Pillow to Post

Sweet, silly little trifle is merely an excuse to see Ida Lupino get a chance to put the heavy dramatics aside briefly as a career girl who becomes more pixelated as the complications pile up.

The story addresses the wartime housing shortage and some of the subterfuge that had to be resorted to just to have a decent place to rest your head at times. Of course misunderstandings abound.

Ida is charming and adept at comedy, William Prince is fine but it's a shame that since she rarely did comedy she didn't have a chance to costar with one of the master of the form like Cary Grant or Clark Gable. Sydney Greenstreet is funny as Prince's commanding officer as always relishing a chance to also break from the villain role and play comedy.

All together a cute little ride with nothing important to say but a nice little picture nonetheless.

This wartime romcom is about Jean Howard (Ida Lupino), the daughter of an oilfield supplies company owner. Though she is feminine and delicate, she volunteers to handle field sales and sets off to deal with roughnecks out west. This fish out of water story is secondary to the humor that evolves from a falsehood she employs.

She needs a room to operate out of, but like almost every other commodity, rooms are scarce and (practically) rationed. Out of necessity, she pretends to be the wife of an army lieutenant to get accommodations in an auto court. Then she sets off to find a lieutenant to play along with her charade. She finds Don Mallory (William Prince), who becomes trapped in her lie.

Lupino and Prince have excellent chemistry. This is a cute film that is well written. Though its stage play roots are evident, the screenplay is very entertaining. It also does a good job of demonstrating wartime exigencies and the resulting culture.

Willie Best plays the role of Lucille, the all-purpose fixit-man and gopher for the auto court. He is mystified by some of the goings-on that surround the Mallory household. Though his part may be seen as stereotypical, he rises above it and delivers many of the best lines of comedy.

Watch for Sydney Greenstreet as a commanding officer and Louis Armstrong who performs with his band.

Mildly amusing wartime programmer about housing shortage for service couples. Jean (Lupino) finagles an army officer (Prince) to pose as her husband so she can get restricted housing in a motel court. Naturally, "who sleeps where" type complications ensue as they work to keep up appearances. The pace picks up as the difficulties mount, ending finally in madcap farce.

The cast tries hard to make familiar material for the time work. Still, seams do show, especially with Lupino's sometimes over-eager performance. Clearly, she's anxious to show she's as good at comedy as she is at dramatics. Then too, when movie buffs think Greenstreet, comedy doesn't come to mind. But here he plays an unlikely over-weight colonel to pretty good effect. (Note how the script deals with this fudging of army fitness standards.)

The colorful mix of supporting characters includes a mischievous little Robert Blake, a busybody Ruth Donnelly, a bug-eyed Willy Best, and an addled Stuart Erwin. Together, they manage to keep the chuckles coming. The movie, however, doesn't rise to the first rank, perhaps because the elements don't blend into a seamless whole—you can almost see the characters and situations being assembled. Nonetheless, it's a generally entertaining glimpse into what titillated audiences coming out of the big war.

Jean Howard (Ida Lupino) is a single 30 year old in L. A living off of her oil tycoon father's money. With all the men away at war, she convinces him to be his new oil well supply salesman despite never working a day in her life. It's not going well but she refuses to come home. With the wartime shortage, she stumbled upon housing near an army base but they only take in army families. Lt. Don Mallory gives her a lift and she recruits him to be her fake husband. He's forced into the situation when his commanding officer Colonel Michael Otley gets involved. In addition, potential client Earl Clark is interested. Louis Armstrong and Dorothy Dandridge do some music. Willie Best is the local driver Lucille.

This is a fun rom-com. I like Ida's sassy fake-crying try-hard character. William Prince is fine as the mild-mannered do-gooder. It would work better if he's dumber. He would be easier to manipulate by Jean but he does have good banter with her. I'm still not sure that I buy him going along with her scam but a good rom-com does require some disbelief. This is pretty good. I like these characters. Their sitcom silliness is fun. I actually like this love triangle where all the sides are nice interesting characters. It's not winning any awards but it's still fun.

This is about the first comedy film that I have ever seen Ida Lupino appear in and she was fantastic. Always knew Ida was multi-talented as an actress, director and producer. In this film Lupino (Jean Howard), "The Devil's Rain",'75, appears as a young gal who wants to work in her father's oil business and decides to become a traveling sales gal, which at the time was unspeakable in that type of business. Jean has to find a proper place to sleep on her travels, and since it was war time, she decided to get hold of a Lt. in the Army who would have living quarters for wives. This lucky Lt. was portrayed by William Prince, (Lt. Don Mallory), "Nuts",'87, who unwillingly helped Jean make this a reality. Another big shock in this film is the appearance of Sydney Greenstreet,(Col. Michael Otley), "Flamingo Road",'49 and of course, the "Maltese Falcon", with Humphrey Bogart. In this role Col. Otley is Don Mallory's Commanding Officer and they live together in the housing unit. It is a very enjoyable funny film and was probably a big shocker for people in 1945, it sure takes a person way back in the PAST.