Sherlock Holmes and his assistant, Dr. Watson, try to solve the murder of the heir to the Baskerville fortune.Sherlock Holmes and his assistant, Dr. Watson, try to solve the murder of the heir to the Baskerville fortune.Sherlock Holmes and his assistant, Dr. Watson, try to solve the murder of the heir to the Baskerville fortune.
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Karen Kondazian
- Mrs. Mortimer
- (as Karen Kondan)
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This is the umpteenth version of a popular Conan Doyle mystery novel, featuring the legendary Sherlock Holmes and his assistant Watson. Unfortunately, this is the poorest version of the story of the lot, with terribly miscast actors struggling to contend with an amateurish script. Shatner and Zerbe in particular look misplaced amid the period trappings, but even Granger (as Holmes) doesn't seem to fit, in spite of his classical English accent.Even the music for the movie is plundered from Cape Fear. If you want to see a good Sherlock Holmes movie, stick with the Basil Rathbone series.... this is the pits!
One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Barry Crane; Produced by Stanley Kallis, Executive Producer: Richard Irving, for Universal TV, broadcast by ABC-TV. Screenplay by Robert E. Thompson; Photography by Harry Wolf; Edited by Bill Mosher; Special Photographic Effects by Albert Whitlock. Starring: Stewart Granger, Bernard Fox, Anthony Zerbe, William Shatner, Sally Ann Howes, Jane Merrow, Ian Ireland and John Williams.
Embarrassing TV movie condensed to fit the 90-minute time slot by the latterday "Mission: Impossible" production team is poor in every respect: offensively stupid musical score, stinko obvious backlot sets, phony British accents and poor acting, plus Fox's sickening Nigel Bruce imitation. This movie epitomizes the condescending, insincere attitude toward filmmaking, remakes and the popular horror genre.
Embarrassing TV movie condensed to fit the 90-minute time slot by the latterday "Mission: Impossible" production team is poor in every respect: offensively stupid musical score, stinko obvious backlot sets, phony British accents and poor acting, plus Fox's sickening Nigel Bruce imitation. This movie epitomizes the condescending, insincere attitude toward filmmaking, remakes and the popular horror genre.
This is clearly the most popular Sherlock Holmes adventure, since it is the one most actors choose in order to showcase their suitability for the role (notably Basil Rathbone at Universal and Peter Cushing for Hammer) and was even plundered for spoofing purposes in 1978! With this in mind, it is small wonder that Stewart Granger, too, has turned up in an adaptation; the end result, however, was very much disliked by Leonard Maltin – rating it 'Below Average' and accorded the unenviable epithet "for masochists only"! Still, all things considered, its main fault is that of being thoroughly superfluous – with no new take on the narrative (apart from presenting us with the first white-haired Holmes!) and, worse, ripping off Dr. Watson's buffoonish characterization straight from Nigel Bruce! If anything, the film-makers have managed to recruit a serviceable cast (including a fine Anthony Zerbe as a limping and henpecked{!} doctor, a wasted Jane Merrow and Sally Ann Howes, a grumpy John Williams, and a surprisingly restrained William Shatner in a dual role), while the titular beast looks vicious enough (unlike some of the better versions, admittedly!) – what is more, this is certainly proof that, in some cases, the plot really is the thing (as the saying goes)...
And that is understated! The film does take a lot of liberty with the original story. But not only that. Stewart Granger who might not be a bad actor after all is certainly not a Shelock Holmes. And who in those days would have appointed a person as looking like Mortimer as Medical officer of any district in those days. I mean - why create a mysterious character where there is no need of one. One thing however is remarkable in this case. According to the book Mortimer is "a fellow under thirty". Anthony Zerbe was 36 when this film was made. Still older than the original Mortimer yet younger than Lionel Atwill in the film from '39 who was then 54 or Francis de Wolff who was 46 in 59 when Terence Fisher chose to make his film or Denholm Elliot in the '83 version who was then already 61. The Set has been commented on in several critics and there is nothing much to add to this. The costumes are all right, I guess (even if it seems that the whole male population of London was wearing Inverness Capes) but why did Holmes have to wear that ridiculous Bow-Tie in the beginning. One thing however should be mentioned: Bernard Fox. I have not seen any other performances of his but I did like him as Watson. He is not quite the bumbler as in many other Holmes films but has in fact some rather bright moments in this one. Anyway he is not unlike the Paget Watson.
