Forbidden

Saw 'Forbidden' as part of my Tony Curtis completest quest after being recommended many of his films here in the recommended for you section. It was not something that was intended initially but actually it has proven to be a generally worthwhile experience, even with a couple of missteps.

While there were and are better actors about and he didn't always look comfortable in his early films, Curtis was always immensely likeable and had a charming charisma with many good and more performances under his belt. The cover was also appetising and the story, while unoriginal, seemed really interesting. 'Forbidden' turned out to be a very good film, a good representation of Curtis in one of his better early roles and films.

'Forbidden's' somewhat unoriginal premise is obvious in some predictable plotting in spots.

Also, the Macau setting is more studio back-lot than authentic. Victor Sen Yung is a little wooden.

However, 'Forbidden' is stylishly and atmospherically shot and does look very pleasing. The music is also a good fit and works well as an energetic and ominous score on its own, the beautiful "You Belong to Me" (have found myself randomly singing that a lot around my flat recently on an irrelevant side note) is great to listen to, Virginia Rees sings it well.

The direction is more than competent while 'Forbidden' is snappily scripted and with some surprising twists, suspense and intrigue outweighing thankfully the derivative nature. The pace is always efficient, nothing's dull here. Curtis is a very amiable and charismatic presence, and he is well supported by Joanne Dru at her loveliest (their chemistry is charmingly amorous too) and a menacing yet subdued (not a bad thing) Lyle Bettger.

In summary, fun and well done film. 8/10 Bethany Cox

Even leftovers can be tasty. Rudolph Maté's Forbidden is a stir-fry composed of elements from several movies of the previous decade; Casablanca and To Have and Have Not are in the mix, but the dominant flavors are Macao and Gilda (on which Maté served as director of photography). And while there's nothing fresh about it, it staves off hunger for a feast of film noir – at least for a little while.

Tony Curtis comes to Macao, port of intrigue, on a mission: To locate Joanne Dru, widow of a slain Philadelphia gangster, and bring her back to America (she knows too much). Interests in the City of Brotherly Love chose Curtis because he and Dru were once a hot item; nonetheless, they had him followed by another operative (Marvin Miller, probably best remembered as the unseen John Beresford Tipton's secretary on TV's The Millionaire).

On his way into the Lisbon Club, which Dru's known to frequent, Curtis fends off a murderous attack on its owner (Lyle Bettger), who professes indebtedness and takes him back home to meet his fiancée – Dru. Jagged flashes of lightning alert us that the romance has rekindled. The rest of the movie relates Curtis' attempts to wrest Dru away from Bettger (who plays the George Macready role from Gilda).

There's many an expected slip ‘twixt cup and lip, however. Every clandestine conversation draws unseen eavesdroppers, bringing to mind Charlie Chan's sagacious warning: `Two ears for every mouth.' Thoughts of Chan also appear in the person of Victor Sen Yung, his #2 son in many movies, who plays the Dooley Wilson/Hoagy Carmichael role (from Casablanca and To Have and Have Not, respectively) as a piano player at the Lisbon Club who knows his away around the unknown Macao and puts himself at Curtis' disposal. But just when the imperilled couple think they're home-free, Bettger resurfaces with his shark's-maw smile....

Forbidden looks good, as one would expect from Maté, but it keeps a good pace as well (Maté's D.O.A. had to keep up with Edmond O'Brien's speed-walking, but his The Dark Past and Union Station had their longueurs). It breaks no new ground in the noir cycle, but, as a second-feature, it's decent enough.

Forbidden stars Tony Curtis and Joanne Dru, with an appearance from Marvin Miller (The Millionaire). The plot is a bit convoluted, but you have the usual romantic complications, the good guys and bad guys, and the inevitable Hollywood ending.

Tony Curtis is a bit raw here in one of his early roles; some of his lines are not really all that convincing, however, we overlook these problems because he is an easy protagonist to root for. Joanne Dru, on the ohter hand, is not all that appealing in her character, but since Curtis wants her, we give her a pass. Curtis pursues Dru for a fee paid by a gangster, so he is not lily white clean, but we find out why later in the film. A watchable late nite film.

A gangster (Alan Dexter) sends Eddie (Tony Curtis) to bring back another gangster's widow (Joanne Dru) as she knows too much information about Dexter's activities. Curtis traces her to Macao but he is also being followed by someone else (Marvin Miller), on the instructions of Dexter, to ensure that he sticks to the plan and doesn't double-cross Dexter. Curtis and Dru were once in love and the thinking is that Curtis can lure her back to the US. On his way to the Lisbon Club, Curtis saves the life of the owner (Lyle Bettger) who then invites him back to his house and gives him a job at his club.....guess who his fiancée is?.....

Bettger puts Curtis and Dru in awkward situations to see if they still love each other, and eventually, the chemistry between Curtis and Dru is re-ignited. From then on, the film becomes a question of how they will get together and escape Bettger and Miller. There are betrayals and misunderstandings before Curtis and Dru make a run for it.......

The pianist at the club (Victor Sen Yung) seems to have been put into a role to provide painfully wooden Chinese wisdom (coz thats what Chinese people do!). Apart from him, the acting is good and the film is enjoyable.

Although you recognize the set-up from "Gilda", it's the same story but in Macao instead of Buenos Aires, with Lyle Bettger for a night club manager without political ambitions instead of the megalomanisc James MacReady, with no Rita Hayworth but instead the much more ordinary Joanne Dru, and with a very young Tony Curtis chasing her to the ends of the earth, you will not be disappointed by this variation. The story is good and almost better than "Gilda", but the major plus of this interesting film is Victor Sen Yung as the pianist factotum, who knows everything and everyone and is a genius. In general, the dialog is thoroughly intelligent and enjoyable in this film. There is not much cinematography, the settings are rather cheap like in a low budget B feature, but nevertheless it is worth watching - especially for the very exotic story with its consistently tightening suspense.