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Alfred Hitchcock Presents
S1.E15
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  • Cast & crew
  • User reviews
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IMDbPro

The Big Switch

  • Episode aired Jan 8, 1956
  • TV-14
  • 30m
IMDb RATING
7.1/10
1.2K
YOUR RATING
George Mathews and Beverly Michaels in Alfred Hitchcock Presents (1955)
CrimeDramaMysteryThriller

Gangster Sam Dunleavy sets up an elaborate alibi so that he can kill his ex-girlfriend Goldie, who left him for another man.Gangster Sam Dunleavy sets up an elaborate alibi so that he can kill his ex-girlfriend Goldie, who left him for another man.Gangster Sam Dunleavy sets up an elaborate alibi so that he can kill his ex-girlfriend Goldie, who left him for another man.

  • Director
    • Don Weis
  • Writers
    • Richard Carr
    • Cornell Woolrich
  • Stars
    • Alfred Hitchcock
    • George Mathews
    • Beverly Michaels
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    1.2K
    YOUR RATING
    • Director
      • Don Weis
    • Writers
      • Richard Carr
      • Cornell Woolrich
    • Stars
      • Alfred Hitchcock
      • George Mathews
      • Beverly Michaels
    • 16User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos4

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    Top cast9

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    Alfred Hitchcock
    Alfred Hitchcock
    • Self - Host
    George Mathews
    George Mathews
    • Sam Dunleavy
    Beverly Michaels
    Beverly Michaels
    • Goldie
    George E. Stone
    George E. Stone
    • Barney
    Joe Downing
    • Lieutenant Al Hawkshaw
    • (as Joseph Downing)
    James Edwards
    James Edwards
    • Ed
    Mark Dana
    • Morgan
    Napoleon Whiting
    Napoleon Whiting
    • Tony
    Jonni Paris
    • Brunette
    • (uncredited)
    • Director
      • Don Weis
    • Writers
      • Richard Carr
      • Cornell Woolrich
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews16

    7.11.1K
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    Featured reviews

    7TheLittleSongbird

    Could have been bigger

    It was great to have Don Weis back in the director's chair, after doing so well with "Santa Claus and The Tenth Avenue Kid" ( a fine example of a change of pace episode done very well). The previous 'Alfred Hitchcock Presents' episodes were mostly solid to brilliant (with "Breakdown" coming out on top), with only two barely average ones "Don't Come Back Alive" and especially "Triggers in Leash". The premise didn't sound all that exciting, but having seen many things that have ordinary premises but made into something more on screen there was hope.

    And "The Big Switch" did turn out better than expected. It is slightly disappointing in terms of being top 'Alfred Hitchcock Presents' standard, plot-wise it is nothing wholly remarkable. It is though a lot of fun as an episode and benefits greatly from its lead performance. "The Big Switch" is another one of the entries that is noither one of the best of the season or show or the worst on both counts, but more just scrapes the high middle category.

    The story is nothing exceptional, it is short on suspense and surprises, so slightly bland atmosphere-wise, and can be rather contrived. A feeling that gets on the over the top side in the final act, which did feel like more time was needed to flesh it out more.

    However, "The Big Switch" benefits hugely from the twinkling larger than life lead performance of George Matthews. The rest of the cast do very well too, if not on Matthews' level and their roles are not as interesting. Weis' direction is far from routine and there is an ease. What is also good is the script writing, which is very tongue in cheek and genuinely humorous. It is not the lean, tough sort of script, but it does show again that 'Alfred Hitchcock Presents' could do tongue in cheek and humour well.

    Which was always evident anyway in Hitchcock's droll bookend scenes. It's a well made episode visually, with some lovely atmospheric shots, and the theme music is as usual wonderfully devillish. And despite not being wowed by the story, it is not a dull one and it has its charm. The character chemistry is done well.

    Concluding, liked it but not loved it. 7/10.
    9planktonrules

    A great twist make this one an excellent episode.

