories. The main storyline, however, involves Conan being hired along with several other thieves to steal an artifact from one of the local temples. Things go wrong. Evil ensues. Lot of people die. And Conan is left in a heap of trouble.

Despite the dreaded “To Be Continued” at the end of this book, I enjoyed THRICE MARKED FOR DEATH quite a bit. Jim Zub’s script is fast-paced and packed with action, and more importantly, he writes a version of Conan that is recognizably REH’s character. Really, that’s what you’re looking for in a Conan pastiche. Doug Braithwaite’s art is excellent, with good storytelling and a gritty quality that really works well with the story.

All of this is leading up to a big crossover event featuring numerous Howard characters besides Conan. I’m not that fond of the idea of doing that, but given Zub’s track record, I’m cautiously optimistic that he can pull it off. I certainly intend to continue reading in order to find out. In the meantime, THRICE MARKED FOR DEATH is an entertaining yarn and is available in e-book and trade paperback editions.

Now Available: Fear on the Fever Coast - James Reasoner

The Snakehaven saga continues with FEAR ON THE FEVER COAST! Young adventurer Jorras Trevayle is back, penetrating deeper into a dangerous world of giant serpents, sorcerers, pirates, and madmen. A deadly plague is laying waste to the land, and the secret to its cure lies within the sanctum of a vengeful wizard. Together with a group of brigands and cutthroats, Trevayle sets out to obtain that cure, but the real question is which is the biggest threat to his continued survival: the sorcerer who wants to settle a score with him, the swamp surrounding the old plantation house known as Ophidionne, or the giant serpents that roam the night searching for prey!

James Reasoner, the bestselling author of DOOM OF THE DARK DELTA, returns with the second daring exploit of Jorras Trevayle, revealing more about the perilous land known to some as Snakehaven. FEAR ON THE FEVER COAST is a tale packed with excitement and eerie thrills for readers of sword and sorcery.

(So far I've really enjoyed developing this series. I plan to write several more of them over the next year or so.)

Witchery Plus: A Weird Tales Trilogy - Keith Chapman

Several years ago my friend Keith Chapman published a pair of stories--a fantasy in the mold of Clark Ashton Smith and a sword and sorcery yarn--in a double volume. He's redone that book, added a third story, this time a modern-day horror yarn set in Australia, and published it as WITCHERY PLUS: A WEIRD TALES TRILOGY, which is available in both e-book and print editions on Amazon.

"Night Howl" is the new story in this volume. Chapman sold a number of comic book scripts to Charlton for their horror titles, and the original version of this story was one of them, but it went unpublished when Charlton switched over to mostly reprints. Converted to prose, it appeared first on the BEAT TO A PULP website and now is in print for the first time. It's about a pair of lovers on the run from a murder charge, and in that respect, it works very well as a noir crime yarn. But there's also a possibly supernatural element involving an old Gothic paperback featuring a heroine with the same name as one of the characters in this story. Are the bizarre events of that old paperback replaying themselves in real life? Chapman uses that question as the springboard for a very well-written tale that generates suspense all the way to the end.

Now here's what I had to say (slightly edited) about the other two stories when I reviewed them back in 2013:

"After an interesting introduction that addresses the genesis of these tales, Chapman produces a fine Clark Ashton Smith pastiche set in Smith's evil-haunted French province Averoigne, "Black Art in Yvones". A young protagonist, a beautiful blonde, and a sinister femme fetale even give this tale a slight noirish feel. In the second novelette in this collection, Chapman ventures into sword-and-sorcery territory with "Wildblood and the Witch Wife", featuring a very likable pair of adventurers reminiscent of Fritz Leiber's Fafhrd and the Gray Mouser. It's set in historical England rather than a fantasy world, but there's still plenty of sorcery and action."

Although probably best known for his Westerns, Keith Chapman is one of those authors who can write just about anything and do a good job of it. He's a fine storyteller, as these stories amply demonstrate. If you've never sampled his work before, WITCHERY PLUS would be a very good place to start. 

Elak of Atlantis - Henry Kuttner

I’ve been meaning to read Henry Kuttner’s Elak of Atlantis stories for a long time now, and I’m getting to the age where I’m feeling a bit more urgency about getting around to the things I want to do. Also, there are collections of new Elak stories by Adrian Cole coming out, and I want to give them a try, but I thought I ought to read the originals first. Also, I’m a sucker for Atlantis stories, and Kuttner appears to have done a pretty good job of world-building in this four story series, originally published in the iconic pulp WEIRD TALES.

The saga gets underway with the novella “Thunder in the Dawn”, the longest of Kuttner’s Elak stories that was serialized in the May and June 1938 issues of WEIRD TALES. It introduces us to Elak, a lean adventurer who favors a rapier rather than a broadsword, and his rotund sidekick/comedy relief Lycon. Elak is actually the stepson of the former rule of one of Atlantis’s northern kingdoms who killed his stepfather in a duel and fled, leaving his stepbrother to take over the throne. Elak and Lycon encounter a druid priest named Dalan, who brings the news that Elak’s stepbrother has been imprisoned by an evil wizard and Vikings are besieging his homeland. Who better to travel north, unite the feuding tribes, battle the Vikings, and rescue the imprisoned king than Elak?

Nobody, of course. With a little reluctance, Elak takes up the quest. Along the way wait adventures and beautiful women and epic battles against enemies both human and sorcerous. Kuttner really packs a lot of plot and incident into this yarn, a novel’s worth despite its novella length, and it’s all very fast-paced and well-written. This is an exciting and very satisfying debut for the series.

