Good Morning, Miss Dove

I now know that they were definitely the biggest and best influences on my life as a young man. I watched this movie in tears most of the time, and yet enjoyed it immensely. Now I'll buy it for my own children and grandchildren - simply because when they reach old age, they too should look back and realize just how important {a good teacher} was to your life.

A favorite moment - Miss Dove (referring to the town policeman, whom she -of course- had taught when he was a young student): "William Holloway started out with a gift rarer than mathematical genius or perfect pitch. A child in whom the ethical instinct was as innate as the function of breathing." A cop. He knew, he's always known - because of Miss Dove.

God Bless You teachers, each & every one of you. It truly is - a calling.

CORNY BUT ENJOYABLE story of a strait-laced, stern disciplinarian schoolteacher who has her entire small town cowed, and how she got that way. "Terrible" Miss Dove's vocabulary and diction are so high-flown and stilted, I fear it would sound like a foreign language to today's audiences. "Allow me to convey my felicitations!" She always wears a hankie pinned to her jacket, and makes the students wear one too. Elementary school was rugged in those days. We never find out Miss Dove's first name, and she never calls anybody by a nickname, saying "Will-i-am" instead of "Bill," for instance. -

Jennifer Jones gets to do some acting in her scenes with Miss D as a 19-year-old. Stereotypes practically monopolize the supporting roles, Chuck Connors is an Irish cop, black servant, blonde floozy, they're all there. Miss D has little sympathy for a woman pregnant out of wedlock. Robert Stack is his usual confident self. There's even a Dead End Kid type who escapes from prison to see his beloved teacher--twice! The lone Jewish kid becomes a big-time Broadway playwright. It goes on and on. -

In my home town, there was a high school teacher much like this, Miss Stafford, who had the whole town in an iron grip of fear. When she retired, they had a big party for her, in the football stadium! And gave her a new car! So the story isn't so far from reality. -

The photography, in Cinemascope, is gorgeous. The story is told mainly in flashbacks, so don't go to sleep or you'll wake up confused. It's worth a look for fans of popular culture of the mid-twentieth century, and for those who are always whining about how there aren't any "likable characters" in a movie. No surprises here, all these characters are just what you expect, not scary at all.

"Good morning, Miss Dove" was a major and pleasant surprise to me. I expected an over- sentimental, although well-made, movie. On the contrary, I discovered that there is a subtext of sense of humor, and the many psychological subtleties and finesses are even more relevant than sentimentalism. Of course, I do not deny that I was deeply touched by this extraordinary, wonderful woman, Miss Dove.

Miss Dove is the essence of the movie, and even the sense of humor is based on her. Her pride, her aloofness, her deep conviction to be always right, her refined, elegant and slightly ironic way of talking that never weavers, not even in dire straits, make Miss Dove a comic character, in some sense. And we see that she looks at her own over-the-top strictness with a dose of self-irony.

Miss Dove's mission as a teacher is based on a steel principle: all her pupils are equal. Any partiality is just inconceivable. Actually, she cannot help to have a particular love for some of them, especially for Bill. When, after his service in the Marine Corps, the grown-up Bill says to Miss Dove that he wants to use his saved money to complete his studies, she plainly hides her inner joy. Why? Clear: to show joy, even much time after the school-years, would mean to be partial toward her "William" (a delightful, even poetic subtlety is that Miss Dove never calls the kids by nick-name). However, at the hospital she finally affords herself to show a preference. She asks all her flowers to be distributed to the other patients, and she just takes in her room the flowers sent by her beloved, favorite "son" Bill.

Miss Dove is a genius of psychology. The equal-for-all discipline is the canvas where she paints with masterly touches. She never preaches, her own behavior shows the right way. When she sees that the little Jewish Maurice is ill-used by the other kids, she doesn't utter a (probably useless) sermon on xenophobia. She just asks Maurice to accompany her, helping to bring her books, thus showing to everybody how much she cares for the little stranger. Then it's up to the kids to understand the lesson. This episode is related to a beautiful finesse of the movie. We see Mr. Levine, Maurice's father, terribly upset and worried at Miss Dove's illness. Thus we get that, less fortunate than his son, Mr. Levine has long experimented the horrors of anti-Semitism in Europe. So he is fully aware of and grateful for Miss Dove's precious job, even more than his son.

