My Favorite Year

Really fun movie, with a tone and style all its own. It has the same zippy sitcom character of the set which is its main stage, and the comedic acting is often over the top. Yet it drives through some very subtle and deep ideas about what makes a celebrity tick, the price culture extracts from its most ballyhooed figures, and the scars divorce and drink can leave on those with the smoothest of surfaces.

The secret to this film's success is O'Toole, who gives up some of his most intimate and affecting moments on screen and intersperses them with ass-over-elbow feats of physical schtick that would make a Ritz Brother proud. What a shock we never saw much else from him after this tour de force. Richard Benjamin did go on to direct other films like "Shoot The Moon," but he never managed to get it all absolutely right the way he did here. It's so note-perfect, from the opening shot of midtown Manhattan 1954 with the cars, outfits, and bustle all coming together beneath the strains of Les Paul and Mary Ford's "How High The Moon" into a tight closeup of Benjy Stone carrying a cardboard cutout of his hero, Alan Swann, through an uncaring, jostling crowd.

I almost wish they could have made a sitcom featuring the King Kaiser crew, with of course Joseph Balogna, Bill Macy, Adolph Green and the rest all reprising their roles in a kind of "Remember WENN"-style show. O, what roads left untravelled. Balogna is so good, managing to carry off his Sid Caesar-inspired role with the same kind of aplomb that made the original Caesar early television's most dynamic and celebrated comedy performer. There's a nice scene early on where Stone sticks up for a prone Swann by telling Kaiser he can't fire the swashbuckler. "You're a big star now, and I'm sure you always will be," Benjy says. "But suppose, and I know it will never happen, you end up like this. I hope nobody does to you what you're doing to him." Of course Caesar did end up like this, strung out on substance-use problems that derailed his post-50s career, and knowing that gives the scene, both funny and tension-filled, a certain undertone of poignancy for those in the know.

Mark Linn-Baker could have taken it down a notch or two, and the Brooklyn idyll was to die for, and not in a good way. I'd like to know how the hell I'm supposed to lock lips with the woman of my dreams by stuffing my face with Chinese food and showing her old movies, but I don't think my repeated viewings have helped my love life much. It has given me many hours of pleasure though. This is one film that keeps on giving. With lines like "Plastered? So are some of the finest erections in Europe" "These must be his drinking socks" and "Tongue...Death," how can it do anything less?

My Favorite Year (1982)

**** (out of 4)

Washed up actor Alan Swann (Peter O'Toole) is given the chance to appear on a television show and the job of keeping up with him goes to young fan Benjy Stone (Mark Linn-Baker) who soon realizes that the former star and alcohol can lead to problems. I shall admit right at the start that I absolutely loved every single second of this movie. As a comedy this thing is pretty flawless as it keeps you laughing from start to finish thanks to one of the best screenplays from the era and not to mention the wonderful performances by everyone in the cast. The story is quite simple and there are certainly a few areas where the script appears to be talking about the real O'Toole but man, what a tremendous performance he gives. If anyone you know doubts that O'Toole was one of the greatest actors in the history of cinema then they just need to watch this film to see comedy done to perfection. I was really shocked at how wonderful O'Toole was at the humor but his comic timing can match up against the geniuses of the genre and the way he turns on the charm is just pure delight. I really mean it when I say that the performance is flawless and even with the one tender moment at the end, the actor is so terrific that you can't take your eyes off of him. Linn-Baker is also very good in the supporting role and we get strong performances from the entire cast including Joseph Bologna, Bill Macy, Jessica Harper and even Cameron Mitchell. The screenplay just offers up so many terrific lines that it's hard to imagine one film containing so many. I honestly think there were at least thirty quotable lines and all of them just constantly had you laughing. Some of them are quite clever while some of them have O'Toole just winking at you about his own reputation. MY FAVORITE YEAR is without question one of the best comedies of its type and it's also a loving tribute to the live television shows of the 1950's. There's no question that the film is a comic masterpiece but it also has a heart that's hard to match.

The best movies have moments -- scenes so powerful, or simply so note-perfect, that they live on in your memory after the plot is forgotten.

"My Favorite Year" has more than its share of these.

Other reviewers on this page have singled out the dinner at Belle Mae Steinberg Carioca's (Lainie Kazan's) Brooklyn apartment. They might also have mentioned the scene in which a titanically intoxicated Alan Swann (O'Toole)essays to "shimmy down" the side of a building, using a fire hose as rapelling gear, or the farcically climactic fight scene on live 50's TV.

But two other moments resonate even more strongly; they explain completely why Peter O'Toole was cast in this otherwise comedic role.

In the first, O'Toole's character interrupts his own plans for an evening of debauchery to fulfill a fantasy by dancing with an aging, but still glorious Gloria Stuart. Both onscreen and off, the audience is spellbound in the midst of the slapstick as these two senior-citizen actors seize the screen for the duration of their waltz.

Even more compelling is an important scene later in the movie in which Swann makes a quick trip to visit a young daughter whom he hasn't seen in years. He watches her from the car, but can't bring himself to get out and speak to her. The scene is played completely without dialogue. With the camera focused tightly on the warring emotions which play across O'Toole's face, no dialogue is necessary. It's a powerful, lump-in-the-throat moment every divorced dad will recognize.

I join others on this page in urging you to rent this movie for the laughs. As you laugh, however, stay alert for two of the truest moments ever placed on film. Enjoy.

From the opening notes of Nat 'King' Cole's great recording of Stardust, this film just steals your heart. If you are old enough to remember TV's Show Of Shows, live every week, this is a real treat. Peter O'Toole is magic as an Errol Flynn like movie star, swashing every buck in sight, charming the socks off one and all. The final scene of the live broadcast, with the mayhem caused by the gangsters invading the stage, is a classic. A delighful 90 minutes. 8/10

Jane

The 1982 comedy MY FAVORITE COMEDY was a lovingly made period piece that takes place during a wonderful time in entertainment history...the infancy of live television in the 1950's (or more specifically, YOUR SHOW OF SHOWS). This laugh-filled comic romp follows the adventures of Benji (Mark Linn-Baker), a gopher for COMEDY CALVACADE (this film's version of YOUR SHOW OF SHOWS), who is excited when a swashbuckling actor of the period named Alan Swann (Peter O'Toole) has been booked as a guest on the show turns out to be a skirt-chasing alcoholic who Benji is put in charge of keeping under control until showtime. This movie is a lovely valentine to the 1950's with exquisite period detail and an intelligent screenplay that invokes the period so beautifully. O'Toole gives the performance of a lifetime as Swann, an alternately laugh out loud funny and heartbreakingly warm performance that earned him an Oscar nomination, yet somehow Linn-Baker somehow manages to hold his own and never allows O'Toole to blow him off the screen. O' Toole and Linn-Baker get solid support from Lainie Kazan as Benji's mother, Joseph Bologna as King Kaiser, the star of Comedy Calvacade, Cameron Mitchell as a not-too bright gangster, and Adolph Green as the manic producer of the show. A good looking, smartly-written superbly written comedy that documents a long gone era in entertainment history and tells a warm and amusing story as well.