Portland lesbians were a mysterious breed, making a better racket and fiercer sounds than any guys I knew at the time in the state of Maryland, so, yeah, I dove headfirst into that scene, despite being a straight, cis, white dude fresh out of high school with a shaved head. "Why are you into those dyke bands?" otherwise progressive buds would ask me. I don't know; like so much other art, I'm drawn to the things on the outside. I mean, yeah, I probably would have fit in better at an Earth Crisis show, but this just made more sense, had greater appeal.
Even 25 years after the fact, I maintain a big soft spot for romantic, political music, of which this has in spades. There's a strong surf sound here, with the requisite energy that comes around with that sort of influence. And the vocal interplay between Trish & Peyton definitely reminds me of Sleater-Kinney from the same period, although there's a lot more weird, silly play going on here, which of course I dig. It's a good old spin, from a time where it was really daring to be queer and play even DIY spaces without getting fucked with. The Third Sex kept it fun, sounded like there was a bright future ahead, and it still sounds great.