Start the Revolution Without Me

In a time when so many films are just plain "forgettable," it's good to be able to look back and fondly recall a film that was both funny and memorable.

This movie has it's own unique flavor of comedy while still being reminiscent of great films like "Catch 22," and "Help!" (Maybe it's the appearance of Orson Wells and Victor Spinetti that does this for me...)

There's much more than just slapstick to be had here. Definitely worth the look.

Ten years before the Zuckers made Airplane, television producer Bud Yorkin (All in The Family, Sanford and Son) got in and out of the movie business very quickly with Start the Revolution Without Me (1970), a hilarious parody of just about every movie made about the French Revolution or based on the novels of Dumas. Gene Wilder and Donald Sutherland play dual roles as two pairs of mismatched twins. One pair are Corsican noblemen conspiring with Marie and the Count DiSicci to depose the king. The other pair are Parisian peasants trying to escape the fighting. Wilder and Sutherland make a great comedy team (even doing a take off on the patty-cake bit, from the Hope/Crosby Road Pictures). With an introduction by Orson Wells, Hugh Griffith and an assortment of English character actors attempting French accents (I saw this once on a double bill with Tom Jones, and many of the principles are in both films) and a great deal of location footage filmed on the grounds of Versailles including a very chaotic battle scene.

"All the Castles...all the chapels, All the Rocks, the stones, the trees, the flowers, the mud, the dirt.... And I SHALL BE QUEEN"

This movie is hilarious....I saw it on TV a LOOONG time ago, and then I saw it on DVD and bought it, now my sisters and I can't get enough of it....it's classic...."three feet of Persian rug..." haha...."later that night, 1789"....this movie made "pleasure their business" and it's a pleasure watching it.....Whatever...and we can't stop quoting this movie...."I thought it was a costume ball"

It's a great movie....some people don't know what funny is when it hits them in the face...

At its best, this classy-looking, fast-paced spoof of the literary classic The Corsican Brothers, is brilliant, and even the stuff that doesn't quite work is still fairly entertaining. Oddly, the movie bombed in its day, and this was surely a quirk of timing. If this movie had come out a couple of years later, in the wake of Sutherland's star- making turn in MASH, it would have been a huge hit. As it was, the stars were not yet well known, and the cutesy comedy spoofs of the 60s had not quite given way to the satiric, anarchic, nihilistic Robert Altman-style comedy of the early seventies, and the wild zaniness of Mel Brooks. This one sort of straddles the gap, not quite fitting the older mold, but pre-dating the hits soon to come. As a result, audiences were not quite ready for this one, but more modern audiences should be. There is a lot of very clever historical, literary and even movie satire and spoofery going on here and everything is served up at breakneck speed, as zany comedy properly should. The historical look of the film is uniformly excellent, almost distractingly good - no anachronistic gags here, as everything is kept period accurate. Wilder and Sutherland are a brilliant team and surprisingly they never worked together again, despite being two of the most popular stars of the 70s. Enjoy this, their single teaming.

The plot is older than the ancient Greeks--twins mixed up at birth. But the stars are a scream. And the notion that Gene Wilder and Donald Sutherland grew as twin brothers (one pair noble and the other a disgrace), is just one of the many bits of comedy of absurd that fill this slight but hysterical little movie.

The wife of the noble version of Gene Wilder is also priceless, forever dressing up in costumes in vain efforts to satisfy his somewhat odd collection of sexual fetishes.

But the real reason to see this gem is Hugh ("I thought it was a costume ball") Griffith as King Louis. He outclasses anyone within walking distance, even the great Sutherland. And absolutely effortlessly. The device that uses Orson Welles may or not work -- you have to decide. (Don't be too hard on Orson -- this was from the "We will serve no wine before its time" phase of his career.) But if you come across this on cable late some night, have a good time. It's obvious everyone who made the movie did.