Secular Song and Dances from the Middle Ages - Modo Antiquo

Secular Song and Dances from the Middle Ages.
French and English instrumental dances in the Middle-Ages
 Modo Antiquo. Bettina Hoffmann

 CD-5: French and English instrumental dances in the Middle-Ages

English Dances

Anon., London, British Library, Ms Harley 978, f. 8v-9r
1. Ductia
Anon., London, British Library, Ms, add. 28550 (Robertsbridge Codex), f. 43v
2. Perone
Anon., Oxford, Bodleian Library, Douce 139
3. Nota
Anon., London, British Library, Ms Harley 978, f. 9r/I
4. Ductia I
Anon., London, British Library, Ms Harley 978, f. 9r/II
5. Ductia II
Anon., London, British Library, Ms add. 28550 (Robertsbridge Codex), f. 43r
6. (Fragment)
Anon., London, British Library, Ms add. 28550 (Robertsbridge Codex), f. 43r
7. Ductia

French Dances

Anon., Paris, Bibliothèque Nationale, Ms f. f. 844
8. La Prime Estampie Royal
9. La Seconde Estampie Royal
10. La Tierche Estampie Roial
11. La Quarte Estampie Royal
12. La Quinte Estampie Real
13. La Seste Estampie Real
14. La Septime Estampie Real
15. La Uitime Estampie Real
16. Dansse Real
17. (without title)
18. Danse

  Secular Song and Dances from the Middle Ages.
Dança Amorosa, Italian Dances from the Middle-Ages
 Modo Antiquo. Bettina Hoffmann

CD-6: Dança Amorosa, Italian Dances from the Middle-Ages

Anon.
1. Ghaetta
2. Saltarello
3. La Manfredina, Rotta della Manfredina
4. Chançoneta Tedescha
5. Isabella
6. Saltarello
7. Saltarello
8. Chançoneta Tedescha
9. Chançoneta Tedescha
10. Principio di virtù
11. Dança amorosa, suo Trotto
12. Chominiciamento di Gioia
13. Chançoneta Tedescha
14. Trotto
15. Bel fiore dança
16. Lamento di Tristano, sua Rotta

Intérpretes: Modo Antiquo CD 5:  Federico Maria Sardelli (recorders, cromorns, bombarda, flute, flauto di corno, rauschpfeiffe), Ugo Galasso (recorders, bombarda, chalumeau, pipe and tabor, ciaramelle), Paolo Fanciullacci (cornet, bagpipe, olifant), Maro Morini (tromba di tirarsi), Bettina Hoffmann (ribeca, viella, tromba marina), Gian Luca Lastraioli (citola, luth), Daniele Poli (luth, harp, zither, simphonia), Luca Brunelli Felicetti (drums, naccari, cembali, bells, scacciapensieri), Massimo Risaliti (drums, harness-bells, triangle, hand bells)
Modo Antiquo CD 6: Federico Maria Sardelli (recorders, gemshorn, shawm, crumhorn), Ugo Galasso (recorders, shawm, crumhorn, reed-pipe), Bettina Hoffmann (fiddle, rebec, tromba marina), Gian Luca Lastraioli (cittern, ud), Annaberta Conti (portative organ), Paolo Fanciullacci (cornamuse (mute cornet), bagpipes), Susanna Giannò (harp), Luca Brunelli Felicetti (drums, darbukka, nakers, bells, tambourin, Jew's harp), Massimo Risaliti (drum, crotales, jingles)
Bettina Hoffmann, dir. 

Duración:  66' 08" + 58' 43"

Lugar y fecha de grabación:  CD 5: Chiesa della Compagnia, Calenzano, Florence, Italy [septiembre 1999]
CD 6 Santa Maria Casa, Vecchio, San Casciano, Italy [abril 1994]

medieval.org

Secular Song and Dances from the Middle Ages. Music for the Crusades part I y II - Modo Antiquo. Bettina Hoffmann

 Secular Song and Dances from the Middle Ages. Music for the Crusades part I y  II - Modo Antiquo. Bettina Hoffmann

 CD-3: Music for the Crusades, part I

I. Appellatio:

Anon., Carmina Burana
1. CB 47: Crucifigat omnes
Thibaut de Champagne
2. Seignor, sachiez qui or ne s'en ira
Anon.
3. La Quinte Estampie Real
Anon.
4. Parti de mal et a bien atourné
Anon.
5. Chevalier mult estes guariz
Anon.
6. De transfretantibus
Thibaut de Champagne
7. Au tans plain de felonie

II. Dure Departie:

Anon.
8. La Seconde Estampie Royal
Conon de Béthune
9. Bien me defisse targier
Thibaut de Champagne
10. Dame, ensinc est qu'il m'en covient aler
Le Chastelain de Couci
11. A vous, Amors, plus qu'a nule autre gent
Chardon de Croisilles de Reims
12. Li departirs de la douce contree
Le Chastelain de Couci
13. Li nouveax temps et maiz et violete
Gilles le Vinier ?; Le Chastelain d'Arras ?
14. Aler m'estuet la ou je trerai paine

