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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72F36E it is the complementary color #8D0C91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72F36E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72F36E shade: #77F369, #88FF7C, #99FF8F, #AAFFA2 and #BBFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72F36E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72F36E shade: #72F36E, #61E15B, #50CF48, #3FBD35 and #2EAB22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72F36E shade: #70F36C, #95F36C, #B9F36C, #DDF36C and #F3E46C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72F36E shade: #70F36C, #6CF38C, #6CF3B1, #6CF3D5 and #6CECF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72F36E shade matches the following richer shades: #70F36C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72F36E shade: #70F36C, #7CE679, #88D986, #94CC93 and #A0BF9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72F36E shade: #B8F36C, #95F36C, #71F36C, #6CF38C and #6CF3AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72F36E shade: #26EC20, #4BF046, #70F36C, #95F692 and #BBF9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72F36E shade: #72F36E, #6CDCF3 and #F36CA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72F36E shade: #72F36E, #6C71F3 and #F36C71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72F36E shade: #72F36E, #6CDCF3, #EE6CF3 and #F3836C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72F36E shade: #72F36E, #6CB4F3, #EE6CF3 and #F3AB6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 55 / 5

HEX #72F36E

RGB 114 243 110

HSL 118.2, 0.85%, 0.69%

LAB 86.41, -61.16, 52.76

 

Complementary color

CMYK 3 / 92 / 0 / 43

HEX #8D0C91

RGB 141 12 145

HSL 298.2, 0.85%, 0.31%

LAB 33.92, 62.2, -40.31

 

CMYK 51 / 0 / 57 / 5

HEX #77F369

RGB 119 243 105

HSL 113.91, 0.85%, 0.68%

LAB 86.53, -60.45, 55.18

 

CMYK 47 / 0 / 51 / 0

HEX #88FF7C

RGB 136 255 124

HSL 114.5, 1%, 0.74%

LAB 90.88, -58.25, 51.92

 

CMYK 40 / 0 / 44 / 0

HEX #99FF8F

RGB 153 255 143

HSL 114.64, 1%, 0.78%

LAB 91.81, -50.95, 44.28

 

CMYK 33 / 0 / 36 / 0

HEX #AAFFA2

RGB 170 255 162

HSL 114.84, 1%, 0.82%

LAB 92.87, -43.09, 36.52

 

CMYK 27 / 0 / 29 / 0

HEX #BBFFB5

RGB 187 255 181

HSL 115.14, 1%, 0.85%

LAB 94.06, -34.82, 28.77

 

CMYK 53 / 0 / 55 / 5

HEX #72F36E

RGB 114 243 110

HSL 118.2, 0.85%, 0.69%

LAB 86.41, -61.16, 52.76

 

CMYK 57 / 0 / 60 / 12

HEX #61E15B

RGB 97 225 91

HSL 117.31, 0.69%, 0.62%

LAB 80.26, -60.88, 53.91

 

CMYK 61 / 0 / 65 / 19

HEX #50CF48

RGB 80 207 72

HSL 116.44, 0.58%, 0.55%

LAB 74.06, -60.36, 54.93

 

CMYK 67 / 0 / 72 / 26

HEX #3FBD35

RGB 63 189 53

HSL 115.59, 0.56%, 0.47%

LAB 67.81, -59.49, 55.64

 

CMYK 73 / 0 / 80 / 33

HEX #2EAB22

RGB 46 171 34

HSL 114.74, 0.67%, 0.4%

LAB 61.5, -58.1, 55.75

 

CMYK 54 / 0 / 56 / 5

HEX #70F36C

RGB 112 243 108

HSL 118.22, 0.85%, 0.69%

LAB 86.32, -61.9, 53.54

 

CMYK 39 / 0 / 56 / 5

HEX #95F36C

RGB 149 243 108

HSL 101.78, 0.85%, 0.69%

LAB 87.76, -51.44, 55.59

 

CMYK 24 / 0 / 56 / 5

HEX #B9F36C

RGB 185 243 108

HSL 85.78, 0.85%, 0.69%

LAB 89.63, -39.22, 58.24

 

CMYK 9 / 0 / 56 / 5

HEX #DDF36C

RGB 221 243 108

HSL 69.78, 0.85%, 0.69%

LAB 91.93, -25.68, 61.49

 

CMYK 0 / 6 / 56 / 5

HEX #F3E46C

RGB 243 228 108

HSL 53.33, 0.85%, 0.69%

LAB 89.68, -9.64, 59.37

 

CMYK 54 / 0 / 56 / 5

HEX #70F36C

RGB 112 243 108

HSL 118.22, 0.85%, 0.69%

LAB 86.32, -61.9, 53.54

 

CMYK 56 / 0 / 42 / 5

HEX #6CF38C

RGB 108 243 140

HSL 134.22, 0.85%, 0.69%

LAB 86.59, -58.47, 38.72

 

CMYK 56 / 0 / 27 / 5

HEX #6CF3B1

RGB 108 243 177

HSL 150.67, 0.85%, 0.69%

LAB 87.22, -51.88, 20.88

 

CMYK 56 / 0 / 12 / 5

HEX #6CF3D5

RGB 108 243 213

HSL 166.67, 0.85%, 0.69%

LAB 88.01, -44.05, 3.32

 

CMYK 56 / 3 / 0 / 5

HEX #6CECF3

RGB 108 236 243

HSL 183.11, 0.85%, 0.69%

LAB 86.82, -33.34, -14.15

 

CMYK 54 / 0 / 56 / 5

HEX #70F36C

RGB 112 243 108

HSL 118.22, 0.85%, 0.69%

LAB 86.32, -61.9, 53.54

 