    The story is set in Chicago in 1920. Sam (George Mathews) is a thug with a long record. And, he wants to murder his old girlfriend, Goldie (Beverly Michaels). But an old parole officer is closely watching Sam and killing her and getting away with it won't be easy. So, he comes up with a plan. With the help of Barney (George E. Stone), he creates what seems like the perfect alibi. He goes to Barney's club to play cards, and Barney's office has a secret door so that Sam can sneak out the back, kill Goldie, and then return....all the while, folks outside the office think Sam and Barney are inside playing cards. Not surprisingly, there is a twist at the end!

    This is a funny episode and it's very well written...better written than nearly all the episodes of season one of "Alfred Hitchcock Presents". Well worth seeing.
    7elo-equipamentos

    A Mousetrap comes with a perfect alibi !!!

    In this story Hitch expounds with a bit of sarcasm a mousetrap and how it is so dangerous , thus begin the story of a crook Sam Dunleavy (George Mathews) who has been absent for a while at Miame on his mousetrap business, Back to Chicago he perceives that his beauty and unfaithful girlfriend Goldie (Beverly Michaels) replaces him for another sponsor, Sam eaten for the hate sets up a perfect alibi to killing her and escapes unscathed due since he arrived in town has a cop in his neck, then he goes into a night club which he had close ties with the owner, the corrupt Barney (George E. Stone) whose Sam will buy for 2.500 bucks his alibi, they planned pretend playing poker at his private room, meanwhile Sam leaves the place through a secret passage, then reaching at Goldie's room he waiting for her who quickly comes, Sam be sure why he is there, displayng a gun, Goldie when she realizes that will be killed, the smart girl fools him, that already had a baby called Dunleavy in his homage, Sam has been thrilled by such regard, then he changes your mind and return to Barney's night club, however backing in the poker room the unexpected comes, Hitch was right about the time!!!

    Resume:

    First watch: 2020 / How many: 1 / Source: DVD / Rating: 7
    7sdot8787

    Watching all episodes in order

    I saw the twist coming but it was a bit different than I expected. Well acted.
    6coltras35

    Curtains for Donlevy's cheating dame

    Gangster Sam Dunleavy sets up an elaborate alibi so that he can kill his ex-girlfriend Goldie, who left him for another man. A mildly amusing story set in the backdrop of Tommy guns, gangsters and molls. Nothing too standout, but that twist really lifts this one a couple of notches. Plus there's a great performance by George Matthews, whose elaborate scheme ricochets greatly.

    Related interests

    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The password to enter the speakeasy is "Manassa Mauler," a nickname for Jack Dempsey, the world heavyweight boxing champion from 1919 to 1926.
    • Goofs
      When Goldie turns on a table lamp and Sam slams the door to trap her in, the camera moves in front of the lamp, throwing the shadow of the whole moving camera apparatus on the door behind Sam - a terrible lapse by the lighting director.
    • Quotes

      [last lines]

      Himself - Host: Well, as they say in San Quentin, that's the way the little pellet drops. Now, if only Dunleavy had killed Goldie he could have accounted for his actions at the time of Barney's accidental death. But then, suppose the police started asking questions about Goldie. And now for some of those delightful words from our sponsor after which, I'll be back.

      [commercial break]

      Himself - Host: I'm afraid that's all the commercial we have time for this evening. But we shall be back next week with some more. And, uh... Oh, incidentally, uh, if there's time we also, uh, plan to tell you another story.

    • Soundtracks
      Funeral March of a Marionette
      Written by Charles Gounod

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    Details

    Edit
    • Release date
      • January 8, 1956 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Filming locations
      • Republic Studios - 4024 Radford Avenue, North Hollywood, Los Angeles, California, USA
    • Production company
      • Shamley Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 30m
    • Color
      • Black and White
      • Black and White
    • Aspect ratio
      • 1.33 : 1

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