The History Boys

So many moments in this film struck a chord with me. As a grammar school student applying for Oxbridge, I have to disagree with the previous reviewer. The worries and pressures, as well as the arrogance, humour (and sheer smart-aleckness) that surround the boys' dialogue perfectly capture the hilarity and torture of adolescence. The dialogue is a little stage-y, but that doesn't seriously tarnish its impact. I think this film expresses the uncertainty and risk involved in life in a way that is both poignant and witty; often both at the same time. Ideas about what education should really be could not be more beautifully expressed than in this picture of young boys with their whole lives stretched out in front of them, and old teachers still unsure of what it's all about. Subtle and brilliant.

Gays and straights should see "The History Boys" to learn about love and tolerance.

I saw "The History Boys" yesterday at The Fine Arts - Popular Center in San Juan, Puerto Rico. It is excellent. If you have a closed or narrow, rigid mind, don't go. In order not to be offended by the language, you need to be a Metro Man or a Metro Woman. It is downright blunt at times. The blunt language is not to be shocking or porno, but to be brutally honest and upfront about important perceptions concerning love and tolerance.

I had a little trouble getting into the movie in the very beginning scenes. Too much was going on all at once. However, as soon as it involved the teenage boys having a one-on-one "educational" discussion with the out-of-the-closet gay teacher, the movie grabbed me and kept me until the very end.

There is one powerful scene where the teacher discusses a poem with a gay student. This gay student is also Jewish but his gayness is what makes him different. There is an outstandingly handsome black student who is accepted in the school without conditions. A Moslem who is accepted as the black student is. A young, newly hired teacher is in the closet and does not know it. This new teacher can be completely honest with his teaching history but not with his own life. There are many very British types who are the complete opposite of American homophobes. There was no spiritually sick prejudice of diversity among these eight teenagers. They got along beautifully with each other. They had a wonderful respect for each person's uniqueness.

Gays and straights should see "The History Boys." It is not a gay movie per se. It is more a movie about being a loving and caring human being. It is about being true to one's self. I hope the day will come when more people in Puerto Rico and the states, especially the anti-gay bigots and religious zealots, will have the tolerant perceptions of these eight teenage boys in Yorkshire, England, in 1983.

The English duo of Nicholas Hytner and Alan Bennett last collaborated on 1994's Oscar and BAFTA winning THE MADNESS OF KING GEORGE. This 2006 collaboration abbreviates Bennett's own 2004 Royal National Theatre play into a fast- moving account of how a group of Yorkshire teenagers from a state school pass the now defunct Oxford/Cambridge entrance exam. This is England in 1983. It's the zenith of Thatcherism. It was also the year of the film EDUCATING RITA, in which a working class housewife betters herself through an Open University degree. Things have obviously changed in the country since the Victorian times of Thomas Hardy's JUDE THE OBSCURE, where university is not a thing for the working class.

But the social, political and cultural milieu of the era is kept in the background (it's much less evocative than THIS IS ENGLAND, made the same year and also set in 1983). This is as much a fantasy of education as DEAD POET'S SOCIETY. These are classes full of the expectational, bright and articulate. Bennett never really finds the authentic voice of the 18-year olds - they speak the words of older, wiser men. But the performances - Richard Griffiths, Stephen Campbell Moore and Frances De La Tour as the teachers tutoring them in various ways towards university and, amongst other a pre-stardom Domonic Cooper and James Corden as the students - are uniformly excellent. The dialogue is witty in its observations on the education system and the purpose of education. Bennett's own adaptation wisely drops the two flashes forward which opened the play's first and second acts (Campbell Moore's character as a TV historian in the present day).

no doubt - it is more stage than set. but this is one of virtues. because, in strange manner, it does it alive. the acting, the dialogues, the tension - including the sexual tension - the characters who propose models and attitudes , show vulnerabilities and defines the small details who makes in the profound sense teaching. a film who has all - humor and clever script, the best actors and science to use the stereotypes in seductive manner. because it is more a film about dreams and self definition, about courage to give and to inspire the right manner to assume the life. sure, Richard Griffiths is great . but it is not a surprise. the good point is the wise balance between themes and portraits and styles. and the optimistic message. maybe, a film about school. but , more important, a film about freedom making.

The History Boys is a very very challenging film for any audience. One of these reasons is that it is driven by extremely eloquent conversations between younger and elder intellectuals, each conversation delving aggressively deep into the corners of conventional logic and subtexts and fleshing them out in what different characters arguably believe are the most truthful ways. Many characters are quite confident and extremely extroverted and the ones who are not so confident are defensively so. Alan Bennett's remarkably clear analysis of the human condition is intimidating.

The other reason is because the story is one beyond social judgment. Perhaps this is purposeful because being written, produced, directed, and acted by English people, class-consciousness is surely existent among them. But that's what I love so much about this film. The audience, in order to understand and enjoy it, must release themselves from the scrutiny of general culture over many, mostly sexual, aspects of life. The film is not about homosexuality, but homosexual goings-on exist prevalently in the story. It's also treated very nonchalantly, and many straight boys are free of any personal sexual burdens that would inhibit them from partaking. The very talked-about homosexual element of the film exists as the most direct example and also the core of the basis of the story, which is the pressure of society's judgmental and devastatingly interfering nature with many things that, if one were truly understanding, would not judge or interfere with. This extends to greater and more complex idealism in the script, such as the philosophy and meaning of education, the satisfactory or unsatisfactory pursuit and outcome of success, the importance of art and poetry, and the point of studying history.

I believe that The History Boys is an extremely important movie, and the fact that it lasted for a single week at a small theater here in Cincinnati is despicable and glaringly, stupidly contradictory to its message.