The short story “Spawn of Dagon” appears the very next month in the July 1938 issue of WEIRD TALES and even makes the cover. There’s very little reference to the preceding story and Dalan the Druid doesn’t appear. Elak and Lycon are back to being drifting adventurers. They get involved in some political intrigue and are hired to kill a wizard and destroy the source of his power. Of course, the situation doesn’t turn out to be exactly what our two heroes believe it is. Even though I’m not the biggest fan of H.P. Lovecraft’s work, I recognized the name Dagon right away, and sure enough, the boys encounter some of HPL’s fish-people and there’s talk of the Elder Gods. This story has a good deal of well-written action, but after the epic scale and grand, colorful concepts of the debut novella, I found it a little disappointing. Not bad, mind you, but a very standard sword and sorcery adventure yarn enlivened a bit by the presence of the fish-people.

“Beyond the Phoenix”, from the October 1938 issue of WEIRD TALES, once again finds Elak and Lycon involved in political intrigue, but this time they’re trying to protect a king from a deadly rival, and when they fail in that, the dying monarch charges them with the job of saving his daughter and delivering his body to the god he worships. This involves a trip on an underground river reminiscent of the second novel in Edgar Rice Burroughs’ Barsoom series, THE GODS OF MARS. I have to wonder if Kuttner read Burroughs. It certainly seems possible. I also wonder if C.L. Moore had a hand in this story, as well as the previous one. By 1938, Kuttner and Moore knew each other and had even collaborated on one story, “Quest of the Starstone” in the November 1937 issue of WEIRD TALES. If the Elak stories had come out after they were married and collaborating on a regular basis, I would have been confident that Moore wrote all the colorful, vividly descriptive passages. But since I’ve never seen any speculation about her involvement, at least as far as I recall, I’ll just assume that being a fan of her work had an influence on Kuttner as he was writing these yarns. At any rate, “Beyond the Phoenix” is a good story with plenty of action.

The fourth and final Elak story by Kuttner is the novelette “Dragon Moon” from the January 1941 issue of WEIRD TALES. This one is very reminiscent of “Thunder in the Dawn”, the tale that launched the series. Once again Elak and Lycon are summoned northward to Cyrena, Elak’s homeland, by Dalan the Druid, who tells them that Elak’s stepbrother the king was possessed by some sort of evil entity and killed himself rather than give in to it. That mystical being has now possessed the king of a neighboring country and plans to conquer Cyrena by force. Being without a king, the realm has no chance of defeating its enemies. Elak is the only one who can save the day, and he can only do that by reclaiming the birthright he doesn’t want. This is another epic yarn with several adventures along the way before the final showdown, which is a huge, very well-written battle. I’ve seen comparisons between this story and Robert E. Howard’s THE HOUR OF THE DRAGON, and maybe Kuttner was inspired by Howard’s only novel-length adventure of Conan, but they’re very different stories because Conan and Elak are very different characters. “Dragon Moon” isn’t the equal of THE HOUR OF THE DRAGON, but I enjoyed it very much anyway. It’s my favorite story of the four about Elak written by Kuttner.

Overall, I really like this collection. The writing is excellent, it’s full of colorful settings and intriguing concepts, and the action is great. If you’re a sword and sorcery fan, I give ELAK OF ATLANTIS a very high recommendation. And the world Kuttner creates in these stories is interesting enough that I’m looking forward to seeing what Adrian Cole does with the series.

Conan: City of the Dead - John C. Hocking

CONAN: CITY OF THE DEAD is a new collection available in both hardback and e-book editions that reprints John C. Hocking's original Conan novel, CONAN AND THE EMERALD LOTUS, and is the first publication of his sequel CONAN AND THE LIVING PLAGUE. More than ten years ago, I read and reviewed the first of those novels, and then a while after that, I was fortunate enough to read an advance copy of the second. I thought I would revisit slightly updated versions of both of these reviews today.

From August 30, 2013: As a long-time reader and fan of Robert E. Howard's work, a former member of REHupa, and somebody who has written introductions for several volumes of Howard stories, you might expect me to be a strict purist, somebody who doesn't like pastiches featuring Howard's characters and doesn't think such things should be written. Ah, but that would be rather hypocritical of me, considering how the majority of my career has been spent writing about other people's characters, including my own Howard pastiche (the El Borak story "Wolves of the Mountain" in CROSS PLAINS UNIVERSE).

So, as with most things, I come down pretty much in the middle on this issue. I have no philosophical objections to pastiches, it's just that most of the ones I've read based on Howard's work aren't very good.

For years, though, I've been meaning to read John C. Hocking's novel CONAN AND THE EMERALD LOTUS, which has a pretty favorable reputation even among Howard's most devoted fans. I believe it was Morgan Holmes who first told me that Hocking's book is the best of the Conan pastiches published by Tor. I should have gotten around to it long before now, especially since the author comments from time to time on this very blog. All I can say is that I'm sorry for my procrastination on several levels, the most important of which is that it kept me from reading an excellent novel until now.

