PBF has a GTD comic out.

I love it︎︎♥︎

Entrevistamos a la autora gallega Emma Ríos, ganadora de un Eisner a mejor portada, centrándonos en la obra Mirror, su canto de cisne como guionista.

The illustrator Chris Ware surveys the work of Richard Scarry. This article from The Yale Review explores the thematic and artistic contrast between the works of the adult graphic novelist Chris Ware and the iconic children’s illustrator Richard Scarry, analyzing their respective depictions of society and anxiety.

: The Power Cut is a fanzine about The Power Fantasy

Hello Everyone! Despair’s End Terminal Namicha, my 58-page magical girl x robot scifi one-shot, is now COMPLETE!Here are all the parts in order in one handy-dandy post:||Part 1 || Part 2 || Part…

Interview with Claremont from a few years back on Psylocke’s body swaps over the years.

I’m a huge fan of the new Kwannon version of Psylocke.

One of my fave comics of all time. I got a random second hand copy of Marvels Universum that feature some of the Inferno issues, and later I read the entire run of Daredevil in digital, and then I had the Lone Stranger TPB (kind of a weird, unsatisfying TPB since it starts and end in the middle) and then finally the entire run in paper, old, super bad condition single issues that I’ve read twice so far and probably will many more. Nocenti really does have a lot of bad comics but this and The Seeds are both pure gold.

His relation with magic, psychedelic substances, ghosts and a chilling account of his friend Steve Moore’s last goodbye. (May/June, 2025)

Todd Klein published his book on lettering as a blogpost. Great idea!

Super interested in reading the book, too.

Covered was a blog from the late 00s where artists would redraw famous comic book covers and they’d be shown side by side.

I never managed to submit anything but I was reading along, I loved it. This one, a cover of Walt Disney’s Comics and Stories 211, was my fave.

Byrne has a lot of great comics but in each of these conflict instances I side with the GOAT Chris Claremont.

The Galactus solution was great by Byrne and built on, rather than invalidated, the original Lilandra story. But making the Doom that faced the X-Men (in that wonderful classic story) a robot!?!

Dinosaur Comics.

Why go somewhere that makes you unhappy even once — let alone dozens of times each day, logging on every time you have a free moment??

Text description if images aren’t coming through.

One day, Nancy and Sluggo were chatting online. Nancy wrote “I need you to give more of a response to the videos I send you than just a thumbs up or a laugh reaction. I’m serious here.”

This comic book, an adaptation of the Batman cartoon show in a tail-wagging-the-dog arrangement, was one of the forerunners of the “no-more-than-five-panels-per-page” style that’s now such a blight on all comics.

Don’t get me wrong; the series was actually good.

Alan Davis has posted a few example plot pages, including some Claremont ones.

Chris would then add final dialog after seeing the final art.

Claremonts ideas for what would’ve happened were so awesome.

It’s such a heartbreaking tragedy that the X-Men creative team couldn’t get along. I’m a huge Claremont fan and would’ve loved seeing his run go on and on. I did read X-Men Forever but he couldn’t use these ideas because they were too similar to what other writers had done. I’m gonna dig into Xtreme X-Men and X-Men the End. And then go back and reread his original run.

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