Another great psychological job is the way Miss Dove, talking with Bill, praises Billie Jean's skills and humanity as a nurse. That's enough for Bill to learn the lesson, that is to overcome his prejudices (which coincide with her own prejudices; so, after all, even Miss Dove has something to learn). Particularly poignant is the shy, humble admiration and love paid by Billie Jean to her former teacher. That is mirrored by the nurse's naive attempts to imitate Miss Dove's elegant talk and perfect poise, which give rise both to fun and to emotion.

Some characters are conventional, others are not fully convincing, like that of the gangster Makepeace. However, this guy is instrumental in showing that Miss Dove never condemns the human being. The film is permeated with positive messages: patriotism, dignity, respect, honor, love for learning, sense of community, gratitude. I will be the very last to be displeased by that. Sometimes the sentimentalism is far-fetched. I consider it a minor fault of the movie.

Jennifer Jones as Miss Dove is just sensational. The remainder of the cast works very well, especially Peggy Knudsen as Billie Jean, in my opinion.

Let me conclude remarking a great poetic image. The little girl, from the top of the tree she has climbed (a wonderful symbol of innocence and freedom), stares with a stunned look at Miss Dove carried away by the priest and the doctor. What's up? The indestructible teacher has something wrong? Impossible...

Like the people of Liberty Hill, we all love Miss Dove, this wonderful woman, this mother of one thousand children. To enjoy this extraordinary character, I strongly recommend "Good morning, Miss Dove".

I only discovered this movie about 18 months ago when I saw it on TV. I really enjoyed it and have seen it a couple of times since. it is sentimental and very simple in its construction. That is not to say it is not emotionally effective. I am an ex-teacher who always had a good relationship with the kids I taught (though not as authoritarian as the Miss Dove of the title. Each time I see it I find myself more affected than the last time, to the extent of blubbing like a baby at every emotional scene!! It is a very dated movie and the performances, though honest and direct, are not Oscar-winning. I was surprised to see Chuck Connors do justice to his part as a hardworking cop who dragged himself up from poverty-stricken childhood to upstanding adulthood. Jennifer Jones, as the star of this film acquits herself well as Miss Dove, a fearsome and legendary primary school teacher. She is respected and loved by the people of the town (as she has taught most of them or their children). She is taken ill and through flashbacks we learn about her life, career and relationships. Movie-making as it used to be- not a blockbuster but a solid story well told.

Frances Gray Patton wrote this beloved novel of a small-town spinster. She is a determined woman, one who turned a wrecked life and an enormous family debt into a reason to teach generations of New England young people the virtues of going-through-the-pain to get the gain. The theme of this film is the positive effect of her rough-hewn self-assertiveness training on her students. Jennifer Jones plays the schoolteacher, from youth to old-age, and very winningly. The film was directed by veteran Henry Koster. Others in the very large and amiably charming cast include Robert Stack, fine actor Robert Douglas, Kipp Hamilton, charismatic Peggy Knudsen, Chuck Connors, Jerry Paris, Mary Wickes, Leslie Bradley, Marshall Thompson, Biff Elliott, Richard Deacon and many more. What happens in the story is that Miss Dove falls ill one day during class and has to be carried from her students and taken to the hospital. The town's generations, all taught by this remarkable woman, react; some come from far away or start stopping by the hospital for news; and this leads to a flashback of how her life's course was changed by her father's money problems and the desertion of her by her erstwhile suitor; how she then vowed to pay back every cent of her father's debt, though she was not personally responsible; and how she began teaching school and has gone on doing so. This intelligent, heart-warming and thought-provoking story has a climax in her medical crisis and a happy ending; it is not perhaps a great film, but Miss Dove is very probably a great character, and one many can learn from long after the film has ended. Every element here is well-crafted and contributes to a surprisingly entertaining and most-believable presentation. Music is by Leigh Harline, cinematography by Leon Shamroy with contributions by Lyle Wheeler and many others. Cool and beautiful, and as fascinating as is the lady herself