Every Day

Richard Levine's 'Every Day' takes a slice of life look at Ned and Jeannie's family life. Their monotonous life is further disrupted when Jeannie's grumpy father, after the death of his wife. Levine tells the story with sincerity but it feels very familiar. It bares some resemblance to movies like 'The Savages' and 'Little Children'. I liked the angle with the teen son who gets lured into sneaking out at night to meet a guy at a disco and yet he's strong-minded enough to refuse drugs. The dynamic between him and his father, especially concerning his homosexuality is portrayed effectively. The struggle between Jeannie and her father is well-depicted. The characters are well-written. The lines are witty and funny but the plot is contrived and very predictable. The Eddie Izzard track felt like an attempt to be quirky and it hardly contributes much to the main story other than providing some comic relief. It's good to see Helen Hunt back. She performs naturally. Brian Dennehy is brilliant and the two child actors are good too. Carla Gugino is spot on. Liev Schreiber and Eddie Izzard are passable.

Overall, it may be a typical slice of life family drama but still worth the watch mostly because of the way it portrays certain themes, sharp dialogue and good performances

this movie is listed as a comedy and there are a few comic moments. but i found most of the laughs in some of the overdone dramatic scenes. couldn't believe this as a real family. their daily life is almost to the point of being a 'pot boiler'.

the acting is good and nicely cast, but something is missing. a sweet story being told by some rather over done characterizations - in my opinion. but i enjoyed the movie as a whole. it's just sort of a hollow feeling when it's finished. emotionally the viewer expects something more solid.

my favorite scene is in the parking lot after Ned has his blowout at the staff meeting. and i appreciate having the son realize he made a mistake deceiving his parents - thus his reaction at the club.

very watchable story but .....!

Every Day is every family's scenario. An ordinary midlife crisis, a slightly rebellious child, a difficult parent... it could be anyone, and it serves as a mirror telling people who look upon it: "Yes, it happens to others too. It's not easy, but you can make it."

The good. The acting is well dosed, just right to make us feel at home. The script keeps event popping in, but does not become overly complex. The story is dynamic, yet quiet. The dialogs, characters, and background are realistic, without dragging us into the mundane or the boring.

The actors. Liev Schreiber is the steadfast husband and father who's running into a wall. Good performance. Helen Hunt is the daughter, wife, and mother who is lost. For once, I did not find her annoying, and I must give her credit for keeping her performance on par with the flick. Carla Gugino as the sexy fun seeking coworker, Eddie Izzard as the flamboyant boss, and Brian Dennehy as crotchety old father are what gives the film its piquant. Well done.

The bad. I think all this production needs to really have more punch is a bit more polish in almost all departments while avoiding becoming slick which would loose the "anyone" feel.

The ugly. Nothing.

The result. A bit of entertainment for everyone, but don't expect any action or big gestures. This is about "every day".

If your life is too perfect and happy then check out well made, well cast, but thoroughly miserable 2010 New York drama "Every Day" for some balance. At work Liev Schreiber suffers demanding boss Eddie Izzard and co-workers Carla Gugino & David Harbour, while at home he struggles with teen son Ezra Miller's sexuality and wife Helen Hunt's relentlessly whining about her unpleasant & dying dad Brian Dennehy coming to stay. The message of writer / director Richard Levine's debut seemed to be 'Life sucks but you should just grind on' - hmmm... it may be well performed, but does anyone need or want movies that deliver that kinda downbeat bottom line? Nah.

Great cast in a mostly typical domestic pot-boiler. You could probably write the plot yourself after the initial set-up, and the climax is conventionally contrived to happen all in the same night. Not quite as funny or dramatic as it might have been throughout. The son's homosexuality is realistically handled especially the dynamic between him and his dad. But Eddie Izzard's boss-man lives in a world that doesn't touch reality - even Reality TV. This plot line threatens to de-rail the whole enterprise for me What sort of TV show is this??? Hunt's best line was left on the cutting room floor "It's not porn. It's cable."