The Battle at Apache Pass

Apache chief Cochise (Jeff Chandler) resolves to make a treaty allowing his people to live in peace with white settlers. However, his hot-headed fellow leader Geronimo disagrees, and puts the negotiations at risk by embarking on a murder spree, incurring the wrath of his enemies.

A big moneymaker in its day, and its understandable why. It ticks all the boxes in delivering an engaging action western with plenty of conflict thrown in; the buildup to powder keg situation where Cochise has to fight against the cavalry - an Indian agent played by Bruce Cowling and Mescal Jack played by Jack Elam stir up an Apache war - is well done.

Jeff Chandler reprises his role of Cochise, whom he played in Delmer Daves' Broken arrow, and plays the role with dignity and command. John Lund is fine as the sympathetic cavalry officer. Susan Cabot and Beverley Tyler are ravishing.

A solid western with a beautifully shot location.

The Battle at Apache Pass is directed by George Sherman and written by Gerald Drayson Adams. It stars Jeff Chandler, John Lund, Bruce Cowling, John Hudson, Susan Cabot, Jay Silverheels, Gregg Palmer and Jack Elam. Music is by Hans J. Salter and cinematography Charles P. Boyle. A Technicolor production, the location's for the shoot were at Moab, Utah, with Arches National Park, Colorado River, Courthouse Wash, Ida Gulch and Professor Valley forming the backdrops to the story.

The film is a fictionalised account of The Bascom Affair of 1861 and the Battle of Apache Pass that occurred in 1862, the latter of which saw the Indians witness for the first time in the region an artillery attack by means of mountain howitzers. It deals in the events that led up to the battle and focuses on the in fighting between Chiricahua warriors Cochise and Geronimo.

Although both Chandler and Silverheels reprise their character roles from Broken Arrow 1950, The Battle at Apache Pass takes place prior to the events depicted in the 1950 movie. As solid as they come story wise, and with beautiful Technicolor scenery, Sherman's film is only really let down by not having acting gravitas in the American roles. Messrs Lund, Cowling and Hudson are OK, but the material needed more assured performers to play off of the excellent Chandler. On the feminine side Cabot does the best with what little she is given to do, while Beverly Tyler, playing a pretty important character narratively speaking, is just a pretty tug-of-war prop device. However, it's easy to look away from the lack of dramatic worth in the acting because Sherman's action set ups are very good, with the actual battle of the title brilliantly constructed in a rock formed valley, featuring reams of extras, lots of war-fare and the thunder of howitzers filling the ears. While Boyle's (Horizon's West/Tomahawk) photography is sumptuous and a credit to the cinematographer's craft. Salter's score, tho, is only standard fare, with familiar Redskin strains for the Indians and drum beat military thrusts for the Cavalry sequences.

A fine film to look at, with a more than interesting story driving it forward, it sadly, tho, needed more grit from a good portion of the cast. 6.5/10

The 1950s saw some improvements in the way Native Americans were being portrayed in movies. Instead of being just mindless savages, films began showing these people as people...and often people who were honorable and were forced by white society to fight. However, unfortunately, at the same time, studios continued the dreadful practice of having the lead Indians played by white folks in dark makeup...such as having the Jewish-American actor Jeff Chandler play the Chiracahua Apache chief, Cochise! Such casting was not unusual, as Chandler had perviously played Cochise in "Broken Arrow" and various other non-Natives played chiefs in various films of the day...including, of all people, Rock Hudson in "Taza, Son of Cochise"! Clearly this is a case of Hollywood taking two steps forward in its portrayal of the American Indians...and one step back!

Despite some VERY stilted language and Chandler playing Cochise, the film does have some very positive things about it. The warrior Geronimo, an important character in the story, is played by an honest-to-goodness Native (Jay Silverheels). The story, also, is very favorable towards these people and essentially puts the blame on some of the Indian wars on the whites...which was the actual case with Cochise and the so-called 'Battle of Apache Pass'. FInally, and most importantly, the film IS entertaining and exciting.

George Sherman was an old hand at B westerns due to his long stint at Republic, where he specialized in them. His experience shows in this tight little Universal B western. John Lund and Jeff Chandler are stalwart as, respectively, a cavalry officer trying to avert an Indian war and Apache leader Cochise. The cast is filled with veteran character actors, which is always an asset, and the action scenes are extremely well handled. Altogether a tight, enjoyable little western. Recommended.

And also a BROKEN ARROW sequel; in other terms one of those westerns for which the Indians were not the villains all the time. Splendid settings for the Universal Studios movie. It brings nothing new compared to other westerns of this kind, with more or less the same message. It is very well made, by a real professional George Sherman, a western specialist who began his career in the late thirties for Republic Pictures, in B westerns, as so many other B directors ( but in the early fifties), such as RG Springsteen, Harry Keller, Thomas Carr, whilst other directors like William Witney, in the early fifties too, proceeded their career, working for Republic Studios, still for the same kind of B westerns, after his highlight serial period, between the late thirties and forties. Awesome battle sequences, breathtaking moments for the audiences.