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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50F315 it is the complementary color #AF0CEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50F315. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50F315 shade: #55F310, #66FF23, #77FF36, #88FF49 and #99FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50F315. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50F315 shade: #50F315, #3FE102, #2ECF00, #1DBD00 and #0CAB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50F315 shade: #51F216, #8CF216, #C7F216, #F2E216 and #F2A616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50F315 shade: #51F216, #16F217, #16F252, #16F28E and #16F2C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50F315 shade matches the following richer shades: #51F216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50F315 shade: #51F216, #5ADE2A, #63CB3E, #6CB751 and #76A365

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50F315 shade: #C6F216, #8BF216, #51F216, #16F216 and #16F251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50F315 shade: #34AD09, #40D40B, #51F216, #6EF43D and #8BF664

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50F315 shade: #50F315, #16F2E4 and #F216A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50F315 shade: #50F315, #1651F2 and #F21651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50F315 shade: #50F315, #16F2E4, #B816F2 and #F21625

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50F315 shade: #50F315, #16BFF2, #B816F2 and #F24916

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 91 / 5

HEX #50F315

RGB 80 243 21

HSL 104.05, 0.9%, 0.52%

LAB 84.93, -74.96, 79.33

 

Complementary color

CMYK 25 / 95 / 0 / 8

HEX #AF0CEA

RGB 175 12 234

HSL 284.05, 0.9%, 0.48%

LAB 46.07, 82.69, -72.76

 

CMYK 65 / 0 / 93 / 5

HEX #55F310

RGB 85 243 16

HSL 101.76, 0.9%, 0.51%

LAB 85.03, -74.09, 80.06

 

CMYK 60 / 0 / 86 / 0

HEX #66FF23

RGB 102 255 35

HSL 101.73, 1%, 0.57%

LAB 89.14, -73.75, 80.88

 

CMYK 53 / 0 / 79 / 0

HEX #77FF36

RGB 119 255 54

HSL 100.6, 1%, 0.61%

LAB 89.72, -68.82, 77.22

 

CMYK 47 / 0 / 71 / 0

HEX #88FF49

RGB 136 255 73

HSL 99.23, 1%, 0.64%

LAB 90.43, -63.04, 72.27

 

CMYK 40 / 0 / 64 / 0

HEX #99FF5C

RGB 153 255 92

HSL 97.55, 1%, 0.68%

LAB 91.26, -56.5, 66.33

 

CMYK 67 / 0 / 91 / 5

HEX #50F315

RGB 80 243 21

HSL 104.05, 0.9%, 0.52%

LAB 84.93, -74.96, 79.33

 

CMYK 72 / 0 / 99 / 12

HEX #3FE102

RGB 63 225 2

HSL 103.59, 0.98%, 0.45%

LAB 78.99, -72.89, 76.24

 

CMYK 78 / 0 / 100 / 19

HEX #2ECF00

RGB 46 207 0

HSL 106.67, 1%, 0.41%

LAB 73.03, -70.19, 71.55

 

CMYK 85 / 0 / 100 / 26

HEX #1DBD00

RGB 29 189 0

HSL 110.79, 1%, 0.37%

LAB 67.02, -67.01, 66.65

 

CMYK 93 / 0 / 100 / 33

HEX #0CAB00

RGB 12 171 0

HSL 115.79, 1%, 0.34%

LAB 60.96, -63.25, 61.74

 

CMYK 67 / 0 / 91 / 5

HEX #51F216

RGB 81 242 22

HSL 103.91, 0.89%, 0.52%

LAB 84.64, -74.44, 78.97

 

CMYK 42 / 0 / 91 / 5

HEX #8CF216

RGB 140 242 22

HSL 87.82, 0.89%, 0.52%

LAB 86.57, -59.14, 81.35

 

CMYK 18 / 0 / 91 / 5

HEX #C7F216

RGB 199 242 22

HSL 71.73, 0.89%, 0.52%

LAB 89.72, -37.91, 85.21

 

CMYK 0 / 7 / 91 / 5

HEX #F2E216

RGB 242 226 22

HSL 55.64, 0.89%, 0.52%

LAB 88.6, -12.73, 85.7

 

CMYK 0 / 31 / 91 / 5

HEX #F2A616

RGB 242 166 22

HSL 39.27, 0.89%, 0.52%

LAB 73.68, 18.15, 74.42

 

CMYK 67 / 0 / 91 / 5

HEX #51F216

RGB 81 242 22

HSL 103.91, 0.89%, 0.52%

LAB 84.64, -74.44, 78.97

 

CMYK 91 / 0 / 90 / 5

HEX #16F217

RGB 22 242 23

HSL 120.27, 0.89%, 0.52%

LAB 83.83, -81.6, 77.82

 

CMYK 91 / 0 / 66 / 5

HEX #16F252

RGB 22 242 82

HSL 136.36, 0.89%, 0.52%

LAB 84.11, -77.96, 61.6

 

CMYK 91 / 0 / 41 / 5

HEX #16F28E

RGB 22 242 142

HSL 152.73, 0.89%, 0.52%

LAB 84.81, -69.54, 35.11

 

CMYK 91 / 0 / 17 / 5

HEX #16F2C9

RGB 22 242 201

HSL 168.82, 0.89%, 0.52%

LAB 85.95, -56.73, 6.42

 

CMYK 67 / 0 / 91 / 5

HEX #51F216

RGB 81 242 22

HSL 103.91, 0.89%, 0.52%

LAB 84.64, -74.44, 78.97

 

CMYK 67 / 0 / 91 / 5

HEX #51F216

RGB 81 242 22

HSL 103.91, 0.89%, 0.52%

LAB 84.64, -74.44, 78.97

 