CONAN AND THE EMERALD LOTUS is a rare thing, a fantasy novel with a strongly realistic tone to it. Sure, there's plenty of swordplay and sorcery, but the tale revolves around a powerful, highly addictive drug, the sort of plot element you might find in a hardboiled crime novel. It's been said that Howard merged a hardboiled voice with horror fiction to create sword-and-sorcery, and Hocking understands that even though he doesn't try to imitate Howard's style. He spins this yarn in brisk, action-packed prose with occasional touches of creepiness and dark humor. Conan, aligned with one of the sorcerers warring over the potent powder known as the Emerald Lotus, is the most admirable character in the novel, and we know what a bad-ass he is.

At the same time, Hocking gives us the sort of spectacle you expect to find in epic heroic fantasy, especially in scenes like the description of sorcerer Ethram-Fal's stronghold in the badlands of ancient Stygia. And speaking of badlands, there are hints of the Western here, too, in the battles between Conan and his enemies in rugged terrain that might well be Monument Valley, Utah. All of it leads up to an apocalyptic and very satisfying climax.

As it turns out, CONAN AND THE EMERALD LOTUS is one of the most purely entertaining books I've read all year. Hocking knows his stuff and knows how to tell a fine story.

From August 5, 2019: John C. Hocking is the author of CONAN AND THE EMERALD LOTUS, a novel which is widely regarded as the best of the Conan pastiches published by Tor in the Eighties and Nineties. I finally got around to reading it several years ago and agree that it’s easily the best of those pastiches. 

In CONAN AND THE LIVING PLAGUE, Conan is recruited to be part of a small mercenary force headed to the isolated mountain city of Dulcine, which is rumored to have been wiped out by a mysterious plague. But rumors also say that there’s a fortune waiting to be had in Dulcine’s treasure vaults, and an ambitious prince has his eye on that loot. In order to get his hands on it, he hires not only Conan and several other hard-nosed soldiers but also a sorcerer who had something to do with the plague that wiped out the city. Conan hates and distrusts sorcery, of course, but the magic conjured up by this mage Adrastus is the only thing that can get the treasure seekers safely in and out of their destination.

Well, of course, lots of stuff goes wrong. The plague hasn’t wiped out everybody in Dulcine, but the people who are left have been transformed into crazed, bloodthirsty semblances of their former selves. Even worse, a creepy figure who’s actually the living personification of the plague is wandering around the castle where the treasure is supposed to be. Conan and his companions are in constant danger not only from this living plague but also from treachery within their own ranks. Not all of them will make it out alive . . .

Hocking doesn’t try to slavishly imitate Robert E. Howard’s style, although there are Howardian touches to the prose here and there. Instead, he tells the story in his own voice, with well-drawn characters, a head-long pace, and plenty of epic action scenes. I think this is the best approach to pastiche, producing a novel that’s recognizably a Conan tale, steeped in the background and setting Howard created, but in the author’s own distinctive style. Hocking has given us another fine novel, and I certainly hope it won’t be the last. I really enjoyed CONAN AND THE LIVING PLAGUE and give it a very high recommendation.

Now Available: Doom of the Dark Delta - James Reasoner

Washed ashore on a jungle-choked island in the delta at the mouth of the great Jehannamun River, Jorras Trevayle has survived an attack by pirates only to find himself in a desperate race to rescue a beautiful young woman from the sinister plans of an evil sorcerer and save himself from becoming the prey of a Nloka Maccumba—one of the giant serpents raised by the inhabitants of this bizarre, perilous land.

DOOM OF THE DARK DELTA is the first novella in the Snakehaven series from bestselling author James Reasoner. Part sword and sorcery, part alternate history, and all action and adventure, it’s a thrilling tale that begins a saga of epic scope. And it all begins here in DOOM OF THE DARK DELTA!

(As I've mentioned before, I'm excited about this one. It was great fun to write, and I'll be starting the second novella in the Snakehaven series, THE FEVER COAST, any day now. You can get the e-book edition of this one on Amazon for less than a buck, and if you have Kindle Unlimited, you can read it for free.)

Coming Soon: Doom of the Dark Delta - James Reasoner

Washed ashore on a jungle-choked island in the delta at the mouth of the great Jehannamun River, Jorras Trevayle has survived an attack by pirates only to find himself in a desperate race to rescue a beautiful young woman from the sinister plans of an evil sorcerer and save himself from becoming the prey of a Nloka Maccumba—one of the giant serpents raised by the inhabitants of this bizarre, perilous land.

DOOM OF THE DARK DELTA is the first novella in the Snakehaven series from bestselling author James Reasoner. Part sword and sorcery, part alternate history, and all action and adventure, it’s a thrilling tale that begins a saga of epic scope. And it all begins here in DOOM OF THE DARK DELTA!

(I'm excited about this one because it's my first sword and sorcery yarn in many years, and it's part of a bigger story that I plan to explore in a series of novellas. The e-book edition is available for pre-order on Amazon. No print edition for now, but when I have enough of them done, I'll gather them together and publish a trade paperback collection.)

Swords & Sorceries: Tales of Heroic Fantasy, Volume 1 - David A. Riley, ed.

I’ve been reading quite a bit of sword and sorcery fiction in recent months, and I’m still in the mood for it. So after finishing the new anthology NEITHER BEG NOR YIELD, I moved on to SWORDS & SORCERIES: TALES OF HEROIC FANTASY, VOLUME 1, which came out several years ago. Edited by David A. Riley and published by Parallel Universe Publications, it features eight stories, some by authors I’m familiar with and some by authors I’m encountering for the first time. The cover and interior illustrations are by Jim Pitts.

