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Star Trek: The Next Generation
S1.E3
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IMDbPro

Code of Honor

  • Episode aired Oct 10, 1987
  • TV-PG
  • 46m
IMDb RATING
5.1/10
5.1K
YOUR RATING
Julian Christopher, Jessie Lawrence Ferguson, and Karole Selmon in Star Trek: The Next Generation (1987)
ActionAdventureDramaSci-Fi

When the leader of an alien culture takes a romantic interest in Lt. Yar, he claims her for his own, to the dismay of his own wife, who, in turn, challenges Tasha in a fight to the death.When the leader of an alien culture takes a romantic interest in Lt. Yar, he claims her for his own, to the dismay of his own wife, who, in turn, challenges Tasha in a fight to the death.When the leader of an alien culture takes a romantic interest in Lt. Yar, he claims her for his own, to the dismay of his own wife, who, in turn, challenges Tasha in a fight to the death.

  • Directors
    • Russ Mayberry
    • Les Landau
  • Writers
    • Gene Roddenberry
    • Katharyn Powers
    • Michael Baron
  • Stars
    • Patrick Stewart
    • Jonathan Frakes
    • LeVar Burton
  • See production info at IMDbPro
  • IMDb RATING
    5.1/10
    5.1K
    YOUR RATING
    • Directors
      • Russ Mayberry
      • Les Landau
    • Writers
      • Gene Roddenberry
      • Katharyn Powers
      • Michael Baron
    • Stars
      • Patrick Stewart
      • Jonathan Frakes
      • LeVar Burton
    • 42User reviews
    • 13Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos6

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    Top cast23

    Edit
    Patrick Stewart
    Patrick Stewart
    • Captain Jean-Luc Picard
    Jonathan Frakes
    Jonathan Frakes
    • Commander William Thomas 'Will' Riker
    LeVar Burton
    LeVar Burton
    • Lieutenant Geordi La Forge
    Denise Crosby
    Denise Crosby
    • Lieutenant Natasha 'Tasha' Yar
    Michael Dorn
    Michael Dorn
    • Lieutenant Worf
    • (credit only)
    Gates McFadden
    Gates McFadden
    • Doctor Beverly Crusher
    Marina Sirtis
    Marina Sirtis
    • Counselor Deanna Troi
    Brent Spiner
    Brent Spiner
    • Lieutenant Commander Data
    Wil Wheaton
    Wil Wheaton
    • Wesley Crusher
    Jessie Lawrence Ferguson
    Jessie Lawrence Ferguson
    • Lutan
    Karole Selmon
    Karole Selmon
    • Yareena
    Julian Christopher
    Julian Christopher
    • Hagon
    • (as James Louis Watkins)
    Michael Rider
    Michael Rider
    • Transporter Chief
    James G. Becker
    • Youngblood
    • (uncredited)
    Darrell Burris
    • Operations Officer
    • (uncredited)
    Dexter Clay
    • Operations Division Officer
    • (uncredited)
    Jeffrey Deacon
    • Command Division Officer
    • (uncredited)
    Nora Leonhardt
    Nora Leonhardt
    • Science Division Ensign
    • (uncredited)
    • Directors
      • Russ Mayberry
      • Les Landau
    • Writers
      • Gene Roddenberry
      • Katharyn Powers
      • Michael Baron
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews42

    5.15K
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    Featured reviews

    4robert_s01

    Anti Imperialism

    In this episode there are first attempts of a character development visible as well as setting the focus not only around the leading cast but also trying to include supportive ones in the plot. Data for example is making his first (of many) attempts to cope with human humor and his relation to LaForge is founded. Furthermore Riker more clearly is used as an equally treated character next to the Captain. This marks the first step on the way of splitting up the action between several places which will become common procedure in later Star Trek.

    The episode itself has not much to mention. The script is classically TOS as is the set design and almost everything except the new crew. Lutan is not much of an opponent neither his acting abilities nor his character and Picard and Riker carry the show almost with routine. Troi as usual is the weak spot in the TNG cast and Wesley seems out of place (once again).

    The conflict between the prime directive and the need for a vaccine to cure Federation colonists (one of the many Star Trek McGuffins) seems much too artificial, which robs it of the potential of carrying a message. The prime directive of the Federation is a principle quite similar to German philosopher Immanuel Kant's (1724 - 1804) "Kategorischer Imperativ" which in my opinion is characterized by a tremendous lack of flexibility to be applicable. Its intention clearly is to avoid a new colonial age of suppression of other cultures but as to be seen in this episode (rather involuntarily one might guess) its strictness is its greatest weakness. It downright invites other cultures with different moral standards to trick the Federation into a conflict situation to weaken their position. Surely the Federation stresses the importance of diplomacy but diplomacy is a rather uneven ground and every strictly taken principle would ruin it because creativity is the most important point to it. The Prime Directive taken literally would destroy any diplomatic attempts by the Federation because it would make their actions predictable. Whatever Gene Roddenberry may be he is not a philosopher for his concepts aren't thought-ought and with every attempt of making man better he earns so many problems... I mean, what situation is this? Saving hundreds of lives or respecting an archaic culture's code of honor? Would anyone have been harmed if the crew of the Enterprise would have taken the vaccine by force? How many people died which could have been saved, while Picard's hands were bound and the silly fight took place (exposing a crew member to a great risk)? All that doesn't make any sense to me... Conflicts between cultures and different moral systems cannot be solved by one culture always giving in to the other. This would lead to an endless circle of dominance and submission. Tolerance and respect are high values and should be protected whenever possible... But they can't weigh out responsibility for one's own people. Respect has to be earned and should not be mistaken for accepting other people's ways of living. Conflicts only can be solved with decisions which can't always be made by the book. Acceptance and respect, responsibility and tolerance must be weighed out against each other thoroughly but finally the decision has to be made. On a Starfleet vessel it is the Captain's prerogative. He has his staff (all Starfleet academy graduates, trained in Starfleet procedures what includes a set of ethical values) to advise him and his own experience to guide him. That doesn't provide him from making mistakes but that's a different story. If Picard had to be judged on his decisions during this mission his hesitant way of acting surely would not have been highly appreciated. A Captain's responsibility is first of all to his ship and its crew. All other things come second.

