Otis Redding & Carla Thomas - King & Queen (1967)

Otis and Carla grind out some soul classics

They didn't mess around in them days. Recorded over just six days in January 1967, this was Otis Redding's sixth album and his fifth since joining Stax Volt stable in only 1965. Witnessing the success of Motown's pairing of Marvin Gaye with Tammi Terrell and Kim Weston (amongst others) the label decided to combine two of its biggest stars and this was the result.

Carla Thomas had already broken into the mainstream the previous year with B-A-B-Y, but Redding, although a relative stranger to the pop chart was by this time huge on the black charts and had done pretty well making inroads to mainstream success with I've Been Loving You Too Long (To Stop Now), Mr Pitiful and Fa-Fa-Fa-Fa-Fa (Sad Song).

Ostensibly, King & Queen not only allowed Otis and Carla to get their chops into some absolute classics (Knock On Wood, Bring It On Home To Me) but it also let them recreate a Gaye and Weston moment on It takes Two.

Backed by the house band of Booker T Jones and his ubiquitous MGs as well as the talents of Isaac Hayes and Jim and David Porter at the controls, the Stax family may not have broken the rule book with this one, but they still made a solid gold effort. What's more, the track Tramp broke the pair's mainstream duck; its friendly badinage propelling them into the US charts. Following this Lovey Dovey and Knock On Wood also became hits.

Unfortunately, by December of the same year, the world was cruelly robbed of the chance of hearing how Otis might have capitalised on the breakthrough this album represented.
BBC review by Chris Jones 2008
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Otis Redding & Carla Thomas - King & Queen(1967)[RE-1991]

Tracklisting:
1. Knock On Wood
2. Let Me Be Good To You
3. Tramp
4. Tell It Like It Is
5. When Something Is Wrong With My Baby
6. Lovey Dovey
7. New Year's Resolution
8. It Takes Two
9. Are You Lonely For Me Baby
10. Bring It On Home To Me
11. Ooh Carla, Ooh Otis

Time: 32:53

Line Up:
Otis Redding & Carla Thomas - Vocals
Joe Arnold – alto sax
Steve Cropper – guitar
Donald "Duck" Dunn – bass
Isaac Hayes – keyboards
Al Jackson, Jr. – drums
Wayne Jackson – trumpet
Booker T. Jones – keyboards
Andrew Love – tenor sax

>Otis Redding & Carla Thomas - KING & QUEEN 1967 [Remaster 1991]<

Otis redding -Story 3CD set

 Otis Redding was the biggest star of the influential Stax/Volt label, which was based in Memphis, Tennessee, and had several other soul hitmakers on its roster including Sam and Dave, Carla & Rufus Thomas. The house band, Booker T. & The MGs, was the best-known R&B instrumental band of the period. Redding, who died in a 1967 plane crash that also took the lives of the Bar-Kays, Stax's second-string backing band, was an impassioned vocalist who usually sang agonizing songs of tortured love, but could also belt out uptempo rockers ("Shake") and whose best-known tune is "(Sittin' On) The Dock Of The Bay," a song of gentle despair. Together with Aretha Franklin (Redding wrote her huge hit "Respect"), he was instrumental in "crossing over" soul music to white audiences. (DBW)

Otis Redding - Live in London and Paris (1967)

Recorded at the Finsbury Park Astoria in London on March 17, 1967 and at the Olympia Theatre in Paris on March 21, 1967.

Steve Leggett (AMG)
When the Love Generation (which, truthfully, did no better with that emotion than any other generation) got its first real glimpse of soul giant Otis Redding at the Monterey Pop Festival in 1967 backed by Booker T. & the MG's, a powerhouse band if there ever were one, they saw love with a capital L, because Redding sang love songs like the world was about to end, wringing the emotion out of them like a soulful, urgent hurricane. He was, simply put, an unstoppable force on-stage, taking all the energy of gospel and upping the ante until it seemed like the very sky itself was about to fly off into space from the very power of it. Redding was soul, and soul in every fiber of his being. The two sets included here, which predate the