The book leads off with “The Mirror of Torjan Súl” by Steve Lines, a British writer and musician whose work I haven’t read before. It’s the story of an apprentice wizard sent by his necromancer master to an abandoned city in the desert to recover a mystical artifact of great power. Naturally, that abandoned city isn’t really abandoned at all. It’s full of dangerous creatures out for the protagonist’s blood, and he has to battle through them only to come face to face with an even worse menace as he tries to carry out his mission. To me, this story reads as if it were influenced quite a bit by the work of Clark Ashton Smith. I’ve read and enjoyed a few of Smith’s stories, but I’m far from being any sort of expert on his work. “The Mirror of Torjan Súl” reminds me of it, anyway. And I found it to be a pretty enjoyable yarn, too, with plenty of action and a satisfying ending.

I’ve read several stories by Steve Dilks and enjoyed every one of them. His novella “The Horror From the Stars” is another tale of Bohun, the black warrior from Damzullah I first encountered in NEITHER BEG NOR YIELD. This story takes place before that one in Bohun’s adventurous life, but that didn’t affect my enjoyment of it. Bohun’s search for his missing wife takes him to a sinister city in the desert, after he survives a deadly sandstorm, and what he finds there is even worse. Lots of bloody, eldritch action with an indomitable protagonist, told in a colorful style that races along. This is sword and sorcery in the classic mode and very well done.

I was aware of Susan Murrie Macdonald’s Western stories but didn’t know she also writes fantasy. Her short story in this volume, “Trolls Are Different”, is a very well-written, entertaining yarn about how a hearthwitch and a troll shaman deal with a threat to the land where they live. It’s light on the world-building but has plenty for the reader to understand what’s going on, and the characters are all likable. This is only borderline sword and sorcery—there’s a little sorcery (on-screen, so to speak) and a battle (off-screen)—but it’s a very enjoyable story no matter what you call it.

At first glance, “Chain of Command” by Geoff Hart is a gender-swapped Fafhrd and the Grey Mouser yarn, as female warriors Freya (big, good with a sword) and Mouse (little, quick, also good with a sword) are hired to accompany a couple of sorcerers to a lost city in a dangerous desert created by wizardry, on a quest to recover a mystical artifact. Geoff Hart, another writer new to me, readily acknowledges the Fritz Leiber influence in this yarn and spins his tale with such enthusiasm and skill that I had no trouble accepting Freya and Mouse as good characters and protagonists in their own right. This is another one in the classic sword and sorcery style, and a very good one, too.

Like “Trolls Are Different”, Gerri Leen’s story “Disruption of Destiny” doesn’t appear to be traditional sword and sorcery at first glance. It’s about a woman who’s a seer and sorcerer and her ability to take someone’s destiny and give it to someone else through a magical rite. In this story, that’s a soldier who’s fated to die in battle. So it technically fits the definition, although there’s no real action in the story. It is, however, superbly written, poignant, and very moving and satisfying. I know I’m burying the lede here, as they say, but this is a wonderful story. I’d never heard of Gerri Leen, but I’ll be on the lookout for her work.

Eric Ian Steele is another writer new to me. His story “The City of Silence” is about a former king who renounced his throne due to a terrible tragedy and now roams the land in silence as an adventurer. His only companion is the wizard who was his chief councilor. The two of them come to what seems at first to be an abandoned city. There are people living there, but they soon discover the population is under the heel of a supernatural menace. This is another terrific story with a couple of great protagonists, and I hope to find more by Steele.

This volume wraps up with two stories that didn’t really connect with me. “Red” by Chadwick Ginther is about a female warrior searching for her brother, who has been kidnapped for nefarious purposes by a sinister cult. “The Reconstructed God” by Adrian Cole (whose story in NEITHER BEG NOR YIELD I liked a lot) is about a magical familiar that has lost its master. Both are well-written with interesting characters, and I can’t tell you why they just didn’t resonate with me. It’s always possible that I just wasn’t in the right mood for them.

Overall, I found this volume to be really good, and if you’re a sword and sorcery fan, I think there’s a good chance you’d enjoy it quite a bit, too. I’m definitely planning to read others in the series. This one is available in paperback and e-book editions on Amazon.

Neither Beg Nor Yield - Jason M. Waltz, ed. (Part 5)

This is the fifth and final batch of reviews of stories from NEITHER BEG NOR YIELD, the new sword and sorcery anthology from Rogue Blades Entertainment and editor Jason M. Waltz. The previous installments of this series can be found here, here, here, and here.

In most anthologies, collections, pulps, or any bunch of stories that I read, there’s usually at least one that I bounce off of, which is not to say that they’re bad stories, just ones that don’t appeal to me personally. This has finally happened in this anthology with “The Last Vandals on Earth” by Steven Erikson. This tale of a small group of Vandals being pursued by and battling enemies in Africa is written in an elaborate, highly distinctive style that just doesn’t resonate with me. I suspect some of you would really like it, so don’t go by me. But I didn’t care for it.

“The Barbarian’s Lawyer” by Lawrence A. Weinstein is just the opposite. It introduces two excellent characters, the barbarian called Blazgorn and Cynric Magsen, the lawyer who defends him before the High Arbiter when Blazgorn is accused of stealing treasures from the mansion of one of the city’s most powerful nobles. Doing humor in a sword and sorcery tale is a tricky proposition, but Weinstein manages quite well, prompting a number of smiles and one out-loud laugh from me while I was reading the story. But at the same time, he also gives us some very effective action. This is a wonderful story, and I’d love to see more of these two characters.