    The final solution of cheating Lutan could not be called examplary, could it? This would be a much greater sign of disrespect than (for example) having challenged him to fight or threatening him by a demonstration of power. If someone has such a strict and highly regarded code of honor, why not use it against him? In archaic cultures challenge always was an honorable thing to do...

    But don't get me wrong, I'm a great fan of Star Trek. Not because I agree with all of its points but because it almost exemplary (and not always voluntarily) shows how complex life, politics and ethics really are. A model society always will be a model society and nothing more. TNG will go on with its naive and often clumsy dealings with highly complex conflict situations for a while and Star Trek in a whole will never really get rid of that. But one thing's clear. You always can learn something from it, even if it means learning how you shouldn't do it. It creates conflicts but the solutions it comes up with were, are and will ever be only few of nearly infinite possibilities. That's my point of Star Trek. It makes people sensitive to philosophical issues and the more Roddenberry got away from responsibility of its execution the more interesting and sometimes even ambivalent it got...
    4davepetri

    Where was the racism?

    I have to agree that this episode was not one of the best and perhaps deserves many of the negative critiques it received. What I don't understand is the various trivia notes discussing disappointment about the blatant racism in the episode.

    Though the episode does involve African Americans representing an alien culture with primitive undertones. But what specifically was racist in this episode?
    3AshCaton

    An Odd One

    Tasha Yar is kidnapped by a race who resemble tribal Africans. The leader of this race wants her as his wife and subsequently she is forced to fight it out with his old wife. Quite a bizarre episode,which has far more in common with the original series than Next Gen, a move probably entirely deliberate given that this only the third episode. I have to say as a Star Trek fan, I can put up with a lot of shoddy acting, but something about Tasha Yar always made me grind my teeth. Perhaps it was the haircut, or the tone of voice but I never liked her much and this is a perfect example of why. To be honest I was pleased when she left the series and actually enjoyed her performances in her subsequent and inevitable comebacks. Not essential.
    4Hitchcoc

    Really Lacking in Imagination

    Once again, I feared that such a poor episode might sink the starship Enterprise. Some have called this racist but I think it's just a weak story about a male dominated world. Good heavens, about half our planet acts this way toward women. Tasha is kidnapped and put in a position where she must fight an alien woman for her life. How many times has this tired plot played out. Yar is an interesting character. She is rather masculine in appearance and has a kind of take-no-prisoners mentality. Of course, there is some complexity to this piece. There are negotiations with the indigenous beings in an attempt to solve the issue. The kicker is that these beings control a substance that is of dire importance to another interplanetary culture. The deus ex machina foolishness that eventually comes is quite unsatisfying. The culture seems set up for just such a result.
    6janaisasocialist

    It's Ok

    This is largely considered to be one of the worst episodes of Star Trek. I probably would have skipped it based on the rating but my partner and I are trying to make our way through the entire show without skipping any episodes.

    I will say, the story is fairly weak and the casting of all black actors for the highly misogynistic race is problematic at best. However, it does have some great character moments that are hard to skip.

    It's the first episode where Wesley is allowed to work on the bridge, it's the first time Data tries telling a joke, and first time Picard takes pride in being French.

    If you're here for character development you should watch it, but otherwise feel free to skip.

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    Sci-Fi

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Gene Roddenberry fired director Russ Mayberry because he objected to the casting of African actors as the Ligonians who portrayed to be a primitive race.
    • Goofs
      At the end, if the plague in Styris IV is so bad, why do they go there at warp 3?
    • Quotes

      Lt. Commander Data: What Lutan did is similar to what certain American Indians once did called "counting coup." That is from an obscure language known as French. Counting coup...

      Captain Jean-Luc Picard: Mr. Data. The French language, for centuries on Earth, represented civilization.

      Lt. Commander Data: Indeed? But surely, sir...

      Commander William T. Riker: [sotto voce] I suggest you drop it, Mr. Data.

    • Connections
      Referenced in Star Trek: The Next Generation: Cost of Living (1992)
    • Soundtracks
      Star Trek: The Next Generation Main Title
      Composed by Jerry Goldsmith and Alexander Courage

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    Details

    Edit
    • Release date
      • October 10, 1987 (United States)
    • Country of origin
      • United States
    • Official site
      • Official site
    • Language
      • English
    • Filming locations
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, California, USA(Studio)
    • Production company
      • Paramount Television
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 46m
    • Color
      • Color
    • Sound mix
      • Stereo
      • Dolby Digital
    • Aspect ratio
      • 1.33 : 1

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