     CD-4: Music for the Crusades, part II

III. Passagium Laboriosum:

Roy Richart « Richard Heartlions »
1. Ja nuns hons pris I
Roy Richart « Richard Heartlions »
2. Ja nuns hons pris II
Anon., Roman de Fauvel
3. Desolata mater / Que nutritos / Filios enutrivi
Huon d'Oisi
4. Maugré tous sainz et maugré dieu ausi
Anon., gregorian
5. Chant: Congregati sunt
Anon.
6. La Quarte Estampie Royal
Anon., lutheran
7. Choral; In gotes namen fara wir
Guiot de Dijon
8. Chanterai por mon coraige
Riccardo di San Germano
9. Diro satis percussus vulnere Anon.
   Tristan's Lament
Anon.
10. Nus ne porroit de mauvese reson

IV. Hierosolyma Caelestis

Anon.
11. Hymn: Ierusalem mirabilis
Walter von der Vogelweide
12. Nû alrêst lebe ich mir werde
Anon., Carmina Burana
13. CB: 52: Nomen a solemnibus

 Intérpretes: Modo Antiquo:   Federico Maria Sardelli (recorders, cromorns, bombarda, flute, flauto di corno, rauschpfeiffe), Ugo Galasso (recorders, bombarda, chalumeau, pipe and tabor, ciaramelle), Paolo Fanciullacci (cornet, bagpipe, olifant), Maro Morini (tromba di tirarsi), Bettina Hoffmann (ribeca, viella, tromba marina), Gian Luca Lastraioli (citola, luth), Daniele Poli (luth, harp, zither, simphonia), Luca Brunelli Felicetti (drums, naccari, cembali, bells, scacciapensieri), Massimo Risaliti (drums, harness-bells, triangle, hand bells) 

Duración: 71' 11" + 58' 39"

 Lugar y fecha de grabación:  Chiesa della Compagnia, Calenzano, Florencia, Italia [Septiembre 1999 - enero 2000 ]
 medieval.org 

Secular Song and Dances from the Middle Ages. Carmina Burana part I y II - Modo Antiquo. Bettina Hoffmann

Secular Song and Dances from the Middle Ages
Carmina Burana part I y II
Modo Antiquo. Bettina Hoffmann

 CD-1: Carmina Burana, part I

Anon.
1. CB 185: Ich was ein chint so wolgetan
2. CB 71: Axe Phebus aureo
3. CB 200: Bache bene venies
4. CB 119: Dulce solum
5. CB 196: In taberna quando sumus
6. CB 85 & 159: Veris dulcis in tempore
7. CB 211 & 211^o: Alte clamat Epicurus
8. CB 90: Exiit dilucolo rustica puella
9. CB 63: Olim sudor Herculis
10. CB 151: Virent prata hiemata
11. CB 116: Sic mea fata
12. CB 211: Walthers ton
13. CB 153: Tempus transit gelidum

 CD-2: Carmina Burana, part II

 

1. CB 27: Bonus est confidere
2. CB 52: Nomen a sollempnibus
3. CB 131/131: Dic Christi veritas / Bulla fulminante
4. CB 14: O varium fortune lubricum
5. CB 19: Fas et nefas
6. CB 21: Veritas veritatum
7. CB 47a: Currit ad vocem
8. CB 47: Crucifigat omnes
9. CB 12: Procurans odium
10. CB 11: Ave nobilis
11. CB 3: Ecce torpet probitas
12. CB 14: Planctus ante nescia
13. CB 8: Licet ager cum egrotis
14. CB 15: Celum non animum

 Intérpretes:Modo Antiquo:   Elena Cecchi Fedi (soprano), Lucia Sciannimanico (mezzo-soprano), Paolo Fanciullacci (tenor, zampogna, ciaramelle, olifante), Marco Scavazza (baritone, olifante), Federico Maria Sardelli (recorders, flauto di corno, flute, ciaramelle, voice), Ugo Galasso (recorders, ciaramelle, bombarda, flauta de tamburo, flute, voice), Mauro Morini (tromba di tirarsi, olifante), Anna Clemente (organo portativo), Bettina Hoffmann (viella, ribeca, tromba marina), Gian Luca Lastraioli (citola, lute, voice), Daniele Poli (harp, lute, hurdy-gurdy, salterio, voice), Luca Brunelli Felicetti (drums, naccari, cembalo, bells, scacciapensieri, percussion)

Duración: 60' 13 + 60" 18"

 Lugar y fecha de grabación:  Oratorio di San Francesco Poverino, Florence, Italia [octubre -1998]

 medieval.org