Last year, the first novel in Howard Andrew Jones’ Hanuvar series, LORD OF A SHATTERED LAND, was one of the best books I read. I have the second book, THE CITY OF MARBLE AND BLOOD, but haven’t read it yet. I was very glad to see Jones and Hanuvar in this volume, as well. For those who haven’t yet made his acquaintance, Hanuvar is sort of an alternate world version of Hannibal (although that’s really too simplistic a description). His goal is to locate the survivors from his conquered country, Volanus, who have been scattered all over a world ruled by the Dervan Empire (think Rome) and get them to a safe sanctuary. In “Reflection From a Tarnished Mirror”, he runs up against an unusual threat to his quest, and as usual, Jones spins a well-written, compelling yarn. I’m not sure where in Hanuvar’s saga this story takes place, exactly, but it’s a strong reminder that I need to get around to reading that second book.

Finally, we have “Maiden Flight” by Adrian Cole. This is the first adventure of Ulric Wulfsen, a Viking raider who has a strange and dangerous encounter on a corpse-littered battlefield that leads to an epic confrontation and a poignant, very effective ending. I’ve been aware of Adrian Cole’s fiction for decades but have never read anything by him as far as I recall. This is a very good story and a near-perfect way to wrap up the anthology.

Looking back, I have some definite favorites among the stories in this volume. The top rank, for me, consists of the tales by Steve Dilks, Chuck Dixon, Keith J. Taylor, David C. Smith, Eadwine Brown, Jeff Stewart, Lawrence A. Weinstein, and Howard Andrew Jones. Four out of those eight authors are ones I’d never read before, and that’s one of the great appeals of a book like this, introducing the reader to new authors, or at least, authors they’ve never read before. I’ll definitely be looking for more work by several of these gentlemen.

In the meantime, if you’re a fan of sword and sorcery, I give my highest recommendation to NEITHER BEG NOR YIELD. Even though it’s relatively early, I have no doubt that it’ll be on my Top Ten list at the end of the year.

Neither Beg Nor Yield - Jason M. Waltz, ed. (Part 4)

We’ve reached the fourth post in this series of reviews of the stories in NEITHER BEG NOR YIELD, the great new anthology of sword and sorcery stories from Rogue Blades Entertainment. The previous posts can be found here, here, and here.

Eadwine Brown is a new author to me, and his story “Vengeance, With Wind and Tide” features a new character he’s introducing, a female pirate named Azirah. She and her crew set out to find an island with a mysterious tower located on it, that tower being the stronghold of the sorcerer who is responsible for the deaths of another crew of pirates. Azirah wants vengeance on this sorcerer, as well as whatever treasure she and her followers can find. This is just a superb story, written in a style reminiscent of Robert E. Howard, with plenty of action, a strong protagonist, and a vividly realized setting. As I was reading, I thought, “You know, Brown could have sold this to WEIRD TALES in the Thirties.” That’s pretty high praise.

“Isekai Sengokumonogatari” is by one of the big names in the genre, Glen Cook. Like C.L. Werner’s story earlier in the book, this one is set in an alternate version of feudal Japan, complete with spider demons. Also like Werner’s story, I was predisposed not to be too fond of it, but Cook won me over just like Werner did and I enjoyed this tale of a young warrior who picked the losing side in a war. Hired to accompany a mysterious and somewhat sinister old man and three noble orphans on a journey to deliver the children to relatives, our hero Shinzutoro encounters considerable trouble and learns some things about himself and others, prevailing over all the dangers to his charges. It’s a fine story, as you’d expect from an old pro like Cook.

Jeff Stewart is another writer new to me, and his story “Bona Na Croin” is the first to feature Fergus Mac Ronan, a mercenary and adventurer in medieval Ireland. A violent encounter results in Fergus becoming a soldier for one of the local kings, and that plunges him into a war that culminates with the summoning of an ancient evil entity. This story has a bit of a GAME OF THRONES feeling to it with its betrayals, unexpected murders, and fiery sorcery. And it’s an absolutely terrific yarn. Fergus is a fine protagonist, the action scenes are very well done, and Stewart does a top-notch job capturing the grittiness of the setting. I really liked this one.

According to editor Jason Waltz, Steve Goble has been writing stories about the warrior Calthus for a long time, but both author and character are new to me. In “Virgins For Khuul”, Goble quickly gives us Calthus’s back-story: a mighty warrior once known as the Slaughter Lord, killed in battle many years ago, resurrected by wizards to meet a new threat, now a wanderer. When he comes across a plan by evil priests to sacrifice three hundred virgins to the vicious god Khuul, he teams up with an old enemy to put a stop to it. This leads to some apocalyptic action in Khuul’s stronghold inside a mountain. Colorful, fast-moving, and packed with action, “Virgins For Khuul” ends on an offbeat note that’s very intriguing, and I’m left feeling like I ought to hunt up Goble’s earlier stories about the character.

This is another strong group of stories and I’m looking forward to wrapping up my reading of NEITHER BEG NOR YIELD in the near future.  

