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Color name
HEX #47A61D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47A61D it is the complementary color #B859E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47A61D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47A61D shade: #4CA618, #5DB82B, #6ECA3E, #7FDC51 and #90EE64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47A61D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47A61D shade: #47A61D, #36940A, #258200, #147000 and #035E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47A61D shade: #46A41D, #6BA41D, #8FA41D, #A4951D and #A4701D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47A61D shade: #46A41D, #22A41D, #1DA43C, #1DA461 and #1DA485

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47A61D shade matches the following richer shades: #46A41D and #40B40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47A61D shade: #46A41D, #4C952C, #52853C, #58754C and #5E665B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47A61D shade: #90A41D, #6CA41D, #48A41D, #23A41D and #1DA43A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47A61D shade: #285E10, #378116, #46A41D, #55C723 and #6ADB38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47A61D shade: #47A61D, #1DA494 and #A41D7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47A61D shade: #47A61D, #1D48A4 and #A41D48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47A61D shade: #47A61D, #1DA494, #791DA4 and #A41D2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47A61D shade: #47A61D, #1D8BA4, #791DA4 and #A4351D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 83 / 35

HEX #47A61D

RGB 71 166 29

HSL 101.61, 0.7%, 0.38%

LAB 60.52, -51.13, 56.52

 

Complementary color

CMYK 19 / 61 / 0 / 11

HEX #B859E2

RGB 184 89 226

HSL 281.61, 0.7%, 0.62%

LAB 54.89, 59.73, -53.93

 

CMYK 54 / 0 / 86 / 35

HEX #4CA618

RGB 76 166 24

HSL 98.03, 0.75%, 0.37%

LAB 60.67, -49.98, 58.02

 

CMYK 49 / 0 / 77 / 28

HEX #5DB82B

RGB 93 184 43

HSL 98.72, 0.62%, 0.45%

LAB 67.11, -50.83, 58.77

 

CMYK 46 / 0 / 69 / 21

HEX #6ECA3E

RGB 110 202 62

HSL 99.43, 0.57%, 0.52%

LAB 73.48, -51.35, 58.61

 

CMYK 42 / 0 / 63 / 14

HEX #7FDC51

RGB 127 220 81

HSL 100.14, 0.67%, 0.59%

LAB 79.78, -51.65, 57.95

 

CMYK 39 / 0 / 58 / 7

HEX #90EE64

RGB 144 238 100

HSL 100.87, 0.8%, 0.66%

LAB 86.01, -51.79, 57.03

 

CMYK 57 / 0 / 83 / 35

HEX #47A61D

RGB 71 166 29

HSL 101.61, 0.7%, 0.38%

LAB 60.52, -51.13, 56.52

 

CMYK 64 / 0 / 93 / 42

HEX #36940A

RGB 54 148 10

HSL 100.87, 0.87%, 0.31%

LAB 54.01, -49.79, 54.84

 

CMYK 72 / 0 / 100 / 49

HEX #258200

RGB 37 130 0

HSL 102.92, 1%, 0.25%

LAB 47.44, -47.73, 51.08

 

CMYK 82 / 0 / 100 / 56

HEX #147000

RGB 20 112 0

HSL 109.29, 1%, 0.22%

LAB 40.8, -44.81, 45.64

 

CMYK 97 / 0 / 100 / 63

HEX #035E00

RGB 3 94 0

HSL 118.09, 1%, 0.18%

LAB 34.03, -41.17, 40.14

 

CMYK 57 / 0 / 82 / 36

HEX #46A41D

RGB 70 164 29

HSL 101.78, 0.7%, 0.38%

LAB 59.84, -50.67, 55.89

 

CMYK 35 / 0 / 82 / 36

HEX #6BA41D

RGB 107 164 29

HSL 85.33, 0.7%, 0.38%

LAB 61.45, -38.64, 57.95

 

CMYK 13 / 0 / 82 / 36

HEX #8FA41D

RGB 143 164 29

HSL 69.33, 0.7%, 0.38%

LAB 63.74, -24.08, 60.85

 

CMYK 0 / 9 / 82 / 36

HEX #A4951D

RGB 164 149 29

HSL 53.33, 0.7%, 0.38%

LAB 61.2, -7.02, 59.32

 

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

CMYK 57 / 0 / 82 / 36

HEX #46A41D

RGB 70 164 29

HSL 101.78, 0.7%, 0.38%

LAB 59.84, -50.67, 55.89

 

CMYK 79 / 0 / 82 / 36

HEX #22A41D

RGB 34 164 29

HSL 117.78, 0.7%, 0.38%

LAB 58.96, -58.04, 54.75

 

CMYK 82 / 0 / 63 / 36

HEX #1DA43C

RGB 29 164 60

HSL 133.78, 0.7%, 0.38%

LAB 59.1, -55.95, 43.2

 

CMYK 82 / 0 / 41 / 36

HEX #1DA461

RGB 29 164 97

HSL 150.22, 0.7%, 0.38%

LAB 59.59, -50.11, 25.21

 

CMYK 82 / 0 / 19 / 36

HEX #1DA485

RGB 29 164 133

HSL 166.22, 0.7%, 0.38%

LAB 60.34, -41.85, 6.37

 

CMYK 57 / 0 / 82 / 36

HEX #46A41D

RGB 70 164 29

HSL 101.78, 0.7%, 0.38%

LAB 59.84, -50.67, 55.89

 

CMYK 64 / 0 / 93 / 29

HEX #40B40D

RGB 64 180 13

HSL 101.68, 0.87%, 0.38%

LAB 64.77, -58.35, 63.49

 

CMYK 57 / 0 / 82 / 36

HEX #46A41D

RGB 70 164 29

HSL 101.78, 0.7%, 0.38%

LAB 59.84, -50.67, 55.89

 