CMYK 54 / 0 / 56 / 5

HEX #70F36C

RGB 112 243 108

HSL 118.22, 0.85%, 0.69%

LAB 86.32, -61.9, 53.54

 

CMYK 46 / 0 / 47 / 10

HEX #7CE679

RGB 124 230 121

HSL 118.35, 0.69%, 0.69%

LAB 83.05, -52.06, 43.6

 

CMYK 37 / 0 / 38 / 15

HEX #88D986

RGB 136 217 134

HSL 118.55, 0.52%, 0.69%

LAB 79.94, -41.15, 33.28

 

CMYK 27 / 0 / 28 / 20

HEX #94CC93

RGB 148 204 147

HSL 118.95, 0.36%, 0.69%

LAB 77.03, -29.23, 22.75

 

CMYK 16 / 0 / 17 / 25

HEX #A0BF9F

RGB 160 191 159

HSL 118.13, 0.2%, 0.69%

LAB 74.34, -16.64, 12.71

 

CMYK 24 / 0 / 56 / 5

HEX #B8F36C

RGB 184 243 108

HSL 86.22, 0.85%, 0.69%

LAB 89.57, -39.58, 58.15

 

CMYK 39 / 0 / 56 / 5

HEX #95F36C

RGB 149 243 108

HSL 101.78, 0.85%, 0.69%

LAB 87.76, -51.44, 55.59

 

CMYK 53 / 0 / 56 / 5

HEX #71F36C

RGB 113 243 108

HSL 117.78, 0.85%, 0.69%

LAB 86.35, -61.65, 53.59

 

CMYK 56 / 0 / 42 / 5

HEX #6CF38C

RGB 108 243 140

HSL 134.22, 0.85%, 0.69%

LAB 86.59, -58.47, 38.72

 

CMYK 56 / 0 / 28 / 5

HEX #6CF3AF

RGB 108 243 175

HSL 149.78, 0.85%, 0.69%

LAB 87.19, -52.28, 21.86

 

CMYK 84 / 0 / 86 / 7

HEX #26EC20

RGB 38 236 32

HSL 118.24, 0.84%, 0.53%

LAB 82.11, -78.52, 74.87

 

CMYK 69 / 0 / 71 / 6

HEX #4BF046

RGB 75 240 70

HSL 118.24, 0.85%, 0.61%

LAB 84.1, -72.51, 66.3

 

CMYK 54 / 0 / 56 / 5

HEX #70F36C

RGB 112 243 108

HSL 118.22, 0.85%, 0.69%

LAB 86.32, -61.9, 53.54

 

CMYK 39 / 0 / 41 / 4

HEX #95F692

RGB 149 246 146

HSL 118.2, 0.85%, 0.77%

LAB 89.1, -47.95, 39.31

 

CMYK 25 / 0 / 26 / 2

HEX #BBF9B9

RGB 187 249 185

HSL 118.13, 0.84%, 0.85%

LAB 92.49, -31.41, 24.6

 

CMYK 53 / 0 / 55 / 5

HEX #72F36E

RGB 114 243 110

HSL 118.2, 0.85%, 0.69%

LAB 86.41, -61.16, 52.76

 

CMYK 56 / 9 / 0 / 5

HEX #6CDCF3

RGB 108 220 243

HSL 190.22, 0.85%, 0.69%

LAB 82.3, -25.64, -20.97

 

CMYK 0 / 56 / 32 / 5

HEX #F36CA6

RGB 243 108 166

HSL 334.22, 0.85%, 0.69%

LAB 63.78, 57.6, -5.4

 

CMYK 53 / 0 / 55 / 5

HEX #72F36E

RGB 114 243 110

HSL 118.2, 0.85%, 0.69%

LAB 86.41, -61.16, 52.76

 

CMYK 56 / 53 / 0 / 5

HEX #6C71F3

RGB 108 113 243

HSL 237.78, 0.85%, 0.69%

LAB 53.46, 34.35, -66.15

 

CMYK 0 / 56 / 53 / 5

HEX #F36C71

RGB 243 108 113

HSL 357.78, 0.85%, 0.69%

LAB 62.48, 52.28, 23.14

 

CMYK 53 / 0 / 55 / 5

HEX #72F36E

RGB 114 243 110

HSL 118.2, 0.85%, 0.69%

LAB 86.41, -61.16, 52.76

 

CMYK 56 / 9 / 0 / 5

HEX #6CDCF3

RGB 108 220 243

HSL 190.22, 0.85%, 0.69%

LAB 82.3, -25.64, -20.97

 

CMYK 2 / 56 / 0 / 5

HEX #EE6CF3

RGB 238 108 243

HSL 297.78, 0.85%, 0.69%

LAB 66.04, 67.54, -45.29

 

CMYK 0 / 46 / 56 / 5

HEX #F3836C

RGB 243 131 108

HSL 10.22, 0.85%, 0.69%

LAB 66.8, 40.67, 31.61

 

CMYK 53 / 0 / 55 / 5

HEX #72F36E

RGB 114 243 110

HSL 118.2, 0.85%, 0.69%

LAB 86.41, -61.16, 52.76

 

CMYK 56 / 26 / 0 / 5

HEX #6CB4F3

RGB 108 180 243

HSL 208, 0.85%, 0.69%

LAB 71.08, -4.8, -38.2

 

CMYK 2 / 56 / 0 / 5

HEX #EE6CF3

RGB 238 108 243

HSL 297.78, 0.85%, 0.69%

LAB 66.04, 67.54, -45.29

 

CMYK 0 / 30 / 56 / 5

HEX #F3AB6C

RGB 243 171 108

HSL 28, 0.85%, 0.69%

LAB 75.61, 19.82, 42.7

 

Description

Color code: HEX #72F36E | qconv.com Color code: HEX #72F36E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 243 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 243 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 55 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 55% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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