Bêlit: Shipwrecked - V. Castro

BÊLIT: SHIPWRECKED is the latest entry in the series of Robert E. Howard pastiches published as e-books by Titan Books. Not surprisingly, it’s a prequel to Howard’s story “Queen on the Black Coast” and takes place before Conan meets the pirate Bêlit and becomes part of her crew sailing on the ship Tigress. In SHIPWRECKED, Bêlit is already a fierce, well-known pirate, but not even she can turn aside a terrible storm that damages her ship and casts it, her, and her crew ashore on what appears at first to be a rather idyllic island.

But of course, dangers lurk in the jungles and behind the waterfalls of this scenic location, and not everyone will get off the island alive.

I’d never heard of the author of this story, who’s credited as V. Castro, but according to the note at the end, she’s written several well-regarded horror novels. SHIPWRECKED has some strong horror overtones as well. The writing is good all the way through this story, and Bêlit is a strong protagonist, but for some reason this tale never really connected with me. Bêlit is a little too unsympathetic for my taste. I kept reminding myself that she’s a pirate; she’s not necessarily supposed to be sympathetic. But it didn’t quite work, and neither did the somewhat graphic sex, which seemed out of place in a Howard pastiche. Howard’s stories sometimes had plenty of sex implied in them, but when you were writing for the pulp market, most such things had to be implied and there was a limit to what you could put on the page. I realize this isn’t the pulp era anymore, but my approach to pastiches is that they should be written as if you writing for the same markets as the original author. Does that make sense?

But as always, that’s just me. Despite my complaints, I found SHIPWRECKED to be entertaining for the most part and I’m glad Titan is doing this series even though some of the stories don’t quite hit the mark for me.

Neither Beg Nor Yield - Jason M. Waltz, ed. (Part 3)

Today we’re moving on to my thoughts on the next four stories in NEITHER BEG NOR YIELD, the big new sword and sorcery anthology from Rogue Blades Entertainment. The previous posts in this series can be found here and here.

Author Phil Emery and his character Corlagh are both new to me, although in his afterword to this story, editor Jason M. Waltz mentions that the character first appeared in Emery’s stories all the way back in the Seventies. “Golden Devils of the Crypt” is a post-apocalyptic yarn, set on Earth after a nuclear war wiped out much of humanity and gave rise to many different types of mutations and monsters. In the void left by science, sorcery has arisen to rule much of the world. It’s an interesting setup and certainly works as a setting for sword and sorcery stories. Barbarian Corlagh and thief Norad team up with an “astromancer” to battle an even worse threat. It’s a story packed with color and action. However, I have to say it’s also the first one in this volume that wasn’t really to my taste. Emery’s style reminds me of Clark Ashton Smith and C.L. Moore, two writers whose work I enjoy but only in small doses. Your mileage, as they say, may vary, and I suspect it would for many of you. Don’t get me wrong, I didn’t dislike “Golden Devils of the Crypt”, I’m just not as enthusiastic about it as I have been the other stories so far.

Now, I have to pause and wallow in nostalgia for a few lines, so if you just want to read my comments on the next story, David C. Smith’s “The Undead of Sul-Atet”, feel free to skip on down and do so. As for me, I’m going back in my memory to the first time I attended the annual Robert E. Howard Days get-together in Cross Plains, almost thirty years ago. One of the other Howard fans there that day was David C. Smith. I immediately recognized his name as the co-author, with Richard C. Tierney, of several REH pastiche novels I’d read and enjoyed. We hit it off right away and had a long, enjoyable conversation that afternoon.

Jump ahead more than two decades to the year David C. Smith was the guest of honor at Howard Days, and when we started talking we picked up the conversation as if only a few weeks had passed rather than many years. He’s a great guy and a superb writer, and I was very glad to see that his character Engor (the protagonist of his novel ENGOR’S SWORD ARM) returns in “The Undead of Sul-Atet”. In this story, Engor unwillingly helps an old friend and comrade-in-arms make a deal with a demon, then leads his friend’s army into battle against a rival. The tale is told with a fine mixture of brooding intensity and bloody action, and Smith’s prose displays the sure-handed touch of a longtime master of the genre. This is just an absolutely terrific story, one of my favorites so far in this volume.

I’m a little confused about Frederick Tor. I think that’s a joint pseudonym under which several writers spin yarns about a thief and mercenary named Kaimer, who operates in a vast and sinister city known as Skovolis. In “The Shades of Nacross Hill”, Kaimer and two companions are in a huge cemetery bent on robbing some tombs when they discover that there are more things lurking there than the dead. As one of the characters puts it, the cemetery guards are there not to keep people out but to keep things in. I wasn’t sure about this one—it’s another tale that’s not exactly to my taste—but it won me over for the most part and I wound up thinking it was well-written and enjoyable.

Time for more nostalgia. Joe R. Lansdale is my oldest friend in the writing business, other than my wife. I started corresponding with him in the Seventies after seeing his address on a letter in a fanzine devoted to hardboiled fiction, THE NOT SO PRIVATE EYE. That was the same way I met Bill Crider and Tom Johnson, both sadly no longer with us. Joe and I have met in person many, many times, and there’s no more entertaining conversationalist in the world. So I’m biased about Joe’s work, and his story in this anthology, “The Organ Grinder’s Monkey”, is a wonderful tall tale about mechanic Greasy Bob, his weapon of choice, a wrench called Ajax, his sidekick Olo, and the car in which they can travel between dimensions/alternate universes/other realms/whatever you want to call them. It’s fast and funny, and if you squint your eyes and hold your mouth just right, it’s almost sword and sorcery. But you’ll have a good time reading it, that’s for sure.

