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5.5/10
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An inept British World War II commander leads his troops through a series of misadventures in North Africa and Europe.An inept British World War II commander leads his troops through a series of misadventures in North Africa and Europe.An inept British World War II commander leads his troops through a series of misadventures in North Africa and Europe.
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I just saw this film for the first time last Friday night at an American Cinematheque screening in L.A. I had pretty low expectations for it but was curious to see John Lennon in an acting role. You could see this film as a pre-cursor to M*A*S*H, but I think that's giving it too much credit.
In short, the film succeeded in meeting my low expectations. I've seen my share of British cinema and particularly a lot of Monty Python, which this film vaguely recalls, and this was a challenging film for me to watch in terms of understanding the humor, the language, and the slang being used by the characters. The bits of slapstick are good, but there aren't enough of them to save the film. Michael Crawford is really the star of the film, and I discovered that a little of him goes a long way. Ninety minutes of him is too much. As for Lennon, he's mostly a small supporting character, although he's given virtually equal billing with Crawford. If you saw Help! or A Hard Day's Night, you know a little about John's personality, and it shines through in the same way here.
I'd recommend watching this at home on video, where you can stop it and return to it if it gets tiresome, which it probably will. I understand that it's due for a DVD release sometime soon.
In short, the film succeeded in meeting my low expectations. I've seen my share of British cinema and particularly a lot of Monty Python, which this film vaguely recalls, and this was a challenging film for me to watch in terms of understanding the humor, the language, and the slang being used by the characters. The bits of slapstick are good, but there aren't enough of them to save the film. Michael Crawford is really the star of the film, and I discovered that a little of him goes a long way. Ninety minutes of him is too much. As for Lennon, he's mostly a small supporting character, although he's given virtually equal billing with Crawford. If you saw Help! or A Hard Day's Night, you know a little about John's personality, and it shines through in the same way here.
I'd recommend watching this at home on video, where you can stop it and return to it if it gets tiresome, which it probably will. I understand that it's due for a DVD release sometime soon.
Wow, it is not everyday that one comes across a right-wing essay on the IMDB as one of the posters did in regards t this film. First of all, I am delighted to have finally seen this. Aside from "The Royal Flash" and "Cuba," I believe I have seen most of Richard Lester's films which are of significance. I think too look at this film from a mere political pov is a mistake. It is a good statement first of all about how utterly ridicilous the war process is. Sure, there are awful people like Hitler and Mullah Omar, out there who threaten the world at large but by and large, the war process rarely leads to any resounding political solutions and long-term peace and understanding. I think even people who generally support their government's wars would agree to this sentiment. Lester does a brilliant job of poiting this out through the course of this film, and he is helped by some great acting- including a surprisingly brilliant John Lenon to achieve this great satire. Lester, who was actually born in Philadelphia, has a great sense of man's moral faults and he reflects that in this film, as well as in "Petulia"- which is considered to be his best film. I think Lester's genius can even be seen in his two most blatant commerical ventures, "Suprman II" and "Butch and Sundance: The Early Years" as well as the Beatles movies. He deserves more respect, and I think one day he just might get it.
'How I Won the War' has to be one of the most original, bizarre and imaginative war films ever made. I first saw it late one night as an impressionable kid and immediately was drawn by its unusual style and narrative. To have the film tinted in several different colours to show the stages of the war was both daring and cool. One gets the feeling of having witnessed something larger, more intimate and important than just a mere war movie.
There are no real heros in this film, certainly Michael Crawford and his troop are pretty cowardly and inept, whereas the Germans are depicted, in the raid on the fuel dump scene, as being content with religious service and a bit of soccer.
It is true that history is written by the victors and Michael Crawford's character, Goodbody, is one of only two survivers from his regiment. He proudly states at the very end of the film that he "won the war". Maybe he did, but his actions and his balmy enthusiasm show us just how idiotic war can be.