CMYK 59 / 0 / 81 / 13

HEX #5ADE2A

RGB 90 222 42

HSL 104, 0.73%, 0.52%

LAB 78.8, -65.36, 70.01

 

CMYK 51 / 0 / 69 / 20

HEX #63CB3E

RGB 99 203 62

HSL 104.26, 0.58%, 0.52%

LAB 73.36, -54.98, 58.34

 

CMYK 41 / 0 / 56 / 28

HEX #6CB751

RGB 108 183 81

HSL 104.12, 0.41%, 0.52%

LAB 67.76, -42.39, 44.06

 

CMYK 28 / 0 / 38 / 36

HEX #76A365

RGB 118 163 101

HSL 103.55, 0.25%, 0.52%

LAB 62.5, -27.14, 27.46

 

CMYK 18 / 0 / 91 / 5

HEX #C6F216

RGB 198 242 22

HSL 72, 0.89%, 0.52%

LAB 89.66, -38.3, 85.13

 

CMYK 43 / 0 / 91 / 5

HEX #8BF216

RGB 139 242 22

HSL 88.09, 0.89%, 0.52%

LAB 86.53, -59.46, 81.3

 

CMYK 67 / 0 / 91 / 5

HEX #51F216

RGB 81 242 22

HSL 103.91, 0.89%, 0.52%

LAB 84.64, -74.44, 78.97

 

CMYK 91 / 0 / 91 / 5

HEX #16F216

RGB 22 242 22

HSL 120, 0.89%, 0.52%

LAB 83.83, -81.63, 77.96

 

CMYK 91 / 0 / 67 / 5

HEX #16F251

RGB 22 242 81

HSL 136.09, 0.89%, 0.52%

LAB 84.11, -78.06, 61.98

 

CMYK 70 / 0 / 95 / 32

HEX #34AD09

RGB 52 173 9

HSL 104.27, 0.9%, 0.36%

LAB 62.2, -58.66, 61.77

 

CMYK 70 / 0 / 95 / 17

HEX #40D40B

RGB 64 212 11

HSL 104.18, 0.9%, 0.44%

LAB 74.95, -68.63, 72.13

 

CMYK 67 / 0 / 91 / 5

HEX #51F216

RGB 81 242 22

HSL 103.91, 0.89%, 0.52%

LAB 84.64, -74.44, 78.97

 

CMYK 55 / 0 / 75 / 4

HEX #6EF43D

RGB 110 244 61

HSL 103.93, 0.89%, 0.6%

LAB 86.18, -66.93, 71.7

 

CMYK 43 / 0 / 59 / 4

HEX #8BF664

RGB 139 246 100

HSL 103.97, 0.89%, 0.68%

LAB 88.12, -56.52, 59.39

 

CMYK 67 / 0 / 91 / 5

HEX #50F315

RGB 80 243 21

HSL 104.05, 0.9%, 0.52%

LAB 84.93, -74.96, 79.33

 

CMYK 91 / 0 / 6 / 5

HEX #16F2E4

RGB 22 242 228

HSL 176.18, 0.89%, 0.52%

LAB 86.64, -49.61, -6.71

 

CMYK 0 / 91 / 30 / 5

HEX #F216A9

RGB 242 22 169

HSL 319.91, 0.89%, 0.52%

LAB 54.36, 83.71, -21.35

 

CMYK 67 / 0 / 91 / 5

HEX #50F315

RGB 80 243 21

HSL 104.05, 0.9%, 0.52%

LAB 84.93, -74.96, 79.33

 

CMYK 91 / 67 / 0 / 5

HEX #1651F2

RGB 22 81 242

HSL 223.91, 0.89%, 0.52%

LAB 41.95, 44.11, -84.53

 

CMYK 0 / 91 / 67 / 5

HEX #F21651

RGB 242 22 81

HSL 343.91, 0.89%, 0.52%

LAB 51.89, 76.98, 27.94

 

CMYK 67 / 0 / 91 / 5

HEX #50F315

RGB 80 243 21

HSL 104.05, 0.9%, 0.52%

LAB 84.93, -74.96, 79.33

 

CMYK 91 / 0 / 6 / 5

HEX #16F2E4

RGB 22 242 228

HSL 176.18, 0.89%, 0.52%

LAB 86.64, -49.61, -6.71

 

CMYK 24 / 91 / 0 / 5

HEX #B816F2

RGB 184 22 242

HSL 284.18, 0.89%, 0.52%

LAB 48.48, 84.1, -73.28

 

CMYK 0 / 91 / 85 / 5

HEX #F21625

RGB 242 22 37

HSL 355.91, 0.89%, 0.52%

LAB 51.36, 75.5, 52.15

 

CMYK 67 / 0 / 91 / 5

HEX #50F315

RGB 80 243 21

HSL 104.05, 0.9%, 0.52%

LAB 84.93, -74.96, 79.33

 

CMYK 91 / 21 / 0 / 5

HEX #16BFF2

RGB 22 191 242

HSL 193.91, 0.89%, 0.52%

LAB 72.12, -21.5, -36.19

 

CMYK 24 / 91 / 0 / 5

HEX #B816F2

RGB 184 22 242

HSL 284.18, 0.89%, 0.52%

LAB 48.48, 84.1, -73.28

 

CMYK 0 / 70 / 91 / 5

HEX #F24916

RGB 242 73 22

HSL 13.91, 0.89%, 0.52%

LAB 55.79, 62.58, 61.6

 

Description

Color code: HEX #50F315 | qconv.com Color code: HEX #50F315 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 243 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 243 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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