The Crime Doctor must prove the innocence of an artist accused of murdering his model during one of his blackout spells.The Crime Doctor must prove the innocence of an artist accused of murdering his model during one of his blackout spells.The Crime Doctor must prove the innocence of an artist accused of murdering his model during one of his blackout spells.
Arthur Aylesworth
- Mrs. Lake's Attorney #2
- (uncredited)
Jack Cheatham
- The Turnkey
- (uncredited)
Eduardo Ciannelli
- Nick Petroni
- (uncredited)
Franco Corsaro
- Joseph Duval
- (uncredited)
Boyd Davis
- Dr. Forday Booth
- (uncredited)
Margia Dean
- Gordon's Street Model
- (uncredited)
Bess Flowers
- Bridge Player
- (uncredited)
Joe Gilbert
- Party Guest
- (uncredited)
Kit Guard
- Man in Street Corridor
- (uncredited)
Sam Harris
- Bridge Player
- (uncredited)
J.M. Kerrigan
- Robert MacPherson
- (uncredited)
Alma Kruger
- Mrs. Wellington Lake
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Warner Baxter reprises his role as the "Crime Doctor" in "The Crime Doctor's Warning," one of the later entries into the series. The director this time is William Castle.
In this episode, Dr. Ordway is trying to help a young artist who has blackouts, during which one of his models is killed.
I have to disagree with those who found this fast-paced. For me, it moves slowly, though the story is interesting. These Crime Doctor films generally have off-beat stories, but not the budget or quality directors to bring them up a level. In this case, Castle is an effective director, all right, but some of the acting is awful particularly from Coulter Irwin, who apparently was told to act like a vegetable.
Warner Baxter, so frenetic in "42nd Street," is much more relaxed as Dr. Ordway, probably because he suffered a nervous breakdown. In any event, he's very natural and a likable character.
These movies aren't great, but they sure did come up with some wild plots.
In this episode, Dr. Ordway is trying to help a young artist who has blackouts, during which one of his models is killed.
I have to disagree with those who found this fast-paced. For me, it moves slowly, though the story is interesting. These Crime Doctor films generally have off-beat stories, but not the budget or quality directors to bring them up a level. In this case, Castle is an effective director, all right, but some of the acting is awful particularly from Coulter Irwin, who apparently was told to act like a vegetable.
Warner Baxter, so frenetic in "42nd Street," is much more relaxed as Dr. Ordway, probably because he suffered a nervous breakdown. In any event, he's very natural and a likable character.
These movies aren't great, but they sure did come up with some wild plots.
This was another nice entry in the Crime Doctor film series and sharper and darker than those preceding, maybe partly thanks to Columbia b unit director William Castle who teetered on the edge of murky seediness throughout.
Engage your senses from the off: there's a puzzling opening with Dr. Ordway (Warner Baxter) and a police Inspector (John Litel) reviewing their case in the bedroom of a murdered woman who had been stabbed earlier in the day. The man suspected has "mental lapses" but Ordway doesn't believe he did it, meaning at this stage we haven't seen the crime or the victim and are rooting for the suspect we haven't seen yet either! Psychoanalysis is called for, along with the usual unhindered sleuthing from the good Doctor. There's a descent into the Bohemian world of artists, models and paintings - most regrettably of gorgeous young women instead of ugly old men, plenty of lovely creeping about in the dark usually with pointy shadowy hats on, and an outlandish plot great stuff! Favourite bits: the meeting between Baxter and art dealer Miles Mander the epitome of succinct and scholarly sinisterness; the busy traffic up on the roof at night and those fabulous apartment windows; the hurried snack Baxter and Litel have after the second murder what was that all about?
Well worth while to a fan of the genre, the effort will probably be too much for non-fans. I was concentrating so hard I missed what the Warning of the title was (if there was one), but my own warning is if you watch it be careful not to blink near the end because they closed this one down fast.
