A young social outcast in Australia steals money from her parents to finance a vacation where she hopes to find happiness, and perhaps love.A young social outcast in Australia steals money from her parents to finance a vacation where she hopes to find happiness, and perhaps love.A young social outcast in Australia steals money from her parents to finance a vacation where she hopes to find happiness, and perhaps love.
- Nominated for 1 BAFTA Award
- 9 wins & 13 nominations total
Roz Hammond
- Cheryl
- (as Rosalind Hammond)
Dan Wyllie
- Perry
- (as Daniel Wyllie)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Muriel's Wedding is an Australian gem that perhaps suffers somewhat from being earmarked as a 'comedy'. Certainly there are plenty of laughs, but this film is no mere cheap and cheesy crowd-pleaser. As well as dealing with the insularity and cattiness of her hometown, Porpoise Spit, Muriel also must face the suicide of her mother and paralysing of her best friend. Yet, despite these tragedies, Muriel manages to come out on top, and at the same time strike a blow for anybody who has ever been snubbed by the in-crowd.
The characterisation in the movie is brilliant, particularly that of Muriel's family of no-hopers. Hoping to shed the title of "useless" bestowed on her by her father, Muriel (Toni Collette) absconds with the family's savings to an island resort, where she meets vivacious, straight-talking Rhonda (Rachel Griffiths). Rhonda is the catalyst for Muriel to become a new person, but unfortunately Muriel takes her obsession with weddings one step too far and marries just for the sake of it. She thinks she has finally "made it", but comes to realise that there's more to life than public image.
The soundtrack is a gloriously appropriate ABBA symphony, although both Dancing Queen and the film's original theme tune are over-utilised. It is surely partly due to ABBA's pleasant familiarity that it is so easy to become emotionally involved in the film, and the viewer will likely experience the whole gamut of feelings during its course. The finale, whilst upbeat, fortunately doesn't stumble into the realm of saccharine moralism (which so many filmmakers seem to think it is necessary to conclude with). Instead, we feel the triumph along with Muriel and Rhonda as they bid a raucous farewell to Porpoise Spit.
The characterisation in the movie is brilliant, particularly that of Muriel's family of no-hopers. Hoping to shed the title of "useless" bestowed on her by her father, Muriel (Toni Collette) absconds with the family's savings to an island resort, where she meets vivacious, straight-talking Rhonda (Rachel Griffiths). Rhonda is the catalyst for Muriel to become a new person, but unfortunately Muriel takes her obsession with weddings one step too far and marries just for the sake of it. She thinks she has finally "made it", but comes to realise that there's more to life than public image.
The soundtrack is a gloriously appropriate ABBA symphony, although both Dancing Queen and the film's original theme tune are over-utilised. It is surely partly due to ABBA's pleasant familiarity that it is so easy to become emotionally involved in the film, and the viewer will likely experience the whole gamut of feelings during its course. The finale, whilst upbeat, fortunately doesn't stumble into the realm of saccharine moralism (which so many filmmakers seem to think it is necessary to conclude with). Instead, we feel the triumph along with Muriel and Rhonda as they bid a raucous farewell to Porpoise Spit.
10ATOBrian
You gotta love the Hollywood marketing hacks. "Outrageously funny...you'll stand up and.....cheer!" Did they even watch the movie? Or was this a cynical ploy to try to make "Muriel's Wedding" into a more commercially viable film?
Either way, the marketing for this great little movie deserves an award for Most Misleading. In misrepresenting "Muriel," they reduced it to a fun "chick flick" in the minds of people who hadn't yet seen it. It's so much better than that.
A few years back, my then-girlfriend begged for this on one of our trips to Blockbuster, so I gave in, resigned to a night of gritting my teeth through a silly, formula-written, semi-feminist movie about a couple girls who have fun while getting even with their boyfriends or finally landing the big job or whatever the ending was gonna be.
Well, I was FLOORED by what "Muriel's Wedding" was, as well as what it wasn't.
The film is profoundly psychological and satirical. The person who sees Muriel, powerfully played by Toni Collette, and cannot empathize with her is a heartless, brainless schmuck indeed. Collette's performance and writer/director PJ Hogan's screenplay take Muriel through pretty much the whole range of emotion. Much of this emotion is negative, and it's really painful (but beautiful) to watch at several points. To watch Muriel's harrowing journey toward self-acceptance is to relive painful moments in your past, whether you are a man or a woman.
"Muriel" is also FULL of satire. It has a lot to say about marriage and family life, and little of it is good, although I believe it leaves plenty of room for redemption for Muriel and her abusive father (well-played by Bill Hunter).
"Muriel's Wedding" isn't a perfect movie, though it's pretty damned close. The scenes of Rhonda's and Muriel's life in Sydney, in particular, seem rather episodic, without strong threads to bind them. But this is almost quibbling with a great, great film.
That's the way "Muriel's Wedding" is. It affords you no escape, if that's what you are looking for. I think that's why most people are so p***ed off about it. They want to be entertained, not depressed by a film that has to do with real life. Well, I can't be too hard on these folks. It's really the marketing department's fault for their false advertising.
But if you want to see a very powerful film and are willing be really touched by a it, then see "Muriel's Wedding."
Either way, the marketing for this great little movie deserves an award for Most Misleading. In misrepresenting "Muriel," they reduced it to a fun "chick flick" in the minds of people who hadn't yet seen it. It's so much better than that.
