Happy Feet

Animated comedies have become what Mike Tyson was to the boxing scene in the 1980's: a safe bet. This begs an upsurge in quality for the market and the otherwise forgettable family fluff films have begun to interweave deeper, more salient issues in their stories. Political messages about environmental problems was perhaps the last thing I expected to find rotating around in a happy, tappy romp like 'Happy Feet' but the fact is they are there, and they are superbly handled, as is much of the film.

Advertising the film as a propaganda vehicle would have been grossly unwise, which is why the simple template story rings true to most people. All that has been put forward in trailers and synopses is the lonely journey of the Emperor Penguin Mumble (Elijah Wood), who is an outcast owing to his poor singing voice and tapalicious feet. The rest of the tight-knit, conformist community all rely on special heartsongs to appeal to mates, and not being able to carry a tune is a fatal misstep for Mumble. When he finally finds friends in Ramon's (Robin Williams) foreign group of Adelie penguins, it becomes clear that there are more things threatening the penguin society on Antarctica – the most prominent of which being human overfishing.

One third into 'Happy Feet', I found myself drifting ever so slightly into indifference as the sprawling surge of R'n'B on the ice wore off. The emperor penguins all sing tunes you have heard before and it is not until Mumble encounters the eccentric party group of Adelies that Happy Feet receives a well-deserved kickstart and starts tapping into good fun. Thankfully, and admirably, it manages to avoid pratfalls, slapstick, pee- and fart jokes and instead the finely-tuned humour rests on the wealth of meticulous animation, juxtaposition, absurdist situations and snaptastic one-liners from Ramon's crew as they take Mumble in and introduce him to their kooky, fun-loving society and social guru, "Lovelace". This is seen in stark contrast from the emperor penguins' community on the humour side of the tapestry, and the funniest gag in the latter is Kidman returning from the long fishing journey and telling her baby Mumble lovingly that she "has got something for him", and proceeds to vomit into his mouth. Priceless.

Happy Feet is an ambitious animated comedy. It's ambitious in its scope; there are epic aerial shots of the vast icy glacier, even from outer spaces, it treats salient issues like the effects of overfishing, it takes well-deserved jabs at organized religion, in which the elder emperor penguins represent the archaic values and traditions that they mindlessly adhere to. It features a star-studded cast, it sees seamless intercutting of live action footage and stars (I spotted an uncredited Ewan McGregor cameo, look out), and it is dedicated to Steve Irwin. Certainly 'Happy Feet' carries all of its ambitions quite well, some becoming accolades like the effective punch at conformity in which all the penguins literally look identical except for the fuzzy, fluffy Mumble, while others fall flat thanks to its shortcoming cast.

It should only be so hard to provide voicework for an animated character, and Elijah Wood does it effortlessly as the fumbling, bumbling toddler-like misfit Mumble, who even looks like him with bright baby blue eyes. Nicole Kidman stars as Mumble's mother, with a ridiculously over-the-top voice, and she tips over into overacting at a few points. In the beginning we are given the well-condensed introductory story of how she met Mumble's father Memphis (Hugh Jackman) with a heartfelt heartsong, and she gets to reprise her romantic duet singing of Moulin Rouge opposite fellow Aussie. All of the aforementioned actors, as well as Robin Williams and Hugo Weaving, perform well in their respective supporting roles – all except the unforgivably redundant Brittany Murhpy as Mumble's perpetual love-interest (who is a bad singer to boot), a plain annoying and unlikeable character backed by an equally unlikable actress.

Owing to its mindblowing animation (which has been absolutely honed in the past few years) and treatment of salient issues, 'Happy Feet' could not have been made five or even four years ago. The former is translated into unspeakably beautiful sequences of underwater chases and ice slides while the latter manifests itself in apt environmental warnings. Although I was mostly entertained, there were a few too many purposely "aww" moments crammed in and certainly it does not quite dethrone the majestic 'Ice Age' (2002) as the best sub-zero comedy ever made. There, I've now said so little in so many words.

7 out of 10

Rarely do I enjoy animated films these days: I find the animation (mostly computer generated) to be colorful but banal, and the action angles are selected by the programmer's eye, not the way a natural observer would have seen the shot (like we saw in classic cell animation of years past). "Happy Feet" is different. The combination of rotoscoping (now advanced motion capture), intense attention to detail and organic POV make this film extraordinarily enjoyable to watch. The sound quality was top-notch, and the music loads of fun for anyone with a pulse. The character voices from Robin Williams, Elijah Wood, Hugh Jackman, and others was perfectly matched to their characterizations. Savion Glover's performance as Mumble's ecstatic feet was not only good as a an animated fanciful Emperor Penguin, but also valid as a fine, skilled tap dancer; one of the finest. The continuity was good, impressive editing, and the message clear: celebrate our differences, adapt to change when necessary, and don't be afraid to take on challenges, even when they seems insurmountable. That's a great message for anyone at any age.