This adaptation of Conan Doyle's most famous Sherlock Holmes story was made as a TV movie for ABC -- evidently with considerably limited resources. I don't begrudge a film for being made under budget of resource constraints but this "Hound of the Baskervilles" doesn't handle those constraints well. On the whole it has a good number of flaws, none of which is vastly troublesome individually, but which together make it an uninspiring Sherlock Holmes film.
It's a sad victim of needing resources for a story set in a different time and with a wider scope than perfectly standard TV programs circa 1972, and not getting that. As a result there are some distractingly sloppy production decisions, with poorly disguised studio sets doubling for the moor, some scenes obviously dubbed in later, and even paintings used as exteriors and some very obvious CSO/bluescreen representing Watson's reflection in tea set early on. The stock music score is distracting, loud, and almost amusingly inappropriate at times.
Stewart Granger is rather oddly cast as Sherlock Holmes as he does not look the part at all, but that is not in itself a flaw. His acting is adequate for these purposes but it's really rather a one-dimensional performance, mainly slick superiority and not much more. Bernard Fox is a pretty good Watson, traditionally befuddled yet still believable when he does something intelligent.
William Shatner is a very recognizable face "guest starring" (per the credits) in a small role as Stapleton. Jokes aside, I actually think he's a very good actor, and it's nice to see him here. Other performances are generally lackluster, except for Anthony Zerbe as Dr. Mortimer. He started out impressing me as too obviously sinister, but then growing on me in a quiet and eccentrically good performance.
The script of the adaptation is serviceable if very surface-oriented and lacking in much sparkle. This was entertaining enough viewing for its running time, but overall one is left with an impression of a careless production on which not many people really tried very hard; I'm not surprised Watson's obvious hint at sequels to this production in the closing moments was not taken up.
It's a sad victim of needing resources for a story set in a different time and with a wider scope than perfectly standard TV programs circa 1972, and not getting that. As a result there are some distractingly sloppy production decisions, with poorly disguised studio sets doubling for the moor, some scenes obviously dubbed in later, and even paintings used as exteriors and some very obvious CSO/bluescreen representing Watson's reflection in tea set early on. The stock music score is distracting, loud, and almost amusingly inappropriate at times.
Stewart Granger is rather oddly cast as Sherlock Holmes as he does not look the part at all, but that is not in itself a flaw. His acting is adequate for these purposes but it's really rather a one-dimensional performance, mainly slick superiority and not much more. Bernard Fox is a pretty good Watson, traditionally befuddled yet still believable when he does something intelligent.
William Shatner is a very recognizable face "guest starring" (per the credits) in a small role as Stapleton. Jokes aside, I actually think he's a very good actor, and it's nice to see him here. Other performances are generally lackluster, except for Anthony Zerbe as Dr. Mortimer. He started out impressing me as too obviously sinister, but then growing on me in a quiet and eccentrically good performance.
The script of the adaptation is serviceable if very surface-oriented and lacking in much sparkle. This was entertaining enough viewing for its running time, but overall one is left with an impression of a careless production on which not many people really tried very hard; I'm not surprised Watson's obvious hint at sequels to this production in the closing moments was not taken up.
Did you know
- TriviaThis film was intended as a part of a revolving series of detectives, including Nick Carter starring Robert Conrad but poor ratings stopped that.
- ConnectionsEdited from The Railway Children (1970)
Details
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- Also known as
- Der Hund von Baskerville
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- See more company credits at IMDbPro
- Runtime
- 1h 14m(74 min)
- Sound mix
- Aspect ratio
- 1.33 : 1
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