So out of this set of four stories, we have one that’s pure, classic sword and sorcery and three that are varying degrees of offbeat. But they’re all good, and NEITHER BEG NOR YIELD maintains its momentum as a top-notch anthology.

Neither Beg Nor Yield - Jason M. Waltz, ed. (Part 2)

Last week, I reviewed the first four stories in NEITHER BEG NOR YIELD, the massive new sword and sorcery anthology from Rogue Blades Entertainment. This week I’m moving on to the next four stories.

I’ve read and enjoyed Steve Dilks’ Gunthar stories. His novella in this volume features one of his series characters I hadn’t encountered before, Bohun, a giant black warrior from a world that seems to be very loosely based on our own. “Harvest for the Blood-King” is set in an alternate version of Britain, which is ruled by a Rome-like empire called Valentia. Bohun and a Valentian soldier named Tibeirus are dispatched to rescue the son of a Valentian politician who has been kidnapped by barbarians that bear a resemblance to the Scots. Dilks doesn’t belabor the background or the world-building, though, a quality I’ve noticed in his work that I really like. He’s more about character and action, and he does a great job with both in this yarn. He’s written other stories about Bohun and I have to seek them out, because this one is excellent.

I’ve been a fan of Chuck Dixon’s work going all the way back to his great runs on THE SAVAGE SWORD OF CONAN, THE PUNISHER, BATMAN, NIGHTWING, and AIRBOY. In recent years he’s become a bestselling novelist with his Levon Cade series (Soon to Be a Major Motion Picture, as they say). His story in this volume, “The Stone From the Stars”, features a new pair of heroes, Hagen and Pilsner, a couple of mercenaries who find themselves on the wrong side of a war and have to strike out on their own. They wind up trying to save a wizard and his beautiful redheaded daughter from a monster summoned up by an evil necromancer. This story has some great action scenes and really races along, and Hagen and Pilsner wind up being very likable protagonists. I thought at first they might be a bit of an homage to Fritz Leiber’s Fafhrd and the Gray Mouser, but they’re actually very different from those characters and stand just fine on their own. This is a thoroughly enjoyable yarn.

John R. Fultz’s “Evil World” features a series character I hadn’t encountered before, an indomitable warrior named Gnori. This story begins when Gnori is a child and follows him as he becomes that fierce battler, giving the reader just the right amount of world-building as the story moves along but never sacrificing the pace and scope that give it an epic feel. This is the darkest story in the anthology so far, but it works very well considering the story that Fultz is telling. Another excellent tale.

Keith J. Taylor has been writing sword and sorcery tales even longer than Chuck Dixon. His series character Nasach the Firbolg, a reiver and mercenary in and around medieval Ireland, has been the protagonist of stories since the 1970s. In “Reckoning”, Nasach and some companions of his find themselves throwing in with a motley crew of pirates. The captain is married to a woman who may or may not be a mermaid, and he's convinced she can find a sunken treasure for them. Unfortunately for him, even though he doesn’t recognize Nasach, the Firbolg has an old grudge against him, and when the time is right, Nasach intends to settle that score. This is a wonderful story full of action and humor and color, and it’s very well-written. I haven’t read any of Taylor’s Nasach stories until now. I hope at some point there’ll be a complete collection of them.

Four more stories into the book now, and NEITHER BEG NOR YIELD hasn’t taken its foot off the gas. It’s picking up speed and getting even better. So far, this is a terrific anthology and I give it a very high recommendation. You can find the e-book edition on Amazon while the print editions are still in the works.

Neither Beg Nor Yield: Stories With S&S Attitude - Jason M. Waltz, ed. (Part 1)

At almost 500 pages and more than 180,000 words, NEITHER BEG NOR YIELD: STORIES WITH S&S ATTITUDE, from Rogue Blades Entertainment, is the biggest Sword and Sorcery anthology ever published. I’ll be going through it for the next few weeks, a few stories at a time, because with my age-diminished attention span, that’s the best way for me to tackle a big book like this.

First of all, I like the cover by M.D. Jackson, and the interior illustrations he provides are really top-notch. I like them a lot. The same can be said for “It’s Not Gentle”, the introduction by editor and publisher Jason M. Waltz, which does as good a job of nailing down the appeal of Sword and Sorcery as I’ve ever come across.

The first story is “Hunters and Prey” by C.L. Werner, which is set in feudal Japan. Now, I don’t mind admitting that I’m not fond of stories set in Japan, so I might have been inclined not to care much for this one. But Werner is an excellent writer and I enjoyed this yarn quite a bit. I mean, you’ve got an outlaw samurai (Shintaro Oba, one of Werner’s series characters), a disgraced samurai turned bounty hunter, and a spider-demon that lives in the caves inside a mountain. Put those three elements together and of course it’s going to be a good story! I haven’t read much by Werner and I need to read more. His work is very good.

Several years ago I read a collection of Kormak novellas by William King and really enjoyed it. I planned to read more, but somehow (remember that attention span I mentioned above?), that good intention slipped away from me. So I was happy to see a Kormak story in this book, and it's a special one indeed, an origin story of sorts that looks back over Kormak’s life and career as a Guardian, charged with seeking out evil and destroying it. “Prince of Dragons” has a nice elegiac feel to it, along with some good action and a strong protagonist. Once again I say I have to read more of Kormak’s adventures. Maybe this time I’ll actually do it.

