Death Has a Shadow

Story: 7/10 The premise is simple but effective: Peter loses his job, lies about it, and ends up collecting a hilariously massive welfare check. Chaos follows, of course. It's a solid setup for the show's mix of satire, absurdity, and family dysfunction. The story has a clear structure, even if the logic goes out the window pretty fast.

Characters: 7/10 All the core characters are here, though some are still in beta mode. Peter is already a lovable idiot, Lois is the concerned wife, and baby Stewie is fully in "evil genius" mode. Brian's more of a regular dog than he'll later become, but the foundation is set.

Humor: 7.5/10 There are some genuinely funny moments, especially for 1999. The cutaway gags are already in full force, with the infamous "Wacky Waving Inflatable Arm-Flailing Tube Man" ad standing out. Some jokes miss the mark or feel dated now, but the comedic tone is confident from the jump.

Pacing: 7/10 The episode moves quickly, jumping from unemployment to welfare fraud to televised courtroom chaos. It doesn't waste time, though the transitions can feel sudden or forced.

Writing: 6.5/10 The jokes are uneven, and some character dynamics feel undercooked. But there's cleverness here, even if it's rough around the edges. You can tell the writers are going for both smart and stupid humor in equal measure.

Animation: 6/10 Let's be real-it's janky. The animation is basic, stiff, and a bit ugly by today's standards. But there's charm in the roughness, and it gets the job done for a pilot.

Voice Acting: 8/10 Seth MacFarlane hits the ground running, voicing half the cast with impressive range. Even this early on, Stewie's voice is iconic and Brian's dry delivery works well.

This test pilot is awesome because it's very nostalgic and creative.

Did a good job at introducing the characters Peter a lovable idiot, Lois a housewife that cares for her family,Brian the voice of reason,Stewie is evil, Meg a teenage girl and Chris a teenage boy also had a good story and some funny laughs.

Watching this again makes me ache for old Family Guy! I only wish this show had stuck with its roots. These older episodes have aged like fine wine.

"Hey man, your clock won't flush!"

Watching the first episode of Family Guy is like taking a time machine back to the Clinton administration. Not only does it give the world a snapshot of the grotesque underbelly of American culture as it stood just before the turn of the millennium, but it also establishes Family Guy as a television sensation.

All the show's trademark comedic devices are here: the random cutaway sequences; the grotesque slapstick American jokes; and the oddball socio-political commentary. Many of the tropes evident in Seth McFarlan's later work are here, too. The use of animals, freakish characters, and inanimate objects as major plot devices which pop up again in American Dad and Ted and its sequel, and the strong male archetype with a warped sense of patriarchal control over his family, present in American Dad, are examples of this trend.

The animation in the first episode is crude for the period, which is a disappointment. And the voice acting is inconsistent with later seasons, a problem seen in other adult animated series such as The Simpsons. The humour offsets these problems to a large extent, although it doesn't entirely eliminate them.

Overall, this is a solid start to what later became a fixture of American Television Culture, despite some strange flaws and a strange obsession with death that hangs over the rest of the season. I strongly recommend it to anybody with an interest in American animated adult television.