An American man unwittingly gets involved with French werewolves who have developed a serum allowing them to transform at will.An American man unwittingly gets involved with French werewolves who have developed a serum allowing them to transform at will.An American man unwittingly gets involved with French werewolves who have developed a serum allowing them to transform at will.
- Awards
- 3 wins & 2 nominations total
Featured reviews
An American Werewolf in Paris
One night while sneaking into the Eiffel Tower after closing, our lead Andy saves the life of a pretty blonde girl named Serafine who tries to kill herself. We quickly learn that she is in fact a werewolf, and locks herself in a cage just before the full moon hits to stop herself from killing. After Andy is bitten by one of the werewolves during an underground party where they feed on humans, Serafine warns him that he will turn when the moon is full. He of course does and kills a few people along the way. Is there a way for Andy to survive being cursed to live a werewolf, or he will meet the inevitable fate we all see coming?
An American Werewolf in Paris is more of a teen comedy/adventure than an actually horror film for me. Sure we get the beasts terrorizing parts of Paris, but a lot of the film plays more to the love between Andy and Serafine and the chase to find a cure for the curse and to stop the cult from murdering hundreds of tourists. Most of the humour is juvenile and typical teen movie-like, very typical of late 90's/early 2000's. We get the friends scoring points for how many girls they sleep with, blowing bubbles with condoms, etc. A lot of it isn't very smart like the original film had going for it. The acting was alright for the most part. Tom Everett Scott is no David Naughton, but very capable. We also get a young Julie Bowen from Modern Family. I thought she was very good as the undead victim following Andy around town.
This sequel is not even close to the level of the original classic film by John Landis. I think I may have enjoyed it a bit more if they hadn't used the name as a means to catch people who enjoyed the original. This one has a neat concept of the underground cult of werewolves trying to feed on American tourists, but at the end of the day it feels very average.
5/10
Agreed... this movie stunk!
This movie is no exception. For starters, it's important to note that An American Werewolf in London (AAWiL) will always have a special place in my heart as one of the first horror movies I remembers seeing on HBO as a kid.
This movie lacked just about everything that AAWiL had: good acting, good special effects, a decent soundtrack, etc.
Tom Everett Scott is a terrible actor... the kind of actor I see and wonder how he ever gets casted for anything. Julie Delpy is OK and I dig her accent. Everyone else was pretty much fluff and/or fodder. The effects were God awful. It's hard enough to pull off CGI monsters and hairy ones are even harder to make believable. When you are making a sequel for a movie that had effects that are still impressive by today's standards, some serious effort has to be made if the intent is to make a movie that rivals the original. This one isn't even in the same league as AAWiL. The music for AAWiL was also very well done. AAWiP had... Bush? Yeah, that's the route you want to go to create a timeless classic.
Unlike other reviews I wouldn't even go so far as to say this movie would have good as a stand-alone (no connection to AAWiL), but I wouldn't even give it that much credit.
It just sucked.
Not very captivating or entertaining...
Serafine is a beautiful young woman, daughter of a werewolf who lives in Paris, where her mother and stepfather fight to cure her of a terrible disease that she inherited genetically, but not everything goes as planned and she tries to commit suicide, putting an end to so much suffering. But she didn't expect that she would be saved by Andy, a young American who travels through Europe with two friends in search of adventure. Serafine and Andy end up falling in love, but the girl tries to fight this feeling knowing that it would be too dangerous for Andy.
A genuinely hilarious horror film.
An enjoyable enough timewaster.
Werewolf movies are usually alarmingly bad, even though they should, in theory, make for more interesting villains than vampires, zombies, and slashers. But An American Werewolf in Paris is an exception, sort of. Tom Everett Scott stars as a daredevil who tours Europe with his buddies, performing outrageous stunts. During one particular escapade, he saves the life of a young woman (Julie Delpy) who tries to commite suicide. Thinking she's the girl of his dreams, little does he know what he's getting into.
Paris tries to be a mixture of different genres: it wants to work as a horror film (to a mild extent), an action/adventure, and as a comedy. Dog Soldiers was definitely far superior at these aspects, but AAWIP's campy approach makes it a decent timewaster. There's not a single boring moment, though a lot of the material is admittedly very silly. Thankfully, none of it's taken very seriously, and some of the humor is actually very funny. Scott and Delpy (who's probably the third most beautiful French actress I've ever seen, behind only Mathilda May and Sophie Marceau) have good chemistry together, even if Scott's performance is a little on and off. The werewolf effects are obviously CGI, but more "serious" effects work would have ruined the campy mood.
Did you know
- TriviaJulie Delpy admitted years later that the only reason she made the film was to pay her rent.
- GoofsWhen Serafine transforms into a werewolf, her knees fold backwards to become the werewolf's hocks (the equivalent to the human ankle) and her upper leg bones bend forwards to become the werewolf's stifles (the equivalent to the human knee). However, humans and wolves have very similar leg structure, so there was no need for any of her joints to change, and she could have become a werewolf with just a lengthening of the bones from her ankles downwards. As it is, she will now have an extra joint in each leg.
- Quotes
Andy McDermott: So... hey you guy's are werewolves too, huh? Super glad to know you.
Claude: Andy, I don't think you have accepted the gift that has been given to you, or much less appreciated it. We have a mission, Andy. To purify the world that why we pick our victim's from the scum of society. The governments of the world spend billions on medicine, welfare, charity to what effect? It only keeps alive, the weak, the stupid, the lazy, who breathe and multiply, weakening the human race. All my men I have chosen for their loyalty their dedication to the coming age. But you... you were not to have been. You're an accident, an anomaly. I do not wish to kill you. I pray you will join is in our rise to become the new mankind. Pure free of disease free from the trappings of technological advance, will you join us... Andy?
Andy McDermott: I don't know. You know that's a big decision. I'm gonna need some time to think about that.
Claude: Sure.
- Alternate versionsWhen first released on DVD in Australia, the film featured the werewolf baby ending. Subsequent Australian DVD releases feature the more widely seen Statue of Liberty ending.
- ConnectionsEdited into An American Werewolf in Paris: Alternate Ending (2017)
- SoundtracksDaphnis and Chloe
Written by Maurice Ravel
Performed by Koninklijk Concertgebouworkest (as The Royal Gebouw Concert Orchestra)
Conducted by Riccardo Chailly (as Ricardo Chailly)
Courtesy of Decca Record Company Limited/London Records
By Arrangement with PolyGram Film & TV Licensing
Under License from Arima Corp. and Editions Durand SA
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Un hombre lobo americano en París
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $26,570,463
- Opening weekend US & Canada
- $7,600,878
- Dec 28, 1997
- Gross worldwide
- $26,570,463
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1








