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5.7/10
3.7K
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A comedy about a New York City couple (Schreiber and Hunt) in romantic and family crisis.A comedy about a New York City couple (Schreiber and Hunt) in romantic and family crisis.A comedy about a New York City couple (Schreiber and Hunt) in romantic and family crisis.
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Featured reviews
Every Day Better & Better
Great cast in a mostly typical domestic pot-boiler. You could probably write the plot yourself after the initial set-up, and the climax is conventionally contrived to happen all in the same night. Not quite as funny or dramatic as it might have been throughout. The son's homosexuality is realistically handled especially the dynamic between him and his dad. But Eddie Izzard's boss-man lives in a world that doesn't touch reality - even Reality TV. This plot line threatens to de-rail the whole enterprise for me What sort of TV show is this??? Hunt's best line was left on the cutting room floor "It's not porn. It's cable."
dysfunctional family makes good movies.
EVERY DAY – CATCH IT ( B ) A movie about dysfunctional family is my favorite genre. These movies sometime brings out the greatest moment and performance out of actors you actually never expect. Even here we see a side of Liev Schreiber, which I have not seen before. Watching him with Helen Hunt was really interesting. Helen Hunt is a fine actress and we rarely get to see her these days. I really would love to see her soon in some more movies. Ezra Miller is uprising young actor and he is really impressive can't wait to see what he brings on table with bussed about movie" We Need to talk about KEVIN". Carla Gugino is a sweet actress, its always fun watching her and her chemistry with Liev was HOT. Tilky Jones and Ezra Miller smooching was HOT. Overall, it's a good effort and I really enjoyed the whole dynamics of the characters and specially the funny dialogues. I enjoyed it.
A slice of real life
I found this piece to ring so true to family life in America today. I loved that it did not sugarcoat how hard it is to raise kids or help aging parents or keep a marriage fresh.
This cast is superb and they have all brought their A game to the screen. They are reachable and poignant and they each have their own agenda that is faithfully followed throughout the story.
I really see this as an ensemble piece and, therefore, don't want to single any one cast member out. They each delved into the details of their characters to bring a real slice of life to us. It was easy to get lost in the writing, the story, and the emotions we can all relate to with the deft ability of the cast and how they were directed.
I highly recommend it.
This cast is superb and they have all brought their A game to the screen. They are reachable and poignant and they each have their own agenda that is faithfully followed throughout the story.
I really see this as an ensemble piece and, therefore, don't want to single any one cast member out. They each delved into the details of their characters to bring a real slice of life to us. It was easy to get lost in the writing, the story, and the emotions we can all relate to with the deft ability of the cast and how they were directed.
I highly recommend it.
Every Day — And you thought nobody else was struggling like you
Every Day is every family's scenario. An ordinary midlife crisis, a slightly rebellious child, a difficult parent... it could be anyone, and it serves as a mirror telling people who look upon it: "Yes, it happens to others too. It's not easy, but you can make it."
The good. The acting is well dosed, just right to make us feel at home. The script keeps event popping in, but does not become overly complex. The story is dynamic, yet quiet. The dialogs, characters, and background are realistic, without dragging us into the mundane or the boring.
The actors. Liev Schreiber is the steadfast husband and father who's running into a wall. Good performance. Helen Hunt is the daughter, wife, and mother who is lost. For once, I did not find her annoying, and I must give her credit for keeping her performance on par with the flick. Carla Gugino as the sexy fun seeking coworker, Eddie Izzard as the flamboyant boss, and Brian Dennehy as crotchety old father are what gives the film its piquant. Well done.
The bad. I think all this production needs to really have more punch is a bit more polish in almost all departments while avoiding becoming slick which would loose the "anyone" feel.
The ugly. Nothing.
The result. A bit of entertainment for everyone, but don't expect any action or big gestures. This is about "every day".
The good. The acting is well dosed, just right to make us feel at home. The script keeps event popping in, but does not become overly complex. The story is dynamic, yet quiet. The dialogs, characters, and background are realistic, without dragging us into the mundane or the boring.
The actors. Liev Schreiber is the steadfast husband and father who's running into a wall. Good performance. Helen Hunt is the daughter, wife, and mother who is lost. For once, I did not find her annoying, and I must give her credit for keeping her performance on par with the flick. Carla Gugino as the sexy fun seeking coworker, Eddie Izzard as the flamboyant boss, and Brian Dennehy as crotchety old father are what gives the film its piquant. Well done.
The bad. I think all this production needs to really have more punch is a bit more polish in almost all departments while avoiding becoming slick which would loose the "anyone" feel.
The ugly. Nothing.
The result. A bit of entertainment for everyone, but don't expect any action or big gestures. This is about "every day".
'You're not nearly as boring as you pretend to be'
Richard Levine's 'Every Day' takes a slice of life look at Ned and Jeannie's family life. Their monotonous life is further disrupted when Jeannie's grumpy father, after the death of his wife. Levine tells the story with sincerity but it feels very familiar. It bares some resemblance to movies like 'The Savages' and 'Little Children'. I liked the angle with the teen son who gets lured into sneaking out at night to meet a guy at a disco and yet he's strong-minded enough to refuse drugs. The dynamic between him and his father, especially concerning his homosexuality is portrayed effectively. The struggle between Jeannie and her father is well-depicted. The characters are well-written. The lines are witty and funny but the plot is contrived and very predictable. The Eddie Izzard track felt like an attempt to be quirky and it hardly contributes much to the main story other than providing some comic relief. It's good to see Helen Hunt back. She performs naturally. Brian Dennehy is brilliant and the two child actors are good too. Carla Gugino is spot on. Liev Schreiber and Eddie Izzard are passable.
Overall, it may be a typical slice of life family drama but still worth the watch mostly because of the way it portrays certain themes, sharp dialogue and good performances
Overall, it may be a typical slice of life family drama but still worth the watch mostly because of the way it portrays certain themes, sharp dialogue and good performances
Did you know
- TriviaAt its widest release, the film was only shown in four theaters, and grossed $46,209, far below its $3 million production budget.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #19.119 (2011)
- SoundtracksFeel U
by Anne Marie Bush
- How long is Every Day?Powered by Alexa
Details
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $46,029
- Opening weekend US & Canada
- $9,857
- Jan 16, 2011
- Gross worldwide
- $46,029
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