Act One

Playwright Moss Hart delighted readers with his bestselling memoir of his early career. But when producer Dore Schary turned the book into a script after Hart's death, something got lost. This is a bland movie. While people interested in the literary scene of the 1920s will surely enjoy watching it, there's not much to enthrall the average viewer.

George Hamilton plays the young Hart, a talented guy with big dreams and little money. His close-knit Jewish family inspires him to push on with his writing career, but his equally penniless friends can sometimes be more discouraging than supportive.

After many disappointments trying to market his plays, Hart gets a foot in the door when the famed George S. Kaufman agrees to collaborate with him. But Hart soon finds that writing as part of a team can be harder than working alone. Jason Robards Jr., as the maddeningly eccentric Kaufman, is the best part of this movie.

"Act One" is about a man's struggle to come up with a good story to tell, but the story it tells is disappointingly weak. Especially in the early portion, it seems more like a series of anecdotes than a narrative. That may be because the film was adapted from a memoir, but a better writer than Schary might have been able to make it flow better.

Besides Kaufman, there are lots of real historical personages portrayed in the film, such as writers Dorothy Parker and Alexander Woollcott and actor Archie Leach, who would later become film star Cary Grant. But they come and go so fast that the effect is often more like name dropping than characterization. Some of them don't even have any lines. (Bert Convy does have a few lines as Leach, but he speaks them without a trace of a British accent.)

Despite its flaws, this picture will appeal to viewers who are really interested in the people and events depicted. Otherwise it's hard to recommend as entertainment. Though it gets considerably better, more intense, toward the end, I suspect that many people won't stay with it that long.

Although I recognized the name Moss Hart, I had to do some quick research to learn exactly why it rang a bell. I've never read the source material, so I can't comment on any correlation between the film and book. This review is based solely on my take on the movie in and of itself.

It pains me to write that this film is like drinking a glass of tepid water. It will keep you hydrated, but the impact on the taste buds is negligible. Just when I wanted to rate it a 5.1, something would bump it back to a 4.9. But then this is typical of a Schary project that never seems to rise above.

Hamilton does his best with what he has to work with. Robards isn't given much of a meaty role, but he delivers. I enjoyed Klugman's performance the most. Sylvia Straus, as Hamilton's mother, does a fine job, too.

What I like best about the film is that it does give a glimpse into just how hard it is to achieve major success in the entertainment industry, as told from the point of view of someone already making a semi-living in the business. The tales about an artist being plucked from obscurity and becoming an overnight, wildly successful sensation are fun but don't truly represent reality. Many, many people work for years and years and never witness the accolades due them, regardless of occupation.

This movie shows what happens if you don't give up. Unfortunately, it does so in an unforgettable, bland, and slightly boring fashion. Don't expect too much from it.

It's 1929. Moss Hart (George Hamilton) is a young struggling playwright in Brooklyn. He writes five serious plays but there is no taker. Joe Hyman (Jack Klugman) is his best friend and tireless supporter. He teaches a class where he befriends student Lester Sweyd (George Segal). Eventually, he comes up with a comedy about the transition into movie talkies. It attracts director George S. Kaufman (Jason Robards).

George Hamilton has a deliberate speaking style which gives the performance lesser intensity. He should be a desperate man but I only sense that in a couple of scenes. He's the opposite of the emotional acting of James Dean. There is a sense of staleness to the movie. The guys are doing some kind of Algonquin Round Table without the witty banter and sharp takedowns. It's an autobiography of Moss Hart but it could take some liberties if only to inject some drama into this dull production.

Moss Hart wrote one of the great books on theater, Act One, and here it's turned into a film starring George Hamilton as Hart.

The film also features Jason Robards as George S. Kaufman, Eli Wallach as a producer, George Segal as Hart's friend Lester, Sam Groom as a student, Ruth Ford as Mrs. Kaufman, Jack Klugman as a good friend to Moss, and Bert Convy as "Archie Leach," another friend, whom film fans know became Cary Grant.

The story goes from Hart's days as a young, serious playwright to the Broadway opening of Hart's first play, "Once in a Lifetime," co-written with George S. Kaufman. They became one of the finest Broadway writing teamsin theater history.

George Hamilton is a handsome man who has become a wonderful parody of himself and his tan in later years. He was never really much of an actor though he does an okay job here.

Someone certainly thought a lot of his looks here - he is photographed in closeup with a special light in his eyes, the kind designed for Dirk Bogarde in the '50s.

I don't know if Dore Schary, the director, had a limited budget or what, but casting Bert Convy as Cary Grant was such an insult to probably the biggest male film star of all time. Convy was nice looking, but he made no attempt at an accent. The problem is, it was too small a part to cast someone like John Gavin.

The rest of the performances were fine, but Jason Robards as Kaufman was a true standout. Wallach didn't have much to do.

The film has been criticized for being too sentimental. I didn't find it sentimental, I found it unexciting, when there's probably nothing more exciting than preparing a show for Broadway.

It's possible that the book wasn't really adaptable as a movie. It's hard to make writing exciting on screen. Hart was a huge talent who wrote some fabulous plays. I just don't think that somehow, his story made for an impressive film.

I am an actress and the book "Act One" is one of my favorites and a must-read for every actor, director, producer, etc. I know. The kind of book I re-read every 5 years or so. This movie was a disgrace. Although it had some good actors in it: Jason Robards, Jack Klugman, George Segal. Just awful and a slap in the face to the great Moss Hart. Bert Convy as "Archie Leach", a.k.a. Cary Grant and no English accent? What was that? Also, Moss Hart's family lived in grinding poverty and that was not shown accurately. The apartment they lived in looked much too nice. One of the many horrible things about it was the score! Intrusive, inappropriate, childish. Shame on you, Skitch Henderson!