George Miller's Happy Feet is an exuberant, beautifully animated film and, by a wide margin, the best CG film ever made. The photo-realistic characters and Antarctic landscapes provide the backdrop for a story of brilliant originality. The film's plot is somewhat based in reality - but with a surreal twist. The movie is a spectacular jukebox musical in which Emperor penguins serenade each other with songs from some of the royalty of music (Queen, Prince, "The King" Elvis Presley) in order to find a mate. One penguin, Mumble, cannot sing but expresses himself through tap-dancing. For this abnormality, he is ostracized by his fellows, blamed for the misfortune of famine and eventually banished from his home. He then goes on a perilous quest to find answers that are not otherwise forthcoming.

In addition to the music and spectacle, the greatness of Happy Feet is found in its ideas. Miller (producer of Babe) has made another great film for children (though certainly not only for children) because he knows that the great children's stories do not merely pander to and occupy them but attempt to convey something about the nature of the world, something that is not necessarily pleasant. The themes of Happy Feet are as timeless as they are important. Tolerance and respect for those different from you, compassion, respect for the environment and for the dignity of all its inhabitants; these are not political issues but ones of the greatest moral importance and essential to the survival of the human spirit. In a world that sometimes seems to be becoming increasing intolerant, in a world that may be standing on the precipice of environmental disaster if something is not done, I find a great deal of hope in this story. These animated penguins, who show more humanity than most human actors do on celluloid, may just have what it takes to bring out the basic goodness in the people who see them, to "appeal to our better nature," if you will.

On another level, I see Happy Feet as a great parable about the generation gap, with Mumble and his friends as the children of the world. Their differences and uniqueness frighten their elders, who may be falsely pious or else just set in their ways. Yet Mumble does not hold a grudge against them. In the end, Mumble not only makes the world better than it was when it was given to him, but actively draws those same elders into this new world, redeeming them and allowing them to help in its creation. All with the power of song and dance!

Overall, Happy Feet is a joyous spectacle for the eyes and ears. It was so good that I had to see it a second time in the theater, something I had never done before. It even makes tap-dancing seem incredibly cool. This is a film that cannot be ignored and will not be forgotten.

Tap-dancing penguins could never have been pitched if the mega-hit doc Marching Penguins (2005) had not caught the imagination of every breathing human. Only this time around Happy Feet is not a doc but a high-class animation (from the director of the very humane Babe) and much more anthropomorphic than Marching Penguins because these are tap-dancing penguins.

Besides the themes of individualism and environmental destruction, Happy Feet's special effects take animation as close to 3-D as could be possible in a 2-D medium. One scene with frolicking penguins careening down a mountain has the sight and sound of rapid descent so authentic as to make me cringe at each turn for fear of flying off the snow into the sky. The colors are luminous and the long and helicopter-like shots stunning enough to make you feel you're watching IMAX.

Mumble (voice of Elijah Wood) has no singing voice, so he can't sing a "heart-song," the signature croon of a male to attract a female for life. But as Nature frequently compensates, that boy can dance. A hard-to-accept-it dad (Hugh Jackman) laments, "It just ain't penguin." The adventures of this hippity-hop outcast bring him to a band of diminutive Latinos headed by a savvy Ramon (Robin Williams), who helps him to find his inner heart-song in his feet and eventually the source of fish depletion (the "aliens" are a familiar race of buccaneers—us).

Along the way Mumble finds soulful love with Gloria (Brittney Murphy), a young lady strong in song and belief in Mumble. Speaking of song, much of the score, while replete with pop standards from the likes of the Beach Boys and Sinatra, adapts several gospel tunes to accentuate the theme of a savior being rejected by his own kind.

Happy Feet is a happy film that features cutting-edge CG while it teaches young and old about tolerance and talent. This is the season for the tuxedo crowd—shaken and stirred.

I saw this film on October 2nd, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival's Truly Moving Picture Award. A Truly Moving Picture "…explores the human journey by artistically expressing hope and respect for the positive values of life." Heartland gave that award to this film.

It's not easy being a young penguin when you can't sing and singing well is how you find your one true soul mate. The mating happens when young couples are attracted to each other's own rendition of their heart song. And to make matters even worse, the young penguin, Mumble, is a natural tap dancer, which is not appreciated by his parents or his teachers or the penguin colony. And to top it all off, there is a shortage of fish and no one knows why.

The unhappy young Mumble runs into 5 small Latino penguins from another penguin colony and the adventure takes off. The story line cuts back and forth between the fish shortage environmental mystery and Mumble's attempt to be attractive to Gloria, his love interest. Along the way he runs into penguin eating birds and penguin eating mammals and almost alien-like man made machines.

This is a musical comedy animation and the songs are classic rock and the dance routines are Broadway-theater clever and these songs and dances never stop throughout the film.

Mumble is a loser in the eyes of his peers, and feels a lot of pain. But he is also heroic and brave and optimistic and he never gives up. Those traits do not let him down. Mumble can pass on an important message to young people. It's your attitude that can carry you through successfully in life. It is not always about physical attributes and physical beauty.

Robin Williams voices Ramon, one of the small Latino penguins, and also Lovelace, the film-flam psychic of the Latino penguin colony. Robin Williams' two characters are over the top which is perfect for the normally over the top Robin Williams. This comedic element keeps the film from taking its adult themes too seriously.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.