A few years back, my then-girlfriend begged for this on one of our trips to Blockbuster, so I gave in, resigned to a night of gritting my teeth through a silly, formula-written, semi-feminist movie about a couple girls who have fun while getting even with their boyfriends or finally landing the big job or whatever the ending was gonna be.
Well, I was FLOORED by what "Muriel's Wedding" was, as well as what it wasn't.
The film is profoundly psychological and satirical. The person who sees Muriel, powerfully played by Toni Collette, and cannot empathize with her is a heartless, brainless schmuck indeed. Collette's performance and writer/director PJ Hogan's screenplay take Muriel through pretty much the whole range of emotion. Much of this emotion is negative, and it's really painful (but beautiful) to watch at several points. To watch Muriel's harrowing journey toward self-acceptance is to relive painful moments in your past, whether you are a man or a woman.
"Muriel" is also FULL of satire. It has a lot to say about marriage and family life, and little of it is good, although I believe it leaves plenty of room for redemption for Muriel and her abusive father (well-played by Bill Hunter).
"Muriel's Wedding" isn't a perfect movie, though it's pretty damned close. The scenes of Rhonda's and Muriel's life in Sydney, in particular, seem rather episodic, without strong threads to bind them. But this is almost quibbling with a great, great film.
That's the way "Muriel's Wedding" is. It affords you no escape, if that's what you are looking for. I think that's why most people are so p***ed off about it. They want to be entertained, not depressed by a film that has to do with real life. Well, I can't be too hard on these folks. It's really the marketing department's fault for their false advertising.
But if you want to see a very powerful film and are willing be really touched by a it, then see "Muriel's Wedding."
This is truly a great Australian film, and still holds up after all these years. The film has always hit a nerve with me in terms of the Heslop's family dynamics (Mum, make Dad a cup of tea!). I can only speak for myself but I grew up in Queensland around the same time (I am aware this was made in New South Wales) and my experience with my family definitely resonates with that of Muriel's with her family. I really thought at the time this came out that this type of family dysfunction was 'an Aussie thing', but I know better than that now that I am older and wiser.
I've never thought of this as a comedy although it has some very funny moments. Even now, I have to be in the mood for Muriel's Wedding due to it's brutally harsh treatment of it's characters. The film is vicious and unrelenting and has made me cry more than once. But it's also a cathartic experience, about a person with flaws like all of us, who is trying to find her own identity, and, despite what she has been conditioned to believe, that she is worthy.
I've never thought of this as a comedy although it has some very funny moments. Even now, I have to be in the mood for Muriel's Wedding due to it's brutally harsh treatment of it's characters. The film is vicious and unrelenting and has made me cry more than once. But it's also a cathartic experience, about a person with flaws like all of us, who is trying to find her own identity, and, despite what she has been conditioned to believe, that she is worthy.
After watched this movie in late of nineties and found it above average movie, many years this film was release on DVD here for an small label, today l re-watched it again this amazing movie about self respect, love, loyalty, contempt and mainly happiness, Toni Collette in your best role ever, gave to the movie a cult reputation, incredible funny sometimes and sadness too, supported by Abba soundtrack it's a really fresh and original movie from Australia.
A dark comedy it is but it really touches the heart and it can be quite sad at times. There are many levels that you can watch this movie on and many do say there is a superficialness to it. However, there are core human elements that clearly ring through in this movie. Friendship, compassion, empathy. Toni Colette and Rachel Griffths both make this movie stellar. It is heartbreaking at times to watch Muriel (Collette) wanting to be someone of value. Her feelings are so true to her heart and I am sure many can relate. Griffith's character is portrayed with such humor and honesty. She also has some of the funniest lines I have heard in a movie in a long time.
Please watch this! It does offer meaning and you certainly can't go wrong with the music of ABBA!
Please watch this! It does offer meaning and you certainly can't go wrong with the music of ABBA!
Did you know
- TriviaToni Collette gained 18 kgs (40 pounds) in 7 weeks with the help of a dietitian for this role.
- GoofsWhen Muriel is trying on a wedding dress in the shop, and is admiring it in the full-length mirror, to the right in the mirror, you can clearly see a crewmember standing there, before quickly darting out of the reflection.
- Alternate versionsThe theatrical release clearly showed a woman dressed as Wonder Woman and a man dressed as Robin during the talent show scene when Muriel and Rhonda are presented with the over-sized check and champagne. In the DVD/video release, Robin is only partly shown and Wonder Woman is not shown at all.
- ConnectionsEdited into Terror Nullius (2018)
- SoundtracksDancing Queen
(Benny Andersson (as Andersson) / Björn Ulvaeus (as Ulvaeus) / Stig Anderson (as Anderson)
Published for the World by Union Songs AB
Performed by ABBA
Courtesy of PolyGram Pty Limited
Dancing Queen bridal arrangement by Peter Best, Vocals Blazey Best
- How long is Muriel's Wedding?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- La boda de Muriel
- Filming locations
- Coolangatta, Queensland, Australia(final scene: Muriel and Rhonda leave Porpoise Spit)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $9,000,000 (estimated)
- Gross US & Canada
- $15,119,639
- Opening weekend US & Canada
- $244,969
- Mar 12, 1995
- Gross worldwide
- $15,510,889
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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