How I Won the War

Take a movie like this. You may have heard somewhere that it was pretty bad. But, being an inquisitive sort, you visit IMDb first anyway. Here, you are greeted with plenty of reviews that tell you that it's not so bad - some even call it a masterpiece and a hidden gem.

Then, you watch it and the cold hard reality hits you - it's just not that good of a movie. The first half an hour seemed to take about four. Yes, there are "innovative" aspects such as tinting people and scenes differently, but ultimately this is cheap and adds little.

There are far better anti-war films of the same period. "How I Won the War" with a big star (Lennon) was made in 1967. Steve McQueen's "The Sand Pebbles" of 1966 is, although a much longer movie, an infinitely better anti-war film that managed to convey all of the same philosophical points as HIWtW (and more) and do it with subtlety, class, and genuine humanity.

The saving grace of HIWtW should have been comedy - absurdist or otherwise. The ingredients were there - war and military life are just asking for the application of ironic and observationalist British wit. Alas, while the characters spend most of the time speaking in that fast British way as if they were saying something as clever as, say, Monty Python or Fawlty Towers, what they actually say is substantially less interesting. Pity.

This film is not particularly worth watching.

Incompetent Lieutenant Goodbody leads a group of recruits who grow to hate their commander. They train in a mock up of WWI trench warfare. They land on North Africa to battle the Nazis. The biggest draw is John Lennon playing a supporting character. It's a surreal anti-war dark comedy. Director Richard Lester uses various methods including breaking the 4th wall and doing a faux documentary. I am often reluctant to rate foreign comedies when half of it is lost in translation. In this one, the thick British accents and unknowable foreignness make much of it incomprehensible. Mostly, it's not that funny. The bigger war footage is recycled while there are some smaller action. There is an anti-war message but it's a muddle of outlandish surrealism. On its most basic element, it's hard to follow and not that funny.

Although (unfairly) ravaged by critics at the time and so generally dismissed ever since, HOW I WON THE WAR is both a brilliant anti-war film and anti war film film (much more so than the usually heralded M*A*S*H). Filled with biting satire and brilliant performances from Michael Crawford, John Lennon, Roy Kinnear, Ronald Lacey, Michael Hordern and, well, the entire cast, HIWTW was perhaps a bit too odd for 1967 audiences who expected perhaps a more madcap adventure, but today it deserves not only a rethink - but a reissue on DVD. (Why this wonderful movie is not available on DVD (at least in the US) is yet another slap in its face.) Richard Lester and writer Charles Wood (who also wrote HELP! for the Beatles) have crafted a brilliant black comedy that easily stands with Dr Strangelove. It won't be everyone's cup of tea, granted, but if you forget your preconceptions and let it wash over you, you will be richly rewarded. RELEASE IT ON DVD!

An anti-war film in disguise... As a "fan" of war films but also a "peacenik" I love this movie. Aside from the fact that i am an overtly biased Beatles' fan this film is an intellectual riot. John Lennon co-stars with the star of Hello Dolly as members of a British military unit saddled with the ridiculous duty of building a cricket pitch during the invasion of North Africa! Filled with ironic black war humor, it suffers a little from the predictable muddle of most 60's films.

Something interesting to note is that John Lennon is first seen wearing his trademark round spectacles in this movie. Having been asked (for some reason) to wear the glasses for the film he continued to wear them for the rest of his life!

This movie is a must for all Lennon fans.

I seem to recall liking this upon its original theatrical release and certainly looked forward to seeing it again. My interest had been rekindled by a recent visit to Ameria, in Spain where the cast and crew retired to each day after filming in the nearby desert location, popularly known as 'mini Hollywood'. Unfortunately, although very well intentioned and in some ways hard hitting, for me the encouraged silliness of Crawford and others, now makes it a difficult watch. Undeniably famous for introducing the 'working class' spectacles to John Lennon and for being the time and place where he would compose 'Strawberry Fields Forever', there are at least lasting elements to a brave but flawed venture.