Back for Christmas

The first comment on this seems to miss the point. Its not that the woman is so overbearing that makes this episode so great - rather, the complexity of characters and the humorous delivery of the "final solution" that really makes this episode stand out.

Of course she's not fully overbearing, nor is he fully evil. He's rather ordinary, just like her. Hitchcock always succeeds most when making the trivial and boring very lurid and shocking. "Back for Christmas" is great. Best episode in the first season.

If you're looking for archetypal characters, there are plenty of areas of viewing with which to explore them. This director doesn't deal in archetypes but in eccentric individuals.

John Williams is one of the actors who was a frequent guest on "Alfred Hitchcock Presents" as well as in Hitchcock's movies. Here in "Back for Christmas", Williams plays a seemingly dull middle-aged Englishman who is about to go on holiday to America with his wife. But he has other plans and begins digging in the basement. As for the wife, she's totally clueless and doesn't seem to notice that the hole is about her size! It's not at all surprising what comes next! But what about after he does the vile deed?

This episode is very good...especially when the twist arrives at the end. But apparently the episode wasn't unique and was based on an earlier radio program....which I assume is no longer available. Well worth seeing.

Directed by Alfred Hitchcock himself. He adds some visual flare but the story is thin

Herbert Carpenter (John Williams) is the henpecked husband who plans to off his domineering wife Hermione (Isobel Elsom.)

Just before they go for a long holiday to California. They will be back for Christmas Hermione assures her friend. Maybe the stay will be longer according to Herbert.

He has been digging in the basement, making a wine cellar but the hole is just her size. Herbert plans to bash his wife in and bury her in the cellar. Then jet off to a new life in California.

It's early morning beer in the LA sun. Jus what could be the twist be. A bit out of the blue I thought but Hermione did plan a surprise for her husband.

Not much tension here as Herbert's plans are well telegraphed.

"Back for Christmas" is the fourth episode of the series to be directed by the "master of suspense" himself. Expectations were high, seeing as Hiitchcock is one of my all time favourite directors and because of his previous episodes "Revenge", "Breakdown" and "The Case of Mr Pelham" are among the best episodes of Season 1, "Breakdown" in fact being one of my favourite episodes of the whole series. Great to see John Williams in another one of his ten appearances on the series.

Despite not being one of my favourite 'Alfred Hitchcock Presents' outings and despite it not being in the same ballpark as "The Case of Mr Pelham" and especially "Breakdown", "Back for Christmas" to me is still one of the better episodes of Season 1. Which was pretty mixed on the whole, with some fine episodes but also with a few lacklustre ones. While not a unique episode, "Back for Christmas" is well executed in almost every way and is very good.

Will agree that there is a little too much talk, which does bog down the momentum at points in the middle.

Also felt that it was a little lacking in the suspense and chills factors that made "The Case of Mr Pelham" and especially "Breakdown" so memorable.

It is though a well made episode, with better production values than the previous couple of episodes. The photography particularly has a good deal of atmosphere and style, as does the eerie lighting. The use of sound is ominous and the main theme (Gounod's "Funeral March of a Marionette") is memorably haunting. Hitchcock directs pretty impeccably and his bookending continues to entertain.

Script isn't perfect, but it provokes thought and doesn't take itself too seriously, while also not treating it as too much of a joke. The story on the most part absorbs and has some nice tension. The ending is entertaining and didn't come over as too predictable. Really liked the character complexity, the characterisation of the wife is interesting and the over-bearing-ness is not overdone. Williams is excellent in a different type of role to usual, very different from his role in 'Dial M for Murder'.

Overall, very good if not amazing. 8/10.

You know, sometimes it just doesn't pay to murder your wife. We've got this guy who puts up with his wife controlling virtually every aspect of his life. He sees his youth slipping away as she fusses and controls everything. Actually, if one were to step back, she's not all that overbearing. He never tries to simply say, "Enough!" already. We are always suspicious when some guy starts digging in the basement. She does respect his need to build a wine cellar. Of course, he checks his notebook from time to time to see what her dimensions are. She is not a shrew nor does she really smother him. She has a streak of real kindness, so it's hard to be very sympathetic toward him. Well, I won't give the ending away, but suffice it to say that it is her kindness that ultimately comes back to bite him. I think this could have really been improved with a few modifications in her character.