Son of Kong

I suspect it may have been started before KONG went into release, as even less than a year seems a short time between script and premiere.

Hounded by lawsuits after the destruction caused by Kong, Carl Denham (Robert Armstrong) sets sail with his old captain in search of trade. Stopping off at a small island they drop in to watch a rather feeble show which presents the talents of Helen Mack. Following her father's killing in a drunken scrap, and the burning down of their show tent, she stows away on board the ship. Of course, the father's killer has been taken on also as he is the fellow who supplied the original chart for Skull Island and persuades the others of a fantastic treasure.

All this may sound like utter tripe, and to a certain extent it is. However, it is still quite an entertaining hour or so, with rather more comedy than before. There is the odd cheap-looking set and one or two rather bad spots of back-projection, but there is compensation in the trick work and a generous helping of monsters. Helen Mack, too was a decent, lively choice for the heroine, her good looks being unusual rather than conventionally attractive. Frank Reicher and Victor Wong repeat their roles in KONG, and Clarence Wilson has an effective few minutes as Mack's father.

Son of Kong certainly is NOT in the same class as its predecessor King Kong. It lacks that film's inventiveness, creativity, dark mood, and overall horror, yet it is a fine film in its own right. Where King Kong was horrific, Son is charming. It never really takes itself quite as serious as Carl Denham and the captain from the first film leave New York for fear of lawsuits. They end up back on Skull Island with a cute stowaway(played convincingly by Helen Mack), the ship's cook(Victor Wong) and an unscrupulous captain. The better part of the film is the interaction with Robert Armstrong(as Denham again) and Mack with the pint-sized(in comparison to his daddy) Kong. Again we are given natives(briefly) and prehistoric creatures. Baby Kong is adorable and shows how he and his father were thinking creatures as opposed to the mechanical killing of giant reptiles. A nice little film!

Kong's small son stars in a small movie. Its greatest assets are its amusing effects sequences designed by the legendary Willis O'Brien and the vibrant playing of its female star, Helen Mack, who admirably succeeds Fay Wray in the series. Only the wooden Armstrong has returned from the Kong Sr. cast (as far as I know).

This one aims more for laughs than thrills, correctly assuming that audiences fully exposed (already) to Kong's menace could only be affected in a diminished degree if they had tried to follow similar lines in the sequel. Thus, it is more similar to the director's (and O'Brien's) later collaboration with John Ford, "The Mighty Joe Young", but it's not as charming or fun as "Young".

It's one month after the King Kong fiasco and Carl Denham can't get a break from the relentless stream of reporters and lawsuits hounding him. Kong might have caused a lot of damage and killed a few people, but don't you think that Denham is awfully sorry about it all? And was it really his fault that the chains weren't strong enough? Well, actually it was, and with a grand jury about to rule against him, Denham decides it's time for a long ocean voyage.

Poor Denham must've done something to insult Poseidon, though, because no matter how much he wants to avoid it, he gets blown right back to Skull Island. This time he's looking for a treasure, but when the ungrateful natives force him to land on a remote part of the island, he immediately stumbles upon the orphaned Son of Kong. He knows this because of the obvious family resemblance. We never do find out what happened to Mrs. Kong.

The original was the greatest special effects film ever made, and for reasons more than just the outstanding effects. Any attempt to duplicate this, particularly in a quickly made sequel, could not possibly have come close and would have been nothing more than a shameless attempt to make some quick cash. In other words, a typical Hollywood sequel. The creators of Son wisely do not make this attempt. Instead, using the original's subtle satire of the film industry as its starting point, "Son of Kong" becomes a broad parody of Hollywood movies in general and of the original "King Kong" itself.

At one hour and 10 minutes, this movie is exactly the right length of time. No gag or idea is drawn out for even a moment longer than it is capable of sustaining. The special effects are still excellent, but are now secondary to the antics of the characters, including the comic mugging of Kong Jr. himself. Make no doubt about it, this film is no "King Kong" - but it's not a typical Hollywood sequel either.

Brought out within the same year, the quickly handled sequel "The Son of Kong" would pale in comparison to its milestone original, but would remain enjoyably lightweight with a more prominent comic tone and consisting of a mildly robustness to the action. Too bad it just goes on to rush things, then actually thinking it out because the story isn't as compelling as it could have been. Little creativity shows, despite its stringy sub-plots. The story follows on from "King Kong", as promoter/producer Carl Denham finds himself in a lot of hot water for introducing Kong to New York. So to escape the lawsuits and reporters, he and the sea captain end heading out to sea. Although things change when they're told there's treasure on Skull Island, and before coming across this they encounter a miniature Kong.

After an amusing opening (Denham hiding out) it only goes on to feel like its slogging it out in an stretched out manner, until the lively nature picks up (when they reach Skull island --- which takes them quite awhile) and then it breezes by in no time. Kong's son doesn't have that menace and uncontrollable aggression like father… instead it has a child's temperament; curious, lovable and friendly. Due to that there's little in the way of dark moments and the suspense is faintly structured, with a more playful style winning out and these three stooges antics is even played up to the camera. *Shrug*. Nonetheless the interactions especially between Denham and baby Kong remains charming, if goofy. Even the wrestlemania between Kong and prehistoric beasties can be diverting, if lacking the punch. The likable Robert Armstrong, Frank Reicher and Victor Wong effortlessly reprise their roles. Helen Mack is okay as the female siren. Ernest B. Schoedsack's steadfast direction is measurably controlled due to obvious time/budget constrictions, but decent animation FX is used for Kong.