“Suspension in Silver” by Eric Turowski features another series character I hadn’t encountered before, the giant, monster-hunting biker known as Irons. “Wait a minute,” you say. “The hero of a sword and sorcery story is a biker? Is he transported to some other realm or what?” Well, you may not have said that, but I thought it when I started reading this one. I’m sort of a purist when it comes to sword and sorcery, and I just wasn’t sure about a story set in what’s basically our world, although it does have werewolves roaming around in Fargo, North Dakota. But again, the excellent, action-packed writing won me over. If sword and sorcery is largely a matter of attitude, the position this anthology takes, then “Suspension in Silver” does indeed qualify. I’m still on the fence about that, to be honest, but is this a good story? Absolutely. I enjoyed it and would gladly read more about Irons.

John C. Hocking is one of my all-time favorite sword and sorcery authors. In “Soldier, Seeker, Slayer”, he introduces a new character, a mutilated former soldier named Creon whose right hand has been replaced by a mystical weapon. Hocking drops us down in the middle of things with very little world-building or explanations of what’s going on, but that’s all right. It becomes obvious pretty quickly that Creon doesn’t really know what’s going on, either. His mind is a jumble of memories—perhaps false—and uncertainty, but he knows he has a job to do and he’s going to do it. Hocking gradually gives us, and Creon, enough information to figure things out on the way to a very satisfying ending. This is an excellent story all the way around, as you’d expect from Hocking.

With these four stories, NEITHER BEG NOR YIELD gets off to a very strong start. I’ll be back in due time with reviews of the next few entries. The e-book edition is available now on Amazon, with print editions in the works.

Conan: The Shadow of Vengeance - Scott Oden

I’ve been looking forward to this one, and I’ll say right up front that Scott Oden’s THE SHADOW OF VENGEANCE, the latest entry in the new series of Robert E. Howard-related short fiction, did not disappoint. At all.

This novella is a direct sequel to Howard’s story “The Devil in Iron”, so, figuring my memory might need some refreshing, I took this opportunity to reread that yarn for the first time in a while. I wouldn’t put it in the very top rank of Conan stories, but it’s a really solid tale and ends with one of my favorite lines from a Howard story (or anybody’s story, for that matter): Conan says to Octavia, the beautiful blonde he’s rescued from the evil Jehungir Agha’s seraglio, "I'll burn Khawarizm for a torch to light your way to my tent."

THE SHADOW OF VENGEANCE opens three months later in Khawarizm, where an advisor to the late Jehungir Agha makes a deal with a group of mystical assassins to kill Conan and avenge the ruler slain by Conan. Unknown to him, Conan is making plans to carry out the promise he made at the end of the previous story and conquer the city. To do that, he plans to broker a truce between the Kozaks, the wild raiders of the steppes he currently leads, and the Red Brotherhood, his piratical former allies who sail the Vilayet Sea. (It occurs to me that if you’re not familiar with Howard’s work, you don’t have the foggiest idea what I’m talking about.)

These elements come together in what is the most Howardian Conan pastiche I’ve ever read. Oden captures the deft blend of deception and double-crosses that Howard often made use of in his stories. He nails not only Conan’s character but his physical description as well. One of the previous authors in this series described Conan as “hulking”. Well, no. Howard usually compares him to a wolf and emphasizes his speed and cunning as much as his strength. And Oden’s prose really reads like it could have been published in WEIRD TALES or some other pulp in the Thirties. It’s full of action and color and flows beautifully.

THE SHADOW OF VENGEANCE joins John Hocking’s BLACK STARLIGHT as the real highlights of this new series. I’d love to see both Oden and Hocking writing full-length Conan novels on a regular basis. I don’t know if that will ever come about, but if it does, I’ll be a regular customer, I can tell you that. In the meantime, if you’re a Howard fan I give my highest recommendation to THE SHADOW OF VENGEANCE. It’s just flat-out great.  

The City of the Black Flame - Steve Dilks

It’s back to sword and sorcery I go with “The City of the Black Flame”, the second novella in Steve Dilks’ GUNTHAR—WARRIOR OF THE LOST WORLD. In this one, Gunthar and two companions—a pirate who has a grudge against him and a female warrior—are hired to cross a desert and an inland sea and then penetrate an untamed jungle to a lost city where the secret of eternal life can be found. Along the way they pick up an ally, a mutant “reptiloid”, evidently part man and part snake and a further indication that these Gunthar stories are set on a post-apocalyptic Earth, long after some sort of nuclear war or disaster.

But as in the previous story, “Priestess of the Fire-Gods”, Dilks never allows his world-building and back-story to interfere with the headlong pace of the action. Gunthar and his companions face all sorts of dangers in the ruined city, which is a little reminiscent of Edgar Rice Burroughs’ Opar, and everything builds up to a pretty explosive climax. (The lost city is built next to a volcano, if that gives you any ideas.)

Gunthar is just a really likable protagonist, young and a little inexperienced but plenty tough. Dilks gives us a little more of his background in this story. The supporting cast is excellent all around, the villain is suitably despicable, and there are even a few poignant moments to go along with the slam-bang action. Dilks’ writing style is a blend of Burroughs, Robert E. Howard, Lin Carter, Gardner Fox, and John Jakes (the Brak stories). Reading these first two Gunthar stories has given me a real sense of nostalgia. This is sword and sorcery in the classic mold and done very well. It's available on Amazon in paperback and e-book editions.