After a bootlegger's adversary has him killed, he takes up with his widow, a gold-digging chorus girl, but a handsome bodyguard is also determined to win her.After a bootlegger's adversary has him killed, he takes up with his widow, a gold-digging chorus girl, but a handsome bodyguard is also determined to win her.After a bootlegger's adversary has him killed, he takes up with his widow, a gold-digging chorus girl, but a handsome bodyguard is also determined to win her.
- Director
- Writers
- Stars
Norman Ainsley
- Waiter
- (uncredited)
Eddie 'Rochester' Anderson
- Second Bootblack
- (uncredited)
Irving Bacon
- Weight-Guesser
- (uncredited)
Jack Baxley
- $100 Rercipient
- (uncredited)
Brooks Benedict
- Wedding Guest
- (uncredited)
Francis X. Bushman Jr.
- Mirabelle's Pickup
- (uncredited)
Jules Cowles
- $100 Recipient
- (uncredited)
Frank Darien
- Mr. Bartlett
- (uncredited)
Max Davidson
- $100 Recipient
- (uncredited)
Gordon De Main
- Police Sergeant
- (uncredited)
Clay Drew
- Stage Doorman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Gay Bride, The (1934)
** 1/2 (out of 4)
A gold-digging chorus girl (Carole Lombard) decides to the only way to get rich is by marrying gangsters and hoping that they get killed so that all their money will go to her. She finds one dimwitted gangster (Nat Pendleton) to marry her but his bodyguard (Chester Morris) can see right through her. This comedy has some truly great moments in it but overall there aren't enough constant laughs to make it a complete winner. I was surprised to learn that this was the only film Lombard made for MGM but she turns in a fine performance. Her role isn't the greatest but the screenplay does offer her plenty of nice one-liners and for the most part she hits everyone of them. Pendleton is also very good as the dumb gangster who can't see that his wife is just after his money. It's Morris who steals the show however with his perfect comic timing. The screenplay does his character more justice than anyone else and Morris uses it to his advantage with countless great lines and some truly hysterical moments including a scene at a will reading. Zasu Pitts is wasted in her small role of Lombard's friend. The screenplay doesn't have enough laughs to carry the 80-minute running time but if you're a fan of the two stars then the film should keep you entertained.
** 1/2 (out of 4)
A gold-digging chorus girl (Carole Lombard) decides to the only way to get rich is by marrying gangsters and hoping that they get killed so that all their money will go to her. She finds one dimwitted gangster (Nat Pendleton) to marry her but his bodyguard (Chester Morris) can see right through her. This comedy has some truly great moments in it but overall there aren't enough constant laughs to make it a complete winner. I was surprised to learn that this was the only film Lombard made for MGM but she turns in a fine performance. Her role isn't the greatest but the screenplay does offer her plenty of nice one-liners and for the most part she hits everyone of them. Pendleton is also very good as the dumb gangster who can't see that his wife is just after his money. It's Morris who steals the show however with his perfect comic timing. The screenplay does his character more justice than anyone else and Morris uses it to his advantage with countless great lines and some truly hysterical moments including a scene at a will reading. Zasu Pitts is wasted in her small role of Lombard's friend. The screenplay doesn't have enough laughs to carry the 80-minute running time but if you're a fan of the two stars then the film should keep you entertained.
Gold-digging chorus girl (Carole Lombard) marries a dim-witted gangster (Nat Pendleton) for his money. His gangster cronies are jealous and scheme against him for a shot at Lombard. Kind of gross, right? Meanwhile, bodyguard Chester Morris has been protecting Carole and she starts to fall for him. Unbelievably, Chester is supposed to be honest and decent, despite working for gangsters. Weird.
Carole's gorgeous and has fun banter with Chester Morris. Nice supporting cast including Zasu Pitts, Sam Hardy, and Leo Carrillo. Eddie 'Rochester' Anderson has an uncredited bit part. Funny gangster screwball comedy. Lombard's only movie for MGM and reportedly the movie she considered to be her worst. I can't see why. It wasn't her best but I thought it was fun.
Carole's gorgeous and has fun banter with Chester Morris. Nice supporting cast including Zasu Pitts, Sam Hardy, and Leo Carrillo. Eddie 'Rochester' Anderson has an uncredited bit part. Funny gangster screwball comedy. Lombard's only movie for MGM and reportedly the movie she considered to be her worst. I can't see why. It wasn't her best but I thought it was fun.