Engage your senses from the off: there's a puzzling opening with Dr. Ordway (Warner Baxter) and a police Inspector (John Litel) reviewing their case in the bedroom of a murdered woman who had been stabbed earlier in the day. The man suspected has "mental lapses" but Ordway doesn't believe he did it, meaning at this stage we haven't seen the crime or the victim and are rooting for the suspect we haven't seen yet either! Psychoanalysis is called for, along with the usual unhindered sleuthing from the good Doctor. There's a descent into the Bohemian world of artists, models and paintings - most regrettably of gorgeous young women instead of ugly old men, plenty of lovely creeping about in the dark usually with pointy shadowy hats on, and an outlandish plot great stuff! Favourite bits: the meeting between Baxter and art dealer Miles Mander the epitome of succinct and scholarly sinisterness; the busy traffic up on the roof at night and those fabulous apartment windows; the hurried snack Baxter and Litel have after the second murder what was that all about?
Well worth while to a fan of the genre, the effort will probably be too much for non-fans. I was concentrating so hard I missed what the Warning of the title was (if there was one), but my own warning is if you watch it be careful not to blink near the end because they closed this one down fast.
Crime Doctor's Warning (1945)
** 1/2 (out of 4)
William Castle steps in to direct this fifth film in Columbia's mystery series. This time out the Crime Doctor (Warner Baxter) is investigating a painter who suffers from blackouts, which leads to his models turning up dead. Castle brings quite a lot of energy to this film but it's not enough for me to call this a good movie. This entry is pretty much on par with the rest of the series in that it's decent time killers but the stories just aren't strong enough or interesting enough to make them work all the way around. Baxter is good once again but the supporting cast doesn't leave him too much to work with. Castle makes for some interesting scenes where the suspected killer is under hypnosis but that's about it.
** 1/2 (out of 4)
William Castle steps in to direct this fifth film in Columbia's mystery series. This time out the Crime Doctor (Warner Baxter) is investigating a painter who suffers from blackouts, which leads to his models turning up dead. Castle brings quite a lot of energy to this film but it's not enough for me to call this a good movie. This entry is pretty much on par with the rest of the series in that it's decent time killers but the stories just aren't strong enough or interesting enough to make them work all the way around. Baxter is good once again but the supporting cast doesn't leave him too much to work with. Castle makes for some interesting scenes where the suspected killer is under hypnosis but that's about it.
A struggling artist seeks help from the Crime Doctor (Warner Baxter). He's been suffering from blackouts and short term memory loss. When two models (one of which is his fiancee) are murdered, he's an immediate suspect. The Doctor isn't so sure. There are others with motive, including the artist's overprotective mother and a very misogynistic male model.
An efficient and solid mystery that is suspenseful and absorbing from beginning to the end. Coulter Irwin as the suspect who suffers from blackouts is excellent as is Warner Baxter as the hero. There's a dreamy quality to this great entry, it's well-paced and has a good, though unusual finale.
An efficient and solid mystery that is suspenseful and absorbing from beginning to the end. Coulter Irwin as the suspect who suffers from blackouts is excellent as is Warner Baxter as the hero. There's a dreamy quality to this great entry, it's well-paced and has a good, though unusual finale.
Dr. Robert Ordway, (Warner Baxter) plays another role as Crime Doctor and gets involved with a young man named Clive Lake, (Coulter Irwin) who has problems with black outs when he returned from WWII. Clive lives with his mother who is very domineering and is very unhappy about her son falling in love with a model and then her sudden death which was caused by a murder. The police get involved and Inspector Davis, (John Litel) wants to book Clive for the girls killing; however, Dr. Ordway feels that Clive is innocent of the crime and proceeds with his own investigation, meanwhile other murders are committed. There is a painting called "The Ring" which shows three models in the picture which will reveal some deep dark secrets about the murders Nice low budget film from the past. Enjoy.
Did you know
- TriviaJohn Litel (Inspector Dawes) also appeared in the first of the Crime Doctor films (Crime Doctor (1943)), but as a different character.
- Quotes
Dr. Robert Ordway: Didn't he ask for a bill of sale or, or a receipt?
Frederick Malone: He bought it as I might have bought a pound of cheese.
- ConnectionsFollowed by Just Before Dawn (1946)
Details
- Release date
- Country of origin
- Language
- Also known as
- Paper Doll Murder
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 10m(70 min)
- Color
- Aspect ratio
- 1.37 : 1
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