Waco

Waco is directed by R.G. Springsteen and adapted to screenplay by Steve Fisher from the novel Emporia written by Max Lamb and Harry Sandford. It stars Howard Keel, Jane Russell, Brian Donlevy, Wendell Corey, Terry Moore and John Agar. Music is by Jimmie Haskell and cinematography by Robert Pittack.

Gunfighter Waco (Keel) is given a pardon from his jail term to go clean up the town of Emporia.

Released in 1966 but feeling like it belongs in an earlier decade, Waco is a poor Western. As most Western fans will tell you, the "B" Western has its place in the heart and can quite often bring enjoyable rewards when the mood fits, unfortunately Waco is bad film making all round. Everything about it is tired, it's like it's desperately clinging on to the glory Western days of the 50s but doesn't know how to grasp with any conviction.

Filmed in Technicolor and Techniscope, not that you will notice, from the very beginning where Lorne Greene sings a cheese sandwich theme tune, film plays out as some sort of amateur dramatics production. Keel thinks he's in a hard-boiled film noir and voices it as such, often resorting to auto-cue line reading, and Donlevy shows up after an hour looking awful and literally doing a cameo to pay for his next bottle of Rye. Russell doesn't fare much better, phoning it in and the most memorable thing about her input is her bullet brassier!

The action is poorly constructed, with the big shoot-out proving to be more along the lines of a Keystone Cops skit, Haskell's music is simply rubbish, while what interesting character threads are in the story are sadly given short shrift by the writers (for example Corey's Reverend is briefly noted to have been part of Quantrill's Raiders). There's a level of glib humour about Keel's performance that keeps it just about watchable, while his indestructible capabilities makes him come over as a Captain Scarlet of the West. But really he's never convincing as a tough mutha and that just about sums up what an out of time Oater this is. 3/10

1966's "Waco" opens with the powerful voice of BONANZA's Lorne Greene intoning the lyrics to the title song, an excellent choice to set things up for Waco, not the setting but the gunman played by Howard Keel, the new sheriff of Emporia, a lawless town in Wyoming. The folks have grown tired of violence playing out in front of the saloon of Joe Gore (John Smith), resulting in the death of previous lawman Billy Kelly (Richard Arlen), so the Mayor (Robert Lowery) has reluctantly agreed with leading citizen George Gates (John Agar) to allow the governor to pardon outlaw Waco to replace Kelly, having spent five lonely years behind bars. Gore knows how much the Jenner clan want to kill Waco (he killed one of the brothers years ago), but their attempted ambush is easily foiled, and saloon bouncer Bill Rile (DeForest Kelley) isn't a good enough shot to take him out. The one person who might be able to figure out Waco is his former sweetheart (Jane Russell), now the bride of a preacher (Wendell Corey), who himself used to ride with Quantrill but believes that a man can change. It's Waco's unpredictable behavior that maintains a high interest level, and better character touches than most Lyles oaters, with the best performance from Gene Evans as the ineffectual deputy reformed from his drunken state by Waco. John Smith, on the side of good on CIMARRON CITY and LARAMIE, is cast as the main villain, simply lacking the kind of menace the part calls for. DeForest Kelley, in the last of four Lyles Westerns, had been paying his dues in roles like this for over a decade, soon to achieve a legendary status as Dr. McCoy on STAR TREK. Among the baddies are Jeff Richards, in his final film (Howard Keel's costar in SEVEN BRIDES FOR SEVEN BROTHERS), Willard Parker, and Anne Seymour, pretty Terry Moore a delight as saloon girl Dolly, Brian Donlevy in a 'blink and you'll miss him' cameo for his third billing. Howard Keel would topline two more oaters for Lyles, "Red Tomahawk" and "Arizona Bushwhackers."

A.C. Lyles turned out another good geezer western with Waco starring Howard Keel a recently released outlaw from prison who's been hired to clean up a really bad town run by saloon owner John Smith and his hired gun DeForest Kelley. Keel is kind of hoping to take things up where they left off with Jane Russell, but turns out she's gone and married preacher Wendell Corey. That sort of disillusions him as he wavers back and forth between doing the job he was hired or resuming his old outlaw ways.

If it's action you want than Waco will not disappoint. Keel in the title role and we never do learn his real name because he probably was not born with that name, has a number of nasty fights and shootings. Besides Smith and Kelley, he's also got the Jenner family to contend with he killed one of them years ago. Willard Parker and Reg Parton are the remaining Jenner brothers and there's Anne Seymour, Ma Barker of the old west. In many ways, she's the one you'll remember from this film.

Waco's also a pretty adult western with such themes as infidelity lightly touched upon and rape of Tracy Olsen an integral part of the story. The final shootout in the town involves just about every member of the cast.

If you like western action you can't go wrong with Waco.

You might be surprised when you hear the film's title song as it's performed by Lorne Greene. Greene's style was odd--talking the lines more than singing them. But it was also very effective and he made some very well-selling albums during this era.

Like other A.C. Lyles productions during the 1960s, it's a 'geezer western'--a film starring lots of actors who were well past their prime--thus, inexpensive to cast. Few of these films were brilliant but they were consistently entertaining. In the case of "Waco", it features Richard Arlen (67), John Agar (45), Brian Donlevy (65), Howard Keel (47), Jane Russell (45), Wendell Corey (52), DeForrest Kelley (46), Gene Evans (44) and Terry Moore (37). Several of these folks were in MANY of Lyles' films (Arlen was in almost every one), as he seemed quite loyal to these actors.

The film begins in a town that's become more and more lawless. In reaction, Waco is sent there--even though he's a violent man with an awful reputation. I guess the thinking is that with the town in trouble, they have nothing to lose! Naturally, the evil element in town isn't about to fall into line with the arrival of this gunman. However, at each turn, Waco is able to get the better of the baddies. Will he continue to be THAT lucky throughout the film--especially when three groups of evil jerks band together to off the new sheriff? Throughout the entire film, Waco snarls and acts constipated--all the result of him learning that his girlfriend has married. At first you can understand that but after a while it became a bit tiresome and one-note. Even when the townsfolk offer to help him in his ultimate battle with the baddies, he's STILL a snarly jerk! It made little sense and got old. I also thought it strange that although Waco is supposed to be so tough, every time he beat up a baddie, he did NOT arrest them or hang them! What gives?! Some tough guy! It's a shame, as some of the other characters in the film were pretty interesting--such as the preacher, the deputy and that crazy lady with a shotgun! Not a terrible film but it sure could stand room for improvement! The best thing about the film? Greene's singing.

In this movie Keel is NOT a unloving-turned-loving Adam Ponifee nor a kind Wild Bill Hickok. Rather, he is about the meanest man anybody can find anywhere. He knows no bounds to treating people mean. Of course, in this particular movie he is the sheriff of a wild town which tries to be run by vengeful outlaws, outlaws who meet their match with him. The beautiful Jane Russell is superb as his love interest, but even she sometimes is frustrated with him. He is excellent in this role as the mean, no-nonsense marshal. A great acting feat for him. But I would hate to think for the people that knew him that he was ever this cold, hard, and mean!