Carole's busy cleaning out her new husband, the always oafish Nat Pendleton, under the watchful but none-too-concerned eye of 'Office Boy' (who makes these names up?) played energetically by Chester Morris. You don't have to be a neurosurgeon to see how this one ends up. Several of her husband's cronies have eyes for her and Chester pretty much sits back and makes with the Jimmy Cagney-type wisecracks until he's inevitably needed to save Carole from the mess she's created. Car nuts will like the scene at the Mercedes dealer where she's buying a 1934 540K Roadster (deliberately paying too much) and cringe over Pendleton testing the bulletproof aspects of his armored limo. Made at the dawn of the infamous Production Code, THE GAY BRIDE is a lot like Warner's pre-code program entries only with MGM's added element of class. Carole's a pro and Chester Morris rates an 'A' for effort.
Easy to see why Lombard was the highest paid actress in Hollywood at one time. Breathtakingly beautiful and with a wonderful sense of humor. That said, The Gay Bride is a fun movie but very much on the modest side. An amusing trifle about a heartless, gold-digging chorus girl bent on marrying one gangster after another, only to see them wiped out before she can get her hands on the cash. Chester Morris, a gangster's book-keeper, the one true love interest - whom of course she despises because he has no money. Amusing sparks struck between the two that provides the main thrust of the comedy. The great Zasu Pitts in a wisecracking supporting role. Not a great movie but a few good laughs - and a chance to see Lombard at her most luminous. Worth the time.
Carole Lombard came over from Paramount to star in this MGM film The Gay Bride with Chester Morris. This is a part that fits her like OJ's glove should have
fit OJ, a nice wisecracking chorus girl who makes no bones about the fact that
she wants a hefty bank balance for her husband.
As chorus girl you don't get to meet the cream of society unless they are out slumming. And speakeasies she frequents usually means gangsters who had the money during Prohibition.
Her cap is set for Nat Pendleton though personally she can't stand him. Pendleton is his usual amiable lug who can't resist giving her anything. Muscle he is, brains he's not.
Lombard who winds up with the only tangible assets when Pendleton is killed has to still go through Sam Hardy and Leo Carrillo before she winds up with Chester Morris, Pendleton's sharp assistant who knows that there is a limited future when Prohibition is repealed.
Morris and Lombard play well off each other. Laughs come in The Gay Bride at the expense of Nat Pendleton. Also from Lombard's sidekick Zasu Pitts who is great at being Zasu Pitts.
This is a good screwball comedy in the Carole Lombard tradition.
As chorus girl you don't get to meet the cream of society unless they are out slumming. And speakeasies she frequents usually means gangsters who had the money during Prohibition.
Her cap is set for Nat Pendleton though personally she can't stand him. Pendleton is his usual amiable lug who can't resist giving her anything. Muscle he is, brains he's not.
Lombard who winds up with the only tangible assets when Pendleton is killed has to still go through Sam Hardy and Leo Carrillo before she winds up with Chester Morris, Pendleton's sharp assistant who knows that there is a limited future when Prohibition is repealed.
Morris and Lombard play well off each other. Laughs come in The Gay Bride at the expense of Nat Pendleton. Also from Lombard's sidekick Zasu Pitts who is great at being Zasu Pitts.
This is a good screwball comedy in the Carole Lombard tradition.
Did you know
- TriviaThis was one of Carole Lombard's least favorites among her own filmography. Chester Morris also thought during filming that the movie was a "turkey". Sadly, the newly enforced Production Code had laundered the script beyond recognition, and dulled its impact. Nine months earlier, it would have been a different story.
- GoofsThe story supposedly takes place in New York City, but during the automobile chase near the end of the film the principals in their Mercedes drive up Grand Avenue in Los Angeles, passing the Mayflower Hotel, and in and out of the Grand Central Garage. In another scene they pop into a hotel lobby with Hotel Stowell, located on South Spring Street, in Los Angeles, in the background. (In fairness, Los Angeles was not a popular vacation destination until the 1950s, so the vast majority of moviegoers at the time would not have noticed this.)
- Quotes
Mirabelle: There's no sense to marrying a racketeer. They don't live long.
Mary Magiz: Well, what's wrong with that?
- ConnectionsFeatured in The Big Parade of Comedy (1964)
- SoundtracksMississippi Honeymoon
Music by Walter Donaldson
Lyrics by Gus Kahn
Sung by Arthur Jarrett in the show
Incorporated often into the music score
- How long is The Gay Bride?Powered by Alexa
Details
- Runtime
- 1h 20m(80 min)
- Color
- Aspect ratio
- 1.37 : 1
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