CMYK 49 / 0 / 70 / 42

HEX #4C952C

RGB 76 149 44

HSL 101.71, 0.54%, 0.38%

LAB 55.29, -42.09, 46.32

 

CMYK 38 / 0 / 55 / 48

HEX #52853C

RGB 82 133 60

HSL 101.92, 0.38%, 0.38%

LAB 50.56, -31.41, 33.69

 

CMYK 25 / 0 / 35 / 54

HEX #58754C

RGB 88 117 76

HSL 102.44, 0.21%, 0.38%

LAB 46.07, -18.88, 19.32

 

CMYK 8 / 0 / 11 / 60

HEX #5E665B

RGB 94 102 91

HSL 103.64, 0.06%, 0.38%

LAB 42.21, -5.38, 5.16

 

CMYK 12 / 0 / 82 / 36

HEX #90A41D

RGB 144 164 29

HSL 68.89, 0.7%, 0.38%

LAB 63.81, -23.66, 60.95

 

CMYK 34 / 0 / 82 / 36

HEX #6CA41D

RGB 108 164 29

HSL 84.89, 0.7%, 0.38%

LAB 61.51, -38.27, 58.02

 

CMYK 56 / 0 / 82 / 36

HEX #48A41D

RGB 72 164 29

HSL 100.89, 0.7%, 0.38%

LAB 59.9, -50.12, 55.97

 

CMYK 79 / 0 / 82 / 36

HEX #23A41D

RGB 35 164 29

HSL 117.33, 0.7%, 0.38%

LAB 58.97, -57.9, 54.77

 

CMYK 82 / 0 / 65 / 36

HEX #1DA43A

RGB 29 164 58

HSL 132.89, 0.7%, 0.38%

LAB 59.08, -56.19, 44.08

 

CMYK 57 / 0 / 83 / 63

HEX #285E10

RGB 40 94 16

HSL 101.54, 0.71%, 0.22%

LAB 34.99, -32.8, 36.34

 

CMYK 57 / 0 / 83 / 49

HEX #378116

RGB 55 129 22

HSL 101.5, 0.71%, 0.3%

LAB 47.71, -42.02, 46.55

 

CMYK 57 / 0 / 82 / 36

HEX #46A41D

RGB 70 164 29

HSL 101.78, 0.7%, 0.38%

LAB 59.84, -50.67, 55.89

 

CMYK 57 / 0 / 82 / 22

HEX #55C723

RGB 85 199 35

HSL 101.71, 0.7%, 0.46%

LAB 71.49, -59.01, 65.09

 

CMYK 52 / 0 / 74 / 14

HEX #6ADB38

RGB 106 219 56

HSL 101.6, 0.69%, 0.54%

LAB 78.47, -59.4, 65.72

 

CMYK 57 / 0 / 83 / 35

HEX #47A61D

RGB 71 166 29

HSL 101.61, 0.7%, 0.38%

LAB 60.52, -51.13, 56.52

 

CMYK 82 / 0 / 10 / 36

HEX #1DA494

RGB 29 164 148

HSL 172.89, 0.7%, 0.38%

LAB 60.74, -37.76, -1.49

 

CMYK 0 / 82 / 23 / 36

HEX #A41D7E

RGB 164 29 126

HSL 316.89, 0.7%, 0.38%

LAB 38.34, 60.76, -21.31

 

CMYK 57 / 0 / 83 / 35

HEX #47A61D

RGB 71 166 29

HSL 101.61, 0.7%, 0.38%

LAB 60.52, -51.13, 56.52

 

CMYK 82 / 56 / 0 / 36

HEX #1D48A4

RGB 29 72 164

HSL 220.89, 0.7%, 0.38%

LAB 33.08, 20.67, -53.77

 

CMYK 0 / 82 / 56 / 36

HEX #A41D48

RGB 164 29 72

HSL 340.89, 0.7%, 0.38%

LAB 36.44, 55.23, 10.21

 

CMYK 57 / 0 / 83 / 35

HEX #47A61D

RGB 71 166 29

HSL 101.61, 0.7%, 0.38%

LAB 60.52, -51.13, 56.52

 

CMYK 82 / 0 / 10 / 36

HEX #1DA494

RGB 29 164 148

HSL 172.89, 0.7%, 0.38%

LAB 60.74, -37.76, -1.49

 

CMYK 26 / 82 / 0 / 36

HEX #791DA4

RGB 121 29 164

HSL 280.89, 0.7%, 0.38%

LAB 33.19, 58.34, -53.24

 

CMYK 0 / 82 / 73 / 36

HEX #A41D2C

RGB 164 29 44

HSL 353.33, 0.7%, 0.38%

LAB 35.89, 53.56, 27.39

 

CMYK 57 / 0 / 83 / 35

HEX #47A61D

RGB 71 166 29

HSL 101.61, 0.7%, 0.38%

LAB 60.52, -51.13, 56.52

 

CMYK 82 / 15 / 0 / 36

HEX #1D8BA4

RGB 29 139 164

HSL 191.11, 0.7%, 0.38%

LAB 53.39, -20.52, -21.65

 

CMYK 26 / 82 / 0 / 36

HEX #791DA4

RGB 121 29 164

HSL 280.89, 0.7%, 0.38%

LAB 33.19, 58.34, -53.24

 

CMYK 0 / 68 / 82 / 36

HEX #A4351D

RGB 164 53 29

HSL 10.67, 0.7%, 0.38%

LAB 38.77, 44.54, 39.08

 

Description

Color code: HEX #47A61D | qconv.com Color code: HEX #47A61D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 166 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 166 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 83 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 83% 35% C M Y K

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Provide designers and agencies with accurate color values.

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