Norwood

Some of the people from in front of and behind the camera of True Grit bring us this easy going country story starring Glen Campbell and Kim Darby. It's not quite in the same caliber as True Grit however.

Glen Campbell is returning from Vietnam to his home in the metropolis of Ralph, Texas which is a stone's throw from the Arkansas border. He goes his separate ways from Joe Namath a fellow Marine and returns home to his sister Leigh French and drip of a brother-in-law Dom DeLuise. Glen is never without his guitar and never turns down a song request. However he'd like to make a living at it and hopes to get a big break on the Louisiana Hayride country radio show, a rival of sorts to the Grand Ole Opry.

After that it's an episodic adventure with him delivering a stolen car from conman Pat Hingle to New York, of course Glen doesn't find out it's stolen until he's on the road. During the course of the film he gets involved with would be actress Carol Lynley, hippie chick Tisha Sterling, and eager young bride Kim Darby. Guess whom he winds up with.

Glen's singing of several country/western ballads makes the film easy to take and glosses over a lot of his lack of acting ability. Had he come along thirty years earlier Campbell might have been a good singing cowboy star, but those days have passed. No real plot in Norwood just a series of incidents on his journey to New York and back.

Whatever else it is Norwood is not True Grit, but Glen Campbell fans might like it.

After the success of TRUE GRIT, Glen Campbell and Kim Darby re--teamed for this lighter than air comedy, like TRUE GRIT based on a Charles Portis novel but definitely more of a homespun Andy Griffith-hayseed type flick. The novel was set in the 1950s, so some of the plot devices play like wheezing cliches (e.g., the story's uninteresting pregnancy flap and some of the relationships are straight form TV sitcom land). Yet, a lot of the dialog from the novel made its way into the movie and that makes for some good humor. Carol Lynley practically steals the movie in her brief cameo, and Dom DeLuise has some of the best shtick on view. Campbell is good natured and sings a few decent Mac Davis tunes. He is so like the Norwood character, so typecasting helps here. Darby is wasted. Pat Hingle has a few good moments but Tisha Sterling and Joe Namath are embarrassments. Meredith Macrae makes an impression, but like so many characters in this episodic fiasco, she is buried under the hokum. You could do worse if stuck with nothing to watch in the early morning hours.

This movie from Charles Portis' novel starts out ok with Glenn Campbell's return to his hometown and some amusing stuff with his obnoxious brother in law and the always oleaginously wonderful Pat Hingle as a con artist. But, paradoxically, as soon as this road picture goes on the road things start to get drained of interest and it is hard to pick a Most Boring among the three girls with whom the title character gets involved; Carol Lynley as a bad tempered, small town floozie, Tisha Stirling as a cynical hippie or Kim Darby's good natured country gal. Campbell's performance is serviceable at best and throughout the film director Jack Haley Jr and screenwriter Marguerite Roberts, the later of whom did such a good job adapting Portis' "True Grit", lays the hick schtick on thicker than congealed Crisco so that you feel at times like you're watching "Petticoat Junction: The Movie". Bottom line: Read the novel and get Portis' quirky insights without all the stupid Hollywood crap, like Central California standing in for Tennessee and being asked to buy Dom De Louise, with his Brooklyn accent, as a Nebraskan. Give it a C.

Hillbilly comedy casts Glen Campbell as Norwood, a U.S. Marine returned home from service, who finds life changed--and not for the better--in his Texas hometown. He has his sights on playing guitar and singing country music for a program called the Louisiana Hayride, and travels cross-country to New York City for an audition (this section of the movie, with Norwood in a cowboy hat walking the big city streets, feels like a G-rated version of "Midnight Cowboy"). The details in this scrubbed-clean scenario aren't rich and the characters Norwood meets on his journey aren't vividly drawn. Feature film debut for director Jack Haley, Jr. has warmth and a big heart, but no substance. Campbell keeps his face slack (like a rube) and his manners polite, and he's appealing if fidgety. Producer Hal B. Wallis reunites Campbell with his "True Grit" co-star Kim Darby, and the two have a warm rapport (especially in the scene at the food counter). Football star Joe Namath makes his acting debut as a soldier, Billy Curtis is fun as a little person who becomes Norwood's traveling companion, and there's also a college-educated chicken (don't ask). Adapted from a novel by Charles Portis (the author of "True Grit") by "True Grit"'s screenwriter, Marguerite Roberts; however, there's nothing gritty about this yokel fantasy, which is completely out-of-touch with reality and presented only as escapist fare. ** from ****

Glenn Campbell returns from Louisiana with a single ambition: to appear on the Louisiana Hayride radio show. Before that happens, he goes through several low-key and episodic adventures with sketchy characters, from hot-car smuggler Pat Hingle, to his sister Leigh French and her husband Dom Deluise, to several pretty ladies.

For his follow-up to TRUE GRIT, Campbell sings half a dozen songs. He played it safe, going with a novel by Charles Portis, screenwriter Marguerite Roberts, and co-star Kim Darby. It's a pleasant little bit of fluff, with Jack Haley Jr. As director; Jack Haley Sr. Has a role.

I suspect it was modernized slightly. The Louisiana Hayride ceased broadcasting in 1960.