If It's Tuesday, This Must Be Belgium

Comedy about a group of Americans on a 18 day (I think) tour of Europe.

Unlike some previous posters, I've never been to Europe, so watching this film was not like reliving old memories. On its own, this was a very pleasant movie. The script is not bad and the jokes are pretty funny. There are some real groaners too, but the good ones far outweigh them. And the cast is full of talented character actors giving their all.

The movie basically concentrates on a romance between the tour guide Charlie Cartwright (Ian McShane) and tourist Samantha Perkins (Suzanne Pleshette). Usually romance subplots in comedies are the kiss of death, but this one works. McShane is very handsome and Pleshette incredibly beautiful; the dialogue is well-written; they both give good performances and they have great chemistry with each other. It also is a good excuse to show all the romantic places in Europe (this was shot on location). And the romance has a surprising, realistic ending.

Another point of interest is an 18 year old girl Shelly (Hilary Thompson) meeting a guy her age Bo (Luke Halpin). Their fashions are VERY 60s and the dialoge is SO old-fashioned...but it's all interesting. Also a visit to Canaby Street in London (which was the place to be in the late 60s) is visually fascinating. Also Murray Hamilton's one liners throughout the movie are frequently hilarious.

They visit London, Holland, Germany, Switzerland, Italy, Venice and end in Rome. I saw a widescreen print on TV in strong color and the movie just looked beautiful. Sometime it was like seeing a travelogue but an INTERESTING travelogue.

It's not a great movie but a pleasant one. You could do worse! Recommended.

What makes this 1969 movie so entertaining is the collection of character actors who are given an opportunity to showcase their talents. Lots of little stories about a group of American tourist who are essentially barnstorming their way through Europe on a tour bus make up the plot. Each one of them has some special experience in one of their many tour stops.

This is one of those movies that can be watched over and over and never gets old. It is doubtful that a film like this could be made now because there just doesn't seem to be the same kind of character actors today who could appear and deliver in small scenes like the performers in this movie do.

Well when I last saw this one I was wearing Green check trousers and an Orange nylon jumper. Got to be at least 25 years. Ouch. But this one has worn rather better than me.

From memory I was expecting a sort of American Carry On movie - and I suppose this isn't a bad comparison. But the jokes are still funny - quite sharp infact at times. The acting isn't too OTT - no Kenneth Williams mugging here - and the scenery of an as yet unspoilt Europe was a nice reminder of what Europe used to be like.

Yes - the plot is pretty 'souffle' (light, sags in the middle) - but Ian McShane holds it together. Infact , both me and the wife were at a loss as to why I.M. never made it mega-big. He had a lot going for him back then, and he's aged well.

Worth a watch - should bring back some memories for any who first got to know Europe on a coach tour (Wallace Arnold as in my case).

The film is not a cinematic gem, but a bit of enjoyable 60's fluff.

It rolls along at a pace and doesn't let up, much like the tour party visiting the European cities. Unfortunately there is not too much about the actual places, but that's not why we are watching this film.

The ensemble of actors all work well, although I'm not too sure about the cameo roles. For example, blink and you'll miss Senta Berger, Joan Collins, John Cassavetes, Ben Gazarra and so on, but then again, that's the fun perhaps.. As the for the main parts, I thought Suzanne Pleshette was the best, trying to resist the attention of the tour guide (Ian McShane), who has a "girl in every port" but others actors were worthy contributors too.

If you want a 60's film then this just about hits most bases, with clothes (Carnaby Street), Music (including Donovan for one tune), light heartedness, a few hippies (sharing a smoke), love interest (without nudity), old vehicles etc. Your choice. Me? I enjoyed the ride/tour, and was exactly what I was looking for.

This was a big studio attempt to tap into the counter-culture movement. It attempts to be satiric, ironic, quirky, and off-beat. And it succeeds much of the time. The direction, editing, and sound can be witty, playing with the subject matter, situations, and setting. The comedy doesn't always work, the pace drags in places, and the characters get tedious at times riding their respective hobby-horses. But there's a lot of fun on the way, and a decent love story between antipathies, played by Suzanne Pleshette, and Ian McShane. You'll also see a lot of faces more familiar to you from TV of the era and succeeding decades. In the end, the movie does manage not to be bound by conventions of Hollywood storytelling. To know what I mean, you'll have to watch it all the way through yourself. Just know some of these 60s counter-culture films worked and some didn't. Those that didn't usually had one foot in the production code era and one foot in the cultural revolution that had not yet hit the suburbs yet, with a script seeming to be at war with itself. This is one film that worked and did not have these problems.