My favourite scene was the one with Goodbody and the German officer who befriends Goodbody for much of the film. Together, they talk about how cruel both the British and Germans are, and how the German officer has killed many Jews. Goodbody then talks about how he got his commission and why he is fighting. It ends with the German officer telling Goodbody that he (Goodbody) is a fascist. "Am I?", replies Goodbody, "but I don't particularly dislike Jews."
When the very affable German officer, who is attempting to surrender, is blindly run over by an advancing British tank, we know that in this war the good, the bad and the ugly become mixed up and inseperable.
I currently own a very worn out video of the film and am hoping it will be released soon on DVD here in Australia.
There are no real heros in this film, certainly Michael Crawford and his troop are pretty cowardly and inept, whereas the Germans are depicted, in the raid on the fuel dump scene, as being content with religious service and a bit of soccer.
It is true that history is written by the victors and Michael Crawford's character, Goodbody, is one of only two survivers from his regiment. He proudly states at the very end of the film that he "won the war". Maybe he did, but his actions and his balmy enthusiasm show us just how idiotic war can be.
My favourite scene was the one with Goodbody and the German officer who befriends Goodbody for much of the film. Together, they talk about how cruel both the British and Germans are, and how the German officer has killed many Jews. Goodbody then talks about how he got his commission and why he is fighting. It ends with the German officer telling Goodbody that he (Goodbody) is a fascist. "Am I?", replies Goodbody, "but I don't particularly dislike Jews."
When the very affable German officer, who is attempting to surrender, is blindly run over by an advancing British tank, we know that in this war the good, the bad and the ugly become mixed up and inseperable.
I currently own a very worn out video of the film and am hoping it will be released soon on DVD here in Australia.
An anti-war film in disguise... As a "fan" of war films but also a "peacenik" I love this movie. Aside from the fact that i am an overtly biased Beatles' fan this film is an intellectual riot. John Lennon co-stars with the star of Hello Dolly as members of a British military unit saddled with the ridiculous duty of building a cricket pitch during the invasion of North Africa! Filled with ironic black war humor, it suffers a little from the predictable muddle of most 60's films.
Something interesting to note is that John Lennon is first seen wearing his trademark round spectacles in this movie. Having been asked (for some reason) to wear the glasses for the film he continued to wear them for the rest of his life!
This movie is a must for all Lennon fans.
Something interesting to note is that John Lennon is first seen wearing his trademark round spectacles in this movie. Having been asked (for some reason) to wear the glasses for the film he continued to wear them for the rest of his life!
This movie is a must for all Lennon fans.
I seem to recall liking this upon its original theatrical release and certainly looked forward to seeing it again. My interest had been rekindled by a recent visit to Ameria, in Spain where the cast and crew retired to each day after filming in the nearby desert location, popularly known as 'mini Hollywood'. Unfortunately, although very well intentioned and in some ways hard hitting, for me the encouraged silliness of Crawford and others, now makes it a difficult watch. Undeniably famous for introducing the 'working class' spectacles to John Lennon and for being the time and place where he would compose 'Strawberry Fields Forever', there are at least lasting elements to a brave but flawed venture.
Did you know
- TriviaThis was the first time John Lennon wore his soon-to-be-trademark granny glasses in public.
- GoofsWhen Goodbody lands on the beach, he eventually comes across rows of helmets with black capercaillie feathers, representing a military graveyard, with a French flag at half-mast. No French troops wore helmets like this, but the Italian Bersaglieiri did.
- ConnectionsFeatured in Film Review: Film Review (1967)
- SoundtracksAuf Wiedersehn, Sweetheart
(uncredited)
Written by Eberhard Storch, English language lyrics written by John Turner and Geoffrey Parsons
Performed by Vera Lynn With Soldiers and Airmen of Her Majesty's Forces
- How long is How I Won the War?Powered by Alexa
Details
- Runtime
- 1h 49m(109 min)
- Color
- Aspect ratio
- 1.66 : 1
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